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05:44Zander Yung.
06:14Evet.
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07:33abone olun.
07:34abone olun.
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07:36abone olun.
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08:10abone olun.
08:13abone olun.
08:15abone olun.
08:16You why you attacked him and his husband and called them unnatural hags?
08:21That's a quote from the play.
08:23Great.
08:24There is a whole subreddit, whatever the fuck that is, about you being a homophobe.
08:29Someone called it gay bashing.
08:31I'm a Broadway actor, okay?
08:32I'm as gay as a man can be without actually being gay.
08:36Know what I'm saying?
08:37So?
08:38You know, no, you weren't there.
08:40No, I wasn't.
08:41Luckily, there's video.
08:45Tamam.
08:48But they shall be...
08:49...the terrors of the earth!
08:52You look deranged.
08:54Key Leer is quite deranged
08:55...at this point in the play.
08:57I see.
08:57Get off of it!
09:10Why is the table on fire?
09:12I don't know. I don't know.
09:13I must have left before any first responders showed up.
09:18This is a viral shitshow, Richard.
09:20Because it's taken out of context.
09:22I mean, I'm not saying...
09:24...it's a deep fake.
09:26Could we say it's a deep fake?
09:28Nah.
09:29I'm gonna lean into the drugs and booze angle.
09:32Oh, good.
09:33I'll put out a statement.
09:34Yeah, but not an apology.
09:36Oh, you're filled with remorse.
09:39And regret. And shame.
09:40I'm not filled with any of those.
09:43I told a critic the truth.
09:46I have no remorse.
09:47I feel no shame.
09:48I'm a little embarrassed by the fact that I did launch into a verse of Edelweiss
09:53because I was trying to diffuse the situation.
09:56But, uh, apologies?
09:58Regret?
09:58No.
09:59So, you write whatever you wanna write.
10:02I don't care.
10:03I have to go to the theater.
10:06Why?
10:07Because I thought maybe I'd do a matinee of King Lear.
10:11What the fuck?
10:12No, Richard.
10:13You have no matinee.
10:14You have no evening performance either.
10:17The producers are putting you on hiatus.
10:20A forced hiatus.
10:21While I clear this shit up.
10:24I have to be on that stage.
10:25Every performance, people are gonna think-
10:27What?
10:28That you had some kind of public breakdown?
10:30Well, you did, Richard.
10:32You had a small involuntary mental collapse,
10:36which I'm going to say was caused by mixing booze with medication you were taking for back pain.
10:41I'm gonna need a month to clear this up, maybe two in the meantime.
10:47Leave.
10:48Leave?
10:49As in go somewhere else.
10:50And I don't mean Brooklyn.
10:51I mean like a remote island, another country, another state at the very least.
10:57So, uh, I'm being banished from Broadway for entertaining people.
11:04That's what I do!
11:07Okay.
11:12Hello?
11:13Mom's dead.
11:14Who's this?
11:15John.
11:17John who?
11:18Your brother.
11:19Oh, hi.
11:19Hi, John.
11:20This is my brother.
11:21Did you say Mom's dead?
11:25Yes.
11:30Did she read the review?
11:40He's coming tomorrow.
11:42He cannot go to the theater.
11:44Promise me.
11:45Well, I don't know.
11:46What do you want me to say?
11:47I don't know.
11:48Say anything.
11:49Say it's been fumigated.
11:51It's tented.
11:52Lie.
11:55Lie?
11:56Why did you have to tell him?
11:58Why did I tell him his mother died?
11:59He has not seen her in three years.
12:01The only person he cares about is himself.
12:03You know that.
12:04He just beat up a critic.
12:05It's all over the internet.
12:06It's literally the most narcissistic thing a person can do.
12:09I won't deal with him.
12:10I can't handle his crap right now.
12:13He's going to come back here.
12:14He's going to intone all over the place.
12:18Just in case you forgot, we are so financially fucked.
12:24What is that?
12:25A bijou.
12:26Oh, no.
12:27No.
12:28No, no, no.
12:28You cannot.
12:29You cannot ply me with alcohol.
12:30Yeah.
12:33I feel so bad for your dad.
12:36I know you do.
12:39Oh, sweet Jesus.
12:40I don't know how you do it.
12:42It's about how you express the limit.
12:47How the two of you came from the same parents, I will never understand.
12:51Richard has to pay for the funeral.
12:56I'll ask him.
12:56No, no.
12:57You will tell him.
12:58You will look him in the eye.
13:02Keep him away from the theater.
13:23Hey, pal.
13:25Oh.
13:38Good you're here.
13:42Glad to be here.
13:44Yeah, I got this.
13:45Oh.
13:46Thanks.
13:47I'm over.
13:47Over here.
13:52Wow.
13:52Changed a bit, huh?
13:57God, look at this.
13:58Everything.
13:59Everything's closed.
14:00Yeah, well, times are tough.
14:02Struggling.
14:03Like everywhere else.
