सब कुछ खोकर उसने ज़िंदगी फिर से शुरू की 😳 | Zero Se Restart Full Movie Hindi HD | 2024 New
सब कुछ खोकर उसने ज़िंदगी फिर से शुरू की 😳 | Zero Se Restart Full Movie Hindi HD | 2024 New”
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Zero Se Restart (2024) Hindi Full Movie WEB-DL
जब सब खत्म हो जाए… तब क्या कोई फिर से शुरुआत कर सकता है? ये कहानी है एक ऐसे इंसान की जिसने ज़ीरो से उठकर अपनी किस्मत खुद लिखी।
👉 अगर आपको motivational, emotional drama और struggle to success stories पसंद हैं, तो ये फिल्म जरूर देखें।
⚠️ Disclaimer: यह वीडियो केवल एंटरटेनमेंट के लिए है।
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सब कुछ खोकर उसने ज़िंदगी फिर से शुरू की 😳 | Zero Se Restart Full Movie Hindi HD | 2024 New”
📄 Description (SEO + Clickbait)
Zero Se Restart (2024) Hindi Full Movie WEB-DL
जब सब खत्म हो जाए… तब क्या कोई फिर से शुरुआत कर सकता है? ये कहानी है एक ऐसे इंसान की जिसने ज़ीरो से उठकर अपनी किस्मत खुद लिखी।
👉 अगर आपको motivational, emotional drama और struggle to success stories पसंद हैं, तो ये फिल्म जरूर देखें।
⚠️ Disclaimer: यह वीडियो केवल एंटरटेनमेंट के लिए है।
👍 Like | 💬 Comment | 🔔 Follow जरूर करें
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zero se restart full movie hindi, zero se restart 2024 hindi movie, motivational hindi movie, struggle story hindi, success story movie hindi, emotional drama hindi, hindi full movie hd, bollywood drama movie, latest hindi movies 2024, inspiring movies hindi, life changing story hindi, indian motivational movie, zero to hero story hindi, hdrip hindi movie, new hindi movies
#southindianmovies #southmovieactress #southmovielover #southmovies #southmovieshindidubbed #yash #talgumovieactress #vijaythalpathy #nayantara #vijaysetupathy #vijayantony #prabhas #ramcharanteja #chiranjivi #nagarjuna
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Short filmTranscript
00:00:44Mr. Sharma, let me tell you one last thing.
00:00:47If Sir Edmund Hillary had not found the way, your Sherpa would have never reached the peak.
00:00:54He may go now.
00:00:58Waste of time.
00:01:00Such arrogance.
00:01:09Waste of time.
00:01:14Waste of time.
00:01:27Waste of time.
00:01:54Waste of time.
00:02:10Waste of time.
00:02:12Waste of time.
00:02:14Waste of time.
00:02:15Manoj, let's go, please.
00:02:17Go, go, don't be afraid.
00:02:28Based on time.
00:02:30Such arrogance.
00:02:34What do you think, Ms. Kureishi?
00:02:38I think that we get these new people, Doctor.
00:02:41If you come, you'll see the image of the police.
00:02:44And you, Yadav Ji?
00:02:45You've been very quiet.
00:02:49I just want to talk about the people.
00:02:54If we don't select candidates like this,
00:02:56it's not good for this exam.
00:02:57It's not good for us.
00:03:05It's not good for us.
00:03:13It's not good for us.
00:03:25It's not good for us.
00:03:26Beginning, January 2022.
00:03:30One, two, three, four.
00:03:32I'm so happy.
00:03:35One, two, three, four.
00:03:37One, two, three, four.
00:04:05The story doesn't appeal to me.
00:04:11It's unoriginal and not worth my time.
00:04:14The story doesn't appeal to me.
00:04:44The story doesn't appeal to me.
00:04:45Sir, it's not a stupid story.
00:04:47I'm going to make my eyes three.
00:04:51Then, the story doesn't look like the story of the 12th field.
00:04:54He called a journalist.
00:04:57It was the same area where the story was.
00:05:00When he read the script,
00:05:02he felt so upset that he didn't say anything.
00:05:06He went up and left.
00:05:07He went up and left.
00:05:10He went up and left.
00:05:13He went up and left.
00:05:14Then, the first time he realized
00:05:15that he was three years old.
00:05:18Because he didn't trust anyone.
00:05:21He didn't trust anyone.
00:05:23He went up and left.
00:05:25I asked a question.
00:05:27Sir, it's not a story like this.
00:05:30It's not a story like this.
00:05:31It's a horrible man.
00:05:33It becomes a story like this.
00:05:36It's a story like many people have done.
00:05:37Perhaps this was the story of the directors.
00:05:39This story was unoriginal.
00:05:41Then, they said something.
00:05:43Precisely.
00:05:44Why should this film be made?
00:05:47Because it's a story like this.
00:05:48You were right.
00:05:50Please start.
00:05:51Please start.
00:05:52Please start.
00:05:52Please start.
00:05:53And just now, we came out and left.
00:05:55Location to find out.
00:05:57There are 8 months.
00:05:58For the 7 months,
00:06:00and then,
00:06:01And then, in small towns and towns,
00:06:04they were found in their faces, in their faces.
00:06:06And even after all,
00:06:08the 12th film is still without a director.
00:06:12Now, one side was looking for a team's location,
00:06:16and the other side was looking for a film's cast.
00:06:19In this whole process, we kept changing drafts,
00:06:22we kept rewriting.
00:06:23We kept writing, writing,
00:06:25new scenes, old scenes, good scenes, bad scenes.
00:06:28Out of frustration, I said,
00:06:29Sir, we keep rewriting, we have been doing this for two years.
00:06:32We need to get a director on board,
00:06:34and I remember the very next day, he came to office,
00:06:37he invited all of us, and he said,
00:06:39I'm clarifying, because there are clearly some doubts.
00:06:42I have decided to direct this film.
00:06:46Are you directing this film?
00:06:50This is not, you cannot do this.
00:06:52Because it's not his kind of film at all.
00:06:54Is someone dying?
00:06:55Can I close my eyes?
00:06:59Who am I running right here?
00:07:07I don't have any
00:07:13No drama
00:07:26I said, you know, this is not your film.
00:07:30There's nothing in this film.
00:07:31It is you.
00:07:33No, it needs a young guy with so much hunger in his belly.
00:07:42This film is so much in my blood now.
00:07:45The only way I can get it out is I go ahead and make the film.
00:08:16One take.
00:08:17Got it.
00:08:18Got it.
00:08:19Clapping?
00:08:20I did.
00:08:21You're soundproof.
00:08:22You can't hear.
00:08:23My debut, bro.
00:08:25Do you want to do the good making?
00:08:27Take a big camera.
00:08:28You're just laughing.
00:08:34Get.
00:08:35Go on.
00:08:35Go on.
00:08:37Go on.
00:08:37Finally, we met a director at home,
00:08:39so the art team has presented its plans.
00:08:41That has been a lot of work.
00:08:43Because our first scene was an artist.
00:08:45There was an an artist.
00:08:47There was a Jib.
00:08:48There was a cycle.
