- 2 days ago
Watch online Phillipines, korean, English, Holiwood, Boliwood, Movie, Drama, Serial. Movie Secne,
Category
πΉ
FunTranscript
00:00:28Transcribed by ESO, translated by β
00:00:58Transcribed by β
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marchanda Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:56new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:14It was on the high seas she forged a friendship with the notorious pirate, Red Cat Morgan.
00:02:21Together they ruled the Waves, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:39When her pursuers eventually closed in, Marchanda entrusted her share of the riches to Red, who in turn gave her
00:02:46a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:47Lost for
00:03:50I don't know.
00:04:20I don't know.
00:04:50Scott! We'll have one of those. One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:05Hey!
00:05:14Get out of here!
00:05:17Get the boss! Get Mr. Walsh!
00:05:20Ah!
00:05:25Daddy, she's hungry!
00:05:27Catch!
00:05:41She did not pay for that spring roll!
00:05:43It's Taser, Gary.
00:05:45Hello!
00:05:52Hurry!
00:05:55Hi!
00:06:16I don't know.
00:06:39I don't know.
00:06:40I don't know.
00:06:44His toilets is blocked again,
00:06:46and I've got a big meeting with this finance tosser of Collins.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think you want me to lose this bar.
00:07:07Fine. I'll do it, can you?
00:07:09Oh, I love the way you unblock a toilet.
00:07:12I love the way you do it.
00:07:30Sorry, sorry.
00:07:35What's...
00:07:41I don't speak.
00:07:43I'm really sorry.
00:07:44Listen, I don't...
00:07:45I'm recording.
00:07:48Um, do you know I'm recording?
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:09Did you sit with a woman and run through this way she's now?
00:08:11Lady in the medical gown?
00:08:12Yes.
00:08:13Yeah, she shoved me.
00:08:13You went that way.
00:08:14Night, night, night.
00:08:15She just left.
00:08:16You might still be able to catch her.
00:08:19Lady!
00:08:20That was so exciting.
00:08:21I've never lied to the police before.
00:08:24Oh, crap.
00:08:26Are you an escaped killer on a violent rampage?
00:08:31That's just getting inside.
00:08:33I think that there's food inside.
00:08:35Food?
00:08:36Oh.
00:08:37I have no idea.
00:08:40Here.
00:08:41Take this.
00:08:43Catch.
00:08:45Wait, wait.
00:08:45No, no, no, no.
00:08:46I promise.
00:08:46Come here, wait.
00:08:47Good, good.
00:08:48Mmm.
00:08:49Mmm, good.
00:08:51Oh, no, no, don't, don't, don't.
00:08:58Catch.
00:09:02Nice, look.
00:09:03Another one.
00:09:04Yeah, yeah.
00:09:04Yeah, yeah.
00:09:09What?
00:09:11I don't want to bring in a home, Sky.
00:09:14You didn't do anything.
00:09:15This kid, they promised you.
00:09:17Hey, it's just to go.
00:09:19It's just to go.
00:09:21It's just to go.
00:09:24Time to distract Eddie.
00:09:27It's okay.
00:09:27Eddie!
00:09:28Eddie!
00:09:28Eddie!
00:09:28Eddie!
00:09:29Eddie!
00:09:31Eddie!
00:09:32Eddie!
00:09:36Hey!
00:09:36Hey, what have you been?
00:09:37Skipsy.
00:09:37There's the opposite of rock song about it.
00:09:39Yeah, yeah.
00:09:39Yeah, yeah, yeah.
00:09:40Oh!
00:09:41Oh!
00:09:41Careful!
00:09:42Oh!
00:09:43Hey!
00:09:45Hey!
00:09:46Hey!
00:09:46Hey!
00:09:47Hey!
00:09:48Hey!
00:09:48Hey!
00:09:49Hey!
00:09:50Hey!
00:09:52Hey!
00:09:54Hey!
00:09:54Oh, my God!
00:09:58Oh!
00:10:06Oh!
00:10:09Oh!
00:10:11Oh!
00:10:13Oh!
00:10:16Ooh!
00:10:16Oh!
00:10:18Oh!
00:10:24WHISTLE BLOWS
00:10:36State of that shitting bar, make it yourself, did you?
00:11:06Yeah, I like it too.
00:11:08This gives great-great-great-great-great-great-great-great-great-grandfather
00:11:13had a commission or something.
00:11:19All right, very evening.
00:11:36Yeah, can I trouble you for another?