14:05Still feels like home.
14:08I'd love to swing by the theater.
14:10I'd love to swing by the theater.
14:10No, no.
14:10That's not the...
14:12Let's go to dad.
14:12Just for a minute.
14:13I have to stand on that stage.
14:14You know, I need the inspiration.
14:16Hey, let, let, no.
14:17Hey, Richard, let's just, you know, let's focus on mom and dad today.
14:20Okay?
14:21Come on, I'll take you home.
14:22Okay.
14:22Get set.
14:23Sure.
14:23You're right.
14:23Yeah.
14:24I'm glad she went quickly.
14:26No.
14:27She didn't, actually.
14:28No.
14:29She was sick for a while.
14:30Cool.
14:31I just saw her last spring.
14:32No.
14:33Yes, I brought her that ostrich egg from Harris.
14:36No.
14:36No.
14:36That was three years ago.
14:37Three years.
14:38Three years?
14:39Three years.
14:40This is me.
14:42How's dad taking it?
14:44Well, he's, uh, coping.
14:47You know, it's hard.
14:57Listen, you need help with the funeral.
15:00Oh, I'll take care of it.
15:02I'll stage something theatrical, but discreet.
15:06Death will be the theme, but it can't be all about death.
15:08It'll also be uplifting, but appropriately depressing.
15:13Music has to be there.
15:15Quintet, maybe.
15:16I meant paying for it.
15:17I know it's asking a lot and I hate doing it, but maybe it'll help you.
15:23With the guilt I hope you're feeling for not having seen her in all of this stuff.
15:39All right.
15:55Hey, here.
15:55Here you go.
15:57You're not coming in?
15:58No, I would, but look, I've got a crazy afternoon.
16:01Miranda's there.
16:02She'll, uh, set you up.
16:03Miranda, great.
16:05Spends a lot of time with dad.
16:06It's like two peas, those two.
16:08It's nice.
16:09She'll love seeing you.
16:10I'm not here.
16:12Hey.
16:12Hey.
16:13Come by tonight.
16:14I'll make you dinner.
16:16Oh, great.
16:17I'll stop by the theater on the way.
16:18Yeah, no, don't do that.
16:19Just spend time with dad.
16:21Okay?
16:22I'll come by and get you.
16:25Great.
16:26Oh, and Richard?
16:29Don't tell dad about the, uh, the thing with mom.
16:31What thing?
16:32The death thing.
16:33That she's dead.
16:34He doesn't know.
16:35He doesn't?
16:37Won't he sort of figure that out when he sees her in the coffin?
16:40Just don't.
16:40Okay?
16:41It'll upset him.
16:42He won't know how to process it.
16:43And this is a longer conversation.
16:45Just, he'll love seeing you.
16:46Okay?
16:47Just enjoy each other.
16:48Okay.
16:49I'll see you later.
17:01Dad?
17:05Miranda?
17:10Miranda?
17:15Dad?
17:26John, you sound like a woman.
17:29Speak from the diaphragm!
17:31It's Richard!
17:34Richard!
17:35My son!
17:36My star!
17:38Come on up!
17:39Wait, I'll push him around!
17:40I don't want to frighten you!
17:44Dad?
17:45You're home!
17:47Ah!
17:48Ah!
17:50Ah!
17:50Look at you!
17:52Ah!
17:52Oh, wow!
17:54I'm a mess!
17:56I didn't know you were coming.
17:58I wanted to surprise you!
18:00You have been, uh, working very hard, I see.
18:03Oh, yes.
18:04Oh, yes.
18:04Look at this gentleman here.
18:07Who is he?
18:08No, I know it's hard without the hair.
18:12It's, uh...
18:13You did his earnest at MFT.
18:15Oh, Christ!
18:17Oscar Wilde!
18:19Ah, you see that?
18:20Yeah.
18:21Yeah.
18:22Dad, I'm sorry I've been away so long.
18:24Well, you're here now.
18:26Sit.
18:27Ahem.
18:29Ahem.
18:31Ahem.
18:31Ahem.
18:31You were only 23 years old when you did it.
18:34Ernest, I mean.
18:36That was the same year as we did much ado.
18:40So, have you two tied the knot yet?
18:43We two...
18:43You and Kristen?
18:45Uh, Kristen is married to John.
18:48But how does that work?
18:50With both of you in New York?
18:52She's here.
18:53I'm in New York.
18:54Ah!
18:56This...
18:57Happy Yoko pudding.
18:58So, tell us.
19:00How are things on the Great White Way?
19:03Oh, they're...
19:04They're great.
19:05In fact, I just opened there in, uh...
19:07King Lear.
19:08Lear?
19:09Did you hear that, Bill?
19:12Why should a dog, a horse, a rat, have life?
19:17And thou no breath at all.
19:20Thou shalt come no more.
19:22Never.
19:24Never.
19:25Never.
19:26Never.
19:26Never.
19:29How were the reviews?
