Adivi Sesh, Mrunal Thakur and #Dacoit Movie Team Q & A With Telugu Media

Mana entertainment

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Transcript

00:02Today's event is organized by UB Media Entertainment at your doorstep.

00:40What's up?

00:45So, over for the questions, please.

00:53Hishankar, sir.

00:55Last time you were talking about this.

00:57Passion, sir.

00:59Last time you were talking about the rap event,

01:03I didn't have dinner.

01:07So, it's been intense.

01:10I have doubts about the trailer.

01:12There are doubts about the trailer.

01:18Tell me, sir.

01:20Sir, there are numerous questions about the trailer.

01:27There is a short in the trailer.

01:31There is a short in the head.

01:34There are five shots.

01:36There are three shots in the trailer.

01:40There are two shots in the trailer.

01:40Did you establish a shade on the trailer, sir?

01:46Yes, sir.

01:46I think, I was talking about my editor.

01:51I was talking about my assistant editor's scene.

01:52I was talking about my character.

01:54I was talking about my character in the trailer.

01:58I was talking about the whole film's thesis.

02:04If you were looking at it,

02:07If you have a short shot, you will open the next story.

02:11If you have a short shot, you will open the next story.

02:15So, that feeling is related to the whole film.

02:19Okay.

02:20And there is a dialogue.

02:22If you have a short story, you have a short story.

02:24First, you are the hero.

02:27Obviously, if you are the hero, she will ditch you and go away.

02:31Last one, you have a short story.

02:34You have a short story.

02:35You have a short story.

02:36If you have an anti-climax.

02:41HALAN- I will tell you about this.

02:45HALAN- I will tell you about this.

02:47HALAN- I will tell you about this, please.

02:48HALAN- I will tell you about FDFS.

02:50HALAN- 845.

02:52HALAN- Anyways, there is a lot of a trailer.

02:54HALAN- Thank you, sir.

02:55HALAN- It appears that there are a lot of hints.

02:58I've told you about the story.

03:00HALAN- I will tell you about the story.

03:02anyways looking forward

03:04always a good feeling

03:06when you are there

03:06thank you

03:07sir

03:27I don't know

03:28this time we wanted to do a film on feelings

03:33because

03:34once you have seen this story

03:35Shanil and I

03:36very early on decided

03:38and

03:38Anurak Sarival

03:39morning press meet

03:40we opened the story

03:42layer by layer

03:43so

03:44there are many reveals

03:46but

03:47this is not a brain tease

03:49feelings

03:50tease

03:52the film

03:52and then

03:53Gozburi

03:54star

03:55Pavan Singh

03:56any special reason

03:58for that

03:59yeah

04:00actually

04:01it's connected to

04:02a feeling

04:03I had

04:03interacting with

04:04Shanil

04:05we'll

04:06Fijian in Shanil

04:07and it took

04:07300-400 years back

04:08Indians

04:09in British

04:10in the islands

04:11so

04:12in the words

04:12Hindi

04:13Bojjpuri

04:14Telgu

04:14Tamil

04:14mix

04:15mix

04:17so

04:29Murukkukhaya

04:30nadu

04:31tari

04:31Because that is so authentic and important.

04:38Looking forward for the first day first year.

04:40Thank you, sir.

04:40Wish you all the best to the entire team.

04:42Thank you, sir.

04:46It's been a lot of the trial.

04:50You've been a lot of the trial.

04:52It's been a lot of the trial.

04:53We've been a lot of the trial.

04:54We've been a lot of the trial.

04:59We've been a lot of the trial.

05:01We've been a lot of the trial.

05:04But we've been able to keep it in the past.

05:07We've been able to keep it in our past.

05:10We've been able to keep it in the past.

05:12We've been able to keep it in our past.

05:15Why?

05:17If you had guessed it,

05:19you had to be on the first half.

05:21You can see it.

05:25I have a lot of people who are Ravigaru, but I also love Ravigaru.

05:31I have a lot of people who are doing this in the screenplay and writing.

05:33I have a lot of people who are doing this in the Meethu.

05:38They are brilliant.

05:40Guys, I know a lot of people who know what to say.

05:43Ravi sir, I am a guru.

05:47And I am a great person.

05:48I am a great person.

05:50Just my collaborations.

05:53Panja, Kshanam, Godachari, Yavaru, Major, Decoit, Godachari too.

06:03There are so many films.

06:04I am a great person.

06:05I am a great person.

06:07I am a great person.

06:09So, he is truly my guide on how we should do this.

06:12And you are not able to expect any twists and layers, or appreciate any of you,

06:18I am a great person.

06:22Ravi, you are a great person.

06:24You are a great person.

06:26You are a great person.

06:28You are a great person.

