- 2 days ago
شاهد فيلم مشاهدة فيلم وداعًا حمدي عربي اون لاين كامل مترجم بجودة HD عالية. مشاهدة مباشرة بدون اعلانات وبجودة ممتازة على Dailymotion (2024).
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Short filmTranscript
00:09:43It works like this
00:10:13Come here
00:12:47no
00:13:04But I know her, but
00:13:19Close the door behind you.
00:13:21I was being negligent like that
00:13:24I usually receive my friends in peace.
00:13:27But since you're not my friend or close to me
00:13:31Stop right there, what are you doing? Come here.
00:13:34So we are forced to stay in the Balkans
00:13:36Because I
00:13:37I don't know what viruses and microbes you brought with you
00:13:41I don't want to be hostile
00:13:45Come in, come in quickly because of the flies.
00:13:47Let's go
00:13:48Okay
00:13:54Basia Fan
00:13:58Wait, tomato, you can't pass by
00:14:01tomatoes
00:14:13Ski
00:14:14Fatih al-Kursi before you become an enemy of Fadl
00:14:17I remembered you're going to have breakfast.
00:14:25Freddy Atter
00:14:26Cover the chair completely
00:14:29Okay
00:14:42Oh
00:14:46Aristocratic people love praise.
00:14:49Do you know what praise means?
00:14:50It means the day she enters her apartment
00:14:52You have to tell him, "God bless your husband, Manam."
00:14:55Indeed, Zouk Bashwat
00:14:59Of course, first of all, I want to express my admiration for this great place.
00:15:04It felt as if I had crossed through a passage of time.
00:15:08And she took him out into the era of the pashas
00:15:11So what exactly am I supposed to do? Not act.
00:15:15No, brother
00:15:17Why are you shutting me down in your conversation?
00:15:19How much longer will you be working in this job?
00:15:22I look like I'm green
00:15:24pure
00:15:25This is a ruined journalistic investigation in my life.
00:15:27It's obvious
00:15:29It didn't come to the press, Rum
00:15:32Everything in this country has changed.
00:15:35Okay
00:15:39They told me he would post pictures along with the interview.
00:15:42Where is the photojournalist?
00:15:44You're still the one, sir, I'm going to hold your tongue, but everything has changed.
00:15:48Technology also plays a significant role in our lives in this modern era.
00:15:53You can now take a picture of me in minutes using your mobile phone.
00:15:57May your love and light remain with you
00:16:04Excuse me
00:16:06Ready
00:16:07insurance
00:16:22sweet?
00:16:25You don't see it correctly, Sunrise
00:16:29Shall we begin?
00:16:32Since you know I'm keen to take it one step at a time, would you like us to start from the beginning of Hamdi Bey's life?
00:16:39The Super E Flash Pic does not use the front view.
00:16:44What did you say, since you know?
00:16:46He got
00:16:48But as long as she's younger, as long as she's in this world, look, he'll call you "my little sister," it's not obvious at all.
00:16:56You're sixty years old, which means you're a duck.
00:16:58And the idiots who told you I'm sixty years old
00:17:01Didn't they tell you that I'm a guarantor, not a madam?
00:17:04but
00:17:06Muzammil?
00:17:07Not right, Via
00:17:08Tamamin Mazmazel, are you aware?
00:17:10Just but Youssef
00:17:11Okay, enough with the introductions, let's get into the conversation.
00:17:14Complete
00:17:38What is this? Why is this hubble so hot?
00:17:41I knew together
00:17:52I begin
00:17:55ts ts
00:17:56One, three, nine
00:17:59Trees, trees
00:18:01When recording the conversation, you must ensure that your words remain clear.
00:18:05It means delivering and performing as if you were on stage
00:18:08The aristocratic people who are rich love the declarant
00:18:14I wanted to know from you how he grew up and developed.
00:18:21No, not Syrian, Syrian, Syrian
00:18:23quantitative
00:18:24Normal and gentle
00:18:29I wanted to know from you how Hamd was raised and nurtured.
00:18:35What's wrong? Just wait a moment.
00:18:38Just a question
00:18:39Why are you talking like this?
00:18:45normal talk
00:18:46Now you're talking normally.
00:18:48Why does your mannerisms change when you hold that thing in your hand?
00:18:54Okay
00:19:04Is it possible for me to use the table?
00:19:07who?
00:19:08May I use the table?
00:19:12Of course, it's possible.
00:19:14In the corridor on the left or the door on the left
00:19:17Thanks
00:19:21What is this?
00:19:22What's wrong with you? Why are you crying?
00:19:25Let's go
00:19:25Take a deep breath, exhale, and breathe out.
00:19:28Inhale, exhale
00:19:30Inhale, exhale
00:19:32Hold your breath
00:19:34respiratory
00:19:36Go close your eyes
00:19:39Count on your left hand five seconds
00:19:44Open your eyes
00:19:46Listen to me carefully
00:19:47We both agree that nothing comes easy, right?
00:19:51correct
00:19:52We also agreed that you have to be a hypocrite in order to survive in the society you live in.
00:19:57Right or wrong?
00:19:58correct
00:19:59So you don't get fired from your job
00:20:01Right or wrong?
00:20:03correct
00:20:03Why?
00:20:04What is your problem with the woman you are with?
00:20:06Do you know, Imamo, that thing that Tanhalwani wears on the heads?
00:20:10What did they wear on a man, Imam?
00:20:11Is this me in front of him?
00:20:14What if you, my dear, get annoyed with her as usual?
00:20:17Are you going to stay at home and get fired from your job?
00:20:20Right or wrong?
00:20:22I say work
00:20:23The work is that aristocratic people like these
00:20:26They like those who sit with them to be at their cultural level.
00:20:30And level...
00:20:31I am full
00:20:31It means you're trying to downplay her performance.
00:20:33That means do exactly what she does.
00:20:36It means when you're there, I'll put my foot on my foot.
00:20:38You put your leg on my leg too.
00:20:41Yes
00:20:43When she recovers, she smokes cigarettes
00:20:45Do you smoke cigarettes too?
00:20:47Do you smoke cigarettes, Mom?
00:20:48I'm your mother and I'm telling you to smoke cigarettes
00:20:51Why don't you smoke cigarettes, Mama?
00:20:55And then?
00:20:56Is she dead or what?
00:21:12Yes, Mom
00:21:15Okay, I'll rewrite it again before I release it.
00:21:18I'll write, Mom, and they'll find it behind you.
00:21:26Wait, Mama, stay with me for just one second.
00:21:32yeah?
00:21:33Are you okay?
00:21:35Yes, sir, it's fine.
00:21:37As long as you're doing well, you'll be doing this in the bathroom.
