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Watch How to Get to Heaven from Belfast Season 1 Episode 7 online in HD on Dailymotion (2026).
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00:28You
00:37There you are
00:41It looks so beautiful today
00:43You look so beautiful today
00:47Yes, please stop it
00:49I told mom you'd pick her up from the station today
00:52Daddy said I can stay over at Claire's
00:54Check with your mother's what I actually said
00:58Time to get in there
00:59Mom? Yes, fine
01:01One o'clock I think
01:02I'll be there
01:04See ya
01:05Love you
01:44You should always keep your front door closed
01:48You never know what might get in
01:56I
01:56I wanted to have this conversation in Portugal
02:00But you left in such a hurry
02:03My family
02:06My husband and my daughter
02:09They don't know
02:11You mentioned that in your letter
02:13And what did you tell them
02:14About why you were cutting your holidays short
02:17I lied
02:19I've got very good at that
02:22I expect you have too
02:23Hmm
02:26Hasn't been easy
02:28Tracking you down
02:32I even found myself back there
02:35I even found myself back there
02:37Heavensvale
02:38It's a
02:41Ghost town now
02:44Afterwards everyone left
02:46Well
02:47Not everyone
02:50Your mother's still there
02:52What?
02:54Well
02:55Thereabouts
02:56She's very ill
02:57Now
02:58There's this place on the outskirts
03:01I thought you might
03:02What?
03:03Visit her?
03:04Yeah
03:06Maybe not
03:11We were just
03:12Two little broken dolls
03:13Weren't we?
03:20I want you to have something
03:23I've got one too
03:25We were friends
03:27Once
03:29You didn't come all this way
03:31To give me a friendship bracelet
03:32Yes
03:35I have the most
03:36Wonderful
03:37News
03:41When I saw you
03:42In Portugal
03:42After all this time
03:43I knew
03:44It was a message
03:45I knew it was him
03:47I knew he
03:49Brought you back to me
03:50Who?
03:52Please tell me
03:53You're not talking about God
03:54After everything that happened
03:57The signs
03:58They were
03:59Strange
04:00At first
04:01Especially the photographs
04:03And not just photographs
04:05He
04:06Comes to me in my dreams
04:07Appears in the faces of strangers
04:09Who?
04:10Charles Sampson
04:16You look frightened
04:19This is fucking terrifying
04:20It's beautiful
04:21It's
04:22It's God's will
04:23What is
04:24What does he want?
04:26For Charles
04:26To be at peace
04:28For us
04:29To seek redemption
04:31And
04:31And
04:31For his son
04:33To have the answers
04:34He deserves
04:34He had a son
04:36Did you know that?
04:39I shut it out completely
04:41The idea that Charles
04:42Was a person with
04:43A past
04:45And when the vision started
04:46I
04:46Got curious
04:48He's studying journalism
04:51The son
04:51Andrew
04:54His name's
04:55Andrea
04:58We need to tell him
04:59What happened
05:08I'd like you to leave
05:23We're being given an opportunity here
05:27A gift
05:28Great
05:29You take it
05:30Keep me out of it
05:32But I don't know what happened to him
05:33Afterwards his
05:35Body
05:36I mean
05:36Because I dealt with it
05:38For you
05:39Yeah
05:40To protect you
05:41You felt guilty
05:44Because you were clever
05:46And interesting
05:47You were worth saving
05:50And I wasn't
05:51But
05:52It's okay
05:53It's all okay
05:54Now
05:54Get out
05:58I'm not going anywhere
06:01I'm calling my husband
06:04It's too late
06:06I rang his son
06:07I told him to come here
06:11I'll deny it
06:14I'll deny everything
06:15I still have the tape
06:19What?
06:20I kept it
06:22Locked it away in a little box
06:24Are you blackmailing me?
06:25I'm guiding you
06:27Guiding you
06:28Guiding you into the light
06:29As God wants me to
06:30You need help
06:32For everyone practicing evil
06:33Hates the light
06:34Lest his deeds
06:35Should be exposed
06:36But he who comes
06:37Into the light
06:38His deeds may be clearly seen
06:41And may have been done
06:43In God's name
06:44Fuck
06:46I'm not there
06:48I'm not her
06:49I'm somebody else
06:51No!
06:57Oh my god
06:58Fuck
07:01Oh, look.
08:19We know who killed him. We can describe her.
08:21Yeah, and they'll ask why she killed him.
08:23Well, to get the us. Because we had something she wanted.
08:26Well, that's my concern.
08:27The whole how we came to be in possession of that something question.
08:30Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:34We haven't actually done anything wrong.