06:31You are a great person.

06:34You are a great person.

06:38I am a great person.

06:39I am a great person.

06:39He is very much like Hari in the film.

06:42In my office, Abu Ravikar is exposed to any one of the fela in the film.

06:46I am all allowed to get a bit of the film .

06:46Muhammad is just giving him a bit of the film.

06:49He is very soft.

06:51Abu Ravikar is very soft.

06:52And I think.

06:53To do a soft rage, I am a great person.

06:55Thank you very much.

06:59Sheshwar, in the trailer,

07:01I feel like Mahesh Bhavala,

07:03I don't know.

07:04I don't want Mahesh Bhavala.

07:09Obviously,

07:10Mahesh Bhavala is not a personal connection.

07:12Not just a major producer,

07:15you know,

07:17now,

07:17tells me a famous story

07:18that I've been in the U.S.

07:20two hours,

07:22two hours,

07:23so it's always a sentimental connection.

07:27At the same time,

07:29it felt

07:30right for someone like Hari's character.

07:33That means,

07:34if you feel like Mahesh Bhavala,

07:36if you feel like Mahesh Bhavala,

07:37it's not a big deal.

07:38So, it's captured that emotion.

07:41Actually, in the trailer,

07:43there are some highlights in the trailer,

07:46and there are many films

07:48in the trailer.

07:48there are a lot of content

07:49that can be revealed in this film.

07:53There are some highlights

07:54in the trailer.

07:56Ah,

07:58I don't want to reveal it.

08:00He did not reveal any of the story.

08:02I wish he revealed more stories.

08:03So,

08:03I wish he did not reveal it.

08:05So,

08:07you are all right?

08:11Sheshgharu,

08:13you are still in the IBL,

08:15right?

08:15I wish I had a release at this time.

08:17I wish I had a risk.

08:18I wish I had a risk.

08:20Decoit is the summer's

08:22first release.

08:24Summer gold.

08:26Summer...

08:27What is it, sir?

08:29Gold vision.

08:30Why are you talking about it?

08:33You are talking about it on Twitter.

08:35You are talking about it on Twitter.

08:36You are talking about it, sir.

08:38You are talking about it.

08:41You are talking about it.

08:44Actually, you are close to Pavan.

08:46We are close.

08:48I love Pavan, sir, very much.

08:50If you try it out,

08:51I will try it out.

08:53No, sir.

08:55You are not.

08:57I am talking about it.

08:59You are not getting a plan.

09:02You are talking about it.

09:02It is not.

09:03You are talking about it.

09:03It is not.

09:05It is.

09:06It is a pre-release event.

09:07You are talking about it.

09:08The other thing is,

09:08we have to do a massive music event.

09:12Five thousand people beach.

09:14in that space. And we are doing a big concert with singers from all over India.

09:19So, any big events are going to be done.

09:22Sensor search video, sir.

09:25Sensor, manolical aneuryser, UA, approach, sir.

09:28Okay.

09:29Superior.

09:31Madam, if you look at the decade,

09:34you look at the cinema as a producer,

09:40you look at the high budget,

09:43and you look at the high budget,

09:44and you look at the next stage.

09:48Now, there are rules.

09:50We have to go to the cinema,

09:53and we are going to get a slap system.

09:56The cinema has a major help.

10:00And we are going to play about the next stage.

10:03Step 1, budget,

10:05so you are not going to be talking about the budget.

10:07So, if you are afraid, you will be afraid of the fight.

10:12I am not...

10:14So, if you are afraid of the fight, you will be afraid of the fight, and you will be afraid

10:18of the fight,

10:20I think we did justice to the film.

10:27I feel like this is not a cinema topic.

10:35First of all, if you have an idea, you will have an idea even if you have an idea.

10:41So, that is the answer first.

10:43The second thing is, in our industry, you don't know who you are in business.

10:50You don't know who you are, who you are, who you are, who you are, who you are, you don't

10:54know who you are.

10:54So, if you don't know the rules, this will also affect you.

11:00But I think good film always runs, good film always pays, good film always wins, yes good film should win.

11:16Supriyagar.

11:17Supriyagar, madam.

11:19Hi.

11:21Madam, usually we've been talking about distribution for many years.

11:27We've tried it once upon a time, but we can't do it.

11:31You've re-entered into this space.

11:34What is the idea?

11:35What is the idea?

11:37If you're looking at a cinema, you can't do it.

11:41There's a narrative.

11:44The industry is like that.

11:47We don't even know what we have to go through in our industry.

11:54There's a distribution in Krishna and Vizak.

11:57I don't know what we have to do in our industry.

11:59We also have to do a lot of cinema in my life.

12:03We're also doing a lot of cinema in our industry.