00:08:49There was a lot of cash.
00:08:51And there were a lot of cash.
00:08:53Because of this chance, we can divide them into 24 simple shots in 24 shots.
00:08:59And then we got out.
00:09:01For the final recce.
00:09:03Where all of this planning has happened.
00:09:07Because it was a small mistake.
00:09:12You killed me, man.
00:09:16These years, the footage of me showed me.
00:09:18Now you can say anything.
00:09:19Like when you write a story.
00:09:20You killed me, man.
00:09:22You killed me.
00:09:26We took the first place.
00:09:28We took the plane for 3 hours.
00:09:30From there, 3 hours.
00:09:32From there, in the jungle.
00:09:35That's a hole.
00:09:58And the way the village was locked up.
00:10:06I have been locked up.
00:10:07You know, my biggest problem was that I have been locked up in my mind.
00:10:34I want you to check
00:10:49what has happened
00:10:51I'll tell you what has happened
00:11:03you know what has happened guys
00:11:07the pictures that you have
00:11:09and just Koli you look at it
00:11:11because I want to know
00:11:11whether I'm still staying
00:11:14these pictures are there like
00:11:17this I've seen these pictures
00:11:20yeah
00:11:23because I have not seen a single
00:11:25picture which is from here to
00:11:28here
00:11:33I've seen these pictures and I
00:11:35always thought that this is
00:11:37behind the house
00:11:38I mean this is my house
00:11:42I thought that the village is behind
00:11:47it
00:11:47it was like this
00:11:52so I made all the shots like this
00:12:00I don't know what the fuck to do
00:12:01it was like this
00:12:02this village is not here
00:12:03this village is where it is
00:12:07so I was like
00:12:08I said this village is here
00:12:12I don't know what the fuck to do
00:12:26I don't know what the fuck to do
00:12:43I will have to sit somewhere and rethink everything.
00:12:47The captain's spontaneous head is on the location.
00:12:50Scene happens here.
00:12:51That is your kitchen.
00:12:52Is there a place where a man stands?
00:12:54Let's go.
00:12:55Go a little bit.
00:12:56The one-to-one stands, the one-to-one slant,
00:12:59that was decided.
00:13:00Steep steps.
00:13:01So the frame will not go beyond.
00:13:0338-40 degree.
00:13:04I have already been in my mind.
00:13:08I have completely reconciled.
00:13:13After reconciling us,
00:13:14we rehearsed the scene of 24-24 shots.
00:13:18What did you think?
00:13:19If you have a big gun,
00:13:20you will leave the gun.
00:13:22What did you do?
00:13:24Don't tell me.
00:13:25Suspend.
00:13:27Suspend.
00:13:27We have to give him.
00:13:28The jeep is not.
00:13:29The jeep is not.
00:13:30He is running away.
00:13:31He is running away.
00:13:32He is running away.
00:13:33He is running away.
00:13:33He is running away.
00:13:34He is running away.
00:13:36Keep going.
00:13:38Next.
00:13:38We are going to flashback.
00:13:40The whole shot division is head.
00:13:43The question was,
00:13:44when you come in.
00:13:45I'm fighting.
00:13:46The decision of the truth will be
00:13:47even worse.
00:13:47The whole plan was to get murdered.
00:13:51The bloods died.
00:13:53The bloods die.
00:13:53Don't kill me, the bloods die.
00:13:54Don't kill me.
00:13:54In this picture,
00:13:56what I was telling you is,
00:13:58that the entire film is,
00:13:59the camera is flying on the wall.
00:14:01We are watching the camera and the camera is either.
00:14:05What is that?
00:14:05This is the one if they are going to kill.
00:14:05Don't kill me.
00:14:06Don't kill me.
00:14:07Don't kill me.
00:14:08What happened to me,
00:14:35This movie should not say, Yogesh, and look here.
00:14:47All I'm trying to do is make this film look as if it is actually happening.
00:14:53What are you doing, guys?
00:14:55What is your signal shot?
00:14:57Restart.
00:15:03I'm still getting married after this movie.
00:15:11Oh, see?
00:15:15Go play, girl.
00:15:16Come on!
00:15:18Don't kill me!
00:15:18You're gonna kill me!
00:15:19Come on!
00:15:24Come on, you man!
00:15:31Don't let me go!
00:15:32You're gonna kill me!
00:15:33You killed the country!
00:15:35You killed the country!
00:15:39Don't let me know!
00:15:40Rambir,
00:15:41don't leave the country.
00:15:42Don't leave them, don't leave them.
00:15:43Don't let your father know for the country.
00:15:46I remember that.
00:15:47And the wrong thing that was our biggest problem,
00:15:51became our biggest strength.
00:15:53A scene that was in 24 shots,
00:15:56was in one single shot.
00:15:58Have a nice smile.
00:16:00Look at the scene.
00:16:05If I die tomorrow,
00:16:07I have a whole picture of them.
00:16:09I have done a whole picture of them.
00:16:12I have never seen any film.
00:16:14I have done a whole picture of them.
00:16:19It's unbelievable,
00:16:20because I didn't know how to shoot this film.
00:16:24There's no killing, no murder, no bomb,
00:16:26nobody dies, nothing.
00:16:27What is this film?
00:16:29Listen to me,
00:16:30all of them.
00:16:34I read all the answers.
00:16:37And you,
00:16:38just ask me.
00:16:40I have no idea.
00:16:43I have no idea.
00:16:44I have no idea.
00:16:44Established school.
00:16:45The first scene.
00:16:46The work is going on.
00:16:48The other one.
00:16:49Then they saw the police.
00:16:50This is the shot.
00:16:51Let me see.
00:16:52Zero, four.
00:16:53You got to hit me?
00:16:56Who has to hit me?
00:17:02What?
00:17:02What should I hit?
00:17:10That's it.
00:17:44Hello?
00:17:45Vidayak Ji?
00:17:46Yes.
00:17:48Kushin Ji is here.
00:17:49Take it.
00:17:50Kushin Ji is here.
00:17:50Take it.
00:17:52Kushin Ji.
00:17:56Is everybody happy?
00:17:57Yeah.
00:17:58Best of all.
00:17:58Everybody happy with this?
00:17:59You're happy?
00:18:00You're happy?
00:18:01Shall I switch on my mind?
00:18:03No.
00:18:05I'll just ask a logistic question.
00:18:07What are you watching in the classroom?
00:18:08How much are you watching in the classroom?
00:18:10How much are you watching in the classroom?
00:18:10I'm going to get my mind off.
00:18:11I'll get my mind off.
00:18:12Let's go.
00:18:13Let's get water.
00:18:13And tell us.
00:18:14No, it's easy.
00:18:15How much is it?
00:18:17It's done.
00:18:18It's done.
00:18:20It's done.
00:18:20It's done.
00:18:21It's done.
00:18:21I've taken my first class.
00:18:24I have taken my real class.
00:18:26I'll take the rest.
00:18:26I'll take the rest.
00:18:28It's free lectures.
00:18:29You can learn it.
00:18:30You can learn it.
00:18:32You don't give a guru dachshana.
00:18:34I have taken my first class.