08:37Anything that wrong.
08:38Oh, I just want to get out of Donegal.
08:41Weird things happen in Donegal.
08:44Donegal is weird.
08:47No offence.
08:50We need to get to Belfast.
08:52But we can't pay you.
08:53Well, aren't you a trio of charmers?
08:55We're some to get our cards, our phones.
08:57But you can have my jewellery.
08:58Why the hell would I want your jewellery?
09:00I'm a bus driver, not a fickin' highway man.
09:05On you get.
09:08Are you sure we should do this?
09:10We'll have to do this.
09:12For Liam.
09:15Nora O'Hara gave a child a daughter up for adoption in 1997.
09:19Greta.
09:19Has to be.
09:20Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:25And it would explain why Nora wasn't allowed any contact.
09:28Whatever it was, it was big enough, insane enough, to make any information about Greta's life with Nora just disappear.
09:34Disappear.
09:36Perhaps that's what your father was circling.
09:38And maybe he got too close to something.
09:40We know he was meeting someone on the school grounds that night.
09:43Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:47Liam, is this really the way to go about it?
09:50Feels quite risky.
09:52For you.
09:53I mean.
09:55Well, I was shot in the chest yesterday, so...
09:58No, fuck it.
10:03Welcome to South Belfast.
10:05The report police station.
10:07For all inquiries, please report to the front desk.
10:23Christ.
10:27Surprise!
10:31Yeah, babes.
10:33This finally happened.
10:35We lost one.
10:36Ah, fuck.
10:37It's quite the conundrum.
10:38Ross has called a meeting.
10:39Fuck!
10:40In Derry.
10:41In Derry?
10:42It's very much a headquarters situation, I'm afraid, babes.
10:45Fuck!
10:46Ah!
10:49There's PhDs that are more straightforward.
10:51That's the same with any cross-border request.
10:53They make it so complicated.
10:55Ah, but you're happy to use our lads.
10:57That makes it easier.
10:58The guards poking around up here at, um...
11:01They can get some people's backs up.
11:02They're bad.
11:03Yeah.
11:04And if anything kicks off, you guys don't even carry guns.
11:06Which is weird.
11:08Or is it weird that you guys do?
11:09Do you have the pencil?
11:11Sorry?
11:12Do you have the iPad pencil, sir?
11:13God, I must have left it at the, uh...
11:15Oh, my God.
11:16Oh, my God.
11:22Hey.
11:24Have you got this?
11:26Yeah.
11:28You remember Andrew?
11:31I think we need to talk.
11:33Don't you?
11:35We thought you were dead.
11:38We thought she killed you.
11:40And we couldn't do anything, because...
11:42That mad bitch locked us in a tower.
11:44Like Rapunzel.
11:46Why are you guys here?
11:47In Belfast.
11:48We'll get to that.
11:50Who is she?
11:51I don't know.
11:52Honestly, we don't.
11:53She just started following us.
11:54Did you have a vest on?
11:56What?
11:56Like a bulletproof vest.
11:57No.
11:58The box stopped it.
12:00That's insane.
12:01How lucky was that?
12:02Would have been luckier just to, you know, not have got shot.
12:05We think that's what she wanted, the tape.
12:07That makes sense.
12:08Someone took her from the hospital.
12:09It was being treated.
12:10Did you listen to it?
12:13No.
12:16Did you?
12:17It wasn't time.
12:19How did she come to have it?
12:21We found it.
12:23In Portugal.
12:25In Jodie Pryor's place.
12:26She wasn't there.
12:28But it was with her stuff.
12:29The box.
12:30We thought it might have been a clue.
12:33That it might have been worth holding on to.
12:35Big fucking mistake.
12:40We were just so desperate to find out what really happened with Greta.
12:44Did you know she was adopted?
12:48No.
12:50She recognised this woman.
12:59Nora O'Hara.
13:04You're sure?
13:05That book there.
13:06Where'd you get that book?
13:08The FGM.
13:08I said, do you want this?
13:10Yeah.
13:11Yeah.
13:11My phone got...
13:12Look, we only came here to report the fact that you've been killed would feel sort of redundant now.
13:17So, are we free to go or what's a crack here?
13:19You've nothing to hide, have you?
13:20I don't like your tone.
13:21I don't like getting shot.
13:23Would you ever fucking give over your grand, aren't you?
13:25Robin, please.
13:25What right does he have to question us anyway?
13:28Like this here?
13:30We're in a PSN ice station.
13:31He's a guard.
13:32You've no authority here.
13:33This is Northern Ireland.
13:34It's an entirely different country.
