00:09i always thought that
00:11i always thought that
00:12i always thought that
00:15there is a very dangerous part to the aspect of women's personality
00:24that i always thought that
00:32you have done a lot of stories
00:38so
00:39what
00:41is
00:51I mean, I didn't read the whole book so far, but of course, fundamentally, like Hussain
01:04Ji was saying, the aspect of women, we have this notion that they're like soft and they're
01:12non-dangerous, but they also can, that side of that which he obviously has shown in the
01:19thing, that's very interesting just on the concept level itself.
01:34What layer did you attract? Power trauma or survival?
01:38Actually, we haven't read all of them, but I think the three things you have said,
01:43I've read these three things in this book, so I've read these three things,
01:47so the three things you have said in this book and characters will be found in this book.
01:54Dritya Ji, you will know that you have a strong female role,
01:56Ron, your identity has become an identity, so what do you think is that it is unfair to
02:01see the form of criminals in the form of criminals?
02:08Yes, I mean, absolutely, like I don't think,
02:12whenever a creator or artist brings such things,
02:17he finds human-ness in it. Otherwise, it's not interesting.
02:23That is not the objective of it. Obviously, the human-ness, the circumstances
02:28and the journey that is what makes it very interesting for any creator to pick it up
02:36or for any actor to perform.
02:38So, it's a very obvious thing that there is a lot of attention to those things.
03:05Now there's some testimonial-ness that is very foundational to look away.
03:08So, that I think we are going to suffer from the período of the myth yes well.
03:09I'm like, a idea?
03:09No, finally, these three things are going through.
03:11Let it go and will make them a show.
03:14But see, this just comes from...
03:15not to do mafia queens of india so bharat
03:17may jitni bho iasi mahi lai hain khatnaak
03:19kisim ki joh ek sargana ki joh hai
03:21woh mokhya rahi hain toh is lihe
03:23woh kitaab mujhe linkna zaruri tha i
03:25found was very interesting and
03:26different than what i was doing with
03:27men jubalab joh gangsters thay
03:29long ke alawa to glorification kiyo
03:32hogga mutla wap kisi ko jab air
03:33journalist koji chiz ko report
03:34karthay hap toh hap hali ghatna
03:36ko hap likh rahe hap ghatna ko
03:37report karra hai you are not
03:38glorifying the characters in that
03:46sir aap dono aap dono aap dono
03:48crime genre ke dekhan ka nazariya
03:50kafi alal hai so aap dono ekhi
03:53mafia queen ki story bana hai toh
03:54audience ko kya major difference
03:55dekhna mile ga i think uh see
04:03vishal is a much more romantic
04:04person than me yeah being a musical
04:08artist so i think his will be very
04:11emotional and mine maybe will be
04:12more hard-hitting here difference
04:14долar shayat
04:15by doing so
04:28yana hi so
04:37jab himne sath mein kama kiya
04:39So, the songs that were cut from our mouths were made by Ramo.
04:46So, there were many songs.
04:47Ramo is also a romance in his violence.
04:53Wow! This is beautiful.
04:55Yeah.
04:55It was very beautiful.
04:56Yes.
04:56Well, I was just wondering if you were characters,
05:03do you want to build a life of the film as a film or film as well?
05:11No, I don't think actors are important to you.
05:14It's important to you that your script is to show you.
05:16This is your vision.
05:20That's a very important point of view.
05:35So you just need to focus on that and portray it in the best possible way.
Comments