00:21:40Follow me, regret, and you will find me leaving behind you
00:21:47music
00:21:48music
00:21:49music
00:22:19music
00:22:25music
00:22:36Mr. Dr
00:22:37I'm visiting Mikey
00:22:39music
00:22:44music
00:22:45music
00:22:47music
00:22:47music
00:22:48music
00:22:49music
00:22:50music
00:22:51music
00:22:57music
00:22:58music
00:23:03music
00:23:13music
00:23:19music
00:23:21Why are you acting so gaunt? Your cat is crying. Come on, let's go.
00:23:29I don't have time for you. Pardon, Miss, I know. What did you say? I said pardon, Miss
00:23:37Mazmazil knows. So what I heard is true? I'm the first one on
00:23:42Sarawiya Public Girls' School. She brought the beans, a brand name, in the language.
00:23:45The second foreign language is French, in your language, French. Shut up.
00:23:49His ignorance is enough. He's a poor teacher. Say what you want. Pardon.
00:24:00Pardon Balbi. Pardon Balbi. Tell me, you fool, what's behind it?
00:24:05Yes, good issues across the Arab world, yes.
00:24:19Excuse me, I mean I want my husband's clothes
00:24:23How many times have I warned you that your inner clothing shouldn't be placed on my balcony?
00:24:28Sorry, your hand on me
00:24:29What for?
00:24:31Dress
00:24:31Did you hear what you were saying?
00:24:33You're not shy
00:24:34My sister, what are you ashamed of?
00:24:37This clothing represents the need that compels people
00:24:40And then, excuse me, sister, I mean, since we last saw you
00:24:43We didn't see you, I mean, your clothes flying around like that, falling onto the neighbor's balcony.
00:24:47Not even a single drinking glass
00:24:50I
00:24:51Nothing fell off my phone.
00:24:53No, before, I know what happened to you, and I saw it with my own eyes.
00:24:57And it is the slippery slope on the balcony at your place
00:24:59And I'm telling you that nothing fell off my phone.
00:25:02Take the winter, O you who know.
00:25:04And take my evil too
00:25:05It means you shouldn't force the clothes on yourself.
00:25:08No, with your permission
00:25:10Open
00:25:11Open the Lexus door, it works
00:25:12Yes, I'm suffering at the door. I'm not asking you for the donuts; you'll take them.
00:25:16The donkeys are harassing me, you thieves!
00:25:18Oh, you dress thieves!
00:25:19I want to know where my husband's clothes are.
00:25:20Yes
00:25:21Yes
00:25:22I want to know where my husband's clothes are.
00:25:23Yes
00:25:24How do you manage to cross my boundaries with your body?
00:25:27Do you know how much this is?
00:25:28The clothes here are deadly, you idiot.
00:25:31Do you want the dress?
00:25:33Yes, I want the dress.
00:25:34Stop here
00:25:48Oh
00:25:49Where is this? Where is this?
00:25:54Where is Haba Deh?
00:26:03Oh
00:26:04I want to pay for your work
00:26:05Spini, keep showing up and then
00:26:21Dress
00:26:22O hidden one
00:26:36Yes, what are you doing?
00:26:53Are you referring to me?
00:26:59Believe in God
00:27:00I'm the first person here, I swear to God
00:27:05I'm actually a journalist. I do interviews. But not interviews like this. I write interviews.
00:27:11That's all. And let me tell you something else. I didn't like it. Look. Of course, I saw everything.
00:27:22What happened was wrong, and we don't do that.
00:27:29My husband's clothes. I'm telling him, "My husband," meaning his clothes that burned. I'm telling him
00:27:33Your clothes got burned.
00:27:44Mashi gaw qati ibi.
00:27:52Okay, but what's the story with you? Soap? You're obsessed with soap?
00:27:57I'm not going to let them get away with this, I'm going to be your wife.
00:28:04My love. Ah. Bonjour. Almia di. Almia di? Almia di. The idea of the woman who
00:28:13Was she here a little while ago, under the blanket? Or is it important to you and not?
00:28:16Did you see her or what? Oh, you six! She insisted on spitting on you!
00:28:20The other one. I told her, but she wouldn't spit on it and she did that. She spits with a spittle.
00:28:24Its stones. God Almighty, O Lord. Never mind. Never mind, what can I say?
00:28:29Haqousat. Hanami Eh? Yalla Ta'ali. Ta'ali. Hati Eh? Yalla. Sara'a
00:28:35Take it easy. Take it easy. There's nothing wrong with taking it easy.
00:28:42Thank God for your safety. What are those beautiful, honey-colored locks of hair you're looking at?
00:28:55Dante ordered. I was just talking about you. Shut up. What am I saying? Go away, H.
00:29:00They're complementing the balcony and my bald head. I'm not going to ignore the conversations.
00:29:11I'm sorry, my daughter, that I tried this way. But this is the truth. The lie. The hour
00:29:17It becomes a means to a noble end. The moment you feel the world closing in on you
00:29:21Shame on you for lying. (This last part is a colloquial expression and doesn't translate directly. It's a
00:29:31So after everything I've done for you, in the end, you...
00:29:37You're making me dizzy. You're making me feel bad. What have you done? You can't imagine what I've done.
00:29:44What did you do with that old thing? I'm telling you, it's her.
00:29:47It caught fire in your house. Like, you know, sorry for the expression. It caught fire in
00:29:56The bus is part. You really did that? I hit her really hard, Vand. And he said
00:30:01It wasn't going to work. Thank you, but I didn't ask for your help. So...
00:30:08Okay, I'll leave now because I can't stand myself. We'll talk later.
00:30:14Again for the interview. I'm so stressed. Do you know what will happen to me if I don't do it?
00:30:21This investigation is with you today, right now. I'll be fired. I'll be beaten.
00:30:28The house. And Professor Raqouf, who has a column in the magazine. I swear he'll comment.
00:30:33My picture. And underneath it, the journalist writes: Failure.
00:30:39Do you know how to make coffee?
00:30:43Coffee, what do you mean? Kovic. Regular Turkish coffee. Do you know where? I know.
00:30:51Make regular Turkish coffee. Okay, make a cup. Maybe a massage one.
00:30:57Come here, let me interview you. I'll make you a cup of Turkish coffee.
00:31:06By the smell. What smell, ma'am? Plain. Plain. Plain Turkish coffee. Plain Turkish coffee.
00:31:14Are you a disappointment, Beit? Is there such a thing as that? Is there such a thing as plain smell?
00:31:18I don't know, Mama. These six are really forcing me. (The end is near.)
00:31:22They're wearing glove-colored clothes. I have two pairs, Mama. It's okay, my dear, I have to.
00:31:26We'll endure it, we'll endure it. Come on, bring the kettle. Yes, put in two spoonfuls. One, two.
00:31:35A quarter teaspoon of sugar. Add mineral water, or tap water. People
00:31:50Of course, Mom, it will be mineral water one day. No, what kind of water will it be? No, I understand.