13:36Well, that was a swift abandonment of your nationalist ideology.
13:39Fuck, you know, sack this.
13:40Sit down.
13:41Eat the will not, you fucking fetus.
13:43Let's go.
13:44Please don't.
13:45Please.
13:46Just trying to find out what happened to my father.
13:48Well, you'd have to ask Greta.
13:50I can't, can I?
13:51She's dead.
13:51Okay, fine.
13:53You want to hear something wild, Andrew?
13:55I need a cigarette.
13:59Do you have a cigarette?
14:02I'm sure I could find you one.
14:05Why don't you just grab some coffees?
14:24Why don't you lose the car?
14:27What's wrong with the car?
14:28It's fucking ridiculous.
14:30There's nothing wrong with the car.
14:32The car's class.
14:33You blame me, don't you?
14:34Of course I blame you.
14:35It's your fault.
14:38She syringed me, babes.
14:41She syringed the both of us.
14:43What could I have done?
14:44Not left your syringes lying about.
14:46You don't expect the threat to come from inside the house.
14:49Expect anything and everything?
14:51I thought I taught you that.
14:52You left the landline connected, for Christ's sake.
14:55I didn't know what it was, though.
14:56I thought it was some kind of Portuguese ornament.
14:58There was no need to get annoyed.
15:00Christ, you get hoist by your own syringe one time.
15:03Let's drop it.
15:04I don't understand why she did it.
15:06It's not like her problem's going anywhere.
15:08It doesn't make sense.
15:09People don't make sense.
15:11She's got her new ID,
15:13her new bank cards.
15:15And I was setting up a phone for her.
15:18She's easily traceable.
15:20She's not stupid.
15:22She won't use them.
15:28The window's closing and Rosa decides to call us to Derry.
15:32Well, there's no precedent.
15:34Yeah, this is a first, babes.
15:35Not an achievement.
15:36Rosa's priority should be getting that gear back
15:38and shutting this down quickly.
15:40She's the boss.
15:41I'm aware.
15:42Christ.
15:43Just such bad timing
15:45on the back of that whole other hullabaloo.
15:49What are you on about?
15:50One of the delivery guys disappeared.
15:52Who, Jackson?
15:53Yeah, that's right.
15:54I blew Jackson up.
15:57Okay.
15:58Maybe you should have, like,
16:00told someone that, babes.
16:01He backchatted me.
16:02You blew him up because he backchatted you.
16:04I blew him up because I didn't trust him.
16:06The backchatting just fast-tracked things.
16:08Why didn't you trust him?
16:09Remember that client we had?
16:11That young girl?
16:12She was trying to get away from that older guy.
16:14Real nasty prick.
16:15Do I remember?
16:17I was the one that had to wipe him out.
16:20I always wondered how he found her.
16:23Everything led back to Jackson.
16:26Why would he do that?
16:27Money.
16:28We should never have started working with men.
16:30We needed to.
16:31The operation's growing, babes.
16:34When it started, we were all volunteers.
16:36You remember.
16:37Well, those days are gone.
16:40Soon we'll all have to wear work uniforms.
16:43What?
16:43Rosa is talking about introducing a dress code.
16:48Apparently, some of our operators are, like,
16:53drawing attention to themselves.
16:55I can't think who she means.
16:57My ether, babes.
17:14Hello?
17:18Hello?
17:20Hello?
17:22Where is this?
17:24Hello?
17:26Hello?
17:35Mom, I love you.
17:41Mommy?
18:00I'm cold.
18:02No, I'm fine.
18:04Oh, no, please, don't do that.
18:05It's fine.
18:07Fine.
18:08It's fine.
18:15Why didn't you tell me about Andrew?
18:20I don't know.
18:21I didn't give it much thought, or it didn't seem relevant.
18:24Which?
18:25I don't know.
18:27Before I found you in Dublin, I went to the set of your show.
18:31I spoke to Seb.
18:32You spoke to Seb?
18:33Such a big machine.
18:36But it all starts in your head, doesn't it?
18:39I suppose.
18:40I was thinking about what you told me the first time I was there.
18:43About how you take bits and pieces from real life.
18:47Most others do.
18:48You never worry, the lines might get blurred.
18:50The line?
18:50Between reality and story.
18:54Not really, no.
18:57If there's anything else you haven't told me, I'll do it now, Saoirse.
19:10I see it in there.
19:12I see it in there.
19:26Hello, Garda.
19:27Sorry?
19:28Oh, no, I'm not actually...
19:30Is Inspector O'Neill about?
19:32He borrowed the lighter and we need it back.
19:34Mervyn's birthday.
