ప్రముఖ యాంకర్ సుమతో కలిసి పల్లిచట్టంబి మూవీ టీమ్ చేసిన ఈ సరదా ఇంటరాక్షన్ను మిస్ అవ్వకండి. హీరో టోవినో థామస్, హీరోయిన్ కాయడు లోహర్ మరియు దర్శకుడు డిజో జోస్ ఆంటోనీ ఈ ఇంటర్వ్యూలో సినిమా విశేషాలు, షూటింగ్ అనుభవాలు, ఆసక్తికరమైన విషయాలు పంచుకున్నారు.
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NewsTranscript
00:00Okay, so, andar ki namaskaram,
00:01eeroju manatopattu mana palli chattambi
00:04cinema team hero Tobino
00:05and alage heroine Kayadu
00:07and also we have our Dijo.
00:10So, a very very hearty welcome
00:11Mara Kusari to Hollywood ki.
00:13Already meeru 2018 film midi baaga popular
00:16ikkada alage ARM, alage Tallumala,
00:18alage Minel Murali, all your films
00:20and Janakana Mana is very very popular
00:21and Kayadu is anyway popular with
00:24all the youth and everybody like
00:26Kayadu and today we both are winning
00:28also, yeah. So, a very hearty welcome.
00:30We planned, planned.
00:31Planned, yeah, yeah, we planned, we call.
00:33I'll call and I'll tell heroines.
00:35Yeah, let's, let's.
00:37You should have called me also.
00:41So, we are all ready for the experience
00:44on April 10th.
00:45May mandaram wait chashto unnaamu.
00:46Why do you select a story
00:48that is different to analyze and
00:51chashto unnaamu and whatever films you have done
00:54till now, we have experienced
00:56like very stylish kind of making,
00:58the visuals are very good and everything
01:00and teaming up with Dijo
01:02with Janakana Mana kind of real incident
01:04is amazing.
01:05So, we wanted to know that what
01:08Telugu audience will get out of this
01:10what is the experience that they are going to have.
01:12Tovino Thane Star Chedham.
01:14A good cinema.
01:15A good cinema. Okay.
01:17The answer is very simple.
01:20Yeah.
01:22The rest Dijo will tell.
01:23No, Dijo Garu.
01:25Yes.
01:29Only in Telugu states
01:31we can call someone Garu.
01:32In Kerala, we call him Dijo.
01:34Here, we'll call him Dijo Garu.
01:36Dijo Garu. Tell me.
01:37Dijo Garu.
01:38Dijo Garu.
01:38Yes.
01:39If you want to make a real incident
01:40something motivated or inspired you in childhood
01:44that when I become a director
01:46I will make all that real incidents
01:49what I saw into films.
01:50No, no, nothing like that.
01:51Especially, so,
01:52maybe this film.
01:54I mean, it's not any real incident or something.
01:57See, actually the premise happened to be in 1950s.
02:0150s to 60s.
02:02So, during that period
02:04see, we have built our own world.
02:07See, actually it's a
02:08the film is happening around an area
02:11that is named as Karnia.
02:12Oh.
02:13That's a fictional area
02:14which we haven't created.
02:15So, it doesn't have anything to do with
02:17real, the so-called real incidents.
02:20Oh, no.
02:20Is that real incidents based in 1950s?
02:24No, not based.
02:25Inspired from incident.
02:26Inspired from incident.
02:28But many incidents.
02:28Yes.
02:29So, during those days
02:30you know, what happened was like
02:31many, you know,
02:33actual facts happened.
02:34Kerala's, you know,
02:35a lot of changes happened
02:37in that premise particularly.
02:39So, we have taken that period.
02:41That is the reference point.
02:43The reality.
02:45Okay.
02:45The character, I mean,
02:46whatever we are working on
02:47it's all our own, you know,
02:49special characters.
02:50Like the character which Tovino plays
02:52is Christopher.
02:53The character which Kaidu plays
02:55is Rebecca.
02:55So, that is the spacing
02:59that we are giving to the characters.
03:00So, that is the whole point.
03:03Did you get inspired by Tovino?
03:05Like, see, after Queen,
03:07I think you took 2-3 years gap
03:08to make...
03:09Janakandamana, 2 years.
03:102 years.
03:114 years.
03:11And after Janakandamana?
03:12After Janakandamana,
03:13I did Malayali in 2 years.
03:152 years.
03:15And after that?
03:162 years.
03:17See, what?
03:17See, in 13 years or 14 years,
03:19you did 58 films.
03:21Now, are you inspired?
03:22Now, I need to get inspired.
03:24Definitely.
03:25I am in the process to reduce
03:27the number of movies,
03:28take more time to spend with my family
03:30and friends to travel.
03:32But...
03:33So, I don't get inspired.
03:35Follow your strategy.
03:37Tovino, in some way,
03:38I have worked like you.
03:39Yeah.
03:40So, you understand
03:41why I took this decision after a while.
03:43Like 12 years,
03:46I have worked maybe 10,000 episodes.
03:48Oh.
