00:05What we have built is a very large support network,
00:09so you can reach the festival and find people from all the horizons,
00:15with artistic, cultural and political perspectives very diverse.
00:19I've never understood Bogotá as a festival of electronic music,
00:22in its beginning, but the goal was just the freedom space
00:28that was opened through the sound systems,
00:31that culture of the sound system,
00:33that culture of the street, of the occupation of spaces,
00:37of the rehabilitation of spaces.
00:39There are many different sound systems cultures.
00:42The Jamaican is not precisely the techno, but it has a lot to do.
00:46So it's also like to collect cultural elements
00:50that have been developed in different places
00:53and put at Casa Semilla and what has been Bogotá.
00:59In the rain, in the transparency, in the desire of participation and social action,
01:06there is something new.
01:21The festival, from the beginning, is a participatory festival,
01:25so that people can take care of it.
01:27You can try to integrate people, try to take care of the spaces,
01:33but it's also a matter of conscience,
01:36like the public.
01:38Has been difficult, for example,
01:39that the gratuity of the festival
01:41be understood as a space of gratuity
01:44in the sense of liberty and not free free,
01:48free free free, free free free free.
01:51Come on free free,
01:52like free free free,
01:52that people contribute.
01:53That free free is not a thing that doesn't matter to a peso.
01:57If the idea is really
01:58to have a participatory festival,
02:01of social transformation, social experience, but I think that now it is from the territory,
02:09not from the city.
02:30Let's celebrate 20 years of WuboTracks!
02:37WuboTracks!
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