- 6 weeks ago
Think you know your favorite songs? Think again! Join us as we count down the most popular hits that most people had no idea were actually covers of someone else's song! Our countdown includes "Respect," "Girls Just Wanna Have Fun," "I Will Always Love You," "Tainted Love," "All Along the Watchtower" and more! Which songs surprised you the most? Let us know in the comments!
Category
🗞
NewsTranscript
00:00Respect! Baby, respect! Everything I want! Give it to me!
00:06Welcome to Ms. Mojo!
00:08And today, we're counting down our picks for the most popular songs that not many realize were originally done by
00:14a different artist.
00:15That's not counting songs like Stevie Wonder's Superstition, which became a bigger hit when covered by the artists who originally
00:22wrote them.
00:31Number 30. Valerie, Mark Ronson featuring Amy Winehouse, original by The Zutons.
00:43You probably didn't know that Amy Winehouse was only featured on Mark Ronson's Valerie.
00:47Never mind that it was originally performed by the indie outfit The Zutons for their 2006 album, Tired of Hanging
00:54Around.
00:56The single peaked at number 9 in the band's native UK.
01:06It hit number 2 when Ronson did his version for Version.
01:09Though this album of retro style covers was a success, Valerie became a phenomenon that spent 36 consecutive weeks on
01:17the charts.
01:17Its international success is credited with cementing Winehouse as the leading revivalist of jazz and soul-infused British pop.
01:25Where some artists might resent their biggest song being eclipsed by a cover, The Zutons' Dave McCabe called it, quote,
01:32a gift from God.
01:41Number 29. Tennessee Whiskey, Chris Stapleton, original by David Allen Coe.
01:55Some say that Chris Stapleton separates modern country audiences from true fans.
02:00This was demonstrated with his breakout hit, Tennessee Whiskey, which in fact goes back to David Allen Coe in 1981.
02:08George Jones' version was so popular that it became a live staple.
02:12Still, the already old-fashioned ballad faded with the modernization of its genre until Stapleton made it his own more
02:19than 30 years later.
02:20His soulful single exploded on the charts following a duet with Tennessee's own Justin Timberlake at the 2015 CMA Awards.
02:28You're a sweet strawberry wine.
02:34Tennessee Whiskey launched Stapleton from a cult favorite into a major star, renewing mainstream listeners' interest in country music's roots.
02:42And yet, they're still surprised to learn that this smooth masterpiece has been distilling for decades.
03:04Number 28. Alone, Heart, original by I-10.
03:08You wouldn't be alone in thinking that Heart's biggest power ballad was an original.
03:13Songwriters Tom Kelly and Billy Steinberg first performed Alone in 1983 with their own band, I-10.
03:20You don't know how long I've been, and I was gonna tell you tonight.
03:28The romantic showstopper didn't get much more attention when John Stamos and Valerie Stevenson sang it for the short-lived
03:34CBS sitcom, Dreams.
03:36Then came Heart's version on the 1987 album, Bad Animals, which featured Kelly on background vocals.
03:50His and Ann Wilson's instantly iconic chorus led this altogether epic Alone to the top of the Billboard Hot 100
03:58and a Grammy nomination.
03:59In the end, I-10's hidden gem would become a legendary band's best-selling song.
04:05How do I get you alone, alone?
04:14Number 27. Without You, Harry Nielsen, original by Badfinger.
04:19It's only fair that I should let you know.
04:23Tom Evans co-wrote Without You as a grand gesture to his future wife.
04:28Sadly, the highlight track on Badfinger's 1970 album No Dice didn't hit until Harry Nielsen did it the following year.
04:36His soft rock rendition would not only become the singer-songwriter's biggest hit, but is recognized as a masterpiece.
04:50Nielsen's take would specifically influence covers by countless artists, most notably Mariah Carey in 1994.
04:57But there is a very important reason to recognize where it all started.
05:01In 1983, Evans got into a royalties dispute over Without You the day before he died.
05:08While this does make the love song all the more heartbreaking, we wouldn't have it without Evans and Pete Ham's
05:14genius.
05:23Number 26. No More I Love Yous.
05:27Annie Lennox, original by The Lover Speaks.
05:29David Freeman and Joseph Hughes wrote an ironically titled hit for their act to be named The Lover Speaks.