00:11:37Yeah, of course. Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:43Another day on the right side of the grass and...
00:11:46Oh, look, they let me keep my spots.
00:11:50Very nice fair-dos. Hey, the usual?
00:11:52Oh, yes, please.
00:11:54I think maybe something will discharge the light brigade.
00:11:57Oh.
00:11:58Oh.
00:11:59No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:19Yeah.
00:12:20This is going to suck, but...
00:12:26Ah!
00:12:28Ah!
00:12:30Ah!
00:12:30Yeah!
00:12:31Jack, love!
00:12:31I'm sorry.
00:12:32I think I understood that.
00:12:33And I'm really sorry.
00:12:35I'm so sorry.
00:12:36I'm so sorry.
00:12:37Dad!
00:12:39I'm so sorry.
00:12:40I'm so sorry.
00:12:41I'm so sorry.
00:12:41I'm so sorry.
00:12:42There.
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:58It's amazing what people leave behind in pubs after cube fights, honestly.
00:13:03Well, these look like they'll fit, so I'll try these on.
00:13:14Okay, let's get you some real food, right?
00:13:16Um, what are you fancy?
00:13:18Scampi fries?
00:13:19Leaf crisps?
00:13:20Are you vegetarian?
00:13:21Because that's all we have.
00:13:24Order the tea.
00:13:26Right.
00:13:27Okay.
00:13:27Um, you might be a mass murderer and I'm here asking about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay.
00:13:32Please stay hidden, right?
00:13:33I'll be right back.
00:13:37Hey, hey!
00:13:39Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo.
00:13:47Angel cheers.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:52The pirate's private party palace.
00:13:54This, this is the most historically infamous sordid den of villainy and underworld chicanery
00:14:00that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:07Mine's a brandy Alexander if anyone's buying.
00:14:11No.
00:14:12No.
00:14:15Fair enough.
00:14:29Ah, froze banana bone sack.
00:14:34Hey.
00:14:35I need to talk to Skip about our deal.
00:14:37It's busy.
00:14:38Hm?
00:14:39Oh, no.
00:14:39Oh, no.
00:14:39Oh, no.
00:14:39She's getting.
00:14:41He, I just said he's busy.
00:14:42Yes.
00:14:43Yes.
00:15:04I'm not selling.
00:15:06Mr. Orbs is offering you.
00:15:07I'm not selling.
00:15:09I know he's been in your family for generations, but you need to think about it.
00:15:12I will.
00:15:13Not.
00:15:14Change.
00:15:14My.
00:15:15Fine.
00:15:16Mr. Walsh won't be happy.
00:15:23Hey.
00:15:24Look, I re-, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:30What?
00:15:31Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What about this month?
00:15:40Hey, don't worry.
00:15:41Hey.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:15:50Well, he's good to see you.
00:16:03Good, I know you're going.
00:16:11You can't see it.
00:16:12Here you go.
00:16:14Here you go.
00:16:14Here you go.
00:16:15Here you go.
00:16:17Now you go.
00:16:17Eddie will be with you shortly.
00:16:21He's missing his cue.
00:16:23He's in the middle of something.
00:16:24Shit.
00:16:25Here, tell this lovely girl woman
00:16:26about the dastardly dealings that the smugglers have.
00:16:30We do two-for-one cocktails between now and six.
00:16:33Nice.
00:16:35Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do.
00:16:44Yeah, lots of the legends here are true.
00:16:47I mean, it's the most mysterious place, this.
00:16:52Before the Great Fire of 1666.
00:16:56Um, lots of nefarious stuff.
00:16:59And right here, I mean, this, this bar, it's built right on top of the Lost Rivers and Caves of
00:17:07London.
00:17:09Lost.
00:17:10And they rebuilt both fire.
00:17:13Burling.
00:17:20To reach your destination, you must leave the shore.
00:17:24Ah, yes.
00:17:25The maxim of ferocious pirate, Catherine Morgan, or Red Cat.
00:17:29She was known.
00:17:29Oh, yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother.
00:17:43She cared for this crackling, naming her Lucy.
00:17:46A fierce protector of the pirate who raised her.
00:17:51Help!
00:17:55Help!
00:17:58Help!
00:18:01Help!
00:18:04Help!
00:18:05Help!
00:18:05Help!
00:18:10Red Cat spent years trying to find a friend.
00:18:13Eventually, Cat turned up here.
