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Movie: Tintoretor Jishu.

Cust: Sabyasachi Chakraborty, Parambrata Chatterjee, Bibhu Bhattacharya, Tota Roychowdhury, Paran Bandopadhyay, Biswajit Chakraborty, Debesh Roychowdhury, Bhaskar Banerjee, Silajit & Others.

Music: Sandip Roy.

Director: Sandip Roy

Label: Bengali Movie Creation.
#TintoretorJishuMovie #SabyasachiChakraborty #ParambrataChatterjee #BibhuBhattacharya #Thriller andMysteryMovie #BengaliMovieCreation
Transcript
00:17You
00:18Come on, please
00:20Namaskar
00:20Come on, Robin, Baba
00:23Come on
00:24Come on, good?
00:26No thanks
00:26Okay, I'm a detective
00:30Okay, please
00:30That is what I've been going to say
00:32I'm telling you, the investigator is very difficult
00:33That doesn't really look amazing
00:36I'm already looking at you
00:36That's very clear
00:39In fact, we're not looking forward to you
00:43You can save this
00:43In other words, the portrait is not something
00:49Jack, what do you want to talk?
00:51Yes
00:52You are in the studio
00:53You are welcome
00:55It was our house.
00:57There was a lot of books, books, catalogs, etc.
01:02But there were some cuttings.
01:04This is very important.
01:08Let's see.
01:10Yes, I have marked this place.
01:13Is it Italian?
01:15Yes.
01:16I have seen the dictionary.
01:18What do you say?
01:18There are three-year-old children who have known the
01:23school of Gubit.
01:24Here is the book.
01:26There was no child in Lascaum.
01:29And there was no child in Lascaum.
01:31There was no child in the Lodrusha.
01:33There was no child in the Lodrusha.
01:34Yes.
01:36The Lodrusha dead?
01:38Yes.
01:39That was his wife, 27 July 1978.
01:43What did you do for that?
01:45He was dead in the Lodrusha.
01:45He was dead in the Lodrusha.
01:47His husband was dead in the Lodrusha.
01:51I shouldn't have been here.
01:55Where did you get married?
01:56Here we go.
01:59I have been forgotten.
02:00You have to tell him.
02:01What did he say?
02:02What happened?
02:04What happened?
02:05Someone asked me.
02:07They asked him if he knew the answer.
02:08I never asked him.
02:10But I asked him.
02:12Why was that?
02:14I don't know how many people do this.
02:15Did you say anything about this?
02:18No.
02:20In fact, I don't know anything about it.
02:22I don't have to worry about it.
02:25I don't have to worry about it.
02:26I don't have to worry about it.
02:27I'll do it again.
02:32Ashi.
02:34Thank you so much.
02:37Oh, nice.
02:38Did you see that?
02:45Rock the Doug.
03:23We haveouses.
03:24Don't go out of here.
03:39$9.
03:53Are you a friend of Mr. Paul?
03:54Yes, sir.
03:56I'm working in the restaurant.
03:57My name is Wang Shuk.
03:58Oh.
03:58Hello, Mr. Shuk.
04:00Hi.
04:05Yes, sir.
04:06Yes.
04:07They are here.
04:08Yes.
04:08Yes, sir.
04:09What's up?
04:10Mr. Paul, waiting for you.
04:24Okay.
04:26What's the tintorio in Italy?
04:29What's the tintorio in Italy?
04:30There's a tintorator.
04:32What's the tintorator?
04:34Tintorator.
04:36Oh.
04:37I'm a girl who is a girl.
04:39A man.
04:39And I'm going to be right here.
04:42So omission is successful.
04:46My mother is my father's mother.
04:48But I believe that there is a big justification as a father who is just a rat.
04:55Bye.
04:56I'll say hi.
05:00What's his name?
05:04I'll see.
05:21Okay, okay. Done.
05:28Welcome, welcome to Hong Kong.