00:18:36It's the first student of the first guru dachshana.
00:18:39You are sitting here and you can see it.
00:18:41Whenever you're up, I'll go inside.
00:18:43I'll ask a salary and tell you what I'm going to say.
00:18:47You don't do your best.
00:18:58Oh, Shatar!
00:19:00I'll come with you.
00:19:01I'll come with you.
00:19:02I'll come with you.
00:19:03Get out of here.
00:19:03Get out of here.
00:19:05You're a fool!
00:19:06So, Shatar!
00:19:08What the hell is this, man?
00:19:12What the hell is this, man?
00:19:17My father, I'll sit on the train.
00:19:21In the train, he didn't have to keep his happiness in the train.
00:19:25But when we reached Delhi,
00:19:27we reached our ideal,
00:19:29so it was like a miracle.
00:19:31Now I understand what I'm doing.
00:19:34This camera is like a girl's state of mind.
00:19:39Manoj's state of mind.
00:19:40That girl's first time came to the city,
00:19:42and he saw it,
00:19:43and he fell asleep.
00:19:47Because the whole camera
00:19:49is Manoj's state of mind.
00:19:52As Manoj is smart,
00:19:55the camera is smart.
00:19:57And in the climax,
00:19:59the camera is steady.
00:20:01Because Manoj's growth has been
00:20:04too much.
00:20:04Yes, please sit.
00:20:07Are you feeling okay?
00:20:09Am I making sense?
00:20:11No, exactly.
00:20:14I'm also trying.
00:20:16Camera will become sophisticated with Manoj.
00:20:17With Manoj?
00:20:19That's the beauty of it.
00:20:23That everything is his state of mind,
00:20:25including the way the camera moves.
00:20:29He goes out of the frame.
00:20:31You understand, Ranga?
00:20:32We are back.
00:20:33He leaves the camera.
00:20:35He leaves the camera.
00:20:37He leaves the camera.
00:20:39He leaves the camera.
00:20:40You see it.
00:20:42Imagine a reverse dissolve.
00:20:44You see what I'm seeing?
00:20:45A long reverse dissolve.
00:20:47He goes right to left,
00:20:49and the camera is dissolved.
00:20:51And in that dissolve,
00:20:52we see the reflection of Masoori.
00:20:54We see his reflection.
00:20:56We see his shadow.
00:20:57We see his real self.
00:20:59Three Manoj.
00:21:00His fragmented state of mind.
00:21:03You get what I'm saying?
00:21:04What will happen?
00:21:06His state of mind
00:21:07will be represented by the camera.
00:21:09So here,
00:21:10he's so eager to reach her
00:21:12that he actually leaves me behind.
00:21:15That's how I'm looking at it.
00:21:17Sir.
00:21:18Sir.
00:21:19Twenty.
00:21:19Abhi ke abhi?
00:21:20Abhi ke abhi.
00:21:21Abhi ke abhi.
00:21:22Abhi ke abhi.
00:21:23Le, baya, pahali bar real cash
00:21:24milanari.
00:21:25Sir, 200 be to diya taapko.
00:21:26200 be to diya taapko.
00:21:27Wo to tu ne diya taapko?
00:21:28Twenty to first milanay.
00:21:30Sir,
00:21:53All these questions need to be asked, Prashanth, anything you need to ask Kunal, Ranga, anything, anybody has any confusions.
00:22:28Now is your time.
00:22:30Two years before this film was started.
00:23:00I don't have any questions.
00:23:01I don't have any questions.
00:23:04I don't have any questions.
00:23:06I don't have any questions.
00:23:27I don't have any questions.
00:24:05I don't have any questions.
00:24:20I don't have any questions.
00:24:52I don't have any questions.
00:24:53I don't have any questions.
00:25:18I don't have any questions.
00:25:47I don't have any questions.
00:26:43I don't have any questions.
00:27:12I don't have any questions.
00:27:21I don't have any questions.
00:27:26I don't have any questions.
00:27:49I don't have any questions.
00:28:09I don't have any questions.
00:28:15I don't have any questions.
00:28:26I don't have any questions.
00:28:45I don't have any questions.
00:28:46I don't have any questions.
00:28:47Oh my God!
00:28:48There is too much, bro!
00:28:50What option is there?
00:28:51There is too much!
00:28:53But in that accident, we started to see our film.
00:29:03Sir, Sir!
00:29:08Sir!
00:29:08Sir!
00:29:08I would like to do it like you.
00:29:13How would I do it like you?
00:29:14Sir!
00:29:17I would like to do it like you.
00:29:17He would like to leave cheating.
00:29:22Sir!
00:29:23Then he looks at him.
00:29:24He says that you didn't know him.
00:29:26All right, what does he say?
00:29:28Does he say that?
00:29:30No, nothing.
00:29:32He says that I stopped cheating, sir.
00:29:35Yes.
00:29:36Of course.
00:29:38I didn't know what he said.
00:29:39What a lie.
00:29:40You will see the police first and he will say,
00:29:44Sir, I left the cheating.
00:29:46Wow, wow.
00:29:49I left the cheating, sir.
00:29:51The last dialogue in the film,
00:29:54we listened to the script for IPS officer Manoj
00:29:56and IRS officer Shaddha.
00:29:59Do you see the work for five years or not?
00:30:02What are you doing?
00:30:04Three years.
00:30:06Come on, Lord.
00:30:12I'm so happy, sir.
00:30:14Please.
00:30:16Come on.
00:30:27Come on.
00:30:28Come on.
00:30:28Come on.
00:30:29Come on.
00:30:29Come on.
00:30:29Come on.
00:30:31Come on.
00:30:32Come on.
00:30:32And there were the victims of Vikasar
00:30:34and our film hero Mr. Vikrant Massey.
00:30:37I promise you that I won't let you.
00:30:39No, he won't let you.
00:30:40Let us down.
00:30:41Vikrant and BBC's first meeting was very interesting.
00:30:44He said,
00:30:46Sir, my dream is to work with you, sir.
00:30:49I said,
00:30:49I give a lot of grief.
00:30:51I'm angry too.
00:30:52I don't do a good job.
00:30:53If I tell you the truth,
00:30:55it's my good job.
00:30:57I don't get angry today, sir.
00:30:59My angry angry, sir.
00:30:59My angry angry, sir.
00:31:01He said,
00:31:02I will take a year off.
00:31:04If there will be a commitment to this level,
00:31:07then it will happen.
00:31:09Then it will happen.
00:31:10It will happen.
00:31:10Vikrant came to 2 years.
00:31:12They just took a win.
00:31:13Covid was lost on the day.
00:31:14We finally did get to this rooftop.
00:31:17We only saw this tour that night.
00:31:17What you saw first.
00:31:21Where BBC's real cash was in.
00:31:25Where it was a meeting last for 5 hours.
00:31:27Where they needed to make a meal.
00:31:30Yeah, that's the meal.
00:31:32They don't even know how much.
00:31:33Anyway,
00:31:35let's try.
00:31:35Kunal, leave the discussion.
00:31:39I'll shoot from the 15th.
00:31:40How many days did it start?