00:31:54Yes, I understand, I understand, yes, I understand.
00:32:03Can I borrow a bit from you? I'll return it to you later. I'm a bit slow. I've been waiting for Billy since the beginning.
00:32:14I came here because you can't stand anyone. You're acting like a clown. You can't stand the authorities.
00:32:22What's up, Portin? I see you, by the way, every time you go somewhere you go somewhere else.
00:32:30You look stressed. Okay, okay, you're leaving now. Your mother's name is...
00:32:38Zmia? Her name is Zmia. Wait, the coffee's boiling, I'll be right back.
00:32:51The coffee was nice. Lisa, the taste. Hey, what's up? Go get your bag.
00:33:00From outside. The world's really burning up. Okay. And bring me my cigarettes too. Okay.
00:33:15Close the balcony door. Close the curtains; I don't want anyone to see me. Okay?
00:33:21Listen, when you go back, turn off the lights. Okay. Go. Okay.
00:33:43Subscribe to the channel.
00:33:56Thank you. Do we need social distancing? No. No, no, no, no. We're safe.
00:34:08Water in the garbage? Yes, I was on the water in the garbage.
00:34:22That's possible, but... no, what?
00:34:30No. No, I'm not that one. Take this away from me now. This is so... ugh.
00:34:36I was on it. That's it. He found it fixed? Not a team. There's nothing wrong with it.
00:34:50That's right. I can't believe this animal is setting boundaries with me.
00:34:58I can't believe that this animal and I are neighbors in the same building.
00:35:08That's right. But tell me. Did you really hit her? Azzan will tell you what happened.
00:35:18Honestly. Hmm. That's how it stayed. But I was very well recovered at the time. And I'm describing
00:35:26My hand went down to the part of her hand. It hurt. That part is very dangerous in the body.
00:35:31The human being. I found it all threats and warnings. And then I found it staggering like that.
00:35:37Right in front of me. But she was crying sparks. I grabbed her and made a move on her like a Kong.
00:35:45Foo. Her name is Mayjri Dafaa. Oh, definitely urban, I don't know her, of course. But it's a move.
00:35:52Very dangerous. Even her hand was like a tractor, so she stayed in the apartment. And she left.
00:35:58I kicked my leg in the pop and the caravan stayed in the apartment all the time.
00:36:03The animal started. But don't say that again. I meant with a kick.
00:36:10I went to the bathroom and left. So, since you're so calm and collected, how about a little more?
00:36:19I'll make you some tea with milk or a little something extra. It's different from the coffee you usually have.
00:36:23It was. And I just tasted it. Okay.
00:36:34Sweet coffee. Perfect.
00:36:41May I ask you a question before we begin? Why did you burn it?
00:36:48But I'm scared. Don't say that word. I mean, why did you burn it?
00:36:55Benko Sin four points. A sigh. Because you were distracted and planning to attend my difficult time.
00:37:03With her filthy body. Sometimes their laundry would fall into my yard and I'd return it.
00:37:08Normal. But you lied and told us. Pinko Sin four dots. Not intentionally. Is that you?
00:37:18Are you here to make a fuss about Dad or about the club that's making her look bad? About Dad. Sani
00:37:25Oh. Thank you, thank you. Thank you, thank you. Speak normally and stop being silly. Okay. How?
00:37:44Tatrara Al-Hamdi B.
00:37:53Mom, open up. And you, open up for me. This isn't your house. Freddy opened it and found Madam Zifta.
00:38:02They brought people to beat me up. Or maybe they're coming to take revenge for what you did to his illnesses. You see?
00:38:06Honestly, you're exaggerating. I'm not going to open up. That's it.
00:38:10Something will happen to her. I didn't ask for your help. And I didn't ask you to hit her with it.
00:38:17And I won't open the door. And I won't neglect Hour.
00:38:41Is that possible? What's the deal with them? Are they known as Marina Ali? Yes, my dear.
00:38:45Isn't this Miss Arafa's house?
00:38:47she
00:38:48Is she there?
00:38:53According to
00:38:55What does "according to my love" mean?
00:38:57or..
00:38:58Anisa Arafa won one hundred thousand dollars in our lottery competition.
00:39:02We've come now to give her the news and give her the next one.
00:39:05Can you tell her what we want?
00:39:09Are you playing a prank on me?
00:39:11What prank, my love? I'm telling you
00:39:13She actually won the lottery with us.
00:39:15And now we have informed her of the news.
00:39:16Could you please inform Miss Arafa?
00:39:19So, I need to see what kind of personality I prefer.
00:39:22Why, my love, you're still
00:39:23The moment you forgave me, and you said my name, and now
00:39:27Freddy likened her
00:39:29She resembled it
00:39:30Her appearance is slave
00:39:32Her appearance is slave
00:39:33Let's finish
00:39:35Be kind to me, my love
00:39:38Why is it there?
00:39:39Why does it have the camera number on the back and all the information on the back?
00:39:42Oh, you're very naive, ma'am.
00:39:44Be humble towards me
00:39:48Can we finish?
00:39:51Unfortunately, your sleep
00:39:53Give me a moment
00:39:55Know the moment and my joy
00:40:04And one outside is telling me that you are a Casablanca.
00:40:07It is carried in dollars
00:40:10You are truly honoring me.
00:40:12music
00:40:17music
00:40:27Are you a mother? Can I ask you for a favor?
00:40:33Is this the party of the request?
00:40:37Did his uncle benefit from the role of his servant?
00:40:42It's not possible to replace one person with another like that.
00:40:44From the people of the Pashas
00:40:46She doesn't have servants or people to help her at home.
00:40:49My life is like you're playing a role in a movie.
00:40:52Oh Lord, we are bankrupt, oh Lord
00:40:55Oh God, tell me to do it
00:40:56Tomato, if you don't act like a servant, I won't interview you.
00:41:04So you're pressuring me and holding my hand so I don't fall off?
00:41:07Oh, so you're going to play the role of a maid?
00:41:09My sister is with you, so get out of here right now!
00:41:12What did you say? I'm a widow now.
00:41:17Okay
00:41:19Shatra
00:41:20Look, they're imagining this salon, yeah
00:41:23Yes
00:41:23Tell them the lady will be out in five minutes
00:41:26Okay, fine, right? Yeah, Sherry, what's the name of that thing behind you?
00:41:30The chat
00:41:30His name is Tisht
00:41:31Put it in the net
00:41:33Do you have enough of that confectioner's stuff to compensate for the crime that's been committed?
00:41:37What's important? What's important? What's important? Does Bakr like to have servants at the monastery turn everything off?
00:41:41What's important? And why should they get involved?