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous Smuggler's Tavern, known as a
00:18:22black market for trading pillaged riches.
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share, before Cat herself became nothing more
00:18:35than legend.
00:18:40The man being shot by Red Cat in the painting bears a likeness to Skip's forefather, who owned the tavern
00:18:46at the time, leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate
00:18:53than we know.
00:18:57Cool.
00:18:58Cool.
00:18:58Uh, I'll take two of those crackgales, please.
00:19:01I reckon it's a nice touch.
00:19:03I had to open something hard to crack.
00:19:09Team, open the door!
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape-man.
00:19:29He feeds off self-esteem this one, so I'd look out for that, yeah?
00:19:32Hey, Eddie, can you pass me awesome?
00:19:33Hey, check this out.
00:19:35See this four over there?
00:19:37So, she used to date him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:46Why don't you kick this date into phase two and just shit off to Nando?
00:19:49You shit off to Nando, you pass.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:00Uh, delivery's waiting.
00:20:01Been up there for about ten minutes.
00:20:03Ten minu-
00:20:07Stick your pudgy.
00:20:21Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:24Oh, come on.
00:20:25Don't be like that.
00:20:26Mia!
00:20:29Skip!
00:20:29Eddie, does that hope?
00:20:30No, no, no!
00:20:31Ah!
00:20:32Ah!
00:20:33Ah!
00:20:34Ah!
00:20:37Run, Mia!
00:20:38Run!
00:20:40Ah!
00:20:45Ah!
00:20:46Ah!
00:20:50Ah!
00:20:57Ah!
00:20:58Ah!
00:20:59doin'
00:21:00Ah!Π²
00:21:04ahhh! Ah!
00:21:06Ah!
00:21:06Ah!
00:21:07Ah!
00:21:08Ah!
00:21:09Ah!
00:21:10Uh!
00:21:16Ah!
00:21:29Quiet up here.
00:21:43I know that, Chris.
00:21:48Are you all right down there, Skip?
00:21:50I think so.
00:21:52Call an ambulance, Eddie.
00:22:03Hey, don't kill him! Don't!
00:22:13No!
00:22:28No!
00:22:29No!
00:22:30God!
00:22:32It's the same crest as the rest of the next door.
00:22:35Hey, what does this mean?
00:22:39It's a book queen!
00:22:42It's a book queen.
00:22:44Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:47Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:53Skip!
00:22:55Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an owl could pay for.
00:23:06Oh, you?
00:23:09See, if I was 15 years younger,
00:23:11I'd throw you about like an empty tracksuit.
00:23:14What's this?
00:23:19Gunpowder.
00:23:19And this is why you can't be back here.
00:23:24All right.
00:23:30Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:34I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down there.
00:23:39I know.
00:23:40Right, I'll go up and call the police.
00:23:41Yes.
00:23:49I don't think the police can help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on Mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm going to have to sell.
00:24:15And I laid my father down.
00:24:19I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:23No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:26Yes, you can.
00:24:27It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please. It's fine.
00:24:32Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's a home.
00:24:41I can't.
00:24:44I can't.
00:24:49It's not too.
00:24:51I'm going to help you.
00:24:54You won't be listening to what I'm saying.
00:24:56So much for traveling the world.
00:24:59Call you.
00:25:02I'll let you go.
00:25:04I forgot.
00:25:06Okay, let's see how good this translation happens.
00:25:09You're welcome.
00:25:14Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:21Who is it?
00:25:22Who is it?
00:25:24Who is it?
00:25:25Who is it?
00:25:26Who is it?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:28Marshanda?
00:25:29Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:33Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Weishen.
00:25:51Danger.
00:25:52Danger.
00:25:56Hey, Lisa could be here in a little bit.
00:25:58And I told my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:04It's a bloody nightmare.
00:26:07Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we stay for that?
00:26:21None of you saw her.
00:26:23Especially you.
00:26:27You're not supposed to go anywhere until the police...
00:26:30I will buy you shots.
00:26:32How?
00:26:32I will get you...
00:26:33You can't stop it.
00:26:34They're surprisingly strong.
00:26:36Wait, no.
00:26:37Ora, ora!
00:26:38I don't know, go.
00:26:40Come on.
00:26:43Go on in.
00:26:45Weishen, I can't.
00:26:50I can't leave them.
00:26:59What are you doing?
00:27:02What are you doing?
00:27:03Did you call the police?
00:27:05Yes.
00:27:05Yes, I did.
00:27:07And they are coming to take statements.