00:31:42That's the map.
00:31:45This is what happened in the movies.
00:31:48In the middle of the jungle.
00:31:50Yeah, look at our many cars, generators.
00:31:53This is our little kingdom in the middle of the jungle.
00:31:58Guys, we are in Chambal.
00:32:00Look at our location.
00:32:02Pan car camera.
00:32:03Everyone was showing their family.
00:32:05And I was thinking behind them
00:32:07that this picture was never going to be made.
00:32:10First day of shoot, finally.
00:32:12And they didn't have to do this film with the director.
00:32:16Who are you?
00:32:18Gunpadi Baba!
00:32:22Don't touch these fools.
00:32:24You need a gun.
00:32:26One, two, three.
00:32:28Fire!
00:32:30Charlie Police!
00:32:34Watch, watch, watch.
00:32:36Look at location.
00:32:37Look at security.
00:32:39Look at sun.
00:32:40You see what they can see?
00:32:41Look at the lane.
00:32:43Look at the vehicle.
00:32:46Look at the vehicle.
00:32:46The leak's the leak.
00:32:47I saw it.
00:32:49The leak's the leak.
00:32:50The leak's the leak.
00:32:51The leak's the leak.
00:32:52The leak's the leak.
00:32:52There was a leak.
00:32:54Action.
00:33:08And then think about what will happen to dad, when it's all gone, when you say, I've lost
00:33:17everything, this is the moment that you're doing, very nice.
00:33:21For a first day, this was a great first day, thank you.
00:33:24The best first day at work in my entire life.
00:33:28What the hell is that?
00:33:29I've been doing so many years, I've been doing so much.
00:33:32Tell my wife.
00:33:33Now I'm doing what you didn't let me do in New Zealand, I'm driving on a highway, going
00:33:39home after a hard day's work.
00:33:41Good morning, Anu, going to Chambal to shoot lovely sunrise.
00:33:45It's a very good job.
00:33:47And what did you say, dad, that I didn't listen to?
00:33:50And what did you say to him?
00:33:52It was totally unbelievable.
00:33:53Unbelievable.
00:33:55Unbelievable.
00:34:09Why is this Pagma Shrii?
00:34:21The whole team was running away.
00:34:23The whole team was running away.
00:34:24Everyone was running away.
00:34:25And the V.C.
00:34:26They say, come on, let me record the video and send my family to my family.
00:34:29Look at where we are guys, in the middle of Beehad, full of leopards and God knows what
00:34:34all camera and actors are shooting.
00:34:37And that's where the camera controls.
00:34:40You're having fun, man.
00:34:47Excellent.
00:34:48Good day.
00:34:49I want to put on record.
00:34:51Two of the best actors I've worked with.
00:34:52Really.
00:34:55Excellent.
00:34:56Really excellent.
00:35:01Let's clap for Pushpa.
00:35:14Thank you so much.
00:35:30Thank you so much.
00:35:33Thank you so much.
00:35:40Happy birthday to you.
00:36:39In school
00:36:44Lekin BBC का अडियलपन की मुझे एक्स्ट्राज नहीं, असली स्टूडेंट्स ही चाहिए, उन्हें ही भुगतना पड़ा
00:36:56लेकिन फिर
00:36:58उठिया आप भाई सब, कैमरे में मत देख बड़ी बड़ी आंग लेके, जाब बाट देख ले कैमरे को
00:37:04अरे यान, चार लोगों ने कैमरे में देख लेए, जो उन्तु ने इज़रा है, कैमरे में ज्या दिखता है, तर
00:37:09बड़ी निकलने वाली, कैमरे से तोता निकले का जिया
00:37:13ए, कैमरे अभी लेका, काट
00:37:26अभी ने दुस्या से बोलो कैमरे में बत देख लेए, शारे लोग बोलो कसंद आओ पहले समदो, ऐसा हात रखे,
00:37:33कैसे कसंद आता हो तुम्या इज़र रखे, बोलो मैं कसंद आता हूँ, जोड़ से बत लोगो, कैमरे में नहीं देखूँगा,
00:37:41बिलकुल, बिलकुल,
00:37:45नहीं वोयो � desirable syाल से, माभ बोलड पे रिखूंगो सारे आंसार, आर तुम तो स्ती बोलो जटेख, तो मर्यां
00:37:59ज़ता।
00:38:15– Bollin Eztabria! Bollin Eztabria! – Bollin Eztabria!
00:38:25– That's the one more! – Chalavnik!
00:38:33Bollin Eztabria!
00:38:36Bollin Eztabria!
00:38:38Bollin Eztabria!
00:39:48Bye, bye, bye.
00:39:49Bye, bye.
00:39:52Bye, bye.
00:40:22Bye, bye.
00:40:23Bye, bye.
00:40:53Bye, bye.
00:41:00Bye, bye.
00:41:01Bye.
00:41:01Bye, bye.
00:41:53Bye, bye.
00:42:04Bye, bye.
00:42:20Bye, bye.
00:42:23Bye, bye.
00:42:25Bye, bye.
00:42:26Bye, bye.
00:42:32Bye, bye.
00:42:34Bye, bye.
00:43:00Bye, bye.
00:43:08Bye, bye.
00:43:46Bye, bye.
00:43:49Bye, bye.
00:43:59Bye, bye.
00:44:00Bye, bye.
00:44:02Bye, bye.
00:44:04Bye, bye.
00:44:06Bye, bye.
00:44:08So we found out real trains do come there and there are only two trains in the whole day.
00:44:13Bye, bye.
00:44:15Bye, bye.
00:44:16Bye.
00:44:22Bye, bye.
00:44:25Bye, bye.
00:44:28Bye, bye.
00:44:32Bye.
00:44:35Bye, bye.
00:44:45Yeah, bye.
00:44:49Bye.
00:44:49Bye, bye.
00:44:50Bye.
00:44:58I have seen that sir, it will restrict us a lot.
00:45:01Sir, there were 100 camels and there was a train.
00:45:03Where did he get a retake?
00:45:07Sir, we don't need retake.
00:45:09My husband, well prepared.
00:45:10Just tell me what time it is.
00:45:13The timing is perfect.
00:45:14There are four people standing.
00:45:16He was spotted.
00:45:17Now, our people's biggest challenge was to make a shot at the right time.
00:45:23And the challenge was to make a great set.
00:45:27You have made the police station?
00:45:30That's the same thing.
00:45:31It's brilliant.
00:45:33Do you eat?
00:45:34Yes.
00:45:45Hello.
00:45:45Hello.
00:45:45Mr. Prashant, are you happy I gave you extra time today?
00:45:51No.
00:46:01This is a great size complete with all those policies.
00:46:04The other side is brilliant.
00:46:19I do need this is my Harry Potter watch train in Harry Potter leaves at 11 so at 10 15
00:46:25people
00:46:26are coming to the station this is a set I have made and it's reminding me of you Maya bye
00:46:31-bye
00:46:36I am a writer of the I am a writer of the king I am a writer of the song
00:46:45I am a writer of the
00:47:06It was the first day of shoot, because sir was linearly shooting, so for me it was the first day
00:47:12on set and it was my birthday.