00:41:49month
00:41:50month
00:41:51month
00:41:51Put it
00:41:53month
00:42:15Okay, let's go through all three of them from the beginning, maybe it'll be a good deal.
00:42:18Wait a bit, maybe he's in the bathroom or something.
00:42:21Let's finish
00:42:22Marib
00:42:22Today is not more important than their vision.
00:42:51Please come in
00:42:54You have enlightened us
00:42:57The matter is serious.
00:42:59They preferred the salon
00:43:00any
00:43:01Yeah, yeah, in the salon
00:43:02any
00:43:03Fadl
00:43:04The preference for creating an artificial turf
00:43:06Yes, in the salon
00:43:07Yes, in the salon
00:43:20Yes, in the salon
00:43:28Definitely not
00:43:30The phone has been ringing since Baba started working, Omar and Ma Baz.
00:43:33Maybe you have a problem.
00:43:35Oh walnut
00:43:36Congratulations on the award
00:43:38Morsi
00:43:39Ready, understand
00:43:40Swani, teacher
00:43:42Madam Arafa looks at the camera
00:43:44What's down
00:43:45What happened in Arafat?
00:43:47It's a year, teacher.
00:43:49That's it
00:43:50Another year
00:43:52Morsi
00:43:53Tamram
00:43:54Tamram
00:43:55Tamram
00:43:55Maybe you could tell me, Maya?
00:43:59Maya, please tell me.
00:44:06Cups of tea, Makyuna
00:44:07Mala Wons Sok
00:44:10Kabaik tea mala once suk
00:44:12Mala Wons Sok
00:44:12Oh
00:44:26Don't worry, I mean you and your cleaning.
00:44:31Dear viewers
00:44:33My dear audience all over the world
00:44:35This is the greeting for the anticipated moment.
00:44:38The moment we announce the winner of our prize this year
00:44:41Winner of the $100,000 prize
00:44:45Many people dreamed of breaking
00:44:47But fate is what decides.
00:44:50Who will break and who will lose?
00:44:52And by the way, she is a very exceptional person.
00:44:55We can say that it's from a rare breed.
00:44:58Pasha dynasty
00:44:59It became extinct a long time ago
00:45:01The winner of our prize this year
00:45:04The dead are a thousand dollars
00:45:06She is Miss Arafa Hamdi
00:45:10Welcome, Ms. Arafa
00:45:12And the victory is a thousand times more.
00:45:14Many people
00:45:16I'm waiting to find out who Arafa is.
00:45:18I wish you would find out for yourself
00:45:24I am Arafa Hamdi El-Desouki
00:45:27Actually, this is my first time applying to your program.
00:45:33This is my first time participating in any competition program in general.
00:45:37From the moment my father passed away
00:45:39At that moment, I felt a huge emptiness in my life.
00:45:43So I asked myself, how do I get rid of this emptiness?
00:45:48So I said, "I'll occupy myself with life."
00:45:52I submitted my application to the competition at your place
00:45:55The whole thing is perfectly normal, just a bit of fun to me.
00:45:59This means there is absolutely no need for a tent.
00:46:03What would you say to the millions of contestants who applied but didn't win?
00:46:10I want to tell them that the matter is very normal
00:46:13Money isn't everything.
00:46:17Of course, money isn't everything.
00:46:19But after
00:46:27What do you do?
00:46:29You're right, if you open a scandal, you won't be able to... lashwa
00:46:32I am one of the most honorable people
00:46:33I once had a house with a dung heap
00:46:36We are not in agreement
00:46:37I want to ask you to give me a fatwa and what are you thinking?
00:46:40correct!
00:46:41Why is that right?
00:46:42That's how it's going?
00:46:44Huh?
00:46:45Tidal, look, look, there's a difference.
00:46:50Bambala
00:46:51Statement of intent
00:46:55Sari
00:46:56Oh, Tamadher, could you please see who's at the door?
00:47:04Hubble, because of the danger of this trust, we'll be squeezed
00:47:07And we hear the words of Marushlaz Mav
00:47:09And the possibility of our journeys
00:47:11And in the afterlife, we'll bring two balls of water and pots.
00:47:14Shaw
00:47:16Who are you
00:47:17You became a camera, Boa
00:47:20The only one caught
00:47:21Oh, right.
00:47:22We came from abroad
00:47:24I am Safon Al-Nims
00:47:25I brought out the sun's rays
00:47:27thirty-three years
00:47:28bachelor
00:47:29That means I have no objection to getting engaged in the near future.
00:47:32I have a ground floor apartment in a youth housing complex in Jenina.
00:47:35In a shared prison
00:47:37Honestly, green suits you very well.
00:47:39Forget about knowing you
00:47:41Imran's support
00:47:42An electrician who always likes to wear suits
00:47:45We don't know why
00:47:46It is true that the charges were mentioned.
00:47:49It means there was an electrical short circuit, and the light switched off.
00:47:52You will need me
00:47:55Oh, you're embarrassed? Oh, Najoud, Uncle Imran
00:47:57Oh, you're embarrassed? Oh, it's him. Uncle Imran is here.
00:47:57Oh, Tabri isn't here.
00:47:59Texfenish
00:48:01Help yourself
00:48:05originally
00:48:07Okay, without appreciating it, without appreciating it, we'll do what we came here for.
00:48:11Something that counts Amr's uncle
00:48:16You want us to share the number of people who...
00:48:18Sell it, Hashtag, and I'll come back again.
00:48:25Wait for Uncle Amr
00:48:26We're going to complain because the woman inside has been here for six months since last Ramadan.
00:48:30I haven't paid for a month and every time we come we get humiliated
00:48:33The last time I took out the trash myself
00:48:35So you and whoever is employing you can stay sitting in the dark.
00:48:39Are you bothering me?
00:48:40they?
00:48:41Don't you know who I am?
00:48:42Who is it?
00:48:45I'm raining
00:48:46What does that mean?
00:48:47It rained in the neighborhood, singing.
00:48:49Yes, his name is Khalasi, very ordinary.
00:48:55What kind of journalist?
00:48:57By the way, the press won't interfere with my work in any way.
00:48:59And since she has his money, she'll hire a journalist.
00:49:01Why aren't you paying the meter?
00:49:03Why didn't you leave Nosa?
00:49:05I don't know who Noosa is
00:49:06Nosa?
00:49:07What are you doing in Nosa and Jamal Nosa, and you don't know anything about it?
00:49:11What are you going to do to me? I'm going to wait until Saturday, the day of my horse.
00:49:13Okay, I understand the situation.
00:49:15they?
00:49:15Wait a minute?
00:49:17I'll get back to you right away
00:49:18Hello, second one
00:49:19But nobody touched the water skin.
00:49:21No one is like this.
00:49:22What's wrong with me?
00:49:22Okay, we'll survive with a slap.
00:49:26Who is Nost D?
