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FunTranscript
05:55I am sorry to see you.
06:12My mother, father, daughter, all the things are strange.
06:18The only thing is strange.
06:21My mother, father, daughter, all the things are strange.
06:29yes
06:30my husband is a man
06:31my son is a man
06:34this is my son
06:35you can't see him
06:38you can't hear him
06:39you can't hear him
06:41I have heard him
06:43okay
06:44what did you call him
06:45I have a friend
06:46he's been friends
06:47you can't hear him
06:52you can't hear him
06:52I can't hear him
06:54Do your work, sir?
06:58Yes, they will help you to bring you to the last post rotm by then she will come.
07:01Then whatever you do to do with me, I don't want to say anything.
07:06If you have enough questions, I have to ask one question about you.
07:10Yes but your question, how is it?
07:11Let's go and find out.
07:13Sir, let's have the last time.
07:19Put me in.
07:24। । । ।
08:03। ।
08:09। । ।
08:25। ।
08:35। । ।
08:58। ।
08:59। ।
09:07।
09:08it is possible that Hina has gone down to the wall and it is possible that it has gone down
09:16to the wall.
09:18This is both of them, so I want to know all of this.
09:29Hina has gone down to the wall?
09:32Yes.
09:34Who can you know?
09:35This is the case of the wall.
09:42I was going to know all of this.
09:43Where did I go?
09:44If I was going to know all of this, I would tell you.
09:49But this is a very good and bad thing.
09:54If you don't want to be able to do it, you will be able to do it.
09:57You will be able to do it.
09:58This is the case of the wall.
10:39Yes.
11:00Hello.
11:04Hello.
14:11I am going to come back to the camera.
14:14Was it after the first time?
14:17Yes, it was after the first time.
14:20There are five, and the rest of the four?
14:23There are two and two.
14:25The rest of the two were not known.
14:30One on number 7, do you know?
14:33This is a number of 5.
14:34It is like this.
14:36It is like this.
14:40You know about this?
14:42No, I don't know anything.
14:43I am going to come back to the camera.
14:46Yes, I am going to come back to the camera.
14:56The gullab is so good.
14:59Do you have a gullab here?
15:02Yes, yes.
15:04I am going to come back to the camera.
15:07Who is going to come back to the camera?
15:08I don't know.
15:09I am going to come back to the camera.
15:30I am going to come back to the camera.
15:30What are the pictures?
15:32What is the pictures?
15:34You see.
15:35It's not the shots.
15:37Look.
15:38It is there.
15:38foreign
15:42foreign
15:44foreign
15:44foreign
16:12Inspector, these two sandals have been sent to me.
16:17Have you seen them?
16:18Yes, let's see. There are only clothes.
16:22Let's go to the bed.
16:24Yes, let's go.
16:25If you don't need it, we will go alone, Raviji.
16:28But, Vyomkesh Ji, there will not be any attention at night.
16:31Let's see in the morning.
16:34Come.
16:38This door can be closed both sides.
16:42There are two sides.
16:44When you come to the door, this door is closed or closed?
16:47No, it was closed.
16:52Where did you go?
17:00There.
17:01Because that's where there was no place.
17:13This door can last six six floors.
17:15It says that one would land to her when she lands sheGHT,dat
17:22the door is in the middle. And
17:24look. The
17:25door is turned left and pushed from her room. The
17:28door is in the middle. It
17:28says the door is around with each other and leaves.
17:33foreign
17:37foreign
17:46foreign
17:52foreign
18:09I don't know.
18:10This morning, our house was broken.
18:12What happened?
18:14What happened?
18:14Cigarette.
18:15Oh!
18:16Cigarette?
18:19You know.
18:20Come here.
18:20Come here.
18:20Come here.
18:21Come here.
18:21Come here.
18:22Come here.
18:23Come here.
18:24What?
18:26The whole house is broken?
18:27No.
18:27It's just the house.
18:29It's just the house.
18:29The books, the books, the tables, the tables, everything is broken.
18:34Tell me this.
18:35When you came here, where did you go?
18:37Where did you go?
18:38When I went home, I stayed in my house, and I was getting dressed as a sweater.
18:42After hours, I had a cocked kitchen when I got me.
18:46I was dead.
18:49The house was dead.
18:51Who was looking for that?
18:51Well, who was looking for the house?
18:52Ranvi Baba.
18:53Come here.
18:55When you went home, who was coming to the house?
18:59He was coming from the house.
19:01He was here right.
19:01And when you went, everyone were walking for the house?
19:03They were all in the house.
19:04Everyone was in the house.
19:13foreign
19:25foreign
19:47I thought that there is a way to go, but after 10-15 days I heard the sound of the
19:52mouth organ again.
19:54I was tired and went down and saw what the story is.
20:31I have seen that there is some man who is here.
20:35can do it
20:48we can do it
20:50oh
20:50I'm coming to
20:53a
20:53a
20:53a
20:53Okay, the last time she was gone.