05:42Even then, No More I Love Yous didn't make a lasting impression until nine years after its release.
05:49That's when Annie Lennox covered it with an even more ethereal tone, modified lyrics, and an interlude of euphoric gibberish.
06:03The experimental new wave ballad was an unlikely smash hit, winning Lennox the Grammy for Best Female Pop Vocal Performance.
06:10More importantly, it won praise from Freeman and Hughes.
06:14They're proud to see No More I Love Yous immortalized as a signature song for Lennox, but the original also
06:20deserves credit as a haunting classic.
06:23One with yous leaving me
06:28No more I love yous
06:31Number 25, Mickey, Tony Basil, original by Racy.
06:40And you thought Tony Basil's Mickey got racy for an 80s pop song?
06:45The band named Racy originated this homage to early teen pop in 1979,
06:50albeit under the title Kitty.
06:52Oh, Kitty, what a pity you don't understand.
06:55Who can take me by the heart?
06:57Who can take me by the hand?
06:59Basil's gender-swapped arrangement represented a sort of empowerment over gender stereotypes,
07:05complete with a catchy cheerleader chant.
07:07It was the perfect recipe for a chart-topping hit that the world has been chanting along to ever since.
07:13Even Basil seemed to forget that Mickey was a cover when she filed a lawsuit for unauthorized use in 2017.
07:19The fact that Racy did the song first somehow didn't come up when the judge dismissed the case,
07:25or when Basil won ownership of her master recording in 2022.
07:37Number 24, Gloria, Laura Branigan, original by Umberto Tozzi.
07:43Gloria, you're always on the run now.
07:48No, Laura Branigan didn't get the idea for her breakout from Them's Gloria.
07:52She got it from Umberto Tozzi,
07:54who scored a modest hit in Europe with the Italian-language single in 1979.
07:59Gloria, manchi tu nel l'aria.
08:04Jonathan King translated and performed the song later that year.
08:08Three years after that, Trevor Veach wrote another translation for Branigan,
08:13and it conquered the world.
08:15Morning, Gloria!
08:22Gloria became a staple of post-disco,
08:24while establishing the Grammy-nominated singer as a superstar.
08:28The track has the distinction, according to Branigan herself,
08:31of being her signature song.
08:33But lightning did strike again when she covered Raph's Self-Control,
08:37a 1984 Italian hit that became better known as Branigan's best-selling single.
08:46Number 23, Jet Airliner, Steve Miller Band, original by Paul Pina.
08:59This song took flight in 1973, but Steve Miller landed it sooner.
09:04Paul Pina's Jet Airliner endured a 27-year layover with the rest of the album,
09:09New Train, over an ugly contract dispute with the head of Bearsville Records.
09:14Producer Ben Sidren leaked the recording to Miller's band as their keyboardist,
09:18leading to a more pop-oriented cover.
09:26Jet Airliner was ultimately released on the 1977 album, Book of Dreams,
09:32soaring from a solid hit to a bona fide classic.
09:35Pina was surprisingly grateful that the Steve Miller Band brought his song to the public,
09:39especially as its success brought royalty checks.
09:42The original Jet Airliner was finally released alongside New Train in 2000.
09:55Number 22, Black Magic Woman, Santana, original by Fleetwood Mac.
10:07Not enough people today know that Fleetwood Mac were around long before Lindsay Buckingham and Stevie Nicks.
10:13They were very well regarded with founding frontman Peter Green,
10:17with Black Magic Woman elevating their status in 1968.
10:21That is, until Santana covered it for the lead single off of Abraxas.
10:25The album version of this psychedelic Latin variation also incorporates Gabor Sabo's jazz piece, Gypsy Queen.
10:39Though the abridged track reached number four on the Billboard Hot 100,
10:44the full medley came to be recognized as one of Santana's great masterpieces.
10:48Meanwhile, the original Black Magic Woman has faded from the mainstream alongside Fleetwood Mac's Peter Green catalog.
10:54Of course, the band's true fans know that it exemplified that era's own unique magic.
11:06Number 21, The Best, Tina Turner, original by Bonnie Tyler.
11:17Songwriters Mike Chapman and Holly Knight hoped that The Best would live up to the name when Bonnie Tyler acquired
11:24it.
11:24The Power Ballad was released as the lead single off of 1988's Hide Your Heart with great commercial prospects.
