- 2 days ago
- #007
- #tvserialplus
#The-Man-With-The-Golden-Gun #Part-2 #James-Bond #007 #Tvserialplus
Category
π₯
Short filmTranscript
00:00:00You porty heads has no more idea of traffic control than a goony bird!
00:00:14Get your cotton-pickin' slaws out of my pants, you know!
00:00:38Boy, you is ugly.
00:00:45J.W., where are you?
00:01:07Oh, you're ugly!
00:01:13Chula to my local yen?
00:01:18You're ugly, the fish!
00:01:20What do they teach in that school? Ballet dancing?
00:01:26i find nothing remotely amusing about mr bond's escape you underestimated it even my influence
00:01:34doesn't extend into the british secret service i shall lie low too i don't intend to jeopardize
00:01:40a project in which i've invested half my fortune when it's ready to yield billions
00:01:45where will you hide out that does not concern you take this return it to the plant and don't leave
00:01:55there without my permission may i remind you that you work for me i took you on as a junior
00:02:01partner
00:02:02to be an occasional convenience nothing more i did not hire you to interfere in my affairs
00:02:09is that clearly understood oh yes very clearly
00:02:14i now regret having even considered employing your services but that is beside the point
00:02:21bond doesn't know you're in bangkok he's never seen you but he knows me that's the problem there's no
00:02:57problem
00:02:59he always did like that mausoleum put him in it
00:03:10so
00:03:22sorry about that darling it was here there's still no sign of high fat every inquiry gets a polite
00:03:28oriental brush off with the compliments foo yuck 74 sir
00:03:43i approve you do oh not the wine your frock tighten all the right places not too many buttons
00:03:54but the bottom one for south east asia the buttons are down the back
00:04:00designed by q no doubt one of them is a suicide pill i suppose
00:04:04no but the bottom one has a homer in it
00:04:09our original
00:04:11a toast
00:04:12per ora
00:04:14e per el momento
00:04:16chevere
00:04:17to this moment
00:04:20and the moment yet to come
00:04:27in our profession i'm afraid you
00:04:30never can count on that moment to come
00:04:33who knows where
00:04:34you and i will be this time next year
00:04:36opposite sides of the world most likely
00:04:40that's too far apart
00:04:43now if hip doesn't come up with the lead
00:04:46there's really nothing very much for us to do tonight
00:04:53or is that
00:04:57oh darling i'm tempted
00:05:00but killing a few hours as one of your passing fancies
00:05:04isn't quite my scene
00:05:45Oh, yuck.
00:06:01Good night. What a pleasant surprise.
00:06:03My hard-to-get act didn't last very long, did it?
00:06:07I was trained to expect the unexpected, but...
00:06:11They never prepared me for anything like you in the night.
00:06:31James, I thought this would never happen.
00:06:42What made you change your mind?
00:06:43I'm weak.
00:06:47Come on.
00:06:48Come on.
00:07:04Come on.
00:07:06Miss Anders, I didn't recognize you with the clothes on.
00:07:11I brought a bellboy to let me in.
00:07:14I've come to warn you, you're in great danger.
00:07:18I usually am.
00:07:20That's why I use the old three-pillar trick.
00:07:24Please believe me.
00:07:25I'm risking my life to come here.
00:07:27Oh, your concern for my well-being is touching.
00:07:31It purples me.
00:07:34Scaramanga's in Bangkok.
00:07:35He was in Hong Kong too, but not after me.
00:07:37We've been through that routine.
00:07:42He's a monster. I hate him.
00:07:44Then leave him.
00:07:47You don't walk out on Scaramanga.
00:07:50There's no place you wouldn't find me.
00:07:53You need a good lawyer.
00:07:56I need 007.
00:07:58Who do you think sent that bullet to London with your number on it?
00:08:03I did.
00:08:07And it wasn't easy getting his fingerprint on the note.
00:08:14You'll forgive me if I've been a little slow on the uptake.
00:08:17Don't you see you're the only man in the world who can kill him?
00:08:21And what gives you that idea?
00:08:25The way Scaramanga speaks about you.