12:05So, we don't have to do a lot of distribution for more news.

12:10We're going to get a little bit of news.

12:12But, the news is that people were talking about how aggressive people are,

12:18how big producers are doing all the media.

12:21It's hard to talk about it.

12:22At the atmosphere, the producer of Sunil Garu is the producer of Sunil Garu.

12:33But the distribution is different, the business is different.

12:36So, if you have your name, you will be the producer of Sunil Garu.

12:43Sir, we have a full film.

12:48We have a pan-India film.

12:50We have a full language.

12:51It's very special.

12:55We have a shoot in two languages.

12:59We have a full idea.

13:03Very good.

13:04Super.

13:05Sheshkaru, this is supposed to release in Durandar.

13:09Plus, now we have time.

13:11You are on April 10th.

13:14Still, we are in chasing mode.

13:16So, what is the lag?

13:18And the promotions, you are on the right side.

13:22Why don't you do a lot of promotions?

13:25No.

13:26I think it was always this plan.

13:28Because if you have an audio cassette for six months,

13:32I don't want to release.

13:33I don't want to release in six months.

13:34I don't want to.

13:35I don't want to.

13:37I don't want to.

13:38I don't want to.

13:40I don't want to.

13:41I don't want to.

13:42I don't want to.

13:43Today, the promotional window is only six to seven,

13:46maybe ten days.

13:48Actually, we did a lovely Roobaru campaign.

13:50We went to Varangal, Tirupath.

13:53So, first, we touched the town.

13:58And I think this is the right thing.

14:00There is a trailer.

14:02There is a podcast.

14:04There is a podcast.

14:04There is a bite.

14:06There is a part.

14:08There are two parts.

14:09There are all India trending.

14:10There are two parts.

14:11There are all India YouTube lists.

14:13So, I don't feel the correct time.

14:14I don't feel anything.

14:15Further promotions.

14:18Further promotions.

14:20I don't know.

14:21I don't feel any other promotions.

14:22I don't know.

14:24I don't know.

14:25She's the soul of the film.

14:26And I'll actually have her say how she feels about the film.

14:41Film promotion started right from teaser.

14:46We went to Tirupati.

14:48And I think as an actor, as a human, I've been wanting to go seek the blessings since many years.

14:56And I'm so grateful to Team Dacoit.

15:00Because they say that when the calling happens, that's when you visit the temple.

15:07And I think this is the best way to take the darshan.

15:11All I was doing was holding my hands and said, Supriya Garu, Shesh Garu and Shinil Garu.

15:19All three S.

15:20You know, they are literally for me like on this film, they are like Brahma, Vishnu, Mahesh.

15:26Making sure everything is taken care of.

15:29Everybody is happy.

15:30Everybody is performing.

15:32Not just like this.

15:36Top notch performance.

15:38Everybody's health is taken care of.

15:40Since it's an action movie.

15:41There are scenes which are action, you know, which are injury prone.

15:46And Shesh, Garu, Anurak sir, they all got injured.

15:51But how to deal with it.

15:53There were many circumstances where one episode, I'll tell you, the set was ready.

16:02Because of the rain, the set got wiped off.

16:05But that lady sitting there, she didn't give up.

16:08She said, it's okay.

16:09We'll figure something out.

16:10We'll figure something out.

16:12There were many, many scenes like this.

16:14But having said that, today to be able to sit here, to talk about Dacoit,

16:19to talk about such incredible talent sitting here on stage, to be collaborating with them.

16:25It's a blessing.

16:27And not just that.

16:29I felt like I was shooting a Hollywood film on this set.

16:36We have two Americans.

16:38We have two, you know, literally, the idea, the filmmaking, the process.

16:45But they're so rooted.

16:46Dil se Telugu hai.

16:48Dil se Telugu bolte hai.

16:49Dil se Hyderabadi hai.

16:51Dil se…

16:53Yeah, and not everybody gets to do a Hollywood film.

16:56I'm very happy.

16:57I said, not everybody gets to do a Hollywood film and he eat Hyderabadi food at the same time.

17:01Exactly.

17:03So, coming back to your promotional question that I'm busy.

17:07I am busy.

17:09Yes, you're right.

17:10But prepping for Dacoit, we've been making sure that all the assets are ready.

17:15Dubbing is done.

17:16Trailer is sorted.

17:18And just making sure that whatever changes or whatever better performance ke le, I'm

17:24there in the studio making sure that I'm giving my 100%.

17:28Because this film means the world to me.

17:31It's very easy when the film comes out.

17:35People just, you know, they'll review and all.

17:36But trust me, this entire team have worked relentlessly with Broken Knee, Broken Calf, No Sleep, Nalugu…

17:48So, having said that, I'm just glad and happy that the trailer is released here in Hyderabad.