19:30They were, uh...
19:32All raids.
19:33Rays.
19:34Do you remember our Lear?
19:36You, Edmund, John as Edgar, you boys were terrific.
19:41And Ethel as regularly.
19:44She was terrifying.
19:45I built a theater.
19:47Best in the country.
19:50But this is what I'm most proud of.
19:53My eldest.
19:55My artist.
19:57And if I play my cards right, I'll talk him into doing another play here.
20:01With me soon.
20:02The two of us.
20:04Together again.
20:05You think about that.
20:06I will.
20:06I will.
20:07Mm-hmm.
20:08There's something that I want to say, and I don't want you to respond to it.
20:15I just want you to sit there and listen to me.
20:17Sure.
20:18Oh.
20:19Boy, this is...
20:22This is harder than I thought it would be, and I don't know why.
20:24Okay.
20:26Here goes.
20:30I'm gay.
20:32Oh.
20:33I'm a gay man.
20:35I was always a gay man.
20:37But I just never allowed myself to be one.
20:40But now, in the twilight of my years, I'm motivated to tie up loose ends.
20:45Now, I want you to understand that this is not the dementia talking.
20:51Okay.
20:53I'm gay.
20:54I'm a gay man.
20:56I've always been a gay man.
20:57But now, in my twilight years, I...
21:04Didn't I say that already?
21:06You did, Dad.
21:07Yeah.
21:08That's the dementia.
21:10Well, I think that's wonderful, Dad.
21:12I'm so happy for you.
21:13I knew you would understand.
21:16Have you told John yet?
21:18Oh, hell no.
21:18I can't tell him anything.
21:20He worries.
21:21He thinks I'm losing my mind.
21:24Oh.
21:25There's one more thing.
21:26You must promise me something, Richard.
21:28You must promise me.
21:29I...
21:30What?
21:31You won't tell your mother.
21:34I won't.
21:46Uncle Richard?
21:49Oh.
21:52Oh, my God.
21:54Oh, you're all grown up.
21:57Don't cry.
21:58No, no, no, no.
21:59Please, if you start crying, I'll start crying.
22:01No, I know.
22:02I just miss her.
22:04Well, we all do.
22:05Yes, I know.
22:06God, I'm so glad you're here.
22:08Are you okay?
22:09Oh, no, no, no.
22:10She had a good life.
22:11No, I meant with the review and the whole thing with the critic.
22:16Oh, that.
22:17Yes, well, um...
22:19You know, I'm kind of surprised it actually didn't happen after the Beckett.
22:21I actually managed to repress that one.
22:24Yeah, thanks for reminding me.
22:26How do you know about all that?
22:28Mom forwards me all your reviews.
22:30Really?
22:30What's that about?
22:31She's trying to discourage me, I think.
22:33From what?
22:34Being happy, I guess.
22:37I never had more fun than when I went to visit you in New York.
22:40Nana would take me to see your shows.
22:42You came a lot, yes, didn't you?
22:44Wait a minute.
22:45You were a child, what were you, eight when you came to see Virginia Woolf?
22:48I was so scared, but I loved it.
22:50I loved all of it.
22:51All the actors and shows and the parties.
22:54It was magic.
22:56How many funny shows did you actually see?
22:58A lot.
22:59Really?
22:59Yeah, because that was the one place she saw you.
23:02She had to die for you to come back.
23:05Don't say that.
23:08That's not true.
23:13It is true, I'm an asshole.
23:17Only sometimes.
23:18Oh, yeah.
23:21Anyway, I think I want to live in New York.
23:24Oh?
23:26I remember you said if I want to be an actress, I should be there.
23:29And I can help you.
23:30Really?
23:31I mean, there are calls I can make, strings I can pull.
23:34Maybe not as many strings as before.
23:37I saw the video.
23:40Behold, I have a weapon!
23:42Heh.
23:43Maybe.
23:44But still, don't rush to New York.
23:46You've got a perfect opportunity right here in Millersburg.
23:49You've got a theater in your backyard.
23:51It's where I learned everything I know about acting.
23:53at the Millersburg Festival Theater.
23:56It was the perfect place to start a career.
23:58When I played Hamlet, the acoustics and such, whatever it is, it's magical because it was
24:04a communal experience, you know what I mean?
24:10Have you been to the theater?
24:12About yet.
24:12You should go.
24:46You should go.
24:50I've got you.
24:56You should go.
25:00You can't go.
25:05You should go.
25:07I know you should go.
25:08I know you should go.
25:09Put aside your worries.
25:11You won't have a care when the doorbell rings and the Mutsu Man is there
25:16It's no wonder he gets so many calls
25:20No one can resist my Mutsu Balls
25:24He's the Mutsu, Mutsu, Mutsu Man
25:28You're in love with the Mutsu Man
25:32Mutsu, Mutsu, Mutsu Man
25:35He's lotsa, hota, muscle with the Mutsu Man
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