00:08:28Even as a likeness of you.
00:08:30I'm flattered.
00:08:34I want him dead.
00:08:39Name your price, anything. I'll pay it.
00:08:45You can have me too, if you like.
00:08:49Not unattractive.
00:08:51At last you're starting to tell the truth.
00:08:58I've dreamed about you setting me free.
00:09:07I've been dreaming about a Solex agitator.
00:09:17Ever heard of one?
00:09:23Perhaps you can have that too.
00:09:45I'll hear that later.
00:09:52I'll hear that later.
00:10:06Charming.
00:10:26It's an inspiration, sending that bullet.
00:11:11You're late.
00:11:14It was a double feature.
00:11:19What are you doing?
00:11:22Putting my jewellery away.
00:11:40You can come out now.
00:11:42What time is it?
00:11:44Two-ish.
00:11:45Two?
00:11:47You mean I've been in here for two hours?
00:11:49All in the line of duty.
00:11:52Duty?
00:11:53I'm resigning in the morning.
00:11:55Oh, good night.
00:11:56Come on, don't let us dance.
00:11:57The service needs women like you.
00:11:58Well, obviously you don't.
00:12:03Forgive me, darling.
00:12:05Your turn will come, I promise.
00:12:07As soon as she brings me that Solex.
00:12:10For killing Scaramanga?
00:12:11If she gets me the Solex agitator first.
00:12:15First?
00:12:17James, you must be good.
00:12:23We'll find out about that next time I meet her.
00:12:28She's making the arrangements.
00:12:53She's making the arrangements.
00:13:12Sorry, I'm late.
00:13:13Bangkok traffic's worse than Piccadilly's.
00:13:16Let's make contact.
00:13:18How's the Charm Boy doing?
00:13:21Need you ask?
00:13:22Meet you outside.
00:13:27Did you bring it?
00:13:59I left it in your handbag.
00:14:01It must be in here somewhere, dear.
00:14:02I saw the man in the shop give it to you.
00:14:05Without the ticket, we can't get a receipt for customs.
00:14:08You won't find it in there, Mr. Bond.
00:14:09I looked before you came.
00:14:11I wouldn't do that either.
00:14:13Look behind you.
00:14:16Lower.
00:14:20A gun and a bag of peanuts.
00:14:21How original.
00:14:22What will they think of next?
00:14:27My name is Scaramanga.
00:14:30Francisco Scaramanga.
00:14:31I feel I know you.
00:14:32Although I never thought we should ever really meet.
00:14:35It's a very great pleasure for me, Mr. Bond.
00:14:37Thanks to Miss Anders.
00:14:39You've a strange way of showing your gratitude.
00:14:42A mistress cannot serve two masters.
00:14:45A difficult shot, but most gratifying.
00:14:49Well, we all get our jollies one way or another.
00:14:53Mine have always been guns, Mr. Bond.
00:14:55When I was a boy, I was brought up in a circus.
00:14:59My only real friend was a magnificent African bull elephant.
00:15:04One day, his handler mistreated him, and he went berserk.
00:15:09Bleeding.
00:15:12He came and found me.
00:15:16He stood on one leg.
00:15:18His best trick.
00:15:19Picked me up and hooked me on his back.
00:15:22What's going on?
00:15:25What's going on?
00:15:25The man emptied the gun to his eye.
00:15:30I emptied my stage pistol into his.
00:15:32An eye for an eye.
00:15:34Not.
00:15:40You see, Mr. Bond, I always thought I liked them once.
00:15:44And I discovered that I like killing people even more.
00:15:55Keep this.
00:15:56Whatever you do, don't lose it.
00:16:00I have to get back to help James.
00:16:02Something's gone wrong.
00:16:02There's a midget with a gun on him.
00:16:04A midget?
00:16:05Same one I saw outside.
00:16:07The bottom's up.
00:16:07And the girl is dead.
00:16:08Call the police.
00:16:16Forget the girl.
00:16:17She's replaceable.
00:16:19I shall find what she stole from me.
00:16:22Personally, I've got nothing against you, Mr. Bond.