00:47:17And in many months it was so symbolical and metaphorical that birthday, birth of Pandey, like first day of Pandey
00:47:26on set.
00:47:28And also then the scale of the location was huge.
00:47:37It's a real functioning station, like trains are going from behind.
00:47:46And being there with so many artists working together, main artists, background artists, everybody working together and sir keeping his
00:47:57eye on every single person.
00:48:02So, yes, I did get like little lost in that whole surrounding.
00:48:22So, I think I lost that endearing story of Pandey that Vinod sir fell in love with.
00:48:30And behind the monitor, he kept on telling Jussi that this is Pandey. This is Pandey.
00:48:35Just keep watching him. Stop eating your food now. Look at him.
00:48:40And I could hear it and I'm like, okay. So, I'm not doing it right. So, there was a lot
00:48:46of voices in my head.
00:48:53It's only two trains.
00:48:55It's not gonna give retake to us.
00:48:58We had talked to the station master.
00:49:03When it was ten minutes for the train, he informed us.
00:49:14But, he came to me and he said,
00:49:21Look. You're doing great.
00:49:24And this is, I'm quoting him when he said that.
00:49:27And this is the first time, I think the last time any producer or director would come to me and
00:49:32will say something like this.
00:49:33Because he came to me and he said,
00:49:35Look, I have a lot of money.
00:49:37If you want this set tomorrow, I will give you this set tomorrow.
00:49:40But, you give me honesty in your eyes.
00:49:44He's not about what physical comedy I can do.
00:49:49How can I make Pandey look very nice and everything.
00:49:53He's all about eyes.
00:49:58That, yeah, pulled me back to Pandey, I guess.
00:50:05I think he's super important.
00:50:07There's only possibility for one take.
00:50:12Dorte Rebellion
00:50:13Dorte Rebellion
00:50:18Dorte Rebellion
00:50:19Dorte Rebellion
00:50:19Dorte Rebellion
00:50:20Dorte Rebellion
00:50:21Dorte Rebellion
00:50:22Yet, I'll go get out.
00:50:24So, I'll go
00:50:27I'll go in a minute.
00:50:29And I'll go out for a while.
00:50:30Bring this stuff up.
00:50:30What's weird?
00:50:44And we got it.
00:50:47Happy birthday to you.
00:50:50Happy birthday dear Fandai.
00:50:54Happy birthday to you.
00:50:58Yay.
00:50:59To go out of Fandai.
00:51:00To the birth of Fandai.
00:51:01To you first.
00:51:03To birth of Fandai.
00:51:04To the creator of Fandai.
00:51:05Fandai to be real life.
00:51:09Real life Fandai.
00:51:11Would you mind?
00:51:13If you're not there, you're not here.
00:51:14That day, a dream came out of cake.
00:51:18If Yogi Sir keeps holding up, then this station will never become a station.
00:51:23If Vinod Sir keeps thinking of his thoughts, then it will never become a railway canteen.
00:51:27It will never be made.
00:51:28It's the rest of the video.
00:51:31When is in the video, when the show放置, I'll be čas.
00:51:34If you're prepared, you're on me.
00:51:38It's the rest of the video.
00:51:39Just like this or you're on me.
00:51:41It's a dog sound episode.
00:51:43That is epic.
00:51:47Sir decided that on location and then that became the state of mind of Manoj and we have
00:52:10picked up that to the entire film. Now every day there was a new problem.
00:52:28The film was taken by the film.
00:52:31When we were shooting this scene, our junior artists were watching the camera.
00:52:35The thought of Kunal was getting tired.
00:52:39Then BBC has a new idea.
00:52:44All actors said,
00:52:45Tell me about your heart in the camera.
00:52:47Look in the camera.
00:52:49Everybody look in the camera.
00:52:50Chill out.
00:52:56This is a new scene that has never been in the script.
00:53:00Manoj's nightmare scene.
00:53:18And finally, this railway station has been made of Manoj's life.
00:53:23One side was the old world where it came.
00:53:28And the other side was the new world.
00:53:31That's where it will go.
00:53:45There was a shot inside.
00:53:47Ekranth was on the balcony.
00:53:52This was like a trial shoot for us.
00:53:54We have interior.
00:53:57We are controlled.
00:53:58But Mugharjinagar's atmosphere in the past.
00:54:00Keep going.
00:54:01Keep going.
00:54:02Don't stop.
00:54:03Keep going.
00:54:04We know how to shoot in Mugharjinagar is so easy and difficult.
00:54:07Keep going.
00:54:07Just a minimum focus.
00:54:10And we were...
00:54:13Blown.
00:54:15Blown.
00:54:18Blown.
00:54:19Blown.
00:54:19Blown.
00:54:25Blown.
00:54:26Blown.
00:54:28Blown.
00:54:29Blown.
00:54:30Blown.
00:54:31Blown.
00:54:31Blown.
00:54:31Blown.
00:54:31Blown.
00:54:31Blown.
00:54:32Blown.
00:54:34So, okay.
00:54:35Thankfully, we were shot inside.
00:54:37As per the script, he is just looking at the people.
00:54:40The number of people.
00:54:41There are so many people.
00:54:42How will they do?
00:54:43Blown.
00:54:44So, that number was working out for us.
00:54:46But the problem was, the number of people were standing in their hands.
00:54:50And the film we were making, at that time, they didn't even come.
00:54:54And cut.
00:54:55Cut the...
00:54:56I think he got the shot.
00:54:56How was it?
00:54:57Playback?
00:54:57Winosar had almost accepted.
00:54:59I had to fix it.
00:55:01I had to fix it.
00:55:01I had to fix it.
00:55:02Then, after we had found our OK take, I requested him.
00:55:05I said, I want to try something.
00:55:07I want to take one take.
00:55:08Take one take.
00:55:13My team was standing downstairs, who was on the road, trying to manage the crowd.
00:55:17I told them, I was like, calm, do it.
00:55:19They just take 50 steps.
00:55:21Come on, come on, come on.
00:55:22Come on, come on, come on.
00:55:23Come on, come on.
00:55:26Come on, come on, come on.
00:55:38So, as many people were standing with the light of the mobile,
00:55:41the lock-up shooters were coming.
00:55:43So, as they were coming, they kept their phones down,
00:55:46and everybody started walking towards that shooting.
00:55:52That is what made that shot come alive.
00:56:00I remember something in this episode.
00:56:03We were here a month ago.
00:56:05We were here a month ago.
00:56:06And everyone said,
00:56:08Sir, we will take Vikrant to the real location.
00:56:10We will have problems.
00:56:11And the VVC said,
00:56:14He said,
00:56:14Oh, that is no one who doesn't know Vikrant.
00:56:27Sir, you're right.
00:56:31I didn't know you.
00:56:33I didn't know you.
00:56:33It's like a star.
00:56:36She couldn't get it.
00:56:39She couldn't get it.
00:56:40She couldn't get it.
00:56:57Oh, shit.
00:56:59Now, the dream is going to keep it.
00:57:03I know.
00:57:04I know.
00:57:04I know.