19:36How you made Inspector so young with all memory?
19:38Inspector O'Neill, did you say?
19:40Owen, tell him the proposals with the superintendent now.
19:44What?
19:45What?
19:45The excavation proposal for the school grounds.
19:47It's with the boss now.
19:49It'll take him a while to go through it, though, so we shouldn't hang about.
19:52Try to give him a call.
19:59What's keeping them?
20:03I don't know.
20:05What's keeping them?
20:28What the fuck?
20:30Why would he pretend to be Owen?
20:33It's the only way he'd get permission to do it.
20:34Did he what?
20:36Excavate the school grounds.
20:37What the fuck?
20:38Keep moving.
20:39How does he know?
20:41Maybe...
20:41Delo's notebooks Andrew had.
20:44His father's notebooks.
20:45Maybe there was something in there.
20:46We could have found the body.
20:47Yes, that is now quite a real possibility.
20:49We're fucked.
20:49Well, we didn't get him.
20:50It doesn't matter.
20:51We were there.
20:51We moved him.
20:53We buried him.
20:53Our DNA's probably all fucking over him.
20:56Oh, but it's been so long.
20:57It's been 20 years.
20:58Well, DNA doesn't wash off.
21:00It's like Catholicism.
21:01Yeah, but we didn't do it granted it.
21:03They're not going to believe us.
21:05They're going to think we're trying to blame it on a dead woman.
21:07She's not dead, though.
21:08I was just about to tell them that.
21:09We can't tell them that.
21:10Not now, don't you see?
21:11If we tell them that now, it's going to make us sound cornered and desperate and...
21:14Taxi!
21:15We can't tell them we didn't do it.
21:17We have to prove it.
21:19I'll be back soon.
21:20Meet you by the bridge in an hour.
21:21Jesus Christ!
21:23Where's she going?
21:44Oh, sweetheart.
21:49Mom's alive.
21:54What happened, Dad?
21:57Who died?
21:58What did you do?
22:00Your mother has secrets.
22:10I didn't want this person I was to infect the people I love.
22:15What do we do now, Margo?
22:16I know someone who can help us.
22:19I represent an organization that helps women that have nowhere else to turn.
22:28Allow me to explain the process.
22:33I was just trying to protect you.
22:35You think I didn't know something was wrong?
22:39I was going insane.
22:42I knew you were all lying to me.
22:46Daddy.
22:47I thought you did something to her, Daddy.
22:50I didn't know who I could trust.
22:56That's why I traced those friends first.
23:00That's why I sent that message.
23:06You sent an email.
23:10I'm sorry.
23:12Hey.
23:14It's okay.
23:17I don't know.
23:18I'm sorry.
23:27Can you wait here?
23:29Cal?
23:32I need to talk to Seb.
23:34I need to.
23:35Cal won't play ball at all.
23:36It's been a fucking asshole.
23:38Excellent.
23:45Cal?
23:45Cal?
23:45We're back!
23:48Where the hell have we been?
23:50Hello.
23:57What are you two doing here? We're looking for you.
24:00We were worried sick.
24:01Yeah, you seem beside yourself. Like nobody could get a hold of you.
24:04We lost our phones. You lost your phones?
24:06How? What's going on, girls?
24:07Nothing's going on. Something's going on.
24:09The disappearing acts, the secrecy.
24:11I'm going to ask you a question, girls.
24:13And I want an honest answer.
24:16Have you joined the IRA?
24:18Nobody joins the IRA anymore, mammy.
24:20Your cousin Mary did only last month.
24:22Mary joined ISIS, mammy.
24:23What? Oh, no, sorry. Not ISIS.
24:26Booba. How can Mary afford that?
24:28Look, I had Saoirse's parents on the phone.
24:30They're going to ring the police.
24:31Saoirse is fine. We'll call them.
24:32We'll tell them she's fine.
24:34And we will make some tea.
24:35We have tea. We'll make more.
24:39What is going on, Robin? What is the plan exactly?
24:42Saoirse gave her that number. The number from the lighthouse, didn't she?
24:45She'll meet.
24:46I'm going to find out who Greta was calling.
24:52Noxie nursing home.
24:53Oh, hello.
24:55It's a nursing home.
24:56Hello, are you still there?
24:58What should I ask?
25:00I think there's a problem.
25:01The mother's name.
25:02Who was it?
25:04Nora O'Hara.
25:05Asked for Nora O'Hara.
25:07Hello?
25:07I'm very sorry.
25:09I don't know what happened there.
25:10Could you put me through to Nora O'Hara, please?