20:56About 10-12 days before.
20:58Okay, go. Now go.
21:00Go home, go.
21:01One more time.
21:02Come on, go!
21:05This mouth organ has been
21:09more than anything else.
21:11But one thing is
21:14that the city was not alone.
21:18And the other thing is
21:20that the death of his death is not
21:23the death of his death.
21:24Now the question is,
21:27who is the death of his death?
21:31That is the one who has
21:32caught his death in the camera.
21:34Yes, it can happen.
21:36And not even.
21:37The death of his death,
21:39we don't know.
21:41But the one who has caught his death
21:43in the camera,
21:45I understand.
21:45I understand.
21:47Of course, there was something
21:49that he wanted to do
21:51to destroy.
22:20He wanted to talk about it.
22:46He wanted to talk about it.
22:51He wanted to talk about it.
22:51The death of his death
23:20and the death of his death.
23:20He wanted to talk about it.
23:24What is the death of his death?
23:28He wanted to talk about it.
23:31He wanted to talk about it.
23:34That's how he wanted to talk about it.
23:51What happened?
23:54Ajit.
23:55Do you have any work?
23:56Do you have any work?
23:57See, there is no special thing.
23:59I'll take care of it.
24:03Come on.
24:04Come on, come on.
24:07What's your story?
24:08Just.
24:10You haven't come along with me?
24:11No, don't you send me any work.
24:13Okay, okay.
24:14You'll probably hear that the police will be quite confident,
24:17that Hina's death was only one thing.
24:19Okay, good.
24:20I'll be right back.
24:21It's not what happened.
24:22I was very nervous.
24:23Come on.
24:29But I don't believe this.
24:32I see the truth.
24:34You're surprised that someone has seen the death of Hina's death.
24:38Okay.
24:40Do you have any thank you?
24:41Not yet.
24:43First, it's not that the death of Hina's death is not coming.
24:46It's not that the death of Hina's death is the death of Hina.
24:49Okay.
24:49How did you get any evidence?
24:50No, not yet.
24:50And this is not a real thing.
24:54And?
24:56The other thing is that in this town,
24:59there was a bad thing in this town.
25:01It was a bad thing.
25:03Where I know,
25:05this town didn't have any bad thing.
25:07This town was not fair,
25:08but there was a bad thing
25:10that was probably 10 or 15 days
25:13and every 10 or 15 days
25:14he would come to this town
25:15and he would get the same.
25:18That's right.
25:18That's right.
25:21So, what do you want to do?
25:23If you want to do it,
25:25I want to talk to you.
25:28Look,
25:29you have to do it.
25:34I understand that
25:36when the police wanted you to do it,
25:38you have to do it.
25:41You will have to do it.
25:41You will have to do it.
25:56You have to have to do it.
25:58You are over the list,
25:58you'll have to do it.
26:04That's right.
26:05You are over the list.
26:11I don't know how to go
26:14I
26:14I
26:17I
26:18I
26:23I
26:24I
26:26I
26:26I
26:27I
26:27I
26:29you can go to the door and get out of the door and get out of the door and get
26:33out of the door
26:33you can't even know it's a good deal you're a good deal
26:38let's go inside
26:40what is this?
26:41no, it's not
26:42come here
26:46you have to read it
26:52I have to read it
27:05foreign
27:28yeah
27:28yeah
27:28yeah
27:28yeah
27:28yeah
27:28foreign
27:31was it
27:34no
27:36yes
27:38yes
27:39yes
27:39yes
27:42yes
27:43yes
27:43yes
27:46yes
27:47yes
27:54yes
27:55yes
27:56yes
27:56yes
27:57yes
27:57yes
27:58yes
28:03okay
28:03I think I don't think anyone is here.
28:06O'Day?
28:10What do you know about the rest of your life?
28:13Did you give him his hat to wear a sweater?
28:17Yes, I gave him.
28:18What do you want to do with him?
28:20That's why you know him with his good knowledge.
28:23That day when Hena went back, you also went back to his back?
28:25No.
28:26And then you both went back to his back?
28:29No, it's true.
28:30Then what is the truth?
28:31What is the truth?
28:32I was going back to Hena.
28:35But before me, Hena has closed the door.
28:40I love Hena.
28:44I love Hena too.
28:46Hena loves anyone or not.
28:50Hena was running on his fingers.
28:58Hello.
28:59Hello.
29:04I love Hena.
29:22I love Hena.
30:03I love Hena.
30:09I love Hena.
30:10I love Hena.
30:21I love Hena.
30:25I love Hena.
30:36Instagram is coming here.
30:38Thanks.
30:40I love Hena.
30:44I love Hena.
30:44I love you.
30:45has not happened, or you will get a disease.
30:49Mr. Ajay?
30:50Yes?
30:51Mr. Ajay, the day of the death was ...
30:52Mr. Ajay.
30:54Mr. Ajay, why not?