00:49:28Hey, what's wrong with you? Why are there two imams in this?
00:49:36Malish Sari?
00:49:39St. D, is there a problem?
00:49:43He's tired, he's exhausted, he's outside, where Shunk is, up to this point.
00:49:49Sari
00:49:50Isn't it true that you're suffering from hunger since last Ramadan, and that you're living in a state of unjustifiable hunger?
00:49:56Do something, Da, what's wrong with me?
00:50:01Malish Sari
00:50:10What am I doing now?
00:50:14The one before us is Alawi, if you want to be happy, pay up
00:50:18Be wise and don't let anything hold you back.
00:50:21The doorman wants to be lenient, the employee wants to exploit you, pay up, I'm your mother and I'm telling you to pay a bribe
00:50:40Do you take bribes?
00:50:42any?
00:50:44Khulus means
00:50:46Nabel says
00:50:47"On the sound and peace, but that's the wrong sentence; it doesn't sound that way."
00:50:52What do you mean by "heavy tea"?
00:50:54What kind of cigarettes do you smoke?
00:50:56So you're saying I don't smoke cigarettes, but I'm trying to save my health.
00:50:58Trico Sont Tayeb, you're making money like that, so tell me you were kind, I'm leveling the ground and I'm ashamed of you
00:51:03I'll take something from the kids, and you'll say, "I don't have any kids, but I'll take it from you. I won't embarrass you like that, I mean, I'm not being a man."
00:51:09Don't you want money?
00:51:11How much does that mean?
00:51:12two hundred pounds
00:51:13One thousand pounds and you won't see my face again
00:51:14A quarter of a hundred pounds, and don't come back tomorrow morning.
00:51:17Do you know how much transportation costs?
00:51:20One hundred and fifty-five pounds
00:51:21correct
00:51:28Give me a quarter of a hundred pounds
00:51:31Do you have a wallet?
00:51:32I know I'm being clever, wallet, so you can find out the number of the three of them.
00:51:36The card was right in front of you, and you're the one who got screwed.
00:51:38I have a wallet, Hatem Bank
00:51:41I was trying to get your number, by the way.
00:51:43Not from the bottom of your heart, by the way.
00:51:46If you ever call me and see a number that's switched off, send me a WhatsApp message.
00:51:56The operation was successful.
00:52:00Okay
00:52:02I'm so happy, I'm so happy for everything.
00:52:04Let's go, Uncle Omar?
00:52:06Let's go
00:52:07He's thinking of ending your situation from here.
00:52:09Ha
00:52:09I think your approach isn't very nice.
00:52:13peace
00:52:27Okay
00:52:29Should we take a picture of you?
00:52:31Or okay
00:52:31Come on, everyone!
00:52:34rich
00:52:35rich
00:52:36Thaw
00:52:37One
00:52:38action
00:52:39Anisa Arefa had promised us that she would give the prize to someone
00:52:43Who would you like to dedicate the prize to?
00:52:46Or I would like to dedicate the award to the soul of Baba Hamdi, the owner of the Souqi house.
00:52:51May God rest his soul
00:52:53I mean, which of the state-affiliated charitable organizations would you like to dedicate the award to, as you promised us?
00:52:58Yes
00:53:00Stop
00:53:02Anisa Arefa
00:53:04That's why I was trying to contact you to tell you that the agency decided that the award would be honorary.
00:53:09This means that whoever wins the prize will donate it to a state-affiliated charity.
00:53:14But you weren't being polite
00:53:15I'm not giving the prize to anyone.
00:53:19It won't work, Anisa, you know.
00:53:20Because all the newspapers announced today that you will be donating the prize.
00:53:24A respectable person like yourself shouldn't go back on her word.
00:53:27Or what?
00:53:30And if I said no
00:53:31Then we'll win over one of our people.
00:53:34And we will wait to say that you, sir, donated my remains
00:53:37Where is the credibility of the program and the competition?
00:53:41Where is the transparency you always talk about?
00:53:44It's there, Fand, but we're in exceptional circumstances.
00:53:46Honestly, I'm surprised.
00:53:48You should be happy that the story of Hamdi Billa the marketer
00:53:52She is said to love doing good and to help the poor.
00:53:55This is no small thing
00:53:57You pay money for it
00:54:00What did you say?
00:54:08Okay, Musab
00:54:11What did you say?
00:54:13What did you say?
00:54:31Okay, Musab
00:54:32The program specifically asks that we choose the appropriate organization to which we should donate the $100,000. Thank you.
00:54:44Thank you, our viewers, and thank you to Ms. Arifa for her kindness. This was Marina Alam.
00:54:51Goodbye, it's a great opportunity. I'm under Adham, so come with me.
00:55:33Of course, what happened today is not for publication. I don't want anyone to know anything.
00:55:37Don't worry, Masnouzil, I know, by the way, I'm not a bad person, and I'm sure you won't divorce your family.
00:55:48So you're upset with me because I told you to play the role of "Take this"?
00:55:52Honestly, I'm upset with you because you didn't appreciate me. I'm here from the Hadousher farm and I haven't achieved anything I came for.
00:56:01What should I do?
00:56:03Of course it's a surprise, but what have you done to yourself?
00:56:08This is the angle
00:56:10What are you wearing? What is this? What is this?
00:56:14These are the colors of my sword
00:56:15no
00:56:16no
00:56:17Even though you're beautiful and you have potential
00:56:23What is this?
00:56:34You're taking me towards the bathroom, but I'm not going to put myself in the bathroom.
00:56:37Forget it
00:56:43shsh
00:56:44No, Finby, no, Finby, I made every concession for you, I played every game. What? What's wrong with you? I don't know what's wrong with you.
00:56:50Shut up, you animal! I brought you here so we could choose a dress for you.
00:56:56And you come to me with the support of Ambour Saeed Plat?
00:56:59Oh my Lord
00:56:59shsh
00:57:01Shut up, shut up! I'm not selling my clothes.
00:57:04I brought you here so you can feel like a girl
00:57:11How did that happen?
00:57:13You're backward, right?
00:57:14What is a girl other than a dress and high heels?
00:57:16She wears them and dazzles the people around her.
00:57:19You are the dress
00:57:21And you high heels
00:57:23no
00:57:23It's all wrong
00:57:27Come in front of me
00:57:47Do you choose this or that?
00:57:50Honestly, from the moment I walked in, I went straight to the cumin-flavored food.
00:57:53Cumin?
00:57:54From the lines of Kamoni D
00:57:57With this chain
00:58:01Merini
00:58:04Its color looks good on you
00:58:06Part
00:58:08Hold on
00:58:08Take the porter, Asif.
00:58:12Try taking a shower.
00:58:14Frashen Oop Shwaya
00:58:18May God hear me
00:58:22Professor, I really know her.
