00:00Thanks to this extraordinary gentleman to my right, it's extremely real, and his research was extensive from people within these
00:12departments in the White House Situation Room, STRATCOM, FEMA, and the Missile Defense World.
00:20And so this is a very credible scenario that he's laid out, and my opinion was it was important to
00:29share it with you, with the world, and we can make a more informed opinion about what kind of world
00:40we want to live in, one that's so fragile and so volatile, or maybe not.
00:44It's a real suspense for a film, but you want to make also a political film?
00:51Well, I don't think, I mean, it's, politics are perhaps what you bring to it, and that's an important element,
01:00I think.
01:01It's not something that is a layer in and of itself, it's sort of how you address this problem, and
01:08I think of it as a problem.
01:10And I'm trying to, I guess in the film, we're both trying to lay out, all right, these are the
01:16circumstances, and, you know, you can choose your path through it with it, and it's not a country-by-country
01:25issue or problem or solution, it's global.
01:29And so, if you think of it, you can choose your path through it, and it's difficult to have a
01:29view, it's impossible.
01:29But I think of it as an angle, as an angle, it's time to have a view, it's always possible.
01:29But I think of it as an angle and I think of it as an angle, as an angle, as
01:29an angle and angle, it's not the angle.
01:30And that's something about the stick to the camera, so I'm sorry.
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