11:30Unfortunately, it barely cracked the top 100 in the UK.
11:34Tina Turner still heard the potential with a new bridge and a key change.
11:38I can feel you even where I belong
11:43Oh, baby
11:45And I'm like you
11:47That's all it took for The Best to become a global chart-topper
11:50and a signature song for the queen of rock and roll.
11:53This motivated Tyler to take more creative risks during her acclaimed commercial cool-down in the 90s.
11:59Whether she gets enough credit for her song,
12:01Tyler agreed that Turner's rendition is simply the best.
12:04Better let love the rest
12:09Better let it go
12:11Number 20, Got My Mind Set On You, George Harrison, original by James Ray.
12:17The Beatles were no strangers to covering their favorite tunes back in the day.
12:21Guitarist George Harrison would certainly echo this years later with this late 80s hit from his Cloud 9 album.
12:28I got my mind set on you
12:31I got my mind set on you
12:34The original version of Got My Mind Set On You was written by Rudy Clark and sung by R&B
12:40performer James Ray back in 1962.
12:43And to be honest, it's just as cool as Harrison's version.
12:47I got my mind set on you
12:50I know what I've got
12:52Ray's rendition is soulful with a little calypso swing, while George's solid cover version has that processed 80s sheen going
13:00for it.
13:01There's also a more melodic vocal and two different video clips.
13:11Regardless, either song you listen to is a win.
13:15Number 19, Hanging On The Telephone
13:18Blondie, original by The Nerves
13:20Sometimes all it takes is a little x-factor to make a good song a great song.
13:25In the case of Hanging On The Telephone, that x-factor was Debbie Freakin' Harry.
13:36Don't get us wrong, the original version of this 1976 track by The Nerves is a fantastic slice of power
13:43pop
13:44with great garage rock guitar and an appropriately snotty vocal by songwriter Jack Lee.
13:56But once Blondie got a hold of it two years later, it became a certified smash with a new lease
14:02on life.
14:03Debbie's vocal is equally snotty, but a bit more monotone, while the actual arrangements remain relatively the same.
14:10In short, it's a simple and direct rock song with a fantastic hook.
14:19Number 18, Torn
14:21Natalie Imbruglia, original by Edna Swapp
14:24The history behind Torn is slightly complicated, as it was written in 1994 and recorded in Danish by singer Liss
14:33Sorensen.
14:41Following this, it was performed by the song's original writers in their band Edna Swapp, and then again by Trine
14:48Rine.
14:49Nothing's fine, I'm torn, I'm all out of faith, this is how I feel.
14:55It finally landed in the lap of another singer whom you may be familiar with, Natalie Imbruglia.
15:01Imbruglia was attempting a singing career after carving out her name in Australian soap operas.
15:07Torn achieved its highest chart profile under her watch.
15:17The song's memorable chorus and arrangements were retained, albeit with less of an alternative rock attitude and more of Imbruglia's
15:25pop sensibility.
15:26We are not complaining.
15:35Number 17, I Fought the Law, The Clash, original by the Crickets
15:40You can draw a direct line from the rebelliousness of early rock and roll to the anti-authoritarian snarl of
15:46punk rock in the late 1970s.
15:49Case in point, I Fought the Law by the Crickets, which was an even bigger hit for the Bobby Fuller
15:544 five years later.
16:0314 years after that, The Clash gave the song a new lease on life with an extra helping of rage.
16:14Fuller's version was a brilliant slice of proto-garage rock, but The Clash's take was equally important.
16:21The punk legends amplified the aggression and the melody with a great lead guitar and a vocal that's full of
16:27spittin' vinegar.
16:29It's simply awesome.
16:39Number 16, Crazy, Patsy Cline, original by Willie Nelson
16:43Willie Nelson is a fantastic singer-songwriter who has composed some of the finest songs of his generation.
16:49One of those tunes is the morose and rather depressing ballad, Crazy.
17:00But we gotta admit that Patsy Cline has Willie beat in the vocal department with her rendition.
17:06While the Nelson original possesses all the trappings of a traditional country hit,
17:10Cline's haunting delivery is practically otherworldly in its power to bring us to tears.
17:15Every single time.
17:26It's just one of those songs that had the perfect composer,
17:29but needed to find its perfect singer to unleash its true calling upon the world.