05:32Don't go. Brother Smith.
05:33Come on, Nupal.
05:35Come on, come on.
05:39Welcome.
05:41Hello.
05:44Hello.
05:45Let's go.
05:49Let's go.
05:50One-two, our restaurant, bartender, and part-time driver.
06:03This is Hong Kong Island.
06:05Our restaurant, our hotel, and show you here.
06:11Is there a hotel in America?
06:13Yes.
06:14Yes.
06:15Oh.
06:17Yeah.
06:18You're welcome, you're welcome.
06:21We're welcome.
06:22Yes, sir.
06:23Yes.
06:27Yes.
06:28Yes, sir.
06:30I'm welcome.
06:30I'll be back again.
06:32Yes.
06:33Well, we're going to go to Delhi.
06:45What's this moment?
06:51Yes, sir.
06:52Minors may be away.
06:54No.
06:56Okay, I am sorry.
06:59In my situation, I'll see you.
07:02Yes.
07:03It's a good thing.
07:05It's not a good thing.
07:06Yes, I would like to ask you a question about the same thing.
07:10Yes.
07:11I'd like to ask you a question.
07:13I'd like to ask you a question.
07:16I'd like to ask you a question for the same time.
07:18That's it.
07:21Okay.
07:22I'll have my hand.
07:24Thanks.
07:31hello good morning can i talk to mr walter gregorian please may i know who's calling
07:36uh this is pc mitter i'm from calcutta india i'm afraid miss gregorian is not in town at the
07:42moment oh where is he taiwan when did he leave last sunday but you will probably be back this
07:49evening thank you very much i'll get in touch with him then bye you're most welcome bye bye
07:55asho
07:59keeba par
07:59waddleok taiwan gacin gato robibar aaj shrande bala fera rakk chans achi
08:05tharmane
08:07chubita dale sobanin kachchi achi
08:09possibly
08:10you
08:20you
08:21you
08:22a
08:22Okay.
08:52I'm sorry, my engagement is my family.
08:55I've been watching this for a few days.
08:58I'm not sure if I can do it.
09:00No, not at all.
09:03What do you want to say?
09:04I'm very happy.
09:05Righto.
09:12Ah, good.
09:13Yes.
09:15In Kolkata, you have a great place,
09:18you have a great place,
09:20and you have a great place.
09:22When you do it,
09:24you will not see anything.
09:28Ok, what is the village of Hong Kong?
09:32No, I mean,
09:34the village is in the post,
09:36and we are far east.
09:40We will talk about Hong Kong,
09:42and we will talk about Hong Kong,
09:42and we will talk about Hong Kong.
09:45Hong Kong,
09:46London?
09:48Good.
09:49Hong Kong,
09:50I will tell you about Hong Kong.
09:52What?
09:53Ok,
09:55do you want to take the Chinese
09:56five years?
09:58No.
09:59What?
10:00You have to cancel the ticket
10:02and you have to go back.
10:03You have to go back.
10:04You have to go back.
10:05You have to go back.
10:06You have to go back.
10:07Ok.
10:08Ok,
10:09you have to go back.
10:10No problem.
10:17You have to go back.
10:19I'm not hungry.
10:20You are hungry.
10:21I'm not hungry.
10:22I'm hungry.
10:22You are hungry.
10:23I am hungry.
10:24Costco Hotel.
10:25You have to go back.
10:26Five minutes.
10:27Costco?
10:33Costco.
10:33Costco?
10:34Costco?
10:34Costco?
10:34This is so good.
10:36This is so good.
10:38What's your name?
10:40What's your name?
10:42What's your name?
10:43What's your name?
10:45What's Hong Kong?
10:47Hong Kong, what do you know?
10:49This is...
10:50Bandar?
10:54Not Bandar.
10:55Port.
10:58Are you ready?
11:00Yes.
11:01Let's take our hands.
11:03I'm going to take a look.