00:16:24So let us hope that our paths never cross again.
00:16:27Please don't try to follow.
00:16:28Your peanut-toting friend back there wouldn't like it.
00:16:32Oh, you wouldn't?
00:16:45Want to try one of mine?
00:16:59Where's the surrelex?
00:16:59Where's the surrelex?
00:16:59Gave it to goodnight.
00:17:00And where's goodnight?
00:17:01Outside.
00:17:02Tomorrow's night!
00:17:03Come on.
00:17:20Bye.
00:17:22Bye.
00:17:26Bye.
00:17:27Bye.
00:17:31Bye.
00:17:37She must be by the car.
00:17:55Ah!
00:18:08Women, walkie-talkie.
00:18:14Good night.
00:18:15Where are you?
00:18:16Somebody locked me in a boat.
00:18:18In a what?
00:18:19The Midget's car.
00:18:21I'm locked in.
00:18:23It's a bronze car with a black roof, number 7543.
00:18:33The keys?
00:18:34I haven't got them.
00:18:36Oh.
00:18:38Good night.
00:18:39Where are the car keys?
00:18:41Oh, I've got the keys.
00:18:43And I've got the Solex, too.
00:18:48Taxi!
00:18:49Stay in there, good night.
00:18:50We've got you spotted.
00:19:00Taxi, taxi!
00:19:08Taxi, taxi!
00:19:15Taxi!
00:19:16How about demonstration, boy?
00:19:18Subtly, sir.
00:19:28What the hell is going on?
00:19:36Now, I know you.
00:19:41Oh, no.
00:19:42You're that secret agent.
00:19:44That English secret agent from England.
00:19:58You're chasing somebody.
00:20:00Who do you have this time, boy?
00:20:02Tommies!
00:20:03Let's go get them!
00:20:04I'm with you all the way.
00:20:13Oh, I think we've got trouble.
00:20:18Oh, I think we've got trouble.
00:20:35Why, you car's over, you little brown poor-head!
00:20:39I'm a peace officer!
00:20:42James?
00:20:44Are you still there?
00:20:46James?
00:20:47Can you hear me?
00:20:49James?
00:20:50All right, good night.
00:20:51Don't panic.
00:20:52Who's that?
00:20:53It's, uh...
00:20:55It's headquarters.
00:20:57Let me talk to them.
00:20:58Hello.
00:20:59Hey, this is Sheriff J.W. Pepper, Louisiana State Police.
00:21:02Now, you call my wife at the near-eye hotel and tell her I'm on a mission.
00:21:08I've been deputized.
00:21:10Right?
00:21:11Right.
00:21:13Which car are we all chasing, boy?
00:21:27I'm the car.
00:21:31I'm the car.
00:21:35I'm the car.
00:21:36I'm the car.
00:21:46I'm the car.
00:22:26And then, let me see you.
00:22:29I'm the car.
00:22:31Do you want to go to the house?
00:22:34Do you want to go to the house?
00:23:10Do you want to go to the house?
00:23:11Press that pedal, boy!
00:23:28Where the hell they got to?
00:23:31Where the hell they got to go?
00:23:44You goof, boy.
00:24:09What the hell are you doing now?
00:24:15What the hell are you doing now, boy?
00:24:18The bridge is that way!
00:24:25You're not thinking...
00:24:27I sure am, boy.
00:24:30Never heard of Evel Knievel.
00:24:48I've never done that before.
00:24:50Neither have I, actually.
00:24:51Not one way.
00:25:20I'm sorry.
00:25:49Let's go get them, boy!
00:25:59Let's go get them.
00:26:29Let's go get them.
00:26:34Let's go get them.
00:26:49Let's go get them.
00:26:50Hey, give me my wand back.
00:27:11Let's go get them.
00:27:14Let's go get them.
00:27:17Let's go get them.
00:27:45Let's go get them.
00:27:48Let's go get them.
00:27:49Let's go get them.
00:28:21Let's go get them.
00:28:23Let's go get them.
00:28:46Let's go get them.
00:29:12Let's go get them.
00:29:16Let's go get them.
