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  • 4 months ago
После того как роль Ломоносова отдали другому актёру, Павел решает снова замахнуться на значимую роль — Чехова. Деревянко верит, что сможет получить признание критиков за серьёзный драматический образ. Как только запускаются съёмки фильма про Антона Павловича, выясняется, что в Таганроге живёт правнучка драматурга Маргарита Васильевна, которая запрещает снимать кино. Павел возвращается в родной город, чтобы переубедить наследницу. Правда, ради заветной роли ему придётся решить все конфликты её семьи.
Transcript
00:00So how are things with you in Moscow?
00:02We're slowly making art.
00:03The premiere has begun.
00:05Pavel Derevyanko is in a creative crisis.
00:08Only 50. I haven't even earned a merit yet.
00:11We need a role that only he can play.
00:14Chekhov.
00:15I know everything about him.
00:16He's from Tygon Rock.
00:17I'm from Tygon Rock.
00:18But there's a problem.
00:20Chekhovは Margarita Vesedievna.
00:21She forbids tarnishing the honor of her great-grandfather,
00:24portraying him as a womanizer and a womanizer.
00:27Will this little wooden girl be able to convince posterity?
00:30If Anton Pavlovich were here,
00:32he would gladly treat you to tea.
00:34You are a shameless bastard, after all.
00:37And you're inner Chekhov.
00:39Why do you need to play me?
00:40Not for the merit, but so that mom will finally acknowledge me.
00:42You're not friends with your Borisov.
00:45Is this the most important role in his life?
00:47He's a scoundrel.
00:48A pure and simple scoundrel.
00:50I think there's even something Chekhovian about it.
00:53Like a wooden car.
00:54Aired on Les Ties Monday.
00:56At 7 p.m. by 7.
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