00:27:09So, everyone needs to stay here.
00:27:13And what about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming in.
00:27:18What?
00:27:19Why not?
00:27:20Well, Shanda, she might be running for something.
00:27:22I think.
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look.
00:27:30The Shanda, what do you...
00:27:31I don't know.
00:27:32Until I figure that one out,
00:27:33let's maybe not throw her under the bus, right?
00:27:36The thing on her wrist.
00:27:40Miss Crest, what is it?
00:27:42Miss Crest.
00:27:45That crest is ancient.
00:27:47And it's been in that building upstairs
00:27:49long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything, apparently.
00:27:59Look.
00:28:00I'm sorry, but I'll keep this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:08Maybe she's involved with it.
00:28:10No, no.
00:28:13She's not with me.
00:28:17And keep her out of sight.
00:28:21What makes you think this is going well?
00:28:22I don't...
00:28:23No, no, no.
00:28:23We'll just...
00:28:24Me and Chloe...
00:28:26You don't want to get your hands off of me!
00:28:27No, no.
00:28:28The police said not to leave.
00:28:31Help me out.
00:28:35Mia?
00:28:37Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:55Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were alright.
00:29:03Come on, go on, in here.
00:29:04In here, go, go, go, go.
00:29:06Stay in here.
00:29:06Stay in here, stay in here.
00:29:07Stay in here, stay in here, stay in here.
00:29:07You wanna go stay in here.
00:29:08I'm gonna keep you out of sight.
00:29:09Uh!
00:29:29Well...
00:29:30Looks like our suspect committed similar acts on your premises.
00:29:35You're scared, who is this guy?
00:29:37Theodore Walsh.
00:29:39He inherited the restaurant from his father,
00:29:41and also acquired his master for this place.
00:29:43For me, Ted.
00:29:45As you know, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:29:59We?
00:30:00Or just concerned?
00:30:09Or maybe we should just wait for the police, eh?
00:30:11Sort this all out.
00:30:14There we are, the police.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:32This is all the ID you need.
00:30:34Take a good, long look.
00:30:37Every pore.
00:30:46So, your niece?
00:30:48Yes.
00:30:50Hospital guard.
00:30:51Violet.
00:30:53Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:55We were in the process of getting her some assistance.
00:30:58Psychiatric assistance.
00:31:00She had an episode.
00:31:02Randomly.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:32More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Aye, we have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um...
00:32:11She was here, Mr. Walsh.
00:32:14I, uh...
00:32:15I don't know where she is currently, but...
00:32:20Whoops.
00:32:22I'll get those up.
00:32:23Let's try again.
00:32:26Let's try again.
00:32:34Let's try again.
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:11Why were you hiding in there?
00:33:22Mia, these men are dangerous.
00:33:28No, stop!
00:33:32Wait, I'm sorry. I'm sorry.
00:33:42Larissa, I'm not who you're looking for.
00:33:44Mr Walsh?
00:33:48Mr Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04I've made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:19I don't know.
00:34:44Mia!
00:35:09I thought she was there, boss.
00:35:11That's her.
00:35:11Oh, yes.
00:35:20I want you all out of my bar.
00:35:35Ready?
00:35:36Glass.
00:35:47Right now!
00:36:04Now!
00:36:04Now!
00:36:08Do you want to see if this thing works?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back!
00:36:16Get back!
00:36:16Take closer, girls.
00:36:21Get back!
00:36:25Get back!
00:36:28Get back!
00:36:46Get back!
00:37:08I've been shocked!
00:37:11Get back!
00:37:12What is this?
00:37:15Sorry.
00:37:18Clear!
00:37:20My browser history!
00:37:26C'est la vie.
00:37:28That's life.
00:37:30Sorry.
00:37:33Bring her to me.
00:37:35No witnesses.
00:37:39Kill them all.
00:37:41No!
00:37:43No!
00:37:47No!
00:37:48No!
00:37:51No!
00:37:52No!
00:37:52No!
00:37:54No!
00:37:55No!
00:37:58No!
00:38:02No!
00:38:08Oh, my God.
00:38:39Oh, my God.
00:38:40What is that?
00:38:42Oh, this really was this one percent centuries ago.
00:38:45You know that could be.
00:38:45A way out.
00:38:46Yes.
00:38:47Something better than nothing.
00:39:00Let's go!
00:39:08It looks like a hatch.
00:39:22Eddie!
00:39:26No!