00:29:24Let's go get them.
00:29:40Let's go get them.
00:29:50Let's go get them.
00:29:57Let's go get them.
00:30:04Let's go get them.
00:30:12Let's go get them.
00:30:28Let's go get them.
00:30:30Let's go get them.
00:30:35Let's go get them.
00:30:41Let's go get them.
00:30:45Let's go get them.
00:30:48Let's go get them.
00:30:53Let's go get them.
00:30:55.
00:30:55.
00:30:55.
00:30:55.
00:30:55.
00:30:55.
00:30:55Let's go.
00:31:30There's a small seaplane approaching your island.
00:31:33Do you want us to take any action?
00:31:36No.
00:31:37No, please don't do anything.
00:31:41Yes, it's a guest I'm expecting.
00:31:47No, he won't be leaving.
00:32:22No, he won't be leaving.
00:32:25No, he won't be leaving.
00:33:08No, he won't be leaving.
00:33:11I am Nick Knapp.
00:33:16Don Perignon 64.
00:33:18I prefer the 62 myself.
00:33:21Still, beats a bag of peanuts.
00:33:24Monsieur Scaramanga will welcome you personally.
00:33:31Forgive me, Mr. Bond.
00:33:33A vulgar display, but I couldn't resist it.
00:33:36Because I am so delighted to see you again.
00:33:40A harmless toy.
00:33:43I am, as you can see now, completely unarmed.
00:33:48Cigarette.
00:33:49We have so much in common, Mr. Bond.
00:33:51We have so much to discuss, and we will never have this opportunity again.
00:33:55Ours is the loneliest profession, so let us spend a few pleasant hours together.
00:34:00How can I refuse such a gracious invitation?
00:34:03Splendid! Splendid!
00:34:05Nick-nack, I expect you to surpass yourself.
00:34:08He's a cordon bleu, you know.
00:34:10By the way, where's Miss Goodnight?
00:34:14Oh, she's around here somewhere.
00:34:16There's no way for her to leave, so she does as she pleases.
00:34:20How do you like my island?
00:34:22Bit off the beaten track, isn't it?
00:34:23It's rent-free.
00:34:25I'd do my landlords an occasional favour.
00:34:27A cosy arrangement.
00:34:30Servant problem, I suppose?
00:34:31Not at all.
00:34:33Nick-nack does for me very nicely.
00:34:38Usually it was just the two of us, but having guests is no inconvenience.
00:34:41Since we're entirely self-supporting, we have every electrical labour-saving device you could possibly think of.
00:34:46This is an airlock, as you are doubtless aware.
00:34:52Automatic, of course.
00:34:56Naturally, we have an ample supply of electricity here.
00:35:00Let me show you.
00:35:18This should run a few electric toothbrushes.
00:35:21Up here.
00:35:27A solar energy station.
00:35:29So this is what it's all about.
00:35:31Ah.
00:35:32Thermoelectric generators to convert solar energy into electricity.
00:35:37All built by Haifat's construction company, no doubt.
00:35:40Somehow I seem to have inherited it from them.
00:35:43It's all fully automated.
00:35:45That's Kram, maintenance and security.
00:35:47He looks after everything in here.
00:35:48Nick-nack does everything else when he isn't publishing the silver.
00:35:50They tell me the electricity is stored in here, somewhere.
00:35:55Science was never my strong point.
00:35:59Superconductivity coils cooled by liquid helium.
00:36:03If I were you, I wouldn't stick my finger or anything else for that matter in there.
00:36:09At 453 degrees below zero, that liquid helium would break it off like an icicle.
00:36:14You really know far more about it than I do, Mr. Hartman.
00:36:16I'm arranging for every country that can afford the price to send their experts here to see for themselves.
00:36:21But no Solix until the money is in the bank, right?
00:36:25Right.
00:36:26I have gone across similar situations.
00:36:29Not what I've got here.
00:36:30Well, this way the highest bidder can build hundreds of these stations and sell franchises for hundreds more.
00:36:38He will literally have the sun in his pocket.
00:36:41A monopoly on solar pump.