17:56And just happy to meet you, sir.

17:59Though you are doing other languages, so many films, but fortunately you got the best ones in Telugu only.

18:06How did it happen?

18:08How it is your choice or it is blessed?

18:11Trust me, it's such a tempt when the other filmmakers, they reach out to me.

18:17The package is fantastic.

18:20But role I have to, with a big heavy heart, I have to say no.

18:24Because I feel the benchmark that Sita Mahalakshmi has set, the benchmark that Yashna has set,

18:33I have to live up to that.

18:36Lalach buri bala hai.

18:38So, sometimes no matter how big the opportunity is, I have to respectfully say,

18:45Sir, I will wait for the right film.

18:47And that's what I've been doing.

18:49Congratulations.

18:50Trial is very good.

18:52Thank you, sir.

18:53Supriya.

18:54Hi.

18:54Hi, here.

18:55So, your trailer launch, Mumbai, you know, with NTR and Mahesh sharing the trailer.

19:02So, it could be proving your mettle as a producer?

19:06No.

19:07It's just goodwill.

19:09Kind hearts.

19:11And when I was working on it, you know, people appreciate the work.

19:16And I am very thankful that I have a lot of love.

19:21I have been here in the industry.

19:24So, I can only say thank you for everything.

19:28Sesh.

19:30Sesh.

19:30Yeah.

19:31I've said something about Hindi promotion, even from the teaser launch.

19:36Earlier, a few young heroes tried to create a market in Hindi, and they were not that successful.

19:41So, me confidence in the with DECOIT, creating a market in Hindi.

19:46I think I just try to do it by the film.

19:49If you've done a major, I haven't done a Hindi event.

19:52So, for me the project dictates the feeling.

19:56Now, I have a love story. Only true blue Telugu film. So, I am going straight to the border.

20:03So, I think we have a feeling like project span and project scope.

20:10It has a lot of heartland vibes. At the same time, it has a lot of people on my side.

20:16It has a lot of people on my side. It has a lot of people on my side.

20:24So, in fact, we have a lot of people on my side.

20:30So, I think we have a lot of people on my side.

20:39So, we try to find something beautiful at the same time with our American upbringing.

20:44It has a lot of people on my side.

20:48For which we would get guidance from people like Anurag sir.

20:51This should be a story told from Kashmir to Kanyakumar and feeling.

20:56Even songs of singer selection.

20:59Fahim Abdullah is from Hindi. He is from Kashmir.

21:04Chinmaygar is from Tamil Nadu.

21:07Bhim is from here. I am Teluru.

21:10Pawan Singh is from Bhojpur.

21:13Johnita Gandhi is from Canada.

21:15Just look at the kind of people who have come together for this film.

21:19You know, he is Fiji.

21:21He is from Telugu.

21:22He is from Telugu.

21:24So, this is the kind of people who have come together.

21:28You know, Zain, Kamakshi, Sunil Garu.

21:31So, Sunil Garu is from the debut Hindi film by the way.

21:36So, first time I am on screen Hindi.

21:40Sunil Garu.

21:41Also, the opening of the heroes are crucial.

21:43Other than the bigger star heroes.

21:45So, you know, I am the one who have come together.

21:47So, the young heroes have come together for openings.

21:50It is a tough job.

21:51It is a tough job.

21:51It is a long run.

21:52It is a tough job.

21:53So, how are you confident?

21:57So, how are you confident?

21:58It is a tough job.

22:00It is a tough job.

22:02It is a tough job.

22:04It is a tough job.

22:05It is a tough job.

22:07It is a tough job.

22:07Sunil Garu.

22:10Also, Murunal.

22:11Hi.

22:11So, there is a huge burst that you are a part of Ramcharan Spirthi.

22:15So, what is the possibility?

22:22Well, any questions about decoyed?

22:24No, there are.

22:25I am waiting for you all to ask me.

22:27But, fun fact, sir, I forgot to mention.

22:30I was shooting in Pune.

22:31A Marathi film.

22:32My mother tongue.

22:33Hindi is not my mother tongue.

22:35Marathi.

22:35So, there, those people were like,

22:37Ayya, how do you speak Marathi?

22:39And I was like,

22:41I am Maharashtrian.

22:42I am Maharashtrian.

22:43They are like,

22:44No, you are a Telugu.

22:46So, I was very happy in a way.

22:49And having said,

22:50that two languages question you asked.

22:53Most, when I,

22:55when Sita Rama Mahayanana and Family Star released,

22:58a lot of people went to the theatres

23:00and watched the movie in Telugu

23:02without the subtitles.