00:39:27No!
00:39:27Eddie!
00:39:28No!
00:39:29No!
00:39:29No!
00:39:30No!
00:39:31Eddie!
00:39:32No!
00:39:37Stop!
00:39:40Take this!
00:39:41If you don't step away!
00:40:00Randy!
00:40:01Die!
00:40:02Die!
00:40:05No!
00:40:06Die!
00:40:07Die!
00:40:07Die!
00:40:16Let's go.
00:40:54Let's go.
00:40:55Let's go.
00:40:56It's going to be.
00:40:59It's not their want.
00:41:00It's okay, we'll get you help.
00:41:03We'll get everything's so good.
00:41:04Me, the hook you need.
00:41:05Me, okay.
00:41:06Yes.
00:41:06There's a way out.
00:41:08There's a ground.
00:41:10I'm not, I'm not, I'm not leaving you mind.
00:41:15The Olav River.
00:41:17The Olav.
00:41:18What do you mean, the Olav River?
00:41:23Skip, no!
00:41:25Run!
00:42:02Go see what's in this.
00:42:04No, that's one way.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:19Of course!
00:42:20Game warfare!
00:42:21What are you doing?
00:42:32There has to be a way out.
00:42:33Hey, you sit with me now. Come on.
00:42:36Come on.
00:42:37She works, baby. Come on.
00:42:38What?
00:42:48Guys, there's another room back here.
00:42:56Come on, let's go!
00:42:57Hurry, hurry, hurry.
00:42:58Come on, hurry.
00:43:05Let's go!
00:43:06Watch out the car, let's go!
00:43:10Help me!
00:43:24Come on!
00:43:26Go!
00:43:27Go, Betty!
00:43:27Betty!
00:43:28Come on!
00:43:29Come on!
00:43:33Betty!
00:43:46Come on!
00:43:47This is what I'm doing!
00:43:50Take you long!
00:43:52Well, let go!
00:43:57Get the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02Don't know.
00:44:03How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13Let's lock it up.
00:44:14Provide sutile in here
00:44:16Are we in?
00:44:43You shot me!
00:44:55I need a doctor!
00:45:01How many muskets?
00:45:03Muskets? God, that lady's updating.
00:45:06Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run.
00:45:15You should just...
00:45:22All Up River. River.
00:45:25You think this pipe leads to one of the sunken rivers?
00:45:28All Up Rivers was upset.
00:45:30You lot need to get your pror at you straight.
00:45:32There is no All Up River.
00:45:34Near a sunken river is a tide being or something.
00:45:39Might as well just give it up.
00:45:42All Up.
00:45:43All Up is always part of a ship where the ropes are calves.
00:45:47The skiff said All Up River, but...
00:45:49It could be a way out.
00:46:01Look.
00:46:02Is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for...
00:46:13What?
00:46:16Something Cap Morgon brought down here.
00:46:19Hundreds of years ago.
00:46:21Red Cap Morgon.
00:46:26Are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Tan Can!
00:46:38Tan Can!
00:46:43Your phone. Can you translate this?
00:46:48Language not found.
00:46:50It's not a language in the app.
00:46:52Maybe you can have her say something,
00:46:54and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04To destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no, no.
00:47:10I think I get it.
00:47:11It's Red Smarts written in some coded language.
00:47:16Skips it for the All Up River,
00:47:17and the pipes is all up steel in it.
00:47:19I think Cat, Red Cat must have left that painting for someone,
00:47:23and Marciana knows something about it.
00:47:26I bet whatever the art is through this pipe,
00:47:28and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, wait a second.
00:47:34Let's try and find it, yeah?
00:47:35Maybe we can give a seat of us.
00:47:37We can smooth things over by some time,
00:47:39and we'll keep running.
00:47:40Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:51Oh, my God.
00:47:53Give her, give her, give her.
00:47:54Give her!
00:47:55Give her!
00:47:56Give her!
00:47:56Ah!
00:48:08I've got that away, right?
00:48:11I really can't do this.
00:48:19Save yourselves!
00:48:21Stop showing up!
00:48:30Quick!
00:48:32Stop!
00:48:33My God!
00:48:35Oh, my God!
00:48:54Boss, the room's empty. They've disappeared.
00:48:58I need a...
00:49:00Well, well, well.
00:49:02What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know? I've never been in there.
00:49:11And besides, it's way too hench to fit through that shit.
00:49:15You saying I'm not hench enough?