00:36:45The oil shakes will pay you just to keep solar energy off the market.
00:36:49The thought had occurred to me.
00:36:56This is the collection point.
00:37:11Oh, so that's where it belongs.
00:37:15Our famous Solix in the still down there transmits heat to the thermal generators.
00:37:23It's collected through this.
00:37:28But where is it collected from?
00:37:30You need the sun.
00:37:41Watch that mushroom-shaped rock.
00:38:07Genius, isn't it?
00:38:08The panels lock onto the sun and then track it automatically.
00:38:12Something like that, yes.
00:38:22Reflected through this, those panels must produce a heat of at least three and a half thousand degrees Fahrenheit.
00:38:27If you say so, Mr. Barth.
00:38:32But I do know that we can focus the power wherever we want.
00:38:35Over here, I'll show you.
00:38:39This is a bonus.
00:38:44Goes with the Solix.
00:38:45No extra charge.
00:39:07No extra charge.
00:39:08This is the part I really like.
00:39:20now that's what i call solar power that's what i call trouble
00:39:28you must admit mr barnall i am now undeniably the man with the golden gun
00:39:38lunch
00:39:56this way mr barnall
00:40:00ah miss goodnight james are we a little overdressed good night i like a girl in a bikini no concealed
00:40:09weapons it's good night please mr barnall now let's see what knickknack has for us ah mushrooms
00:40:23the fried mushroom looks terribly interesting yes i'd notice that i'll get around to it later
00:40:32having fun in the sun good night yes i could stay here forever
00:40:43excellent slightly reminiscent of a 34 mouton then i must add it to my cellar
00:40:51you live well scaramanga as a million dollars a contract i can afford to mr bond
00:40:57you work for peanuts a hearty well done from my majesty the queen and a pittance of a pension
00:41:03apart from that we are the same to us mr bond we are the best there's a useful four letter
00:41:14word and you're full of it when i kill it's on the specific orders of my government and
00:41:23those i kill are themselves killers now come comes to bond you disappoint me you get as much
00:41:29fulfillment out of killing as i do so why didn't you admit it i admit killing you would be a
00:41:34pleasure
00:41:34you should have done that when you first saw me but then of course the english don't consider
00:41:38it sporting to kill in cold blood do they don't count on that
00:41:54i could have shot you down when you landed but that would have been ridiculously easy
00:42:02you see mr bond like every great artist i want to create an indisputable masterpiece once in my
00:42:10lifetime the death of 007 mano a mano face to face will be mine you mean stuffed and displayed over
00:42:23your
00:42:25that's an amazing idea but i was thinking in terms of history a duel between titans my golden gun against
00:42:33your walter ppk each of us with a 50 50 chance six bullets to your one i only need one
00:42:45sounds a bit old-fashioned doesn't it pistols at dawn that sort of thing indeed it is mr bond
00:42:53but it still remains the only true test for gentlemen i doubt if you qualify on that score
00:43:02however i accept as soon as i finish this delicious lunch that knick-knack has prepared for us
00:43:12messieurs i will remind you this is anduel alamo only one of you can leave the feel of honor
00:43:20if a good address is necessary as your referee i will administer it myself
00:43:29i do not expect wounds only a clean kill
00:43:34on my command each contestant will take 20 passes are you ready monsieur scaramanga
00:43:46ready are you ready are you ready mr bond ready i will now begin the count
00:43:521 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
00:44:18be
00:44:19i
00:44:20i
00:44:20i
00:44:20i
00:44:20i
00:44:20i
00:44:21i
00:44:38i
00:45:00If you kill him, all this be mine.
00:45:07This way, Monsieur Bond.
00:45:48Monsieur, what's your thing?
00:45:50I've never killed a major before, but there can always be a first time.
00:45:54Oh, Monsieur.
00:47:29I love you.
00:50:50Good night.
00:50:51James!
00:50:54James!
00:50:55Steady, good night.
00:50:57Where is he?
00:50:59Flatten his coup de grace.
00:51:02Come on, let's get out of this fun palace and find that solex.
00:51:15Wait here.