00:58:24You don't look like Sinek, so why are you getting an eight?
00:58:26And I swear by the gathering, there is nothing in it.
00:58:28Are you a mother? I'll hit you.
00:58:29spiritual
00:58:30spiritual
00:58:31But I'm listening, but, but, but honestly
00:58:35spiritual
00:58:53spiritual
00:58:55spiritual
00:59:01spiritual
00:59:03Did she watch the Karagoz movie?
00:59:05What is Omar Sharif's range?
00:59:07Yes
00:59:08I was carrying it
00:59:09I met Omar Sharif
00:59:11Marwa Amin met
00:59:13I met with Professor Hani Lashin, the director
00:59:16Her arena was really excited.
00:59:18Have you seen the real Omar Al-Sharifa?
00:59:20I saw him, he was a man of his age
00:59:22Chic and delicious
00:59:25And taste something beyond reason
00:59:28Of course
00:59:28So what did you do next?
00:59:31Dad didn't agree
00:59:32Hamdi's daughter told me, "This is a market house."
00:59:35Don't go out and buy shoes for anyone.
00:59:39Every time I chose something
00:59:42Dad didn't approve of it
00:59:45Okay, Dad, what was my job in the first place?
00:59:48Cliché Baba originally
00:59:49The dialogue is still ongoing.
00:59:51I told you you have to be stylish
00:59:54So we can do the interview together
00:59:57Is this what happened to me?
00:59:58Go look at yourself in the mirror
01:00:09I don't know how to walk
01:00:24What's your appearance?
01:00:25You look like a command
01:00:27Let's go do the interview now.
01:00:29But on one condition
01:00:31You're planning on having your first cup of coffee
01:00:33But honestly, I don't know how to make coffee.
01:00:35From the moment we told her, she left without drinking coffee.
01:00:38The first cup I'll drink after you made it, he tells me
01:00:43May I?
01:00:44What for?
01:00:46Your need is like that between me and my Lord
01:00:48But I only made you one cup of coffee
01:00:51seriously
01:00:54He walked
01:00:58The cigarette?
01:00:59No, I don't smoke.
01:01:01okay
01:01:04Shall we begin the dialogue?
01:01:06Please
01:01:12Mazmaz Al-Arafa?
01:01:14no
01:01:14I don't want a slave
01:01:16Speak normally
01:01:17Speak in the way you used to
01:01:20Okay, I'll speak in a certain way
01:01:26I want to tell you that I am very happy that I met you today
01:01:32I wanted to ask you about Hamdi Bey's upbringing.
01:01:42You mean that I should open
01:01:43I can open it, but honestly, I really don't know how to walk.
01:01:47Mana Bey
01:01:48Stay, stay, I'll tell you
01:01:50Okay, I'm not being stingy, I swear.
01:02:01The Bey in your life
01:02:04Yaha
01:02:04This is the best thing I've ever had, I ate it all instantly
01:02:08I don't know how to console you, but this is my congratulations.
01:02:12I offer my condolences and congratulate myself.
01:02:16The Bey in my life
01:02:18Congratulations Abu Ali
01:02:25Another monster
01:02:28You're another monster, Hassan.
01:02:33Professor, are you going in or are you going out?
01:02:36Of course, of course, exalted is He, exalted is He
01:02:42I came to this house eighteen times
01:02:45Fourteen of them were returned from this area.
01:02:47here
01:02:48I
01:02:50So, what is this? Let me think about it.
01:02:52Of course, of course, don't be surprised, don't be surprised
01:02:59Eighteen times, seriously, Hassan
01:03:01Yes, eighteen, that's their number.
01:03:02That's besides the many times I rang the bell and ran away
01:03:05Are you serious?
01:03:07What's that? What's that sound?
01:03:10Your father is crazy about this topic
01:03:13Yes, I was listening to him while I was running up the stairs.
01:03:16No, that's not true.
01:03:17What is this?
01:03:19Who is this?
01:03:21D
01:03:22D
01:03:22D
01:03:23D
01:03:24I am Khamad
01:03:27Of course
01:03:28You are my daughter in Real Hanem
01:03:30Your sister
01:03:31Of course not
01:03:32This is Professor Tamadher
01:03:35Journalist at Ramos Khalida magazine
01:03:38She's here to have a conversation with me
01:03:40About Baba
01:03:42Tamader Salmi is tired
01:03:54Will he rise up? What's behind me?
01:03:56It appears that I, too, am a distant, abysmal person.
01:03:58A journalist, and with such elegance
01:04:00They are two thousand, Karina and the Spanish hijab
01:04:03Karina
01:04:05I don't understand what you mean.
01:04:08Would you like me to stay put for now and come back in a little while?
01:04:11no
01:04:11I promise to protect you in your place
01:04:14I want you
01:04:16I want you to listen to me and judge between them.
01:04:18What are you saying, Hassan?
01:04:20any?
01:04:21Control your relationship
01:04:23Our story is a cliché.
01:04:25Set El Hassan Wal Jamal
01:04:27daughter of good people
01:04:28Daughter of noble lineage
01:04:30And the poor, stingy one
01:04:32A story like this, exactly like
01:04:34My heart's reaction
01:04:36The hand from the sample
01:04:38But I wasn't the son of Al-Junayni
01:04:40I was the manager of Hamdi Bey's favorite restaurant
01:04:44Every day, three o'clock, one second
01:04:47He used to come in on us
01:04:49And with it, freedom from heaven.
01:04:52I know Hani from Dee Sue
01:04:54Her appearance had an effect on me.
01:04:56I used to wait three days a week
01:04:59And it's a holiday
01:05:01I preferred to see her for months
01:05:03The arrival of the important day
01:05:05That day she left her college
01:05:08My neighbor goes to the restaurant, like every other day, three o'clock.
01:05:12But I'm serious about the matter.
01:05:14She was alone
01:05:17Hamdi Bey changed
01:05:19It was my chance
01:05:21Your account is correct, not Omar Sharif's.
01:05:23But I was also a bride
01:05:27I was smart, cute, and a Rifai
01:05:29What did you win, Hassan? You've always been like this.
01:05:32Fat and with a belly
01:05:32Even my dad asked me how I could love a poor man.
01:05:35And thick
01:05:36Did he say he was poor?
01:05:37Yes
01:05:41I'm healthy and I was feeling it, Shabif.
01:05:45She had an entrance
01:05:47And when I entered with her, she was singing
01:05:49It's all you hear, Burgess hears.