00:49:17It's a fucking hatch. What do you want?
00:49:20Good point. What we want is the girl.
00:49:23More specifically, something she has, a little wrist device,
00:49:26and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they're not in there.
00:49:33I think this one may be able to work it out.
00:49:36Me? What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:50:00Come on!
00:50:06Get on with it.
00:50:09Get on with what?
00:50:12Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Find it.
00:50:43Keep moving!
00:50:45Get in there!
00:50:47Get in where?
00:50:49Other way!
00:50:50Bad guys!
00:50:52Yes, right.
00:50:56Shama!
00:50:57Don't push me!
00:50:58We're burning!
00:50:58Stop!
00:51:00Stop it!
00:51:01Stop it!
00:51:02Stop it!
00:51:03Stop it!
00:51:04Stop it!
00:51:06No!
00:51:09No, no, no, no, no!
00:51:39Stop it!
00:51:40Stop it!
00:51:41Stop it!
00:51:45Well, shit!
00:51:49He's done it!
00:51:51He's found a little escapement!
00:52:01Ruth!
00:52:01Oh, God!
00:52:02Stop pushing me!
00:52:04I'm fast, don't you?
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Get out!
00:52:08Stop!
00:52:21I'm stuck!
00:52:22I'm stuck!
00:52:23I'm stuck!
00:52:25I'm stuck!
00:52:27No, no, no, please!
00:52:29Hey!
00:52:30No!
00:52:30No!
00:52:32No!
00:52:33No!
00:52:33What's going on?
00:52:34Why are we stopping while the lights out?
00:52:35Can someone talk to me, please?
00:52:36No!
00:52:37What are you doing?
00:52:39I'm dead!
00:52:40I'm dead!
00:52:41Mom!
00:52:41Mom!
00:52:43Mom!
00:52:43Mom!
00:52:45Mom!
00:52:46No!
00:52:47No!
00:52:48I'm gonna die!
00:52:49Oh, God!
00:52:50Breathe!
00:52:52Breathe!
00:52:53Ah!
00:52:55No!
00:52:57No!
00:52:59No!
00:52:59No!
00:53:00I lost you!
00:53:00Breathe!
00:53:01Breathe!
00:53:19Here!
00:53:20Take this!
00:53:25It's a penis!
00:53:34It's a penis!
00:53:35She's good!
00:53:37The...
00:53:38The American girl is good!
00:53:41Hello!
00:53:43Something's...
00:53:44Something's coming!
00:53:49Something's coming!
00:53:52No!
00:53:53Get up!
00:53:53Hello!
00:53:55Are we good?
00:53:57I found a way out!
00:53:58It's a crazy call.
00:54:03It's not mine.
00:54:05Sorry.
00:54:05Okay.
00:54:06Doesn't mean anything.
00:54:07Okay.
00:54:15You keep your tests in the enemy.
00:54:22Which way?
00:54:23Pricewater.
00:54:24Go!
00:54:25We're getting closer.
00:54:26They definitely may off of this one!
00:54:29It's way.
00:54:30I don't know.
00:55:02All this is under the bar?
00:55:04Under the bar and so far back we are no longer in Soho.
00:55:07Here's no shit.
00:55:10Skip Staten, you've got this place.
00:55:15I heard voices. They're coming.
00:55:22The way out's that way.
00:55:24Well, a nice move, yeah?
00:55:26If they catch us, we're dead.
00:55:28Someone's been paying attention.
00:55:32Follow the breeze.
00:55:40Hang on.
00:55:42Hang on.
00:55:43I'm going to yell to you now.
00:55:45Your translation.
00:55:48It's still working.
00:55:50What are you doing? Let's move.
00:55:51We can't hang about.
00:55:53One second.
00:55:55I need to go this way.
00:55:57Oh, no, no, no.
00:55:58We need to get out of here.
00:55:58It's too dangerous.
00:56:00Okay.
00:56:01The danger.
00:56:02Me.
00:56:03Yeah.
00:56:08What do we do?
00:56:09I'm sticking with her, but if you want to go, you can go.
00:56:13I'll stay with you guys.
00:56:15See him soon.
00:56:16We're doing hanging about.
00:56:17Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:23The breeze is that way.
00:56:24You're following the echo of the breeze.
00:56:27What?
00:56:28The echo of the breeze.
00:56:29Makes sense to me.
00:56:47Shut up, slow down.
00:56:55Shut down.
00:57:07Oh, my God.