17:33And we couldn't be more grateful it found its way to Patsy.
17:46Number 15, Me and Bobby McGee, Janis Joplin, original by Roger Miller
17:51Chris Christopherson is another country legend with an impressive arsenal of songwriting prowess.
17:57He also has the ability to compose across multiple genres like pop, blues, and rock.
18:02Christopherson wrote Me and Bobby McGee in the early 70s,
18:06and it was performed by a number of different singers over the years.
18:09Freedom's just another word for nothing left to lose.
18:14Nothing ain't worth nothing, but it's free.
18:18These included Gordon Lightfoot and Roger Miller, who was the first to record the tune.
18:22But its most famous rendition is undoubtedly by 60s icon Janis Joplin.
18:27Feeling good was good enough for me, good enough for me and my barbearer again.
18:36Joplin's sultry vocals brings a certain melancholy to the song,
18:39while also proving that Janis could balance the established power of her voice with a smoother dynamic.
18:44The results are classic rock gold.
18:58Black Sabbath wasn't exactly known for their cover songs, but this was an exception.
19:03A certified hit during a time when they were fresh on the hard rock scene.
19:06Evil Woman was Sabbath's first UK single, a cover of the hard-rocking American biker group Crow.
19:17It's a standard bluesy number amplified by Tony Iommi's devastating guitar,
19:22not to mention Ozzy Osbourne's iconic vocals.
19:29It fell in line with Sabbath's own blues origins under the moniker Earth.
19:33Sabbath wisely decided to omit the horn arrangements present on the Crow version,
19:38and their take served as a suitable introduction to the future heavy metal legends.
19:42Evil Woman, don't you say you're a game friend?
19:47Although in the United States, Evil Woman was replaced on the debut album with the track Wicked World.
19:52Number 13, Mambo No. 5, Lubega, original by Perez Prado.
19:58Ladies and gentlemen, Mambo No. 5.
20:01Five, two!
20:08Perez Prado composed the instrumental Mambo No. 5 way back in 1949,
20:13while Lubega would famously sample and cover the track years later in the 90s
20:18as a worldwide smash hit that dominated the radio airwaves.
20:21Little bit of Monica in my life, a little bit of Erica by my side, a little bit of Rita's
20:28all I need.
20:30Vega's version is obviously updated with modern production,
20:33and his vocal recitation of all his many loves, Monica, Erica, and Rita to name a few.
20:39A little bit of Jessica, here I am, a little bit of you makes me your name.
20:45The end result is certainly its own thing,
20:48a nice recycling of Prado's original melodies and grooves with Vega's undeniable charisma.
20:54You know you love it, and we do too.
21:03Number 12, The First Cut is the Deepest, Rod Stewart, original by P.P. Arnold.
21:08The magic of a truly great song is often buried deep within its bones and DNA.
21:13It can be tapped into by a variety of singers with their own unique perspective.
21:18The first cut is the deepest, baby, I know.
21:23The First Cut is the Deepest is one of those songs,
21:26a song first recorded by soul singer P.P. Arnold during the same year
21:30Cat Stevens laid down his own iconic version.
21:33I would have given you all of my heart,
21:37but there's someone who's torn it apart.
21:41The song would go on to be covered beautifully by Rod Stewart in 1976,
21:46before being tackled again to great effect by Sheryl Crow in 2003.
21:51The first cut is the deepest, baby, I know.
21:56The end results are slightly different each time,
21:59with the song's undeniable magic shining bright throughout the years.
22:03Who will take it on next?
22:04We cannot wait to find out.
22:06First Cut is the Deepest, baby, I know.
22:1111. It's My Life, No Doubt, original by Tok Tok.
22:16The influence of 1980s synth pop was one that always permeated No Doubt's music,
22:21even back in their earliest ska-punk days.
22:31So when it came time for the band to tackle a cover song for their 2003 singles collection,
22:36It's My Life beat out a couple of other strong contenders.
22:40It's my love, don't you forget.
22:46It was a good choice, as the song proved popular with fans and, no doubt,
22:51absolutely killed it with their own rendition.
22:53It's My Life, don't you forget.
22:59The bass line is an important part of the song,
23:02and Tony Canale is in total control the whole time.
23:05Meanwhile, the original's otherworldly synth vibe is still there.