03:48That is the work I have done
03:51in television.
03:52Then, I suddenly said,
03:53No.
03:54I need to do it in slow breaks.
03:56But with films,
03:57it's even more difficult.
03:59Because you'll have fight sequences.
04:01And be selective in cinema subjects,
04:03it's not easy to be.
04:04You have a supernatural hero,
04:06you have a low count,
04:07you have a tallu man,
04:09you have to edit cuts,
04:10fights, etc.
04:12How did you manage?
04:13In Loga,
04:14in Loga,
04:15when
04:17I'm walking on the ceiling,
04:19it looks easy.
04:21But it was not.
04:22I was on
04:23rope.
04:24So,
04:25there is this thing called gravity,
04:26no?
04:26Yeah.
04:28So,
04:29and
04:29my
04:30feet has to touch the floor.
04:33And
04:33my,
04:34because of this gravity,
04:35my hands are going up.
04:36So, I have to purposely keep it down.
04:39Yeah.
04:39The dress.
04:40And the dress,
04:41we could stitch it.
04:42Stitch it.
04:43And then,
04:45while walking,
04:46I have to mimic my walking style also.
04:49Correct.
04:50There I'm hanging,
04:51literally hanging.
04:53So, I have to,
04:53then I'm thinking,
04:54okay,
04:55then I bring the left hand to the front,
04:57I have to take the right hand to the front.
04:59So,
04:59this,
05:00you know,
05:01like how I'm doing.
05:02You learn to walk up.
05:03Up,
05:04in reverse.
05:05And,
05:07that sequence,
05:08you know,
05:09I have to be on the ceiling,
05:11before action.
05:13until cut,
05:14until cut,
05:14I have to be there.
05:15And blood will be resting into my head.
05:18I cannot say anything,
05:19because I was working with all my friends.
05:21So,
05:21I cannot complain.
05:22But,
05:23whatever little,
05:24I had in that movie,
05:25the movie became so popular.
05:27It became,
05:28so much,
05:30noticed.
05:30I also got noticed.
05:32At that point of time,
05:33I didn't know how to manage.
05:36So,
05:37I didn't have a manager.
05:38I was managing my dates and everything myself.
05:42So,
05:43I kept on
05:45working,
05:46finishing all the projects that I committed.
05:48I didn't even think of rest.
05:50I didn't have that luxury to think of rest.
05:53Because,
05:54I,
05:54I was,
05:56I'm someone who,
05:59who
06:00don't want to
06:01break a promise,
06:03or once I,
06:04give a word.
06:05Yeah.
06:06Breaking word.
06:07It was very difficult.
06:09Then,
06:09I got used to it.
06:11In the straight order.
06:12Not a bit of,
06:13my problem.
06:14And,
06:14at some point,
06:15I even tried to,
06:18purposefully take,
06:19breaks in between every movie.
06:22Like,
06:22I'll,
06:23keep
06:2410,
06:2415 days break.
06:26And,
06:26I'll decide,
06:27okay,
06:27this 10,
06:2815 days,
06:28I'll,
06:29I'll not shoot.
06:30I want that break,
06:32to spend time with family.
06:34And,
06:34to,
06:35prepare for my next character now.
06:37So,
06:38I'll give 30 days for one movie.
06:40And,
06:4030 days for another movie.
06:43And,
06:43in between,
06:44I'll give,
06:44I'll keep 15 days,
06:46break.
06:47How,
06:47how is that,
06:47there is a separate calendar,
06:49like that?
06:49No.
06:50I'll,
06:51write down the dates.
06:52Okay.
06:52But what happens is,
06:54this movie,
06:55this movie,
06:56which was supposed to,
06:57happen,
06:57in 30 days,
06:59they'll take 45 days.
07:00Correct.
07:00So,
07:01day,
07:0230,
07:03day 45,
07:04the last day of this movie,
07:05I have to travel overnight,
07:07and join the next movie.
07:08So,
07:09it used to be like that.
07:10And,
07:11I couldn't,
07:13say no,
07:14to,
07:16emotional,
07:17blackmails,
07:17emotional requests.
07:18Even people tell,
07:19come and tell us,
07:20lot of,
07:21you know,
07:21I can be easily,
07:23manipulated.
07:24I can be,
07:25when not,
07:26manipulated,
07:27as in,
07:27when someone,
07:28who is close to me,
07:30tells something emotional,
07:32I'll feel like,
07:32okay,
07:33I have to do this.
07:34Yeah.
07:34You can't say no.
07:35You have a generous heart.
07:37Yeah.
07:37But generous heart,
07:39is,
07:39a weakness.
07:41So,
07:41I had to do that.
07:43And,
07:44I did it,
07:44until 2022.
07:46But luckily,
07:47two years,
07:48because of Corona,
07:49I got some breathing time.
07:52After 2022,
07:53I made it a point that,
07:56I'll,
07:56I'll need,
07:57one month vacation every year.
07:59At least one month.
08:00At one month,
08:01I'll not be at home also.