25:13Oh, I'm afraid Mrs. O'Hara's in terribly well at the moment.
25:16Can I help with anything?
25:17I'm just trying to get in touch with her daughter.
25:20Oh, I see.
25:21Well, I can pass on a message when she arrives if you like.
25:25Gotcha.
25:26Could a fox have dug up the body?
25:28Can they do that?
25:29Is that asking too much?
25:31Oh, my God, baby.
25:32Where have you been?
25:33Have you got a...
25:34I don't want to talk about the fucking cow.
25:36Who are these guys?
25:37They're the writers.
25:38What?
25:39I'm the writers.
25:40The writer.
25:40I'm the writer.
25:41He asked us to hire them.
25:42Who didn't?
25:43He sent us an email.
25:44When?
25:48Hi there.
25:49This series is so fucking annoying.
25:51I just almost fucked my laptop out a window.
25:53I can't do it on my own anymore.
25:55Hire some fucking writers.
25:56Not shit ones.
25:57Say shit.
25:58Kiss.
25:59Yes.
26:01Yes, I see.
26:02Well, I was obviously a few margaritas down at that point.
26:05It is such a pleasure to meet you.
26:08I have been a must-
26:09You don't have to do the thing.
26:10Yep, okay.
26:11That's just like Jesse.
26:12He can't handle praise either.
26:14Eva's just been on Jesse Armstrong's new show.
26:16Has she?
26:17He's such a genius.
26:18Yeah, so I hear.
26:19Anyway, we need to change the story strand.
26:21Like, quickly.
26:22Like, immediately.
26:23What?
26:24Which one?
26:24Yes, this here.
26:26When the kids bury her body in the school crimes.
26:29We're filming this soon.
26:31We should have filmed it already, but we had to push it down the schedule.
26:33I know, it's getting pushed all the way out of the show.
26:35That will have a huge knock on.
26:37The entire second half of the series will need to be replotted.
26:40We put our lunch order in 45 minutes ago, but there's still no sign.
26:44What's that got to do with anything?
26:46Sorry, I thought we were talking about things that were worrying us.
26:48This is why Jesse maps everything out in such intricate detail.
26:51I hear his catering's amazing.
26:53Oh, he curates the menus himself.
26:54He's across everything.
26:56It's actually really tough to be that much of a perfectionist.
26:58Yeah, poor old Jesse fucking Armstrong.
27:00Look, we need a new idea.
27:02Okay, any new idea.
27:03We need to make this work.
27:07Otherwise...
27:09What? What is it?
27:13Otherwise, it's never going to go away.
27:17Session.
27:19What are you doing?
27:20Borrowing the card.
27:21You're leaving?
27:22Just come up with a new idea.
27:24Me?
27:25It'll be great.
27:26I trust you.
27:32Jesse would have stayed.
27:35This isn't really my vibe.
27:36Well, obviously, it's like fashionable.
27:38All right, then.
27:39Look, you do well to dress a bit more like me, Dara.
27:42Lesbians love me.
27:43Okay, I'm going to have to object to that statement.
27:45On behalf of my people.
27:46Remember that big gay street party thing we went to?
27:49Pride.
27:50That woman, that barrister, she proposed to me.
27:52She was quite drunk, Robin.
27:53She didn't propose to you.
27:54I am not wearing this.
27:56Fine, I'll get you something at Jim's.
28:05Dear Jodie, I am truly sorry for how things turned out.
28:09Don't look for me again.
28:11Don't contact me again.
28:13I want to move on.
28:15Please, let me.
28:16This might explain things better.
28:19Greta.
28:20Of course.
28:24Stop here.
28:25Pull over.
28:27Cheers.
28:31Oh!
28:32Girls, stop!
28:34Hello!
28:35Come on, get in, get in, get in, get in.
28:37Quick sticks.
28:39Let's go, let's go, let's go.
28:41Get out.
28:42Oh, she'll not know what's hit her.
28:43I'm not taking the fall for something she did.
28:45No, sir.
28:46Fucking re.
28:46I'm not going down for no one.
28:48Time to face the music.
28:49Asshole.
28:50She's had about 17 coffees.
28:52I remember where I saw this book.
28:54In Jodie's apartment.
28:56And that letter we found with the box, the one Greta sent Jodie,
28:59it says, this might explain things better.
29:01Okay, so you think Greta sent it?
29:04Shit, Jim.
29:05Where the hell have you gone now?
29:07Oh, calm down, Jim.
29:08You took my iPhone.
29:10Why do you know that?
29:11Because I'm calling you on it.
29:13Oh, and thanks for ringing Saoirse's parents.
