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  • vor 16 Stunden
Year (Jahr): 2024
Release Date (Veröffentlichungsdatum): 2024-10-31
Duration (Spieldauer): 115 min

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Rotten Tomatoes: 97% | Metascore: 82% | TMDB: 7.3
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Director (Regie): Andres Veiel
Actors (Schauspieler): Ulrich Noethen, Leni Riefenstahl, Albrecht Knaus
Writers (Drehbuch): Andres Veiel
Title (Originaltitel): Riefenstahl
Country (Land): Germany, Italy
Original language (Original-Sprache): German

Leni Riefenstahl didn’t just leave behind controversial art. She left behind a full, self-authored storyline, where everything looks clean, strong, and “healthier than thou”. Andres Veiel then walks right into the mess with new material from her personal archive. Private films, photographs, letters. And yes, recorded phone calls with close people, which is a bold way of saying: we’re going to hear the human voice behind the icon. The question is less “was she sympathetic?” and more “how does her aesthetic machine work when the Nazi regime is doing its worst?” It’s not a comforting history lesson. It’s a confrontation between what Riefenstahl allowed as her biography and what the boxes suggest she knew or understood. Convenient excuses don’t survive long here.
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Leni Riefenstahl hat ein Lebenswerk hinterlassen, das bis heute aussieht wie ein Lehrbuch für „schön, gesund, stark“. Und genau hier wird es ungemütlich: Andres Veiel nimmt neue Dokumente aus ihrem Nachlass und stellt der eigenen Version von Riefenstahl die Gegenbeweise hin. Kein großer Gerichtssaal. Eher diese kalte Mischung aus Privatem und politischer Wirkung: private Filme, Fotos, Briefwechsel und sogar aufgenommene Telefonate mit engen Wegbegleitern. Das Ganze soll nicht nur hübsche Bildanalyse sein, sondern die Mechanik dahinter freilegen. Wie kann Kunst so glatt wirken, während daneben der Terror lief? Der Film lässt dich das nicht wegdiskutieren.

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Kurzfilme
Transkript
00:02The politics is the opposite of what has been my whole life fulfilled.
00:09It's art for me.
00:12So that art and politics can be a change of influence, do not believe they.
00:20If they are in their work,
00:23then there is also a force of influence from the people who are überzeugt.
00:30So a artist doesn't have a very special responsibility.
00:34So I think they should be a counterfeit fighter, but they were only very few.
00:38It's much harder to say, if they didn't know it,
00:41because they didn't believe it, because they didn't believe it.
00:44We knew what we did.
00:49They have seen 22 children killed.
00:54No, it's all not true.
00:55I didn't see any mistakes at all.
01:02They will not get rid of these people.
01:05They will not get rid of them.
01:06They will not get rid of them.
01:08Their whole attitude has been very, very impolished.
01:15When you read Goebbels' Tagebücher, you can see that they were at home as good friends.
01:21That's not true.
01:22That's not true.
01:23That's not true.
01:25That's not true.
01:26I'm going to say that.
01:27I'm going to say that in the camera,
01:28I don't do that with you.
01:30I can't tell you.
01:31That's not true.
01:34That's not true.
01:35That's not true.
01:35I can tell you.
01:36I can tell you.
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