23:09Gwen Stefani's vocal approach is less goth-influenced than Tok Tok,
23:13instead bringing power, glamour, and vibe.
23:16We love it.
23:23Number 10. All Along the Watchtower,
23:26The Jimi Hendrix Experience, original by Bob Dylan.
23:35The universal appeal of Bob Dylan's music has always lent itself well to other bands who covered his material.
23:47The Jimi Hendrix Experience certainly put their own creative stamp on Dylan's All Along the Watchtower,
23:53turning a relatively mellow folk song into a raging psychedelic rock anthem.
23:58In fact, Hendrix's version possesses so much unbridled power
24:02that it may just be the finest reimagining of a cover song ever.
24:06It's seriously that good.
24:15Jimi's otherworldly guitar soloing on the track is the stuff of legend,
24:20while the rhythm section of Mitch Mitchell and Noel Redding
24:22hold it down with an urgency that's missing from the Dylan OG.
24:26It is mesmerizing stuff.
24:34Number 9. Don't Turn Around,
24:36Ace of Bass, original by Tina Turner.
24:39You would be forgiven for thinking that Swedish pop sensation Ace of Bass
24:43wrote their hit single, Don't Turn Around,
24:45but the origins of the track actually date back to the late 80s.
24:55It was recorded and released by the legendary Tina Turner
24:58as a B-side to her typical male single.
25:01Don't Turn Around,
25:03I don't want to see if they cry
25:07It would actually be covered by a number of different artists
25:09before Ace of Bass even touched the track.
25:12The inimitable Bonnie Tyler even recorded a version back in 1988.
25:21Ace of Bass's rendition is quite good,
25:24lathered up in an early 90s production sheen.
25:27But Queen Tina's OG is an absolute 80s pop rock anthem.
25:36Number 8. Hush, Deep Purple, original by Billy Joe Royal.
25:41Deep Purple may be known today as one of the godfathers of heavy metal,
25:45but their earliest days were still largely steeped in the roots of psychedelic rock.
25:54It was during this time when Purple scored one of their early hits,
25:58a cover of the beat pop tune Hush,
26:00originally written by Joe South for Billy Joe Royal.
26:07Royal's version is comparatively more poppy than Purple's,
26:11with the latter benefiting greatly from Richie Blackmore's heavy guitar
26:14and John Lorde's Hammond organ.
26:23Hush has been covered countless times since then,
26:26but if you want a truly groovy throwback,
26:28be sure to check out Deep Purple killing the song
26:31on Hugh Hefner's short-lived variety show,
26:33Playboy After Dark.
26:34There's an hush, hush.
26:37I thought I heard a call in my name now, hush, hush.
26:42Number 7. Nothing Compares to You.
26:44Sinead O'Connor, original by The Family.
26:47There's no denying that Sinead O'Connor's cover of
26:49Nothing Compares to You has become the definitive version of this song.
26:53It's been 7 hours and 15 days.
26:58But did you know that the track was originally written by the purple one himself, Prince?
27:03Yep.
27:04Nothing Compares to You was composed and given to a group called The Family.
27:08The band was signed to Prince's new label at the time,
27:10Paisley Park Records.
27:12Follow the flowers at your planet, baby.
27:17Kittin' back young.
27:19Their version of Nothing Compares to You is very much a ballad
27:22and still melancholic, but more indicative of a neo-soul style.
27:35It wasn't until Sinead lent her powerful voice to the track
27:38that it truly took on a life of its own.
27:40And boy, do we love to hear it.
27:42Nothing Compares to You
27:476. Tainted Love
27:50Soft Cell, original by Gloria Jones
27:52It's remarkable how close the arrangements are
27:55between these two versions of Tainted Love, recorded 25 years apart.
28:04The 1964 Gloria Jones version of Tainted Love
28:08is a straightforward R&B jam with a righteous vocal,
28:12superb backup singer work,
28:14and a driving, repetitive backbeat.
28:16Oh, Tainted Love
28:19Tainted Love
28:21Soft Cell kept most of this relatively intact in 1981
28:25when they plugged in their synthesizers and drum machines
28:28to lay their own stamp on Tainted Love.
28:30Sometimes I feel I've got truth
28:34Run away
28:36The main difference is Soft Cell's emphasis on the punchiness of the rhythm.
28:40Mark Allman's vocal is also a bit more dramatic and gothic,
28:44in the best way possible, of course.