23:04So, for the first time at the airport,

23:06there was this lady,

23:08she came to me,

23:09she hugged me and she said,

23:10thank you so much for making this in Hindi also,

23:14because we love Telugu cinema so much.

23:16We don't want the language to be a barrier.

23:19So, thank you.

23:21And I felt really good because as an artist,

23:23what matters for me and what is my aim is to make sure that

23:27rooted stories reach out to the people's heart.

23:32And the love and appreciation that you guys have given,

23:35I am forever grateful.

23:37I mean,

23:37as much as I said,

23:38as much as I said,

23:39but this is my biggest achievement.

23:41When I get a warm hug at the airport,

23:44saying that,

23:44thank you for giving this to us in Telugu

23:47as well as in Hindi.

23:48I'm gonna get it all on me.

23:51there is a lot of music,

23:55you know,

23:57and there is a lot of music.

23:59And I'm a lot of music here for me.

23:59although the movie is emotional.

24:02And it seems to me that I'm the same.

24:04You know,

24:04I've come to have a very good idea.

24:06I can't see.

24:06I'm also an amazing fan of Telugu.

24:10But you know,

24:13you can listen together in Telugu artists

24:15and you can listen to Telugu,

24:17In the film, there was a lot of English films in the film.

24:23We also had a lot of work in the film.

24:30We also had a lot of work in the film.

24:35So, we had a lot of work in the film.

24:38At the same time, I have a lot of pen.

24:43Actually, when I was in Disco Raja Cinema,

24:50I was the first villain character, Dear JC.

24:54It was not a direct villain.

24:56That was a very favorite character.

24:59So, I would like to check out the team.

25:04So, I have a lot of character.

25:06I have a lot of character.

25:08What did you see?

25:09Yes.

25:10It is a very different character.

25:14It is a very different character.

25:16To be sincere.

25:17What I have told you is,

25:20I have a lot of personal attention.

25:24I have a lot of personal attention.

25:26I have a lot of underlines.

25:31I have observed it.

25:33I was in the film.

25:33In the film I did in 2000,

25:35I was in the film I did it because I have observed it.

25:39I had a camera.

25:41It has a lot of control.

25:43It is a lot of dialogue.

25:46They are not Keeping it or not.

25:47It is a lot of feelings.

25:49But what I am doing today,

25:51There is more bite and more inside.

25:55In this generation, inside they are traveling more.

25:59They don't have bite and sound.

26:02That's why we don't have a cool character.

26:07By luck, we have a happy feeling.

26:11That's why I am a compulsory one.

26:15I have a bad memory in my life.

26:19When I first started shooting at the school,

26:25I was a writer in Punjabi,

26:29and they were able to see me.

26:32The first time, I was in the school,

26:35I was in the room,

26:37I was in the room.

26:40So, I was able to see the writer,

26:42I was able to see the writer.

26:44So, after that,

26:45I was able to see the writer,

26:51I was able to see the writer,

27:03I was able to see the writer.

27:04Okay..

27:04Oh, no sir.

27:07Arjivagar is transiting this thing.

27:09And I told you, sir,

27:11before..

27:12Not before you, sir.

27:14After you, I'm telling you.

27:15So, it was shocking that the God chose, the Gangs of Voice support, the shock, the value, the realist, the

27:27emotions, the outburst, etc.

27:29So, we didn't have any chance, we didn't have any chance, we didn't have any chance, we didn't have any

27:33chance.

27:35So, this is like a ballistic missile.

27:48I will just, one minute, I have a flight, I will take an excuse.

27:54Anragji, Anragji, tell me one thing, what is the Telugu Connect for you, you have to tell Telugu Connect and

28:01also why you accept this film after shooting completed, now promotion started, what is your satisfaction?

28:07I have a massive Telugu Connect, my mentoring happened in Hyderabad in Chennai under Ramuji.

28:14So, my entire connection with Telugu film industry is from 90s and from RGV days, I spent a lot of

28:24time here.

28:25And I used to be in his office all the time and we used to sit and write here, we

28:29have short hair.

28:31So, I met Supriya then, I met Sunil then, I was on the sets of Prem Katha with Suman's first

28:39film.

28:41And generally, I have spent so much time and then the food that I discovered then.

28:46First time, Halim, I had in Hyderabad.

28:49Jawan.

28:50I don't know if I have a Jawan.

28:52The thing is, and plus I also have family from Hyderabad.

28:55Now you are so smart, in that particular film, you are looking very smart, grooming.

29:05This is just, I think, my haircut.

29:11Tell about the Dekait.

29:13I will, I have to take a flight.

29:16I have had so much fun doing this film.

29:18And my way of describing Dekait is fields on wheels.

29:23Nice, fields on wheels.

