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00:03foreign
00:04foreign
00:04foreign
00:04foreign
00:04foreign
00:30A
00:30A
00:30A
00:31A
00:31A
00:32A
00:33A
00:33A
00:36A
00:36A
00:37A
00:45Is it
00:50Oh
00:51Yeah
00:52Oh
00:54Oh
00:54Yeah
00:59Oh
01:05I
01:30Jai Hind, Jai Hind, Jai Hind
02:03Jai Hind, Jai Hind
02:30Jai Hind, Jai Hind
03:04Jai Hind, Jai Hind
03:21Jai Hind, Jai Hind
03:31Jai Hind, Jai Hind, Jai Hind
04:02Jai Hind, Jai Hind
04:08Let's do it.
04:10What can I do?
04:12Oh, please.
04:14Cheers.
04:21By the way, what can I know?
04:24What was the matter that at 3 o'clock at night
04:27you didn't have to meet me here?
04:29Miss Neha.
04:31Mrs. Anjali.
04:33It's been a matter of time.
04:37What?
04:38Yes.
04:39When?
04:40Where?
04:41How?
04:42How?
04:42As you can see,
04:45they knew themselves.
04:49But we know
04:50that they don't have to be alone,
04:53but they have to be alone.
04:55But,
04:56why would they do something like that?
05:00What can they do with someone?
05:02What can they do with someone?
05:04I've come to you with me, Miss Neha.
05:08We know that Mrs. Anjali
05:10was working on some sensational news.
05:14You know, what was the news?
05:17Mr. Karin,
05:18Anjali was a very private journalist.
05:21Okay.
05:21And who was working on the story,
05:24he didn't disclose it until he was done.
05:27Until he didn't prepare the final reports.
05:31That's why,
05:33I don't know that he was working on the conscious scoop.
05:36He was working on the show.
05:37But,
05:38I can tell you,
05:41that
05:41that film star
05:43was showing a lot of interest in the joy.
05:46And so,
05:48film journalists
05:49are monitoring their lives
05:51very deeply.
05:54Sometimes,
05:56there are some shocking news
05:57that sometimes
05:59can be found.
06:00But,
06:01some star
06:02or a reporter
06:04has never happened.
06:09But,
06:11any star
06:13or a reporter
06:15has never happened.
06:19a reporter
06:20has never happened.
06:23This will happen
06:24soon.
06:25When this will happen,
06:26what was the report?
06:28I feel like Anjali
06:30will have to be deeply involved in the life of Anjali.
06:36Okay.
06:38If you have to know
06:38about Anjali's death,
06:40anything,
06:41anything,
06:42then stop me from the phone.
06:45Hmm?
06:46Sure.
06:56Hello.
06:58Yes.
06:59There's a bad news.
07:01Anjali's death
07:02has been killed
07:03by Anjali.
07:05There's a bad news.
07:06on the front page.
07:07On the front page
07:07only on her photos
07:08should be seen
07:10on her photos.
07:14Yes, Anika,
07:15did you find anything?
07:15No, sir.
07:17There's no trouble
07:17that could put someone
07:18to the point.
07:19No, sir.
07:19How is that possible? Monika, there has to be something.
07:49Mr. Manoj, there was a staircase behind the store.
07:52It could also be reached on the wall.
07:54Rathi, he reached the stairs and reached the stairs.
07:57But how would it go out of the store?
08:00We were all there.
08:01Sir, there is a door that opens the door in front of the house.
08:06To reach that door, he has to go out of the store and go to the hall.
08:12Mr. Manoj's statement, when he went back on the wall,
08:16he was in the hall where he was shooting.
08:20If he left the store and went to the hall,
08:24he could not be able to go out of the door.
08:28He could not be able to go out of the eyes of the himani.
08:30Who was the one who was the one who was the one who was the one?
08:33The himani knew.
08:36Rathi, Monika, send him to him for a moment.
08:41But you don't know what to do.
08:43You should be under surveillance, okay?
08:44Okay.
08:44Okay.
08:47Monika ji,
08:48let me know where is the himani at this time
08:50and how do you look after him?
08:52Are you giving me an order?
08:54I'm doing a request.
08:56Okay.
09:03Karan, the detective.
09:08Karan, the detective.
09:13Karan, the detective.
09:15I'm sorry, darling.
09:18Before they arrive for me,and
09:22me without Confidentity, I've
09:24got to get à my officially General Toutes.
09:34I'm sorry.
09:43I'm sorry.
09:45Cadet, full lights.
09:47What's up, sir?
09:48Are you going to do it again?
09:48No, no.
09:49Let's talk about the break.
09:50Okay.
09:52Break.
09:57You're a detective, right?
10:01Dhannebhaag.
10:03You know such a big superstar.
10:06Tell me.
10:07How have you come from here?
10:08This evening, two o'clock.
10:10Filmstar Magazine editor Anjali.
10:14What happened, Anjali?
10:15Why did you get away?
10:17Mr. Anand.
10:19Anjali wasn't talking about any story about you.
10:24Yes, yes.
10:25And I also heard that you had some kind of rage
10:29that if they come in front of the public,
10:33then your public image
10:36will get away from your career.
10:39And you want to say that I killed Anjali.
10:42How do you know that Anjali died?
10:48I'm not a child, Mr. Karan.
10:50I'm an actor.
10:51I know, Henter.
10:52This is my personal experience.
10:55At the o'clock,
10:56a detective at 7 o'clock.
10:57I came to shoot a detective.
10:58But Anjali tells me
11:00to talk about an eye on it.
11:02What?
11:03What does it matter?
11:04It's true.
11:06You're an actor.
11:07Very good actor.
11:09It's alright.
11:10You're gonna tell me
11:12that which case was like Anjali
11:14I didn't know what to do, because of the reason I knew him.