08:03I'll take my family and go somewhere,
08:05out of India.
08:06Now,
08:06I can do that.
08:07I can do that now,
08:09because I worked so hard.
08:10Correct.
08:11Previously.
08:12Previously.
08:13Now,
08:13I can,
08:13I can take breaks.
08:15And now,
08:16I think I'm in a space where,
08:18I'll,
08:19do movies only that I want to do.
08:21Hmm.
08:21I don't have to do movies.
08:24I,
08:25it's not a need.
08:27Hmm.
08:28I'm doing it because I love the process.
08:31Hmm.
08:32See,
08:32so nice that he liked your movie.
08:34It took,
08:34it took,
08:34it took so many years for me to learn.
08:37Yeah.
08:37Yeah.
08:37And I learned the hard way.
08:39Correct.
08:40When you work,
08:41back to back for so many years,
08:45there'll be,
08:46there'll be this burnout that happens to you.
08:49And it lasts longer than you imagine.
08:52Yeah.
08:52But that's when I think,
08:55my seniors in Malayalam cinema,
08:58they have worked their whole career like what,
09:01how I did.
09:01Correct.
09:02Yeah.
09:02So,
09:03my respect to all of them increased twice twice.
09:06Namaskaram.
09:07Namaskaram.
09:08Namaskaram.
09:08Because,
09:09it's not at all easy.
09:11Yeah, it's not easy.
09:11With all the things,
09:12and especially for the hero.
09:14There are so many things that you need to.
09:15But one other thing was,
09:16I was not doing lead roles all the time.
09:19I was doing supporting roles also.
09:21Yeah.
09:22I could manage that.
09:23Now also,
09:23I do supporting roles.
09:25I do villain roles.
09:26Hmm.
09:26And that gives me,
09:27little breathing space and,
09:29scope to explore my potential.
09:31I don't know what my potential is.
09:33I don't know what my potential is.
09:33I don't know what my potential is.
09:33I don't know what my potential is.
09:33I want to do interesting characters.
09:41And when I look at the lead role also,
09:44I look at it as a character.
09:47And I prepare for it like,
09:48a character.
09:50Hmm.
09:50And that,
09:51that's what gives me satisfaction.
09:52That's why I am following it.
09:53Correct.
09:54And Kaidu,
09:55what was hard to learn,
09:57Malayalam or Telugu?
09:59Malayalam is very difficult.
10:01I mean,
10:02Say this, say this.
10:03I can't remember.
10:03Palli.
10:04Palli Chattambi.
10:05Palli Chattambi is easy.
10:07But the language is very difficult.
10:08Like any language for me is difficult.
10:10Because I don't speak South Indian language.
10:13But when it comes to Malayalam,
10:15it's quite difficult.
10:17Difficult.
10:17Yeah.
10:24Half of the time we will go on them correcting me.
10:28What is that word?
10:30Kanyi.
10:30Kanyi.
10:31Kanyi.
10:32Kanyi.
10:33Kanyi.
10:34Yeah.
10:34So.
10:35Nyan.
10:36Nyan is easy.
10:37So.
10:38Yeah, but.
10:40Yeah.
10:40That's what it is.
10:41But your look in the film is beautiful.
10:45Both of you all.
10:46Looking so good.
10:46And that song is so beautiful.
10:48The picturization is so beautiful.
10:51And our locations.
10:52Kanyi.
10:52Setup.
10:53Kanyi.
10:53Everything is nice.
10:54So you must have thoroughly enjoyed.
10:55Anything that you want to share about Rebecca?
10:59I don't know.
11:00I have like always been saying this.
11:01That Rebecca is very special to me.
11:03I.
11:04She is such a beautiful soul.
11:06In the film.
11:07And.
11:08I think I have taken a lot from her also.
11:11And I know that when people will see her.
11:14Her.
11:14In the film.
11:15They will be able to relate to her.
11:18A lot.
11:18So.
11:19I would like to be friends with Rebecca.
11:21Hundred percent.
11:21If there was a real person.
11:23As Rebecca right now.
11:24I would be best friends with her.
11:28She wants to be friends with Rebecca.
11:30If she's.
11:30She was there previously.
11:32Now.
11:33A person like Rebecca.
11:35Hello.
11:35Madam Knight.
11:36How are you?
11:37You called me in that interview.
11:38I don't think I was scared.
11:39Please send me her address also.
11:41I will go there and visit her.
11:42I will go there.
11:43So.
11:44Here.
11:44For Telugu Preakshi.
11:45This title is a lot.
11:47For them it is new.
11:48This title.
11:49But.
11:50You decided that you will retain the same title here also.
11:53Correct.
11:53Because.
11:54It will not change.
11:58We cannot change.
11:59So the same way.
12:00It's a designation or maybe a term that was given to a person.
12:06Okay.
12:06Who came to that particular land.
12:08You know it's almost like a.
12:10What do you say.
12:11It's like a warrior.
12:12Or maybe a savior.
12:14Or maybe a protector.
12:15We can say in that sort.
12:17Or maybe a defender.