29:26Dekait is that film and Dekait is really, really moves like that.

29:30And it's a, really a kind of a love story that has such a good aftertaste.

29:38It makes you feel emotional by the end.

29:40And, and that emotion stays with you.

29:42When the, when it ends, you will just be sitting there taking it all in.

29:47And you connect things and you wish you had love like that in your life.

29:52Thank you, thank you.

29:54Thank you so much.

29:55Thank you so much.

29:56Nice.

29:56All the very best, sir.

29:57Okay, sir, sir.

29:58I'm going to talk to you, sir.

30:11Okay, sir, sir.

30:13Okay, sir, sir.

30:15Sir.

30:16Sir.

30:16My dance name, Rezaitha, on the Adhiripoiannandi.

30:19Innaillu danceke, yandududowarangonarag.

30:21Anadhi, Chalamandhi, Abhi, friend.

30:23Chinnapudu, oka family function lo yed o cinna dance she'st wanted friends to

30:28kartons to.

30:29Oka auntie m auntie, yoachii.

30:31Nunu dance eh kama maripoduggamwaru.

30:33Anadhi.

30:34So maanakke chinnaput chinnaput chinnapkara sawnipopuakono.

30:37So amapad ni ich oka ibbet oka bhaayom.

30:40Frendu pilhoutha naan te baar adil bakkak and doul bakkani in jayeni aure chodokpoote danse jhashtan.

30:44Gani, maanake rade moon fix.

30:47So melalaga konfidens sweet kwunnaamo.

30:50And in this film, the character is also making the heart and the human being.

30:56So, when you think about it, there is a real reason for it.

31:00See, if you look at the commercial things, you can see the commercial things.

31:05So, it is a commercial thing, but I am creating a reason.

31:09That reason is organic.

31:11You can't do anything you can't do anything.

31:16You can't do anything you can do anything.

31:19I will continue to answer.

31:21What do you want to do with Jonitha?

31:24I have a couple of days, a paper-wise song released in our discussions.

31:29It was a super song, that was continuous in our playlist.

31:32I have a music video every time.

31:34I have a song for one month.

31:36If you look at that music video, you can see that,

31:38if you look at the phone,

31:40Jonitha was playing the discussion,

31:42he had a music video on the YouTube suggestion.

31:47She is so famous for her dance.

31:50If you look at the dance,

31:51we have a discussion with each other.

31:53Sheshkar,

31:54Abbur, Abbur, Abbur, Abbur, Abbur, Abbur.

31:59Abbur, Abbur, Abbur.

32:00Mike Evan.

32:54I have two questions.

32:56I have two questions.

33:00It's not.

33:03If we can't do anything like this,

33:06we can't do anything like this.

33:09If you want to do anything like this,

33:11if you want to do anything like this,

33:14it's important to me.

33:15We can't do anything like this.

33:17I have two questions.

33:19If you want to do anything like this,

33:24I can't do anything like this.

33:26We can't do anything like this.

33:28We can't do anything like this.

33:30Now, if you want to know anything,

33:32I'm not sure if you want to know anything.

33:34I can't do anything like this.

33:36But, whoever loves me,

33:38is that I have one.

33:40I'm not sure.

33:42Mr. Ravikaru,

33:43Mr. Ravikaru,

33:44Mr. Ravikaru,

33:46Mr. Ravikaru,

33:48Why would you value yourself?

33:52Mr. Ravikaru,

33:56Mr. Ravikaru,

33:58Mr. Ravikaru,

33:59Mr. Ravikaru which is following the cat,

34:01Mr. Ravikaru,

34:03Mr. Ravikaru thank you.

34:05Mr. Ravikaru,

34:13Mr. Ravikaru

34:14We can even learn that this is wrong, and we can learn how to share this.

34:22So when we are wrong, we can talk about that.

34:27If we talk about this, we don't have to say anything else.

34:28If we realize this, then we don't will talk about that.

34:35That's why the father is a better option,

34:38If you don't have one option, you will have a thesis.

34:46That's why I convinced you.

34:49I've talked about this too.

34:51Did you expect this film to take off?

34:54Did you expect this film to take off?

34:56Did you expect this film to take off?

34:57Did you expect this film to take off?

34:59Did you expect this film?

35:00Did you expect this film to take off?

35:01I was talking about success meeting.

35:05I was talking about the film to take off a film to take off.

35:09That's why.

35:10That's what happened.

35:12If you look at the film, you will have to take off the film.

35:16You will have to take off the film.

35:19I've talked about it.

35:21I've talked about it.

35:22I've talked about it.

35:24I'm a guru.

35:28Why is it?

35:30If you talk about an Indian soul,

35:36you will have to do a classic narration that you hear.