00:57:27Can't you go?
00:57:41My friend
00:57:51Try again a mandarin
00:57:54I know
00:57:57My sister, my friend
00:57:59My friend
00:58:00Oh my god, she's found her
00:58:02Found who?
00:58:05Red Cat Morgan
00:58:08Oh my god
00:58:12That thing around her neck, that's what Walsh has been looking for
00:58:16Walsh's father was a respected historian and archaeologist
00:58:20Specializing in 18th century piracy
00:58:23In particular
00:58:25Red Cat
00:58:26Morgan and her vast riches
00:58:29On one of his expeditions
00:58:31He discovered three small bundles of cloth
00:58:33All decorated with a distinct crest
00:58:35In one
00:58:37A pendant
00:58:39In the other two
00:58:41Nothing
00:58:42It led him to buy the dragon princess restaurant
00:58:46Thinking the crest was a sign of where the treasure, or at very least
00:58:50The other two pendants were kept
00:58:54That's why the symbol on the wrist
00:58:55Manchester one and the dragon princess restaurant
00:58:59He was wrong, it was a red herring
00:59:01And there was no treasure, there was no more pendants
00:59:03He got the wrong place
00:59:07It was an obsession that spread from father to son
00:59:11All that spurred them on was that single pendant
00:59:15Which they knew was only one of three
00:59:21Months ago, a geological expedition stumbled across Marshander's ship
00:59:25Walsh used all his underground connections to get Marshander's body
00:59:29And what she wore around her wrist
00:59:31It was only then he learned
00:59:34What his father never knew
00:59:36The wrist device contains
00:59:38A compass which locks in
00:59:40On each of the pendants
00:59:41When all three are brought together
00:59:43And inserted into the wrist device
00:59:45The compass would guide the wearer
00:59:47To the final treasure
00:59:50Marshander's pendant guided her
00:59:52To Red Cat
00:59:53Now it's only Walsh's piece
00:59:55That needs to be added
00:59:56Before he can finally get what he wants
01:00:08I'm your crew now
01:00:11You're safe
01:00:13I'll take care of you
01:00:16Sister
01:00:21I'm your crew now
01:00:26You're safe
01:00:26I'll take care of you
01:00:27Sister
01:00:34So you don't have to go, right?
01:00:36Which way?
01:00:46No, no, that was the wrong way
01:00:49You said it was that way
01:00:53Hold up, Zina
01:00:55You go, I fight
01:00:56You go, I fight
01:00:57You go, I fight
01:00:57Good idea
01:00:57She should fight
01:00:58Shut up
01:01:00She's great at it
01:01:01What do you want from me?
01:01:02What are those?
01:01:03Plaques?
01:01:04Yeah
01:01:04That must have gone down there
01:01:05Yikes, yeah
01:01:06I can't either
01:01:08I'll help
01:01:11Boom!
01:01:11Boom!
01:01:28Get them out of bed
01:02:12Stop them!
01:02:15Stop them!
01:02:27No!
01:02:29No!
01:02:40No!
01:02:46No!
01:02:47No!
01:02:47No!
01:02:48No!
01:02:48Okay, let's get your gun
01:02:49I can't come back
01:02:50Don't kill Eddie
01:02:51I'll get busy
01:02:53I'm gonna get help
01:02:54Run!
01:02:55We need your life. You do better than the others.
01:02:58Get out of here.
01:02:59Hold the breeze. Go. Go.
01:03:00Alright.
01:03:43Look out!
01:04:00No!
01:04:04No!
01:04:47We've got them all now, boss. They're not going anywhere.
01:04:51Good. I'll go get Mr. Walsh down here. Let's finish this.
01:05:27You're not going to get away with this.
01:05:32Don't you trotting her face out of here.
01:05:43Walsh!
01:05:43Walsh!
01:05:44Careful!
01:05:46Sorry.
01:05:47What?
01:05:48Exempt?
01:05:49I knew I'd find you.
01:05:51Shut up.
01:05:53I thought you were dead.
01:05:55I thought you were all dead.
01:05:56Yeah, we tried to slip a gun off one of them and then these two gave them the old Liam
01:05:59Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Why is she going to be alright?
01:06:03Well, she's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no, she's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11We have to go.
01:06:12We need to get out of here.
01:06:12We need to follow that breeze.
01:06:13Some tough guys up there.
01:06:15Yeah, well...
01:06:16We have these.
01:06:27Can we go?