11:06Ten minutes.
11:08Bye.
11:08Bye.
11:13Nin.
11:14He's also good.
11:18That is right.
11:26South China Morning Post.
11:29What's your name?
11:32Hmm.
11:49The actor Nandakumar plays the villain Urugu in the film Mumbasa.
11:56Nandakumar means...
11:58...
11:58...
11:59...
11:59...
11:59...
12:00...
12:01...
12:02...
12:02...
12:02...
12:02I was just a child and I was just a child.
12:05This child was written in the room in the room.
12:12This is the best way to do this work.
12:15This child can be taken to the rest of the house.
12:21This child was a very difficult task.
12:25You're a child, right?
12:26Right?
12:29Hmm.
12:31You're a good one.
12:33How many people, when you're doing a good job,
12:36do you have a good job?
12:41Even if you're a good job,
12:42when you have a good job,
12:45you'll have a good job.
12:48Because you have a good job,
12:49and you have a good job.
12:52And you have a good job,
12:53and you have a good job.
12:54That's not my fault.
12:56Say, baby.
12:57It's a bad job.
13:00Yes, a bad job.
13:02It's a bad job.
13:05That's not a bad job.
13:06you're almost a bad job.
13:09That's fine,
13:11that's not a bad job.
13:15You don't tell themë‹Ĩs,
13:18you've got a good job.
13:21You've got to tell them that
13:22it's a bad job.
13:22That's right. You had to go to the studio every day at the same time.
13:28That's why you...
13:52Let's go.
13:53Let's go.
13:53Keep them aside.
14:08Grab the rice.
14:13So,
14:20you could just grab the rice.
14:22Put your rice on the stage.
14:23Why would you like to pay back to a black pot?
14:24You will even have a house in a house.
14:27You will have a house in a house in a house.
14:30How much does this house be?
14:32Ten thousand!
14:33Ten?
14:35Thousand!
14:36If you don't perform the plastics ĐąŅ‹ to choix,
14:40then you'll come from the house in New York.
14:43Don't you?
14:45Min-min?
14:46Don't you?
14:49Don't you?
14:51Don't you?
14:52You understand. But I didn't say anything about me.
14:56You understand.
14:58I don't understand.
15:00I didn't say anything about you.
15:01And you have made me.
15:09In Kolkata, you didn't say anything about me, right?
15:13No, I didn't say anything about you. Excellent.
15:16How new are you?
15:18Today we will be successful.
15:20We will be successful.
15:21We will not have dinner.
15:23You can see.
15:26If you eat this kind of thing,
15:30you will not have to eat.
15:31What do you mean?
15:32You can eat this kind of thing.
15:35No, I don't know.
15:37I'm hungry, I'm hungry.
15:39I'm hungry, I'm hungry.
15:40I'm hungry.
15:40I'm hungry.
15:47See, gang.
15:48She gang.
15:50She gang.
15:51I mean?
15:52Snack soup.
15:53Snake?
15:54Snake.
15:55Sharp?
15:57Sharp?
15:58Sharp?
15:58Yes.
15:59Sharp soup.
16:01Sharp soup.
16:03Fried snake.
16:05Sharp.
16:05What are you saying?quÊ?
16:08No,
16:09with more money.還 has
16:11no possibilities. Is this
16:13a matter of banking? Human money,
16:15you must take responsibility, they Urheasciuk.
16:17What is it? No, for
16:23me? Nach?
16:23Why are you doing this?
16:26Gunn, let's see.
16:28We don't have to worry about it.
16:31Why?
16:32We don't have to worry about it.
16:35We don't have to worry about it.
16:37Mall?
16:38Low Mall.
16:40We don't have to worry about it in Kolkata.
16:42This is the Mall.
16:45This is the Mall.
16:45This is the Mall.
16:47This is the Mall.
16:53We don't have to worry about it.
16:53We don't have to worry about it.
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