29:14Oh, no, wait, you didn't.
29:16You're out.
29:16Come on.
29:17Nobody.
29:18Because they're here.
29:20My parents are there.
29:22Ha, it's the woman herself.
29:23Hi, Saoirse, love.
29:24I hear you and the girls have joined the IRA.
29:27So we didn't even know they were still in action.
29:30Listen, Robin, I don't know if you're having some sort of breakdown.
29:33I'm not having a fucking breakdown.
29:35Jesus, I take a few days away at my friends.
29:37Aren't you always sailing off to London?
29:39To make the money, we need to keep our family.
29:42Who's looked after the kids for the best part of a decade?
29:44Guys, on the road, Robin.
29:45I keep our fucking family.
29:47Run, run, run.
29:48Look, I know that, love.
29:51And I appreciate that.
29:52All I'm asking is for one more day.
29:54The nursing home's near Cork.
29:56Two more days?
29:57Do you think you could mind your own children for two days, James?
30:00Of course.
30:01All I'm asking.
30:02I will be taking no further questions at this time.
30:05Ball bag.
30:11The excavation request is being processed.
30:13Well, even if we do get permission and nobody up here found out one.
30:16What, but you're not actually Inspector O'Neil?
30:19Right.
30:19The area we're looking at, well, it's vast.
30:22The skill grounds.
30:22Well, we're thinking the caretaker's cottage, though.
30:24It's surrounded by woodland, Andrew.
30:26We, we might, might get one shot at doing this.
30:30We need to be more specific.
30:34I've so little, Liam.
30:38I spent my whole life trying to shape what little I have.
30:44To try and understand who he was.
30:46I mean, that's the only reason I'm studying journalism, for Christ's sake.
30:49I don't even know if I'm any good at it.
30:52It feels like he's a character in a story.
30:55Everything about him is just so vague and fragile.
31:00I always thought that if I could just find him...
31:06I don't know, then I could make him real.
31:11But that sounds so mad, right?
31:14We're all trying to make sense of something.
31:17To find Loi in the dark.
31:23Hoping to write my balance out or wrong.
31:27Just that way you're helping me, Liam.
31:30Just a good deed that, that might undo a bad one.
31:37What made you move to knock Dora?
31:40Something happened when you were working in Dublin.
31:45You know what, Andrew?
31:46I think you'll make an excellent journalist.
31:56Now I've got a cousin called Kevin.
31:59He's sure to go to heaven.
32:02Always up as clean and neat.
32:05As smooth as you'll get him.
32:08He's got a fur...
32:10Welcome to Madame Morphosis.
32:14If yous need any assistance, just ring the wee princess bell.
32:17No, we won't be doing that.
32:19We have an appointment.
32:22Names, please.
32:23No, sorry. We're in the other book.
32:25Dollar book?
32:27The other book.
32:28Of course. Right.
32:33I am so, so sorry.
32:34I'll sign a sign.
32:35Of course.
32:39It's such an honour to meet you.
32:49Come on, we've been driving for ages.
32:52I'm starving.
32:52This story is fascinating.
32:54So it's this young girl and she's trying to move on from this very traumatic event that's...
32:59Well, it's just referred to as the big bad.
33:02Where the hell are we?
33:04The big bad?
33:05No signal, no road signs.
33:07Are we lost?
33:07I'm not even sure what kind you were in anymore.
33:10Perfect.
33:11Let's ask here.
33:26Excuse me.
33:27We were wondering if there was a hotel or a B&B nearby that you might recommend.
33:33Do I look like the tourist board?
33:35I'm sorry?
33:36Do I look like a fucking tourist board?
33:40Well...
33:40No.
33:41You buy something and then we talk.
33:46We were gonna buy something.
33:51Cheeky wee shit.
33:52Yeah.
33:53Anyway.
33:54She, the writer, she doesn't ever reveal what happened.
33:59What the big bad actually was.
34:03The argument that she seems to be making is...
34:07It's not relevant.
34:09Which is sort of the opposite of what you'd expect the thinking around trauma to be.
34:12And this seems to be about making it...
34:14Distant.
34:15Dream-like.
34:18Disassociating from it.
34:31There's a... a motel down the road from here.
34:34I didn't even know we had motels.
34:37Cars?
34:37Or card?
34:38Oh, card.
34:39Please.
34:44Ah, no shit.
34:45Wrong one.
35:04He hits us.
35:39Ladies.
35:41Ladies.
35:42Ladies.
35:43I think that's all of us.
35:49So, as some of you probably already know, we've had an incident with one of our clients.
35:57They left before we'd completed the operation.