00:57:05I know.
00:57:15I know.
00:57:20Here's the game.
00:57:26The game last two weeks.
00:57:28The game last two weeks.
00:57:30It will be fun.
00:57:30And there was a problem.
00:57:32The fans were attracted to the fans.
00:57:35You're jerking them.
00:57:37But the B. B. C. has thrown their ass for the fans.
00:57:39But the BBC has thrown their ass for the fans.
00:57:40You're jerking them.
00:57:41Hey, your ass!
00:57:42You ain't that ass for me?
00:57:44And he's like, I'm going to get in there!
00:57:46I'm going to get in the car!
00:57:47I'm going to get in the car!
00:57:50What's up?
00:57:53He's going to get in the car!
00:57:56Take him away!
00:57:57Take him away!
00:57:57Take him away!
00:57:58We'll get him to the car!
00:58:02Take him away!
00:58:09Take him away!
00:58:09Take him away!
00:58:09My son's bad, but how will you shoot?
00:58:11How will we do this shoot?
00:58:12I'm going to lock it inside.
00:58:15The most powerful person is the one who can take away from anger.
00:58:18I don't know.
00:58:20Lock it! Lock it!
00:58:23In this atmosphere, shooting is very difficult.
00:58:26And there is no shooting in Mukherjee Nagar.
00:58:30What shots were there?
00:58:325 days in Mukherjee Nagar.
00:58:345 days in Mukherjee Nagar.
00:58:355 days in Nehruvihar.
00:58:37We have a plant here in Gauri.
00:58:38We live here for 8 years.
00:58:40Cyber cafe.
00:58:41V-star.
00:58:42V-star.
00:58:43Panias Terris.
00:58:44Yeah, Chotu. What time?
00:58:46Coffee beer?
00:58:47He's not Chotu.
00:58:48V-star tea stall.
00:58:49The paper today's prelims.
00:58:51There is no need to go to sleep.
00:58:53Nehruvihar coaching.
00:58:54Nikas sir's coaching.
00:58:56I'm fine.
00:58:58I'm fine.
00:58:58I'm fine.
00:59:00On the streets.
00:59:01On the streets.
00:59:05He's been welcome.
00:59:06Yes sir, we're dealing with more than a month.
00:59:09More than 30 days of shooting today.
00:59:15Good morning.
00:59:16Good morning.
00:59:18Good morning.
00:59:19Good morning.
00:59:20Good morning.
00:59:21Good morning.
00:59:21Good morning sir.
00:59:21Good night sir.
00:59:22Happy.
00:59:23Happy.
00:59:27Happy birthday to you.
00:59:29Happy birthday to you.
00:59:33Happy birthday to you.
00:59:37Happy birthday to you.
01:00:20Happy birthday to you.
01:00:23Happy birthday to you.
01:00:27Happy birthday to you.
01:00:29Just be yourself and look like a student.
01:00:32We've been shooting with students before.
01:00:35But there's no problem.
01:00:38And in Mukherjee Nagar, there were thousands of students.
01:00:41Look at the camera that the shooting will stop.
01:00:44And guys, please don't look into the camera.
01:00:47Action!
01:00:51I must tell you.
01:00:54And I honestly want to say this.
01:00:56This is one of the best crowd scenes I've handled.
01:01:00I am so worried about the looks.
01:01:02And none of you look at the camera.
01:01:04So hats off to you.
01:01:06And I am so worried about theihaters.
01:01:13I have to say that.
01:01:13In the meantime, Kunal says.
01:01:16Sir, you can take a cyber cafe too?
01:01:18Yes, sir.
01:01:19And you will have to call everyone off the evening.
01:01:21And everyone has everyone else.
01:01:21Everybody has come in the afternoon.
01:01:25Just calm, calm, calm.
01:01:26Is that cool? Is that cool? Is that cool? Is that cool? Is that cool? Is that cool? Is that
01:01:34cool? Is that cool?
01:01:36Hi, my name is Basu. I work in L.A., in the Hollywood area, and this is mind-blowing.
01:01:41All these holdings, all these billboards are there. There are about 1,200 people over here.
01:01:46They've shut down entire neighborhoods. I cannot even imagine...
01:01:51...the camera is in the middle of the street. I cannot even believe what it would take to mount this
01:01:55production in Hollywood.
01:02:01In ten minutes, I want to roll. Today is insane.
01:02:04Can I? No, no, no!
01:02:06Can I?
01:02:07I will sing next time, I will sing it again.
01:02:12Is that cool? Is that cool? Is that cool? Is that cool?
01:02:26Manoj, you came here and I'll do it again and I'll do it again and my friend will come here.
01:02:32Congratulations, man. Congratulations. When I came here, I'll be wearing this dress.
01:02:37I'll give you a new dress. It's brilliant.
01:02:42Thank you guys, Mr. Parker.
01:03:15Very good.
01:03:23.
01:03:24This time, this time!
01:03:27The shoot of Gauri Bhaiyaya was shooting at Gauri Bhaiyaya,
01:03:29which was a shooting where Gauri Bhaiyaya was sad.
01:03:33.
01:03:33.
01:03:34Kuntrila, take one.
01:03:37Kuntrila, wait.
01:03:39Hello, run your love.
01:03:48Now, I've seen your test, so I thought I'll tell you.
01:03:52I didn't have to go where I want you to go.
01:03:54What happened?
01:03:56I didn't have to talk to you.
01:03:57I didn't know.
01:03:58It was very stiff.
01:04:00But in two or four places, you smiled.
01:04:03Oh, yeah.
01:04:04And that smile is very magical.
01:04:09VVC had a lot of good work.
01:04:12This is why I went to rehearsal for months and months.
01:04:14But they were struggling a lot.
01:04:20All is well in Delhi?
01:04:22Yes, it's okay, sir.
01:04:23I'm in a better condition.
01:04:24What happened?
01:04:26My mother's family has lost a lot of days.
01:04:29Sir, it's up and down now.
01:04:31What is the problem?
01:04:34She has kind of blood cancer.
01:04:37I mean, I'm going to go out.
01:04:38But your father is not there?
01:04:41No, my father is no more.
01:04:44I wish you well.
01:04:45I wish her well.
01:05:14I wish you well.
01:05:16I said, what you're saying is that you're looking at your face.
01:05:20There was no projection.
01:05:24No one said, sir, my mother.
01:05:27I said, this is what happened.
01:05:29No need to do it.
01:05:32There are efforts.
01:05:34There are a lot of efforts.
01:05:37You've done so much with love.
01:05:38You've done so much with love.
01:05:40You've done so much with love.
01:05:43You've done so much with love.
01:05:47Now, if I tell you these lines,
01:05:50you understand that this is not a real life,
01:05:52this is a situation.
01:05:53I give you this scene in a film.
01:05:56Now, I tell you that this is your test.
01:05:5899% say that you're different.
01:06:00You've done so much with love.
01:06:03There's such a dramatic situation.
01:06:05My mother is like this.
01:06:06How do I interpret this?
01:06:08In that sense, you're going to kill yourself.
01:06:10And you're going to kill yourself.