01:05:51It remains flying in the sky
01:05:54Remember Yekin and Harfa
01:05:56Of course, Hassan
01:05:59I entered
01:05:59Stay
01:06:08Fashionable Yuqi Al
01:06:10If you bring her blood
01:06:12I felt like she wasn't dancing
01:06:15I felt that her voice was in the sky
01:06:17Balbit
01:06:19ticks to scratch
01:06:23And I extended my hand to her
01:06:27And I extended my hand to her
01:06:28She held my hand
01:06:33The profits began
01:06:36Angrat
01:06:37And more links to them
01:06:42God
01:06:44I smelled the scent of Biflum
01:06:46I didn't know how to father Hanwell
01:06:49Almost from heaven
01:06:51sweat more
01:06:53Tahn's embrace
01:06:55Second story
01:06:59And it's not all that's been said about it.
01:07:15Hamdi Bey entered.
01:07:17I got a beating that Omar never got, so I quit.
01:07:20And he refused to be a fool
01:07:23I swear to God, I didn't give it to you because
01:07:26Qata'ishi
01:07:28I am the one who fell short
01:07:34How will I ever see her again?
01:07:36I entered the room with a cheek so that my neck would be at ease.
01:07:39She asked for a treat for her
01:07:41I refused
01:07:42Why the palace?
01:07:44I refused
01:07:46Sacrifice, marriage
01:07:48I don't know where you are
01:07:51I asked
01:07:52We were one day in my life
01:07:54Yeah
01:07:54The idea of the first print company to help you in your life
01:07:58Of course, party
01:08:00It was in your area
01:08:02Lady Zainab
01:08:03His name was Uncle Saeed
01:08:05yeah
01:08:06I lived with you, I know it's sweet
01:08:10We are lost in love, oh Tabdar
01:08:14And we say that marriage always follows love.
01:08:18Who are you marrying, you scoundrel?
01:08:21That was Hamdi Bey's reply
01:08:24I didn't sell
01:08:26Life's response was expected.
01:08:28Unfortunately
01:08:31The heroine of my story gave up from the very beginning.
01:08:37I love you, party
01:08:40But I can't disobey my father.
01:08:42If anything happens to him because of me, I'll never listen to myself again.
01:08:51Are you getting married, Aref?
01:08:55Are you getting married, Aref?
01:08:57Didn't you tell her you were getting married?
01:08:58I'll tell her right away
01:09:01No, tell her now.
01:09:03Now go tell her
01:09:04Two pairs
01:09:06Is this good?
01:09:07That's nice
01:09:09I am Rajab Al-Mazoum in Sur Hawaked
01:09:12Don't you dare move from here
01:09:13Yes, you can hear it moving.
01:09:16And you shouldn't move from your place either.
01:09:18generation
01:09:20Peace be upon you
01:09:40O Knower
01:09:42The problem
01:09:50The problem
01:10:28The problem
01:10:54The problem
01:11:11Have you ever loved?
01:11:13And I am strong myself
01:11:14The girl
01:11:16Which one do you prefer at school?
01:11:21And they know
01:11:22He followed me
01:11:26He knows I'm tired at home
01:11:32I even find the house
01:11:33So he can see
01:11:41But there's nothing in your senses
01:11:43for him
01:11:46Why my things?
01:11:47Not a fact in your life
01:11:50Because
01:11:52Because
01:12:17understand
01:12:21From what I did very
01:12:28I felt like I was going to die and no one would care about me.
01:12:32So I decided to do better for myself
01:12:40But when Hassan came back to him
01:12:43I felt like the world was turning against me
01:12:45And I won't die alone.
01:12:51Tamader, you're still young
01:12:53Love and be loved
01:12:56Don't even let him tell you what to do.
01:13:00And by the way, I read that it was yours
01:13:05What are you?
01:13:07A mother’s advice to her daughter: Don’t worry about your work
01:13:10I understand your fatigue
01:13:12But when I looked closely, I realized we look alike.
01:13:17Don't let your fate be like Tamader's.
01:13:20Save yourself
01:13:25Do you know what I really wanted?
01:13:27What's up?
01:13:29I wish I could be with you all.
01:13:31Why didn't you dance?
01:13:34I'm an Amiri, I've never danced before.
01:13:37Beka
01:13:39Listen to who, Sahar
01:13:42Will you dance with me?
01:13:44This dance is the best thing in the world, Tamader.
01:13:50My personal color is suitable for tattoos by Stas Hassan
01:13:52Of course it works
01:13:55Of course it works
01:13:58Of course it works
01:14:00Of course it works
01:14:14Of course it works
01:14:26Of course it works
01:14:33Of course it works
01:14:37Of course it works
01:14:40Of course it works
01:14:42Of course it works
01:14:44She walked
01:14:46Wrap wrap
01:14:47Yes, that's it.
01:14:49Lafi
01:14:50naturally
01:14:51What is this? Involve
01:14:57I seek forgiveness from God, the Almighty, Lord!
01:14:58That's a sta apartment
01:15:00You're being stingy here.
01:15:01No transfer
01:15:05Print it, you animal!
01:15:09Get out, you get out. Why are you asking? Why the...
01:15:15Ruwayta. The one who prepares the ruwayta is holding a dear child in her lap. Wait there. I want it.
01:15:32She tells you where. Come here. Jerboa.
01:15:41For mercury. And you saw this pen? Honestly, it was a statement, yes. It works.
01:15:46Your mountains are useless. We'll go down to your place. God. Here's another witness.
01:15:51Hassan is rude. My darling is a witness, and I love you so much.
01:15:55Farting. What do you mean, "witness"? Witness my marriage to the most beautiful woman?
01:15:58Six in the world. What? For this grand, magnificent marriage? Grandmother? The adulteress
01:16:03Money. And Ali. One of these. Yeah, yeah, yeah, yeah. What did Ali do to you, Jeddah? Yeah. No, Daily.
01:16:09Literature needs a path. But it's okay, I'll bear with it. By the way, Nazmzala knows what she's talking about.
01:16:14The bride is just... Hassan is the groom. God. And I won't be a witness to the marriage.
01:16:19One of them slapped me with a pen. She won't testify. She'll testify against her family. With you.
01:16:23Your card is not registered. Because of this dangerous, logical thing. We
01:16:28Eye to eye. That's it. Please, esteemed mourners. And on the dowry.
01:16:34The agreed-upon dowry between us. Its immediate and deferred portion. Sani ya
01:16:38One, sir. You're an animal, aren't you? There's something going on here. Good, good. Maybe.
01:16:41Pinch. Squeeze. Favor. Immediately and later. This is what's on the sticker, it will turn red.
01:16:47God, what a mess! With this yellow lesson, I'm afraid for the best. God.
01:16:51The best of witnesses. May God bless you. May God bless you. And bestow His blessings upon you.
01:16:57May God bless you. May He unite you in goodness. May He unite you in goodness. A blessed union.
01:17:02God willing. God willing. Subscribe. I'm easy, Saeed. With zero.
01:17:09The one who's stuck. Yalla yalla. Yalla. Kolk sta in the sal.