12:18So he.
12:18This is a.
12:20What do you say.
12:21Encapsulation of all these things that comes to one single thing.
12:23That used to be.
12:24Palli Chattambi.
12:25There.
12:26Long back.
12:27So that is what.
12:28For that particular land.
12:29Our hero.
12:30So the film is about that particular land.
12:32The land's.
12:34Own hero.
12:34And that hero was termed in.
12:36As Palli Chattambi.
12:37Palli Chattambi.
12:38Yes.
12:38Ippidu.
12:38My Telugu Preakshi.
12:39Ippidu.
12:40Ipidu.
12:40Ipidu.
12:40Ipidu.
12:53Ipidu.
12:53Ipid Toch setting Telugu .
12:54Okay.
12:55Now you will tell Me the meanings of these Telugu words.
12:58That I'm telling.
12:58You'll try to guess.
12:59Okay.
13:00Like Palli.
13:00I probably tell that rhyming words up to me.
13:03What is Tulli?
13:05Tulli.
13:06Malayalam also there is Tulli.
13:08Is it the same?
13:09Drops.
13:09You mean that raindrops Huh.
13:10No.
13:11Wrong answer.
13:12Is it a vegetable?
13:15That's Ulli.
13:16That's Ulli.
13:18Hei kalli.
13:20In Malayalam there is one more tulli.
13:23Tullaga?
13:25Jumper!
13:26Correct answer.
13:27This is Tulli.
13:29Who is noting down the marks?
13:31One point to Dovino.
13:33Tulli in Malayalam.
13:35One point for me.
13:37Next time, I am not going to give so much of time.
13:39Only 5 seconds. Anybody can answer.
13:41Done. You have the buzzers?
13:43You have buzzer?
13:45You should say trrrr.
13:47Okay, ready? Malli.
13:49Malli?
13:51Malli.
13:51Is it the Mallipu or Malli?
13:55No, in Malayalam, Malli is Dhaniya.
13:58Malli means before?
14:01Malli means Tappori.
14:03Tappori.
14:04I mean...
14:06Malli Chendi.
14:08It is before or after something like that.
14:11Okay, nobody gets points.
14:14Malli is again.
14:15Again.
14:16I was so clear.
14:18You knew the sentence, but it didn't know the meaning.
14:21Zero, one, zero.
14:22Zero, one, zero.
14:23Okay, next.
14:25Pallu.
14:27No, Pallu.
14:29Pallu.
14:30Wound.
14:31Wound.
14:32Wound.
14:32Wound.
14:32Wound.
14:35Wound.
14:35Wound.
14:37Wound.
14:39Wound.
14:41Sentence.
14:41I'll give you a clue.
14:42Okay.
14:43It is something edible.
14:44Pallu.
14:45Is it the sweet?
14:47No, not sweet.
14:48Last 10 seconds.
14:49Tomato.
14:49No, not tomato.
14:50Potato.
14:52I got it.
14:53Potato.
14:54Pallu.
14:55Pallu.
14:56Is it a vegetable?
14:57No.
14:58Time up.
14:58Fruits.
14:59Right answer.
15:00Because I said.
15:01No, I told no.
15:02He guessed it fruit.
15:05Okay.
15:05Cheating, cheating.
15:06Two points.
15:06Yeah, thank you, thank you.
15:07Okay, 0 to 0.
15:09Kallu.
15:10Kallu.
15:11Kallu.
15:11Kallu.
15:11Kallu.
15:11Kallu.
15:13Kallu.
15:13Kallu.
15:15Kallu.
15:15Kallu.
15:15Naughty.
15:16It's actually looking at me.
15:19Kallu.
15:19Oh, face.
15:20Boy.
15:21Face.
15:22Eyes.
15:23Eyes.
15:24Yes, 0 to 1.
15:260 to 1.
15:27In Malayalam, it's Kanna.
15:29Kanna.
15:29Kanna.
15:30Kanna.
15:30This is Kallu.
15:31Kallu.
15:32Kallu.
15:34Kallu.
15:35See?
15:35Palli.
15:36Ganna.
15:36I got a Kallu.
15:38Kallu.
15:39Kallu.
15:39Kanna.
15:40Kallu.
15:41Kallu.
15:42Kallu.
15:43Kalu.
15:44Kalu.
15:44Kalu.
15:45It's very difficult.
15:47Oh then you're asking us, very difficult.
15:50Kalu.
15:52Kalu.
15:54Kalu.
15:54Kalu.
15:54Oh yeah.
15:55Whatever is there behind you all.
15:57Dates.
15:57Board.
15:58Bye-bye.
15:58No, date.
16:00Blocks.
16:01Box.
16:01Box.
16:02Oh, good.
16:03One, two, one.
16:03Someone shouted from there.
16:05No, no.
16:05I didn't hear.
16:07I didn't hear.
16:08One, two, one.
16:08I didn't hear.
16:09This one, this one.
16:10Last three.
16:11Goodloo.
16:13Goodloo like this.
16:14Goodloo.