01:06:13If you just feel that situation,
01:06:16that a man has put a uniform on the wall for 8 years,
01:06:20but he didn't put his hand on his hand.
01:06:21It's the plan that we'll wear a day of wear.
01:06:23We'll go to our village.
01:06:24And we want to salute your mother and grandmother.
01:06:27But Gauri has also failed his last attempt.
01:06:31What the hell?
01:06:32It means that these people come from the village,
01:06:34and become an IPS.
01:06:36And here,
01:06:37besides studying,
01:06:38we'll get worse.
01:06:42You're not a problem.
01:06:43You're not a problem.
01:06:45You're not a problem.
01:06:46You're not a problem.
01:06:47You're not a problem.
01:06:49You're not a problem.
01:06:50You're not a problem.
01:06:51And this was the day that was the day.
01:06:53Rolls up!
01:06:54When we were in our set,
01:06:58all the cops went through.
01:07:01What?
01:07:02What?
01:07:03Hey!
01:07:03Hey!
01:07:04Hey!
01:07:04Hey!
01:07:06Hey!
01:07:08Hey!
01:07:13I'll be back.
01:07:19I'll be back.
01:07:19When this drama was finished,
01:07:21then BBC went to Gowri and said,
01:07:24look, this is a shame.
01:07:27How do I make it?
01:07:29I'll do it like this.
01:07:31Okay.
01:07:32Go for a take.
01:07:34And...
01:07:34Arjun!
01:07:46I mean, no disrespect.
01:07:49You're just wasting the country's resources, man.
01:07:52I'm not going to make you even go to IPX officers.
01:07:54Just accept it and move on.
01:07:58I'm not the truth.
01:08:00I'm not the truth.
01:08:04I'm not the truth.
01:08:14foreign
01:08:16foreign
01:08:35in school college.
01:08:37They don't have to pay their money in coaching.
01:08:42But you know,
01:08:44these people don't come empty hands.
01:08:46They have a desire to make these people
01:08:48without a day,
01:08:49they will become I.I.P.S.
01:08:50Maybe they have to clean their toilet in a library
01:08:52or to clean their toilet.
01:08:55They don't go back.
01:08:57They don't believe them.
01:08:59Their desire is very sure.
01:09:03But this is a desire, Nawal.
01:09:05They don't come to school or college.
01:09:09They come from the hopes of millions of Hindus.
01:09:13But this is their honor.
01:09:17They are all fighting, Nawal Babu.
01:09:20But as long as someone has won,
01:09:24they will win the millions of Hindus.
01:09:37they will win.
01:09:41They will win.
01:09:41This has been done.
01:09:42But in the rest of the T-Stall,
01:09:43we will shoot 9 scenes.
01:10:09He knew f**k all.
01:10:18He knew f**k all.
01:10:46He knew f**k all.
01:11:20In the streets, people were scared of us, and we were thinking that we were doing what we were doing.
01:11:24So, we said to sir again, sir, let me select someone from them.
01:11:28This is all right, sir.
01:11:29When you look at me like a child, I'm going to take you all together.
01:11:32I mean, I don't have a picture with you.
01:11:34I don't have a picture in my mind.
01:11:36But what was the picture in their mind?
01:11:40Today, when I'm dying, they were a little confused.
01:12:01I don't have a picture so I can touch you all together.
01:12:04She was alone but we were able to adore The Man instance Taurus and her very real School of F
01:12:04hvorچos restaurant.
01:12:04So, we you didn't have a picture.
01:12:04And in the streets, you pass in the city.
01:12:08Therefore, this is almost twenty-five, you have taken one of the two libraries.
01:12:16And then came the day when their whole confusion came.
01:12:48Why is he stopped here?
01:12:50They are saying to open the door of the house.
01:12:53Why are they opening the door?
01:12:56And they don't know who's random.
01:12:58We are trying to keep it.
01:13:00Even now, many people are clueless.
01:13:02Just like they are saying, I will stop.
01:13:04Open the door of the house.
01:13:06And of course, who will ask the question?
01:13:08Who is inside the house?
01:13:09They opened the door and opened the door.
01:13:11Let's open the door.
01:13:14Before I went inside, I and Ayush.
01:13:17It was a small house.
01:13:19Nothing is empty.
01:13:20We thought, let's go, another waste.
01:13:22But then the door came.
01:13:25They hit one door.
01:13:27And they say...
01:13:28Okay. I think we found our chakki, guys. Congratulations.
01:13:33Found our chakki?
01:13:35This was a random person's store room.
01:13:38You saw how we found it?
01:13:40We showed you so much, sir.
01:13:43Where did you come from?
01:13:45Where did you come from?
01:13:46The door came from the door.
01:13:47Are you directing this film?
01:13:49You're not meant to make this film.
01:13:50It's not his film at all.
01:13:52You don't have any knowledge of the script.
01:13:53No one's dying in it.
01:13:56We're all thinking about it.
01:13:58And the door is standing, sir.
01:14:00We're always talking about chakki-chakki.
01:14:02We don't need chakki-chakki.
01:14:13But we're not going home.
01:14:17We're just thinking about chakki-chakki.
01:14:33I don't want to know.
01:14:33We've got a lot of money in the Kala Bajari.
01:14:37Now we're going to have good money.
01:14:40We're going to have good money.
01:14:42We're going to have a good house.
01:14:43We're going to have a good house.
01:14:45We're going to have a good house.
01:14:48See, now for the first time when you said,
01:14:51how can you be here?
01:14:52Get out. I felt it.
01:14:54Get out of this hellhole.
01:14:56And now I know why I didn't like those chakki.
01:14:59Because in all those big chakki,
01:15:01that dialogue doesn't make sense yet.
01:15:04Wow.
01:15:06It was like amazing.
01:15:10That hellhole is not there in that Agarwal chakki.
01:15:12It's from there from there. It's not there anywhere.
01:15:14I was looking for a hellhole.
01:15:16I was looking for a place where I would not wish
01:15:18my worst enemy to live in.
01:15:20And you read the scene.
01:15:21Don't look at the location written on top,
01:15:23but read the scene.
01:15:24Our mistake was we were looking for Atta Chakki.
01:15:27Don't look at location. Atta Chakki.
01:15:29Don't read Atta Chakki.
01:15:30Don't look at the scene.
01:15:31Don't look at the scene.
01:15:32Don't look at the scene.
01:15:34Always read the scene.
01:15:35On the scene.
01:15:36Read the scene.
01:15:37Understand what the scene is.
01:15:39It says, how do you study in the dark?
01:15:41Yes, how do you study in this dark?
01:15:46And when the dark is not consuming
01:15:48from the dark,
01:15:49that is not the right location.
01:15:50There is a literal line written in the dialogue
01:15:53that there is dark,
01:15:54that there is dark,
01:15:55there is dark.
01:15:56It is dark.
01:15:58What about the dark as we do?
01:16:12Is it dark?
01:16:15Right.
01:16:15Don't go by my expression, go by my emotion.
01:16:33Please understand.
01:16:34You think that I know everything.
01:16:36I know everything.
01:16:37I wrote this story.
01:16:39I wrote it three times.