11:18Or would you like to see that I am so good as a detective?
11:22Look Mr. Karan, I was shooting here at night.
11:24I have no doubt that if you understand me,
11:28whatever you want to know, you can know.
11:30There was no excuse.
11:33Excuse me.
11:41Excuse me, I have to shoot.
11:44Who is?
11:45Anjali's attack?
12:13I have to shoot.
12:38I have to shoot.
12:40I have to shoot.
12:42I have to shoot.
12:43I have to shoot.
12:45I have to shoot.
12:48I have to shoot.
13:22I have to shoot.
13:30I have to shoot.
13:43It's a very old song, Anand Babu.
13:46You've been shown in many films.
15:03Karan.
15:05The detective.
15:06The detective.
15:06The detective.
15:08The detective.
15:09The detective.
15:25The detective.
15:27The detective.
15:47The detective.
15:49The detective.
15:49The detective.
16:05The detective.
16:08The detective.
16:09The detective.
16:13The detective.
16:18The detective.
16:25The detective.
16:38The detective.
16:39The detective.
16:40The detective.
16:45The detective.
16:45The detective.
16:57The detective.
16:57The detective.
17:02The detective.
17:04The detective.
17:06The detective.
17:07You sent me a message and why are you sitting in the day so much?
17:12Listen.
17:16Imani?
17:17Imani?
17:33Sir, this is all for you.
17:37Imani?
17:54She's dead.
17:58Zehr.
17:59Zehr.
18:00Zehr.
18:10Zehr.
18:13Zehr.
18:13Zehr.
18:18Zehr.
18:19Zehr.
18:25Zehr.
18:28Zehr.
18:35Zehr.
18:38Zehr.
18:38Zehr.
18:40Zehr.
18:40Zehr.
19:10Zehr.
19:10Zehr.
19:15Zehr.
19:17Zehr.
19:21Zehr.
19:22Zehr.
19:25Zehr.
19:26Zehr.
19:56Zehr.
19:56Zehr.
20:07Zehr.
20:11Zehr.
20:11Zehr.
20:15Zehr.
20:27Zehr.
20:34Zehr.
20:39Zehr.
20:40Zehr.
20:42Zehr.
20:49Zehr.
21:02Zehr.
21:08Zehr.
21:16Zehr.
21:19Zehr.
21:33Zehr.
21:34Zehr.
21:35Zehr.
21:36Zehr.
21:40Zehr.
21:41Zehr.
21:47Zehr.
21:49Zehr.
21:50Zehr.
21:51Zehr.
21:54Zehr.
21:55Zehr.
21:59Zehr.
22:01Zehr.
22:03Zehr.
22:05Zehr.
22:06Zehr.
22:06And you Mr. Anand, you have fallen back.
22:11But the whole stardom is in the same way.
22:16The fight doesn't matter.
22:20We can't judge the law.
22:23We are in the fight of humanity and anxiety.
22:45Oh, Karan sahab, you?
22:49At this time, you're here?
22:53I should ask this question to you.
22:58I mean, today is the first time.
23:01Oh, brother Monica.
23:02I'm ready for the report.
23:03I'm ready for the report.
23:06Rathi, we haven't heard the news of Himani's death yet.
23:12Then how can we prepare her death?
23:17Sir, this is Antaryami.
23:19Now take the talk of the night.
23:20They knew that you will be able to take the news of Anjali's death.
23:24That's why they didn't shoot the magazine at 12 o'clock.
23:27They didn't shoot the magazine until three hours.
23:32What are you doing?
23:35The proof.
23:37The proof.
23:38The proof.
23:38The proof.
23:50The proof.
23:52The proof.
23:53The proof.
23:54The proof.
23:55The proof.
23:56The proof.
23:56I knew that,
23:58that's it.
24:00The proof.
24:00That's it.
24:01The proof.
24:20I'm not sure how toç§» to this trial.
24:22Just, just Mr. Karan, I have known that you have a lot of evidence against me.
24:30I accept that I have killed Anjali and Himani.
24:38As a result, Kamini, who had been killed by Anjali, was my daughter.
24:48And yesterday, I was killed by Anjali.
24:51So, you reached there.
24:54And as I shot her down from the stairs to the stairs,
24:59and left out of the hallway from the previous door...
25:02In the hall, Himani has seen you in the hall.
25:06Yes, yes.
25:08At that time, I told her to stop her.
25:11If she told me something about me,
25:14then I will publish the report of Anjali and the report of Anjali.
25:21Then her boyfriend, Shetty, will not leave her.
25:25But when I realized that you had to know that Anjali's death is a harm,
25:34then I thought...
25:35that you can kill her by a man.
25:39You can kill her by a man.
25:40You can kill her by a man.
25:43And you can kill her by a man.
25:44And even if she is, she can kill her by a man.
25:49But now, I'll tell her.
25:51It won't happen.
25:52It won't happen.
25:53It's been great.
25:54You've made a record for one night.
25:57Wow!
25:57So I went to the hall in a little bit.
25:59Then, you knew me about an elephant.
26:00Hmm?
26:01Hmm?
26:01Hmm?
26:02Hmm?
26:04Hmm?
26:08Hmm?
26:12Hmm?
26:13and always play with good colors and stay away with the rage.
26:18And yes, you all, Karan the Detective's team,
26:24Happy Molly!
26:27So, we'll meet you next week.
26:30I, and you, and a new Mujrim, Karan the Detective.
26:56I, and you, and a new Mujrim, Karan, Karan, Karan, Karan!
27:12Jaiji, Jaiji, Jaiji, Jaiji, Jaiji!
27:21Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji,
27:35Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji,
27:40Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji, Jaiji
28:35Transcription by CastingWords
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