01:17:13Yalla. This pendulum, Mona. Yalla, take this respectable man, take life.
01:17:17This is Lora. Take it, Zifti, you're making a mess of things. Come on, Zifti.
01:17:20In a word. In a word. Peace be upon you. With Salah. Oh, what a mess!
01:17:29Thirty-six years old. I can't believe it. What are you talking about now?
01:17:34You know, if your bars were pouring into my blood, I swear to God, my blood would be overflowing.
01:17:40Our master, we are satisfied
01:17:41The taste of this will make a difference in their work.
01:17:43The taste is cut for you, sir.
01:17:46Get out of here, you animal!
01:17:47Walk, walk
01:17:49But I'm not needed anymore.
01:17:50Well, I'm not leaving.
01:17:52I, Abdo, want to see if the world will turn around me.
01:17:55What's this? I want to know how you're looking for it.
01:17:58Don't worry, I'll talk to the magazine.
01:18:01Explain to them what happened
01:18:03And we agreed on another meeting for our brothers
01:18:05I don't want to be advised
01:18:07I want to live my life my way
01:18:11I don't know what he's doing yet.
01:18:13But I'll find out
01:18:15Shatra
01:18:18Can I ask you for a favor?
01:18:20Tell me
01:18:21Can I see a picture of Hamad Bey?
01:18:24Unfortunately
01:18:25I burned all the pictures
01:18:27And then he died
01:18:31Understood
01:18:33I'm so glad I met you
01:18:36I'm strong too
01:18:37So how is she? How is she touching?
01:18:40What's your problem, Diwa?
01:18:42Of course not
01:18:45I'm trapped
01:18:47I then went back to my honeymoon.
01:18:50Mishi
01:18:51Congrats!
01:18:53Oh God, you know what I mean, my dear
01:18:55Of course not, Mustafa
01:18:57This track is dangerous
01:19:00My religion is silent
01:19:14My religion is silent
01:19:16God is my resolve
01:19:17I don't understand, are you being silly?
01:19:20What do you say? What should we carry?
01:19:21We take a tribute
01:19:22Diwa
01:19:24What are you, Mom? I don't understand.
01:19:26Diwa
01:19:29Diwa
01:19:30Not a lament
01:19:34So what's wrong?
01:19:36Why aren't we talking?
01:19:41Diwa
01:19:42any
01:19:42any
01:19:43Take it easy because you're healthy
01:19:47He says, "By God, zero dinars, the cursed one, or whatever he's hiding."
01:19:51What does she do for her school?
01:19:53Muhannad Al-Wasla
01:19:54What you name it is to God
01:20:00Hassan
01:20:01No, Hassan Hassan, no, no, no
01:20:04Hassan
01:20:06Hassan
01:20:08Hassan
01:20:09No, Hassan Hassan
01:20:13any
01:20:13any
01:20:14any
01:20:15Hassan
01:20:19any
01:20:20Hassan
01:20:2236 years old
01:20:26This
01:20:28This world is completely messed up.
01:20:29Hassan
01:20:35Hassan
01:20:37any
01:20:38any
01:20:38any
01:20:38Hassan
01:20:40any
01:20:42I want to tell you about our world
01:20:44Yes, Mom, I'm here.
01:20:46Mom, can I tell you something, but only from Madama Zaai?
01:20:51Honestly, Mom, I don't want to be a journalist anymore.
01:20:55If you want to be a journalist, God bless you, Mom, but honestly, I'm going to resign.
01:21:02any
01:21:02Oh, Mama, that's the voice of Sayed El-Gerboa, do you remember it?
01:21:04Actually, I met her by chance.
01:21:07And it's a red one with stickers on it, it looks really nice, and I'm thinking of putting it on outside, is that okay?
01:21:12No, I'm not going to Masala, Mama. Mama, I'm wearing a short yellow dress.
01:21:18He looks so beautiful, Mama
01:21:20Can you please leave me alone for a bit?
01:21:22Don't insult me, Mom, because I'm fasting.
01:21:27Okay, Mom
01:21:29Go ahead and insult me all you want, Mama, I won't let you get away with it.
01:21:31I need something on the field, you little brat!
01:21:40If I'm not in it, don't bother me.
01:21:42What's the point of all this talk about "Taghalo"?
01:21:44wizards
01:21:44station
01:21:45station
01:21:46through
01:21:48station
01:21:48through
01:22:06Bek
01:22:06station
01:22:06station
01:22:09Ha
01:22:10Ha
01:22:11Ha
01:22:13Ha
01:22:16Your wall is in it
01:22:17Your wall is in it
01:22:18Ha
01:22:19Ha
01:22:20Ha
01:22:20Ha
01:22:22Ha
01:22:29Barge on the followed envelope
01:22:32It's up to you and I'm not eager
01:22:33I am following
01:22:34I walked with you involuntarily, because
01:22:36I am Cruz
01:22:37Appearance
01:23:04Ha
01:23:04They separated us
01:23:06Far from Kohl and the world
01:23:09I found my life and moved
01:23:11What am I even?
01:23:12And that's it, go ahead.
01:23:14And look, and change, Aniston
01:23:16The doll wants a driver
01:23:19In a teacher
01:23:20She didn't open a rose and a squid
01:23:23And now you're all gone, I'm yelling!
01:23:24And hasten
01:23:26They separated us
01:23:28Far from Kohl and the world
01:23:30I found my life and moved
01:23:32What am I even doing here? And you prefer us?
01:23:34Please take a look at the answer.
01:23:49She opened with the qualities of blood and behind
01:23:52I live my life with a simple, not extravagant, approach.
01:23:54There is no Aqqad, no one created it.
01:23:57I easily remained in my place, so greet me.
01:23:59Riqa Riqa Hayatak Dafaiqa
01:24:02I don't have any of my things that are tight or that I can't put in
01:24:04I don't name anyone, there's no one like me
01:24:07I opened a hidden and sahtana bread
01:24:10Behind me, behind me, someone else is here.
01:24:12How we live
01:24:15The league needs a female driving instructor.
01:24:18Not a dance or a talk
01:24:21Save your advice for now.
01:24:24Oh God, separate us
01:24:26I was far from the world's beauty
01:24:29Have I found my life or what?
01:24:31I am a deep snake
01:24:32And that's it, then.
01:24:34Look for someone else, Anstona.
01:24:37The world needs a skilled driver.
01:24:40Not a dance or a talk
01:24:44Oh God, separate us
01:24:47Oh God, separate us
01:24:48Ai Ari
01:24:48My life, my hands
01:24:51What's my name? There's no one here, my uncle.
01:24:55Look for someone else, Anstona.
01:25:02Ai Ari
01:25:04Look for someone else, Anstona.
01:25:06Look for someone else, Anstona.
01:25:06Ai Ari
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