30:55Mr. Ajay, this is a bad thing.
30:57Mr. Ajay, you know that you were studying the night.
30:59Mr. Ajay, it was written that the man who was in the Udung,
31:02and the presence of the Kalkatta process actually fell in the water.
31:06Mr. Ajay, where is the paper?
31:08Mr. Ajay, where is it?
31:09Mr. Ajay, look, use the paper.
31:19Yes, that's it.
31:21Let's see.
31:25The first step is that, who are you?
31:29Santosh Samadhar, Ravi Verma, Jugal and Uday.
31:33You are the one who is the one who is the one who is the one.
31:43We are now up to NIMA.
31:47We are now up to NIMA,
32:11we are normal.
32:13She took a place to open a house for a tree,
32:17and she took a place to open a tree.
32:19But no tree wasn't.
32:22She went from there.
32:25After that, I went to the house.
32:29She was put a tree.
32:32And her number was over.
32:41Hello, Inspector A. I'm from Kesh.
32:46Okay, that's a ghost of Hena's house, right?
32:50Yes, there will be a ghost on the number 7.
32:54That's the ghost of Hena's house.
32:57Tell me about it at Saraj Hotel.
33:00I'll tell you about it.
33:03Okay.
33:03Okay, sure.
33:17Rhea, are you here number 7?
33:19That is good. There is no one else.
33:21That's just wait.
33:22Do not do that.
33:23Do not lead the manager to talk to him.
33:26Okay.
33:29I am from here.
33:29Let's go for it.
33:35Sorry.
33:36I've seen a couple of them.
34:11And I think that the other side is now happening in the other side.
34:14Yes.
34:15And that's it.
34:18What's it like?
34:20Yes.
34:21Yes.
34:21Yes.
34:40oh
34:42oh
34:42It's not that I'm going to go to Meena Matahari.
34:54Keep it up.
34:57Let me see this.
35:03Why?
35:04I'm going to ask you something.
35:06Yes, please.
35:07Who is the camera number 7?
35:08Who is the number 7?
35:09The number 7.
35:11There is a person who comes.
35:12He gives a person to the camera.
35:15But he lives in three and four.
35:18Someone came with him.
35:20He came with him.
35:22He came with him.
35:23But he keeps a person.
35:26I'm sure.
35:27So he's the name of this man?
35:29One minute.
35:30I'll tell you about him.
35:36The number 8 is on Pakistan.
35:45Their number is owned by Pakistan.
35:50Where is the number 8?
35:53Your number 8 is on Pakistan.
35:55The number 9 is on Pakistan.
36:00You can see anything.
36:00Where is Pakistan?
36:01You can see it.
36:01You can see it.
36:03Oh, you're right.
36:11It's a navigator Omar Shirazi.
36:14He's a Palestinian-faceted man.
36:17He's a missile that was shot by the mouth open.
36:19Heena was a man.
36:22Okay.
36:25You're welcome.
36:26Who's the one who has been in the house?
36:29I'm sure he knows.
37:00who has been asked of the
37:02I don't know everything I have to know everyone.
37:05So I have been using my own paper.
37:09What are you doing?
37:11Which one you have been doing?
37:13You have been doing the wrong things in the house.
37:16You have not been getting back to the house.
37:21You have been doing the wrong things.
37:23The government of the law and the government of the government.
37:28What do you want?
37:29foreign
38:07foreign
38:29I am not going to be the first time I am not going to be the first time I will
38:35be the first time
38:36I will be the first time.
39:11Hello?
39:13Huh?
39:15Kya?
39:19Kab?
39:22Oh ho.
39:25Haan.
39:26Haan.
39:27Kya?
39:27Kab?
39:27Haan.
39:30idores.
39:32Kya?
39:33Kya?
39:34Kya?
39:35Kya?
39:41Kya?
39:42Kya?
39:43Hmm.
39:47Kya?
39:52foreign
40:10foreign
40:14I don't know how to do it, but I don't know how to do it, but I don't know how
40:24to do it.
40:24I know this story only Raviy Verma knew it, and he put it in the hotel.
40:30He knew that there are only 10 people in that room.
40:34He made the camera and tried to open it.
40:37to try to do that.
40:38What can you do with those 10 people?
40:42Those who were doing the blackmail and Hina and Omar Shirazi.
40:46Blackmail.
40:49But who did not do the blood of Hina?
40:52How did he do it?
40:55Every 10 or 12 days after Omar Shirazi was the first time.
41:00So he was also the first time.
41:01He was the first time he was the first time.
41:04That was the first time he was the first time.
41:06I think the truth is that you've read the news that the Santoor Samadhar's
41:09read it.
41:11He was the name of the blackmailer, Omar Shirazi.
41:16One kiss was hurt, but the other one.
41:20He didn't read it, he didn't know that Omar Shirazi was gone.
41:24But, he was the only one to get a road.
41:29He knew that every evening he went to the chit.
41:34is
41:37a
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