36:03There's a first for everything, I suppose.
36:06Rosa, before we get into that, there's another issue I'd like to discuss.
36:11But I'm sure it couldn't be quite as present.
36:13Oh, it is.
36:21Jackson?
36:23Jackson?
36:23Yeah, Jackson.
36:25Jackson.
36:25Jackson's left the building, I'm afraid.
36:27Apologies to anyone who was searching for him.
36:29I didn't mean to waste your time.
36:32I had a lot going on.
36:34Didn't get the chance to circle back, as they say.
36:39Why?
36:41He'd been exchanging confidential information for money, putting clients at risk.
36:47Are you sure?
36:48I'm sure.
36:49She has receipts, babes.
36:51I see.
36:52We just need to make sure that he was the only one.
36:54Well, of course.
36:56We consider it a priority.
36:59And look, our AWOL client, I just want to reassure everyone that we will find her quickly and pull her
37:05into line.
37:06Toads, babes.
37:07No, it's not a matter of pulling her into line, Booker.
37:28Oh, good evening.
37:30My name is Norman.
37:33Can I help you?
37:34Norman?
37:35You own a motel and your name is Norman?
37:38I don't own it. My father owns it.
37:40What's his name?
37:42Norman.
37:43Do either of you practice taxidermy?
37:47We just need a couple of rooms for the night.
37:53Do you know Heaven's Veal?
37:55Kyle and Yao.
37:56I mean, that's a good bit further west.
37:58You made the right call stopping here.
38:00I'm starting to question that.
38:02So you've heard the story then?
38:04What story?
38:05Beautiful place by all accounts.
38:08But sure no one's lived there for decades.
38:10It's a ghost town.
38:11Why's that?
38:12Because they all got spooked.
38:14Spooked?
38:15A group of kids gathered in a little church one night.
38:19Then there was a fire.
38:21Most of them died.
38:24Eight of the poor little souls.
38:26Just doesn't bear thinking about.
38:29I mean, it destroyed that community.
38:31It wasn't deliberate.
38:33Oh, it was deliberate, alright, yeah.
38:36Who started it?
38:38They say it was the devil himself.
38:46Here we are.
38:48Now, will you be wanting the minibar stocked?
38:50I think we're okay.
38:52We're very tired.
39:01Oh, I think the fuck not.
39:03On second thoughts, we absolutely will be needing all the alcohol.
39:10She is out in the wild.
39:13With sensitive information.
39:15What kind of message does that send to our other clients?
39:19Our more lucrative clients?
39:20This is a business.
39:22Rossa, when we started it wasn't.
39:25It was a calling.
39:27We wanted to help vulnerable women.
39:30We wanted to help them escape from horrific circumstances.
39:35Now, we'll help anybody escape if they've enough money.
39:40Help abusive men escape justice if they have enough fucking money.
39:47Christ.
39:49The erosion.
39:52The erosion.
39:54You are so obsessed with the past.
39:59Times have changed.
40:05What fella's a fucking weirdo.
40:07I can't see anything about a fire in Heaven's Vale.
40:09No, you have to search the Irish name.
40:11What is it?
40:12Call you now.
40:13She's done that.
40:14Have you spelled it right?
40:15C-A-I.
40:17I've got the right place.
40:18It says, a small Irish-speaking community lived there to the late 90s.
40:22Jesus Christ.
40:23What is it?
40:24The book.
40:27Do you want to tell us what the fuck you're talking about?
40:33The book.
40:34May I look at this?
40:38Okay, right.
40:39So, the first one.
40:41Heaven's Vale.
40:43Look at the second half of the author's name.
40:45Can Calier, Calier.
40:47That's so similar.
40:48Calier means Vale.
40:49What does Can Calier mean?
40:54Unveiled.
40:56Greta, Unveiled.
40:59This book's about Greta girls.
41:04I made a contract with this woman.
41:07I promised to help her.
41:10You're telling me that I have to kill her?
41:14It is but harsh, babes.
41:18Who brought the case to you?
41:20No, Rossa.
41:22I can't.
41:23You can't?
41:25This person helped me in the past in a professional capacity.
41:30Are they, uh...
41:31Are they one of us?
41:33Well...
41:35No.
41:36Oh, I see.
41:38The adoptive mother.
41:41It's complicated.
41:42Yeah, it always is.
41:44Was she the only family member who saw you?
41:50No.
41:51Oh dear.
41:53Oh...
41:55Oh dear.
42:01There must be another way.
42:02Booker.
42:04We need to erase the line completely.
42:10Anyone who knew about the case.
42:13Anyone who can identify you.