00:51:16I'll take care of the maintenance man.
00:51:18I already did.
00:51:20I laid him out of coal.
00:51:22You did?
00:51:23Yes.
00:51:24There's more to you than meets the eye.
00:51:26Good night.
00:51:37Good night.
00:51:38Good night.
00:51:48Before his body temperature raises that helium well above the earth.
00:51:52Then this whole damp place will go sky high.
00:51:54I'm sorry.
00:51:55I didn't know.
00:51:56I was like, what?
00:51:56No.
00:52:16Good night.
00:52:20Good night.
00:52:25Bye.
00:52:34I don't know.
00:52:56I don't know.
00:53:25Good night.
00:53:27Yes, James.
00:53:28Now listen carefully.
00:53:30There's a console up there.
00:53:32Now there must be a scanner interlock button on it.
00:53:35Push it.
00:53:38Good night.
00:53:39Are you still there?
00:53:40It'll be on the auxiliary feedback circuit.
00:53:45Oh, you, sir.
00:53:47Interlock, is that it?
00:53:48Just push every damn button, will you?
00:54:10Good girl.
00:54:11Good night.
00:54:11You've done it.
00:54:12Oh, I have to.
00:54:13Oh, my God.
00:54:55Good night. Get the hell out of there, I got it.
00:55:32I hope you can swim, good night.
00:55:34This way. Here's junk. Here's ward around the corner.
00:56:10Oh, my God.
00:56:36Oh, my God.
00:56:39Oh, my God.
00:56:42But darling, who is at the wheel?
00:56:45George.
00:56:46George?
00:56:48Automatic pilot.
00:56:50We should make Hong Kong in about eight hours.
00:56:56Give or take a little.
00:57:18I always wanted to take a slow boat from China.
00:57:22Amen.
00:57:35Amen.
00:57:36Amen.
00:57:38Amen.
00:57:38Amen.
00:57:39Amen.
00:57:39Amen.
00:58:03Amen.
00:58:04Amen.
00:58:09Amen.
00:58:10Right atι
need it.
00:58:12Amen.
00:58:40I love you.
00:58:47I love you.
00:58:48I love you.
00:58:58What? Just what?
00:59:03Hey, let me!
00:59:05Ow!
00:59:06Hey! Hey, what? What are you doing?
00:59:09Ouch!
00:59:11Get out! Come on!
00:59:12I can't breathe!
00:59:15Ow!
00:59:16You be sorry!
00:59:18I may be small, but I never forget!
00:59:24I'll kill you if you won't let me out of there!
00:59:27Ow!
00:59:28Let me out, you big bully!
00:59:30Shut up!
00:59:37What did you do with him?
00:59:39What do you think?
00:59:41Oh, James, you didn't!
00:59:43Yes, I damn well did!
00:59:45Cut all the glass out of the bed, I trust!
00:59:49We don't want anything else to disturb our peace, do we?
01:00:01Where were we?
01:00:04Where were we?
01:00:04Oh, James!
01:00:11Hmm...
01:00:16What's the matter?
01:00:20Something came up.
01:00:26Hello?
01:00:27Ah, there you are, Bond.
01:00:29Well done.
01:00:30Congratulations.
01:00:32Thank you, sir.
01:00:34Is Miss Goodnight with you?
01:00:35I'd like a word with her.
01:00:37Hold on, sir.
01:00:49Bond.
01:00:50Bond.
01:00:51Bond, are you there?
01:00:53Good night.
01:00:56She's just coming, sir.
01:01:06Good night.
01:01:09Good night.
01:01:12Good night.
01:01:13Good night.
01:01:13Good night, sir.
01:01:21Good night.
01:01:23Good night.
01:01:25Sleep well, my dear.
01:01:29No need to fear.
01:01:32James Bond is here.
01:01:44Oh, love is required whenever he's hired.
01:01:49It comes just before the kill.
01:01:52Well, no one can catch him.
01:01:55No hickman can match him.
01:01:58For his mil-dollar skill.
01:02:01One golden shot means another war victim
01:02:05Has come to a glittering ending.
01:02:10If you want...
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