16:14Super.
16:15Goodloo.
16:15Is it true?
16:16Right?
16:16She's telling and she's thinking that's right also.
16:21Goodloo is this only?
16:23Sweet.
16:24No.
16:25Goodloo.
16:26Goodloo.
16:27Goodloo is good.
16:28I'll tell you, it is good in proteins.
16:30Good.
16:31Ah, ah.
16:33Very good source of protein.
16:35Is it vegetable?
16:36Fruit.
16:36Right answer.
16:37Yeah, egg is a very good source of protein.
16:39So that's how I connected and thought.
16:41One, three, one.
16:43One, two, one.
16:43Dovino.
16:44Sambal shirikunuta.
16:46No, no.
16:46He's getting protein.
16:47Mostly he knows Telugu.
16:49I eat a lot of egg whites for protein.
16:52So I connected and thought and then he said protein.
16:55Gillu, Gillu.
16:56Gillu?
16:57He said Gillu no?
16:58No.
16:59What is with U?
17:01She's right.
17:01It's like pallu.
17:02It's a watch.
17:03Pinching.
17:04Pinching.
17:06Right, right, right.
17:09Pinching.
17:10Gillu.
17:11Gillu means killu.
17:13Killu.
17:13Yeah, killu.
17:15That's right.
17:16That's right.
17:16So Malayalam and Telugu are actually similar.
17:18We are cousins.
17:20Yeah.
17:20Yeah.
17:20We are cousins.
17:22And the last one.
17:23Okay, right?
17:24Okay.
17:25Palle.
17:26Palle.
17:27Palle.
17:28Palle is this.
17:28Palle.
17:29Palle.
17:31Peanuts.
17:32Nuts.
17:33Flight.
17:34Clean.
17:37Palle.
17:38Chain.
17:40How?
17:43Villains.
17:44Villains.
17:44No.
17:45No points for anyone.
17:47No points for anyone.
17:48No points.
17:48Because they cheated.
17:48So this game.
17:50Tovi.
17:50Congratulations.
17:52Tovi.
17:53It's okay.
17:54Don't make it a big thing.
17:56This happens always.
17:58Very good with languages.
18:00Easy.
18:01So good.
18:02Now y'all almost have all these words.
18:05You just need to memorize and next press meet y'all need to.
18:08Gullu.
18:08Pallu.
18:09Killu.
18:09Killu.
18:11Killu is this.
18:12Ollu.
18:13Ollu is also there.
18:14Killu.
18:14Killu.
18:15So.
18:16You're chasing a 20 film.
18:18Indha.
18:18Loka.
18:18Guri.
18:18In this film.
18:20There must have been some scenes.
18:21Which must have been really very tough.
18:23For you to.
18:24Do.
18:25Because I think.
18:26You have an addiction to select such kind of subjects.
18:30No.
18:30I came into cinema.
18:33To do movies.
18:34With no fight.
18:35No dance.
18:36Nothing.
18:37Emotional dramas.
18:38Art house movies.
18:40That was my intention.
18:41But I came into movies.
18:43And.
18:44Because I look like this.
18:45And I'm.
18:46I'm.
18:47Little healthy.
18:48I.
18:48I got an opportunity to do a fight sequence.
18:51It worked.
18:52Then it became a norm.
18:54For.
18:55Surviving.
18:56I had to do fight sequences.
18:58So.
18:58I trained.
18:59So.
19:00Fight sequences are okay.
19:01For me now.
19:02It's not like I'm.
19:03Waiting to do some fight sequences.
19:05I'm.
19:05I'm.
19:06I'm.
19:06I'm.
19:06Very lazy.
19:07Generally.
19:08People who know me very.
19:09Closely.
19:10They understand.
19:12More than sitting.
19:13Or standing.
19:14Or walking.
19:14Or running.
19:15I like lying down.
19:16The most.
19:17That lazy I am.
19:18And.
19:19I'm.
19:20Made.
19:21To do all these.
19:22Fight sequences are okay.
19:24Wow.
19:24And in this.
19:25The hardest part was.
19:27Not the fight.
19:28Hmm.
19:29It was a dialogue sequence.
19:31In which I had a little dialogue.
19:33I'm talking to my.
19:36Little.
19:37Some children.
19:38And it's supposed to be an emotional sequence.
19:41And.
19:41He wanted me to stand.
19:44Right.
19:45In the middle of the.
19:46The roof ends here.
19:47Hmm.
19:48And I have to stand.
19:49Right.
19:50In the middle.
19:51I mean.
19:51Half my face.
19:52Outside the roof.
19:53And half my face.
19:54Inside the roof.
19:55And.
19:56It was raining.
19:58And.
19:59It was after rain.
20:01Okay.
20:01The sequence was like that.
20:02It was after rain.
20:04So while I am performing.
20:06This drop of water.
20:07Falls on my nose.
20:08My eyes.
20:09My forehead and all.
20:11So I asked Dijo.
20:12Dijo.
20:12Can I stand one step.
20:14In the front.
20:15So that.