42:15Anyone who knows we exist.
42:18I have to protect the society.
42:22You cannot...
42:24Leave...
42:25The process.
42:29So...
42:31Is there anyone else we need to manage?
42:34So, the psychiatrist who wrote The Doll Complex, we're saying that's Margot Heaney?
42:38Mm-hmm.
42:39Yeah, I think so.
42:40And I think that is what Liam is circling as well.
42:43Oh, that means Greta was Margot's patient.
42:46Well, she adopted a patient.
42:47Sure isn't that lovely and healthy.
42:48So, the big bad, it happened to Greta.
42:52Well, could it be connected to the fire and the church?
42:54So, we know that Jodie and Greta grew up in Heavensville.
43:00Jodie's body had burn marks.
43:02Did they both survive the fire?
43:03Did they know what happened?
43:04Or who caused it?
43:05Still thinking.
43:06Probably not the devil.
43:07Okay.
43:08We need to try and lay this out chronologically.
43:13This is such a good idea.
43:14It's a screenwriting trick.
43:16It's how we plan everything out.
43:17And all writers do this even the big ones.
43:19Big ones?
43:20You know, like your man, Jesse Armstrong.
43:23Why, he is so classy.
43:25Do you pass me some more paper?
43:31Heavensville is our inciting...
43:32Okay.
43:33You wrote about it?
43:34What?
43:35This burying the body in the school grounds.
43:37She used it in her stupid show.
43:38I wrote it ages ago.
43:40Before any of this started.
43:41I...
43:42It's not even what happened.
43:43It's inspired by...
43:45Oh, my God.
43:46I've asked for it to be taken out.
43:47This is why they want to take up the grounds.
43:51Liam saw this.
43:51Seb sent those messages.
43:54About the scripts.
44:08What are you doing?
44:09Leaving?
44:10I can't.
44:11You can't leave.
44:13You stupid, selfish bitch.
44:18This is what you do.
44:20You like chaos.
44:22You surround yourself with it, but...
44:25I'm done.
44:27We're done.
44:33I'm done.
44:34Oh, Dara.
44:35Dara.
44:37What did you expect, Serza?
44:49Shit.
44:53First the envelopes.
44:54Those letters.
44:55Now this.
44:56Fuck knows what else she's done.
44:57She's been manipulating this whole thing all along.
45:00She's like a puppet on a string.
45:02Well, I think that would be us, the puppets on strings.
45:04I think she's more the puppet master.
45:11Hello?
45:13Robin?
45:16Who's there?
45:25Can I come in?
45:28Sure.
45:38The guy at the garage saw my ID, called the local station.
45:42Look, I know what you think.
45:43I don't even know what I think.
45:45You think we killed Charles Sampson?
45:48We didn't.
45:49Innocent people don't run.
45:51It's complicated.
45:52It'll be less complicated when we find his body.
45:55And I'm not gonna rest until we find his body.
46:00Maybe slow down a wee bit.
46:02She's fucking insane to her.
46:04You know, we need to start protecting ourselves here.
46:07Me and you.
46:07We need to start distancing ourselves.
46:11Fuck.
46:14Oh my God.
46:16What was that?
46:19I don't know.
46:24He was dead when we got there that night.
46:26At the caretaker's cottage.
46:28Greta told us he attacked her.
46:30He'd been hanging around for weeks.
46:33She said he was an ex.
46:35She said his name was Jason Meadows.
46:37It was all lies.
46:40Everything she told us was a lie.
46:43And I think I sorta knew that.
46:46Wait, come here.
46:50Come here.
46:56Turn around.
47:09I knew I'd seen it before.
47:12Charles Samson drew that in his notebook.
47:14Yet you'd never even spoken to him.
47:16We were kids when we got them.
47:18Greta convinced us to.
47:21Greta again?
47:22Yes.
47:23She's taken a lot of responsibility for a woman who was in here to defend herself.
47:29Greta's alive.
47:34What did you say?
47:35I know what it sounds like.
47:36Her body was in the morgue.
47:37Jodie Pryor's body was.
47:43I can't see anything.
47:44We hit something Robin.
47:45Well then where is it?
47:53We're trying to find her.
47:55Greta.
47:58Trying to find out who the hell she actually was.
48:00And what exactly we are caught up in here.
48:05I'm so sorry I've dragged you into all this.
48:07I really am.
48:10But all I was doing was trying to find out the truth.
48:17What do I do with this?
48:29What should I do now?
48:38What should I do now?
48:40Do whatever you want.
48:59What should I do or can I do so?
49:10Get out of the room.ì–´ë””
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