01:16:40I don't remember what I had to ask.
01:16:42I asked what I had to ask.
01:16:44You read this, What a short time.
01:16:47How long before this is what.
01:16:49Why do what happens before this is what?
01:16:49Not before this events happen again.
01:16:50What's the real time?
01:16:52What's this, what's this, what's this?
01:16:54What else, what's this, what's this?
01:16:57We've got his picture written.
01:16:59It's interesting Deus.
01:17:04I wasn't sure anything about this.
01:17:06I discovered that this thing isn't fair.
01:17:09I wouldn't like that.
01:17:10No, I don't like that.
01:17:12This is a ******. This is a whole scene cut down.
01:17:14There will be something behind it.
01:17:17That's what I don't understand.
01:17:19Don't ask me.
01:17:19I'm going to look at my phone.
01:17:21When I saw the ******, I understood that I didn't look good for this.
01:17:26That day I understood what ******.
01:17:29Now he came to understand that our sir didn't know anything.
01:17:34When he understood that he was so bad at that time.
01:17:37That's a ******.
01:17:38The village is here.
01:17:39The whole give up is done.
01:17:40Sir, this camera is also hung up.
01:17:43To pitch head.
01:17:43To pitch head, pitch head.
01:17:45This is a ******.
01:17:49I don't know what to do.
01:17:51I had no idea.
01:17:54We didn't feel like we were so big.
01:18:01But I'm completely open to you all.
01:18:05I'm saying later things.
01:18:07I was a little disappointed with the script.
01:18:08Tell me how can I make it better.
01:18:10So we heard that those are very good writers.
01:18:12They write 8 words.
01:18:13Again, he would want me to come and read the script.
01:18:15The most perfectionist are 11, 12, 12.
01:18:18And again giving him a feedback.
01:18:20Like who am I in front of him giving any kind of feedback.
01:18:23And then, sir has started the script.
01:18:25He wrote it.
01:18:27Everything's fine.
01:18:28Everything's fine.
01:18:28189 times the final script.
01:18:30Nothing's fine.
01:18:30It's too much, bro.
01:18:32What are you talking about?
01:18:33What are you talking about?
01:18:34We're talking about a couple of people.
01:18:35We're talking about a couple of people.
01:18:35Because there's no secret formula, sir.
01:18:37Let's do quickly one more.
01:18:38One more.
01:18:38Maybe I don't know how much we can move on.
01:18:41Maybe I don't know how much you want to find out.
01:18:44Maybe I don't know if you are looking away from the camera.
01:18:46Why are you talking about the camera?
01:18:46Genius.
01:18:47Genius record?
01:18:48Because the BBC itself says that there is nothing to do with the genius.
01:18:53He just keeps saying the same thing over and over again.
01:18:58Never give up.
01:19:00Never ever give up.
01:19:03This one.
01:19:06I don't believe it. I don't believe it.
01:19:08I don't believe it. I don't believe it.
01:19:11Never give up.
01:19:21I was told by everyone, including my dearest wife, to put it out on OTT.
01:19:26She said, nobody will go to see you.
01:19:28You know, you can't see anything.
01:19:31And the agencies are also writing.
01:19:342,000,000 openings.
01:19:3630,000,000 life businesses.
01:19:37We were scared.
01:19:39You don't fear in life.
01:19:40The fear of failure that all of us kind of grapple with.
01:19:43He said, just don't fear.
01:19:45And just be fearless and go out there and make the best one that you can.
01:19:48So guys, never give up.
01:19:50Please don't give up.
01:19:51Bobby just said, I'm 66.
01:19:52I'm 72 years old.
01:19:55I'm standing here and telling you, don't ever f***ing give up.
01:19:58So, I need to thank you.
01:20:05.
01:20:07Oh
01:20:09Jalzi rope chate ha
01:20:13Jali ar khud se phir milte ha
01:20:17Chalzi rope chate ha
01:20:21Aray ar khud se phir milte ha
01:20:25To has KG arok KG
01:20:27Ek omr toh tujhko jina
01:20:29Hai
01:20:33Jho jhoot ke pichhe bhaagye
01:20:35Tu har mord pe jhoot ko sehna
01:20:37Hai
01:20:41Jab aaj nahi kal marna hai
01:20:43Jab aaj nahi kal marna hai
01:20:45Kis baat se itna dharna hai
01:20:47Kis baat se itna dharna hai
01:20:49Chal khushiyon se
01:20:57Miltte ha
01:21:01Chal vaapas zero pe chalte ha
01:21:04Chal yaar khud se phir milte ha
01:21:08Chal vaapas zero pe chalte ha
01:21:12Chal yaar khud se phir milte ha
01:21:22Chal sa chkid agar chalte ha
01:21:26Chal apne bachpan se milte ha
01:21:30Chal sa chkid agar chalte ha
01:21:54Jab aaj nahi kal marna hai
01:21:56Jab aaj nahi kal marna hai
01:21:58Kis baat se itna dharna hai
01:22:00Kis baat se itna dharna hai
01:22:02Jab aaj nahi kal marna hai
01:22:10Miltte ha
01:22:13Chal vaapas zero pe chalte ha
01:22:17Chal yaar khud se phir milte ha
01:22:20Chal yaar khud se phir milte ha
01:22:28Chal yaar khud se phir milte ha
01:23:07Miltte ha
01:23:34I
01:23:35want to tell you that I'm from Kashmir
01:23:37and in 1960s
01:23:40I told my father I want to make movies
01:23:41and the first thing he told me
01:23:44Bombay jayega?
01:23:46Haan
01:23:46Buka mar jayega
01:23:48So it's been a long journey
01:23:50and I just want to
01:23:53recite a poem that we wrote recently
01:23:56Chal wapis zero pe chalte hai
01:23:58Chal yaar
01:24:00Kuch se pher milte hai
01:24:02Tuh haske ji ya roke ji
01:24:04एक उम्र तो तुझको जीना है
01:24:07जो जूट के पीछे भागे तू
01:24:09हर मोड पे जूट को सहना है
01:24:13जब आज नहीं कल मरना है
01:24:15किस बात से इतना डरना है
01:24:16चल फिर खुशियों से मिलते हैं
01:24:19चल यार वापिस zero पे चलते हैं
01:24:26एंदे नेक्स लाइन
01:24:27that I really love
01:24:29चल
01:24:30चल
01:24:31सच की डगर चलते हैं
01:24:34चल अपने बच्पन से मिलते हैं
01:24:37चल सच की डगर चलते हैं
01:24:40भोले पन से फिर मिलते हैं
01:24:42दिल खोल के सीटी मारेंगे यारों को गले लगा लेंगे
01:24:47जो बचा खुचा है टिफन में
01:24:49मिल जुल कर सारे खा लेंगे
01:24:51जब आज नहीं कल मरना है
01:24:54किस बात से इतना डरना है
01:24:55चल यार
01:24:56खुशियों से मिलते हैं
01:24:59चल फिर खुच से मिलते हैं
01:25:01चल यार वापस जीरो पे चलते हैं
01:25:04Thank you so much
01:25:24Thank you
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