20:16It will keep on falling.
20:17It's okay.
20:18Can I stand one step.
20:20Behind.
20:20So that it will not fall on my face.
20:22When I am.
20:23Emoting something.
20:25Suddenly.
20:25This falls.
20:26And I don't know where it is going to fall.
20:28So this anticipation.
20:30And.
20:31When I am emoting.
20:32This happens.
20:33And I.
20:33And I asked.
20:34Dijo.
20:34Why do you give such.
20:36Tough task to me.
20:37I didn't do anything to you.
20:39And.
20:40He made me do it.
20:42And he.
20:43Again.
20:44Chopped it.
20:44He did it.
20:44No no.
20:45That's there.
20:45That's there.
20:46That scene is there.
20:47No.
20:47The whole scene is not there.
20:48The whole scene is not there.
20:49I just trimmed the scene.
20:50But I did.
20:51I did.
20:52The whole scene.
20:53He stood there and did.
20:55But then I trimmed it.
20:56Now.
20:56I did.
20:56I did.
20:58I did.
20:58Pause.
20:59Freeze.
21:00I did.
21:01Did you react or not?
21:03Like that.
21:04For you anything like that.
21:06But I managed.
21:07Yeah.
21:07Now you tell me.
21:08What is the toughest moment for you?
21:10The moment he changed my.
21:12One.
21:13Two pages of dialogue.
21:14I had fully ratified it.
21:16Full practice for five days.
21:18And the moment I stepped into.
21:20The set.
21:21He's like.
21:21Kaya du.
21:22That is not the script.
21:23Take this.
21:24This is the new one.
21:25For somebody who doesn't know.
21:26The moment has to be done.
21:27And I was.
21:28And we all were.
21:29But he's very sweet.
21:30He gave me the time.
21:32He was like.
21:32You take your own time.
21:33There's nothing to rush.
21:34You understand the lines.
21:36Learn it.
21:36And come back.
21:37So that was a little difficult.
21:39But.
21:39Yeah.
21:40We were able to pull it off.
21:42The scene at night.
21:43Yeah.
21:44The night scene.
21:45And that's a very important.
21:47Major scene.
21:48In the film.
21:49So that's why.
21:49I even I had to.
21:51Back and forth.
21:51Change couple of things.
21:52To make it look good.
21:53He had it ready.
21:54But for fun.
21:55He kept it.
21:56With him.
21:57Made her learn the other scene.
21:59Learn the other one.
21:59And the dialogues.
22:01And.
22:01But it has come out really good.
22:02He likes to.
22:03Sadistic pleasure.
22:04Give tough tasks to people.
22:05Yeah.
22:07That's a sadistic pleasure.
22:08Pleasure.
22:09And then.
22:09Now I'm going to.
22:11Let's see.
22:12Okay.
22:12But nice.
22:13Did you learn all the dialogues?
22:13Yes.
22:14Okay.
22:14Keep all that aside.
22:17Right.
22:18Now from now.
22:19If she is acting with you.
22:20She will not prepare any dialogues.
22:22She knows that you will anyway.
22:23But she knows.
22:23Right now.
22:24You understand most of the Malayalam dialogues.
22:26Yeah.
22:26Little bit.
22:27Little bit.
22:28See.
22:28That is how we.
22:30Explore Malayalam.
22:31Yeah.
22:31But it was also fun.
22:32Because it was challenging.
22:34Yeah.
22:34Then that challenge gives you a little.
22:36Yeah.
22:36It was fun.
22:37Because it was challenging.
22:39And you will have a Ravanasura get up.
22:44No.
22:45You won't tell reveal.
22:46Yeah.
22:47No.
22:47Actually.
22:48It's not nothing much.
22:49Okay.
22:50It's a small.
22:51Very small sequence.
22:52Just for one viral reel.
22:54No.
22:55No.
22:55No.
22:55No.
22:55I will ask you one question.
22:56Ah.
22:56Okay.
22:57Okay.
22:58So.
22:59If.
22:59In Rajamoli sir's Varanasi.
23:01You are offered a Ravanasura character.
23:04Will you do?
23:05Why not?
23:07But I don't know if there is Ravanasura in the film.
23:09I simply asked.
23:09Ah.
23:11Why not?
23:12Why not?
23:12But the thing is.
23:14Dates should be in one stretch.
23:16Because I have my poor Malayalam industry waiting for me.
23:19That is nice.
23:20So nice.
23:21I know.
23:21Already how many films are you doing?
23:23Ippudu.
23:24You know.
23:24How many films are you doing?
23:25No.
23:26Right now.
23:26I am.
23:27Like after Palli Chattambi.
23:28I did.
23:29One.
23:30Two.
23:32He only doesn't know how to count.
23:34Fourth movie.
23:35Fourth movie.
23:36Fourth movie.
23:36Fourth movie.
23:38After Palli Chattambi.
23:39My fourth movie is going on.
23:40But.
23:40In three movies.
23:41One movie.
23:42I did two days character.
23:44One movie.