01:06:29Left it in the car.
01:06:48Hello.
01:06:52It's going to be okay.
01:06:53We're going to get out.
01:06:55You guys.
01:06:56I found it.
01:06:57A way out.
01:06:58South Bank.
01:06:59I can see Pizza Express.
01:07:01It's this way.
01:07:01Oh, if you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation or all the dead people.
01:07:17Get them out.
01:07:18There's a police now, buddy.
01:07:19You're not coming.
01:07:20I need help, huh?
01:07:23Passcodes, one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were really good back there.
01:07:42I didn't know...
01:07:43Not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:50Sorry, sorry.
01:07:52You're a strange man.
01:08:08Not really.
01:08:09I can take this two.
01:08:13I can take this one.
01:08:16We'll get this.
01:08:17Ah, I can take this one.
01:08:17All clear.
01:08:21Wonderful.
01:08:21Wonderful. You're old hero.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its former glories.
01:08:39There he is.
01:08:43Not playing with rocks, do you?
01:08:50Look at me.
01:08:57No! Stop! Stop! Stop! Stop!
01:09:00Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:11Please.
01:09:12Please don't let your men hurt him. Please. Please. Honestly, we'll help you.
01:09:20Jesus!
01:09:21Yes!
01:09:21Yes!
01:09:38Bring me the wrist device.
01:09:40Yes!
01:09:40Yes!
01:09:44Yes!
01:09:51It still works.
01:09:54We found Red's piece, and, of course, my Shanidas.
01:10:15Let's hear, bring our niece and the barmaid to keep her well behaved, keep the rest here
01:10:24There is a bit of extra collateral, if you behave they'll live, if she behaves you'll live
01:11:10Why?
01:11:13Because I can, and he couldn't
01:11:16Is that worth murdering my friends?
01:11:18Needs must, and I need her
01:11:30To be rosary, to pursue her
01:11:32To be alive, I'm going away
01:11:51To be my best friend
01:11:51To come and take care of me
01:11:54I don't know.
01:12:35Coordinates leading to riches, my riches.
01:12:45Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:56How do you let me know, Dad?
01:13:00With these scrolls in this particular order, I...
01:13:08You fucker.
01:13:10Do you remember the order they were in?
01:13:13No.
01:13:15That's keep in mind them.
01:13:17Does anyone remember the order they were in?
01:13:21Fuck.
01:13:23Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31Oh, I can't read this shit.
01:13:32This is some dead pirate code.
01:13:52Mia, catch!
01:13:58That's me, it's a code.
01:14:09It's in silence.
01:14:11Let me help you open that.
01:14:13It's a baby trap.
01:14:16Come on, Mia, come on.
01:14:21Come on, come on.
01:14:22I think, I think, I think, I'm on me, I think.
01:15:13I see.
01:15:23I got the codex.
01:15:29Hey, I, I don't suppose the goons holding our first hostage will be a problem for you?
01:15:37No.
01:15:39No!
01:15:41You can't leave me!
01:15:44I have money!
01:15:46Asshole!
01:15:49You can't leave me!
01:15:53Wait!
01:15:53No!
01:16:00No!
01:16:00No!
01:16:01No!
01:16:02No!
01:16:02No!
01:16:03No!
01:16:03No!
01:16:14No-
01:16:15No!
01:16:30No!
01:16:30of Soho. Waterproofs are available just through here. It is quite claustrophobic, so you have
01:16:36been warned, no refunds. How much do pirates pay for their yearly aids? A buccaneer!
01:16:43Come on this way!
01:16:47Alright, Ralph.
01:16:50Be careful.
01:16:53Don't fuck the place up, Eddie.
01:16:59She's getting really good at that.
01:17:00I know, it's the most pertinent sentence.
01:17:02Seriously though, be careful.
01:17:09Very nice, and I've got pictures on my phone and the clouds, so we've got a plan B.
01:17:19Nice, Amy.
01:17:25Thanks.
01:17:33Oi!
01:17:34Oi!
01:17:38What are we doing?
01:17:39What are we doing with our hands?
01:17:40What?
01:17:41What?
01:17:55To be continued...
01:18:24To be continued...
01:18:52To be continued...
01:19:24To be continued...
01:19:53To be continued...
01:20:38To be continued...
01:21:09To be continued...
01:21:26To be continued...
01:22:08To be continued...
01:22:34To be continued...
01:23:09To be continued...
01:23:20To be continued...
Comments