35:41And how did you understand them?

35:42You didn't know me.

35:44He explained it.

35:46He said,

35:48What?

35:48It's a silly guy.

35:50It's a silly guy.

35:51It's a silly guy.

35:54So...

35:55Now all students come here, they receive a bandhah.

35:59We meet with them.

36:00It's a kind of dance.

36:02It's not a good day, it's a good day.

36:04We meet with them with each other.

36:08What is happening is that in the morning of the 1st hour,

36:18one, and community.

36:20We meet with them constantly.

36:21Isn't it?

36:23We don't understand something like that.

36:25You know, one and two years old.

36:26We're not going to have the N2.

36:28So, this one hour shift is a reality.

36:31In this one hour, this four hour shifts the characters.

36:35When I do this, I suggest that we come through the AAPI or the cinema videos.

36:44That's it.

36:45Mrinal Ji, Here.

36:48whenever you come down to Hyderabad

36:50it always feels special

36:51for you and for us also

36:53you bring so much positivity with your smile

36:55and with your attire

36:57everything

36:58so what was the

37:00lot of the shoot happened in Hyderabad only

37:02so what was the experience that you had

37:05any special moment that you had

37:07in the shoot

37:10you know every time

37:11I would wait

37:13for Supriya Garu to tell me

37:15that shoot is happening

37:16because I would miss Hyderabad

37:19and I would look forward to

37:21you know this is the first film

37:23in a long long time

37:24that just happened like that

37:27like effortless

37:28like a feather

37:28it came to me

37:30I did the narration

37:31and within two weeks

37:34I was on the film set

37:35this has never in my life

37:37has ever ever happened

37:38because usually the process is quite long

37:41you know earlier I would do a screen test

37:43then there would be two look tests

37:45but this film just kept happening

37:48so effortlessly

37:49and I would wait

37:51to know what challenges is next

37:54you know during COVID

37:56I saw Money Heist

37:57and became a big fan of that show

38:00and then later I was like

38:02I want to do something

38:03which is like

38:04double-u

38:07so then when I heard the story

38:11Shanil Garu would explain me

38:13Mrinal ma'am

38:14this is what we are doing

38:14we are doing robbery 1

38:16robbery 2

38:16robbery 3

38:17and I was like

38:18yes yes yes

38:19I would get to like

38:20drive a car

38:22not just a car

38:24an ambulance

38:26no

38:26not automatic

38:28the manual one

38:29so I would say

38:31Jai Ma Tadi

38:32because

38:32it's not just me

38:34it's Shesh Garu sitting next to me

38:35I would see his face

38:36and he's like

38:37okay na

38:37okay

38:38chala loge

38:39will you drive

38:40but on day 1 also

38:42all the ADs were very scared

38:44because

38:45they thought

38:46maybe I will not be able to drive

38:48but they don't know

38:48I am in my head

38:49the Formula 1 driver

38:51so they put the car

38:52on the

38:53what is that thing called

38:55low rider

38:56and

38:57I was like

38:58why do you

38:58why do you put it on it

39:00let me drive

39:01he's like

39:01okay ma'am

39:03are you sure

39:03no one is going to get hurt

39:05trust me

39:06so

39:07from that time onwards

39:08the way I have driven the car

39:13not just a car

39:14an ambulance

39:14an SUV

39:15a sedan

39:16I was like

39:17bring it on

39:18this is something

39:19that I have never done before

39:20to be able to

39:22perform

39:22speak

39:23a language

39:24that I don't understand

39:25deliver the dialogues

39:27with emotions

39:28and do action

39:29with a saree

39:31and a gun in hand

39:33I mean

39:35my dream is like

39:37tick tick tick

39:38tick tick

39:39when I watched Major

39:41I called

39:42Sheesh Garu

39:43and

39:44I really expressed

39:45what I felt about the film

39:47the emotions

39:47and extremely blessed

39:49that

39:49I never thought

39:50that we would be

39:51sharing a screen

39:54so Saraswati

39:55is very special

39:56for me

39:56every time

39:57we would

39:58flashback

39:58come on

40:00Sheesh Garu

40:01we gotta start

40:02dieting

40:02because you know

40:03you have to look

40:03different

40:04and then there was

40:05a point where

40:06I got a chance

40:07to explore

40:08interiors

40:09of Hyderabad

40:10and where did we

40:11shoot the

40:12Ruber

40:12like way ahead

40:15of Vicarabad

40:16and it is so

40:17beautiful

40:18I just felt like

40:19I should just stay

40:20there

40:20I would just take

40:21my camera

40:22go click pictures

40:23and at the same time

40:24I've made incredible

40:25friends

40:25DB

40:26PK

40:27these two

40:28are like my bestest

40:30friends

40:30because whenever

40:31shoot lighting is