23:44I did a 15 days shoot.
23:46One movie was 30 days.
23:47Yeah.
23:48Like that.
23:49But that's so nice.
23:50That you are.
23:50Because I am doing character roles also.
23:52Correct.
23:52Correct.
23:52Correct.
23:53But that's really nice.
23:54That you are.
23:54Just doing whatever you want to do.
23:56And you are not defined by norms.
23:58That.
23:59I should only do this.
24:00Yeah.
24:00I don't have to do movies.
24:01I want to do movies.
24:02That's the difference.
24:04Nice.
24:05I should also come to that stage.
24:06Now I have to do.
24:07Because I have EMIs.
24:11Okay.
24:12So.
24:12The last.
24:13Rapid fire.
24:14I can't live without.
24:16That is the round that we are going to play.
24:18Okay.
24:19With Kaidu.
24:20I will start with you.
24:21Okay.
24:22Immediately.
24:23Immediately with you only.
24:24I can't live without.
24:26Boyfriend or family.
24:27Family.
24:28Can't live.
24:29Very good.
24:30That means to say that.
24:31You may have a boyfriend.
24:32Or you may not have a boyfriend.
24:34It is up to you to decide.
24:36Okay.
24:37Mirrors or compliments.
24:39Mirrors or compliments.
24:46But I don't understand what's the meaning.
24:51Like I can't live without compliments.
24:53Or I can't live without a mirror.
24:57But none of it.
24:58I can live without.
25:00I mean I don't want mirror and compliments.
25:02I am.
25:02But see if you have done a good job in Rebecca.
25:05Then you want people to compliment you.
25:07Yeah.
25:07But after calling it also gets toxic.
25:10You might get difficult.
25:10I am deluded also.
25:11With lots of compliments.
25:12Appade na.
25:13You should tell like this after 40 years of your career.
25:15See.
25:16Now you should say I want compliments.
25:18I cannot live without compliments.
25:20She is at peace.
25:21Why do you have to destroy that?
25:24Okay.
25:24I like destroying other people's peace.
25:26Mirror maybe.
25:27At least I will see what I am.
25:29Myself.
25:29Other than compliments.
25:31I don't know who is complimenting me truly.
25:33So mirror.
25:33Okay.
25:35That's a nice point.
25:36Yeah.
25:36So you should ask mirror or genuine compliments.
25:40Then she might choose genuine compliments.
25:41Genuine compliments.
25:42How do we know they are genuine compliments?
25:43Yeah.
25:44That's a problem.
25:45If they are coming on twitter.
25:49Okay.
25:50Now for you.
25:51That's it.
25:52Fresh mangoes or chicken curry?
25:55Such interesting questions for him.
25:57Food.
25:57I am not giving him food.
25:58I am only giving him questions.
26:00How?
26:00Yeah.
26:01You don't eat.
26:02No no no.
26:03I.
26:04Chicken curry for sure.
26:06But I love mangoes too.
26:07Yeah.
26:07But now you can live without mangoes.
26:10I can't live without mangoes.
26:12Because sometimes heroes will get into keto diet.
26:14That diet.
26:14This diet and all.
26:15So they can't eat sugar.
26:16Can I eat one mango once in a while?
26:19No.
26:19Because you told me now you can't eat.
26:20I don't give permission.
26:22Okay.
26:23Then chicken.
26:25Paragraph.
26:25Okay.
26:26So you can't live without.
26:27Chicken.
26:28Chicken curry.
26:28Yeah.
26:29Okay.
26:29I got that.
26:31Gossip or twitter.
26:34Can't live without gossip or twitter.
26:36Yeah.
26:37I can live without gossip or twitter.
26:39Both.
26:40Yeah.
26:40You don't need anything.
26:41Of course.
26:42Who needs it?
26:44Which is very sad.
26:46And deluded.
26:47But most of the industry things are happening nowadays.
26:50All the talks.
26:51This is good.
26:52This is not good.
26:53This film is doing well or not.
26:55People don't you think in the industry they need twitter.
26:57We live in a post truth era.
26:59And you cannot believe whatever you see on social media profiles.
27:04Okay.
27:04Maybe someone has paid for that.
27:07So we cannot believe everything that we see on social media.
27:11Okay.
27:12Got that.
27:13Palada Pradhamin or ice cream?
27:16What is Palada Pradhamin?
27:17Tell tell tell tell.
27:19Paisam.
27:19Palada Pradhamin.
27:20Palada Pradhamin.
27:22That's a sweet.
27:23It's sweet.
27:24Palada Pradhamin.
27:26I love ice cream but I will freeze Palada Pradhamin.
27:28And eat.
27:29Yeah.
27:29So that I will not miss ice cream.
27:31You will have it now.
27:32Vishu is coming.
27:33Onatan we do that actually.
27:35Me and my brother.
27:35Vishu is coming.
27:38Vishu is coming.
27:39For Onam we usually do that.
27:40Me and my brother.
27:41We will drink the hot Palada Pradhamin first.
27:43And then we will freeze it.