28:46It says that's not nearly
28:47Oh, Tainted Love
28:50Oh, Tainted Love
28:535. I Love Rock and Roll
28:55Joan Jett and the Blackhearts, original by The Arrows
28:59It honestly isn't too much of a stretch to compare Joan Jett and the Blackhearts
29:02with the Arrows, who originally performed the hit I Love Rock and Roll.
29:06Saw him dancing there by the record machine
29:11I knew he must have been about 17
29:15Both bands possessed a punky, garage rock approach
29:18with a bit of glam influence from the saucy 70s.
29:21However, the original I Love Rock and Roll wasn't a huge hit for the Arrows,
29:25who remain a comparatively obscure act compared to Jett.
29:28The beat was going strong
29:31Playing my favorite song
29:34And I could tell it wouldn't be long
29:36Instead, Joan's version quickly became a defining song for her,
29:40thanks largely to her stellar vocal and one-of-a-kind attitude.
29:44As cool as the Arrows' original version,
29:46we'll always associate I Love Rock and Roll with the divine Miss Jett.
29:50I Love Rock and Roll
29:52Smoke out the time in the G-Pot, baby
29:55I Love Rock and Roll
29:57Smoke out the time and dance with me
30:004. Twist and Shout
30:02The Beatles, original by The Top Notes
30:04Okay, hands up.
30:05Who doesn't know Twist and Shout?
30:07Follow-up question
30:08Did you know that the Beatles' classic performance of the song was actually a cover?
30:12You know you twist so fine
30:14Twist so fine
30:16Come on and twist a little closer now
30:18Twist a little closer
30:20Well, the OG Twist and Shout was originally performed by an obscure doo-wop R&B outfit called The Top
30:26Notes
30:26Well, you look so cool
30:29You got my me, I go
30:31I got my me
30:32I knew you would
30:33Before receiving hit status when soul icons the Isley Brothers took their shot
30:38Shake it up, baby
30:40Shake it up, baby
30:41Twist and Shout
30:43Twist and Shout
30:44Meanwhile, the Beatles' version was their only million-selling American single to be a cover
30:49and featured John Lennon laying it all out on the table with a raw vocal performance
30:59If you listen closely, you can almost hear the roots of rock and roll burying themselves deep within the cultural
31:06zeitgeist
31:06Yep, it's that important
31:08Twist and Shout
31:10Twist and Shout
31:12Come on, come on, come on, come on, baby
31:14Now
31:20Here's some more trivia for you
31:22Did you know that two of Whitney Houston's biggest hits were covers?
31:25And I will always love you
31:33Although today the origins of the Dolly Parton original for I Will Always Love You is becoming more well-known
31:39The Greatest Love of All was actually a hit for jazz guitarist George Benson back in 1977
31:53The fact that Houston didn't write either of these songs takes absolutely nothing away from how successful her stamp was
31:59on making both songs iconic
32:05Bittersweet memories
32:07I Will Always Love You in particular makes an amazing transition from heartfelt country ballad to soaring pop crossover smash
32:15And we wouldn't want it any other way
32:17And I will always love you
32:32Musically speaking, both Robert Hazard's original version of Girls Just Wanna Have Fun and Cindy Lauper's cover are fairly similar
32:45They're both melodic new wave jams with quirky vocals and big hooks
32:49Although Lauper does slow her version down, making it substantially less hyperactive
33:02The real differences, however, come from the lyrical perspective
33:05With Lauper changing the tone from a face-value tune of sex, love, and dating to something more feminist in
33:11nature
33:11Today Lauper's version is seen largely as an anthem for the movement
33:22While simultaneously being one of the definitive pop hits of the 1980s
33:27It's time to work, it's time to work, it's time to work, it's time to work, it's time to work,
33:34it's time to work, it's time to work
33:52A song that a girl took away from me
33:55A good friend of mine
33:56The quote is taken from Redding's performance at the Monterey Pop Festival in 1967
34:01Before he launched into a blistering version of his own
34:12The arrangements in Aretha's version are smoother and more layered than Redding's raw R&B soul
34:26While the lyrical and vocal shifts turn respect into a lightning strike of female empowerment
34:31That turned Aretha into a megastar
34:41Which songs were you surprised to learn weren't originals?
34:45Give your take in the comments below
Comments