40:32happening or anything

40:33is happening

40:34I will go sit next

40:35to them and chew

40:35their brains

40:36and PK is like

40:38such a stunner

40:39he is more popular

40:40than I am

40:41do you agree

40:42agree kada

40:43correct

40:43and then DB

40:45has made me look

40:46so good

40:47each and every frame

40:48makes me feel like

40:50oh my god

40:50this is a dream

40:52so without these guys

40:54because I am the

40:55only girl on set

40:56except Supriya Garu

40:57she would go to

40:58Annapurna

40:58but I felt

40:59truly like a queen

41:01that's it

41:03Kama Chiharu

41:04I will tell you

41:05I am going to drift

41:06to the ambulance

41:07he is

41:08he is

41:09he is

41:10he is

41:10He is

41:11he is

41:12he is

41:13he is

41:14he is

41:16he is

41:17he is

41:19he is

41:19Kama Chiharu

41:20so

41:21Dienkla

41:22me role

41:23etla

41:23on tunei

41:23unde

41:23magzman

41:24mir chuse

41:24chala

41:25negativ

41:25role

41:26polymer

41:26lo

41:26choos

41:27te

41:27mi

41:28ice

41:28ton

41:28e

41:29bai

41:29bettune

41:30tune

41:30so

41:30Dienkla

41:30indi

41:31negativ

41:31role

41:31unde

41:31positive

41:32on tune

41:32I don't know how much I feel. I'm afraid of it.

41:36You're talking about it.

41:38It's like in the theatre.

41:41What do you do with this?

41:42What do you do with this?

41:44What do you do with this?

41:45Actually, I think,

41:49I'm going to say,

41:50I'm going to say,

41:51I'm going to say,

41:55You're doing Polymer,

41:56we're doing a scale,

41:59we're doing a film scale.

42:00You're doing it.

42:03Especially,

42:04we're doing a Dukai,

42:06cinema,

42:07we're going to say,

42:08you're going to say,

42:11we're going to say,

42:14so, first thing,

42:16keeping the scale aside,

42:17of course, it plays a major role.

42:20Movie screen.

42:21Personally, this film is very,

42:24very, very special because I'm going to

42:26screen share every actor,

42:27Brunal Garu, Sesh Garu, and Anurag Kashyap sir, they have carved their own paths in this industry.

42:38So, it is a privilege for me because I dream to become an actor, you know, to become an actor

42:46and

42:47we have a scope to become an actor. If we work with people, that is a next level. So, it

42:55is a fantastic experience.

42:56Jain Garu, here. And you have done some amazing work in Bollywood. So, you are coming back

43:05to Telugu cinema with this film. Sunil Garu going to Bollywood with this film. So, what

43:11was your experience on the set with supporting our Anurag Kashyap sir?

43:17I think I mentioned before that I was very stressed. Clearly, everyone else was very relaxed.

43:21I was very stressed. I wanted to do my absolute best for two people who I respect very much,

43:30both Sunil and Sesh. I was speaking in a language that I don't know. I was doing action in a

43:39way

43:39that I've never done before. I was very, very, very stressed. But I will say that every day,

43:46the tiffin that came was so good that I was excited and that they had me completely with just the

43:54lunch

43:55that would come every day, the breakfast that would come every day. I was like, I will do anything for

43:58these people.

44:00Shanyal sir? Yes, yes. Finally, Dekoit is coming on April 10th. Yes sir. And I've seen you when last

44:09time song launch event also happened. When that time you were so stressed that you didn't have sleep

44:16for three, four days. It's a common thing now sir. I know it's a common thing for you but coming,

44:23it's been a long journey from being a cinematographer to the director's chair. So what was your whole

44:29experience in this process?

44:33You know, it was not a huge difference because I got to work with somebody I worked with so many,

44:38for so many years together. There was not a very big difference. It's just working with my buddy,

44:44my friend for the last 14 years. So we just get up, we go and we make a movie and

44:48we come back home

44:49and in beach, we'll discuss, we'll have a little bit of chai and in beach, ma'am will sing some

44:58songs for us whenever she gets the mic. So it was, it was, I would say, a, it was a

45:05lot of,

45:06not stress, but we had to move fast. But at the same time, we would try to make sure we

45:13got the

45:13quality we wanted because this guy does not settle for nothing but the best and he expects the same from

45:18everyone. And she was our, you know, sunlight. So it was just, it was a amazing experience.

45:29Guys, maa overseas deliveries unnai, maa director forgetta alu. Thank you so much.

45:34Thank you. Thank you so much guys. Thank you. Thank you.

45:36Thank you. Thank you.

45:39Thank you so much.

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