27:45So that we will get two versions of Palada Pradhamin.
27:47Ah nice.
27:47That will become an ice cream also.
27:48Yeah.
27:48Okay.
27:49Superb.
27:50And the last one for you.
27:528 hours of sleep or waking up at 6am?
27:54I don't want to wake up at 6am.
27:56I want to sleep 8 hours.
27:58So I can live.
28:00I cannot live without 8 hours of sleep.
28:03Okay.
28:03Okay.
28:03But do you get 8 hours of sleep?
28:05I sleep easily.
28:06Sleep is my superpower.
28:08Oh.
28:09So you come.
28:09So you come.
28:10Shootings complete chess.
28:11You don't have to do 8 hours.
28:12No.
28:13That I cannot make sure.
28:14Maybe sometimes I will have to wake up early.
28:18And maybe because of shoot.
28:20I will have to extend a little more.
28:22So that I will sleep late and wake up early.
28:24So I cannot complete that 8 hours of sleep.
28:28But I will take power naps.
28:31I will sleep during breaks.
28:32I don't need much time to fall asleep.
28:35I will be like good night on this.
28:38Lucky.
28:38So I can sleep very easily.
28:40Lucky.
28:40Just like me.
28:42Yeah.
28:42I can just like when this interview is also happening I can sleep.
28:45Yeah.
28:45Yeah.
28:46I was almost asleep.
28:48For your second question I woke up.
28:51Okay.
28:52Tejo.
28:52Last question to you.
28:54Phone or biryani?
28:55You can't live without a phone or a biryani.
28:59Don't look like foodie and all to me.
29:01Yeah.
29:01I am not a big foodie.
29:02Phone maybe.
29:03Yeah.
29:03Can't live without.
29:05Most of the people.
29:06I am not a foodie person.
29:07Tejo.
29:07The question means.
29:08I can't live without.
29:09In your life.
29:10You will never be able to eat a biryani.
29:12Yeah.
29:13Never.
29:13Never.
29:14But biryani obviously.
29:16See.
29:16Sorry.
29:17I convinced him.
29:18To be a foodie.
29:19But to order biryani you need phone.
29:21No.
29:22I can tell my mom.
29:24Correct.
29:25Never.
29:25Tejo is married.
29:27Yeah.
29:27So I am looking for it.
29:28He is older than me.
29:29No.
29:32Just six months or two months.
29:34Six months is also very big.
29:37Okay.
29:37The last one for you.
29:38Music or books?
29:39I can't live without music.
29:41You can't live without books.
29:42I thought so.
29:42Music.
29:43Music.
29:45How did I think that you can't live without books?
29:47I thought you read a lot.
29:48No, no, no.
29:49A quote or sections and all that.
29:50No, no, no.
29:51I am.
29:51I don't read.
29:52No, no, no.
29:53No, no.
29:54No, no.
29:55No, no.
29:55No, no.
29:55Ghostwriter.
29:57For all my films I have a writer.
29:59Okay.
30:00What did you study?
30:01Just to know.
30:01Interesting.
30:02Engineering.
30:03So that's a basic thing for becoming a director I know.
30:06Maybe.
30:06For actors also.
30:07For actors.
30:08I am also an engineer.
30:08You are also an engineer.
30:09Yes, yes, yes.
30:09We are all an engineer.
30:11Okay.
30:12Then how will you become an actor?
30:14Hello.
30:15Hello.
30:15I am also become.
30:16We can become.
30:17Yeah.
30:17I have also done.
30:18Thanks.
30:19So that is it.
30:20Thank you so much.
30:24And also your producers.
30:26All three of them.
30:27The three C's.
30:28Yes.
30:28Are being introduced.
30:29Anything that you wanted to add about our producers?
30:32They are very sweet.
30:33And we wish them all the very best.
30:35Lovable brothers.
30:37Lovable brothers.
30:38No, no.
30:40It's admirable.
30:41It's lovely to see three brothers being together all the time.
30:46Correct.
30:46Yeah.
30:47Even after they having been married.
30:50And children and still all of them having so much unity.
30:52So, I mean.
30:53Great.
30:53Yeah.
30:54Me and my brother are very close.
30:56Like we are like.
30:57Same bond.
30:57Even himself also.
30:59Yeah.
30:59And we have a.
31:00Mine is a joint family.
31:01Okay.
31:02So I know what they feel.
31:05So, Palli Chattambi.
31:07We need to talk about how to do it.
31:08We have to talk about the maximum topics.
31:12Mata Ladi means talk.
31:13Mata Ladi means talk.
31:14Mata Ladi means talk.
31:15But I'm sure Palli Chattambi is going to be an experience.
31:18In the summer, we have to escape from them.
31:21We have to make a good feeling, making and visuals.
31:24Generally, if you look at Kerala in Kerala, you will see Kerala in Kerala.
31:30I am sure they will experience Kerala completely with the visuals that Tijo has done and Jake's music and everything
31:39is simply superb.
31:40So, looking forward to this film. All the best to you all. Thank you so much.
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