Gullak is a heartwarming Hindi web series that beautifully portrays the everyday life of a middle-class Mishra family. Told through simple, relatable moments—like budgeting, family arguments, and small joys—it captures the essence of Indian household life. Narrated by a piggy bank (“gullak”), the show highlights love, struggles, and bonding in the most realistic and emotional way.
Hashtags (comma-separated)
#Gullak,#HindiWebSeries,#FamilyDrama,#MiddleClassLife,#RelatableContent,#FeelGoodShow,#EverydayStories,#IndianSeries,#Heartwarming,#SimpleLiving
Hashtags (comma-separated)
#Gullak,#HindiWebSeries,#FamilyDrama,#MiddleClassLife,#RelatableContent,#FeelGoodShow,#EverydayStories,#IndianSeries,#Heartwarming,#SimpleLiving
Category
😹
FunTranscript
00:00Thank you so much for watching.
00:30Ariyom Tat Tat
00:32Ariyom Tat Tat
00:35Ariyom Tat Tat
00:36Ariyom Tat Tat
00:38Ariyom Tat Tat
00:38Ariyom Tat Tat
00:41Ariyom Tat Tat
00:50Radhe Radhe Babaji
00:52How are you?
00:53I am very happy
00:54You have made a beautiful day today
00:56Did you get your new?
00:57No, it's not the old one.
00:59Today we have left.
01:00How are you, son?
01:01Okay.
01:02Okay, let's go.
01:11Another one.
01:15Another one.
01:23I'm coming here.
01:32I'm coming here.
01:34Mom, what happened?
01:46Mom.
01:52Annu, brother.
01:54Annu!
02:10I'm coming here.
02:15I'm coming here.
02:18I'm coming here.
02:20I'm coming here.
02:20I'm coming here.
02:21I'm coming here.
02:23I'm coming here.
02:28I'm coming here.
02:39I'm coming here.
02:42I'm coming here.
02:44I'm coming here.
03:14I'm coming here.
03:16Mike!
03:21Let's go.
03:52Help me.
03:55Mommy!
03:58Mommy!
04:00Mommy!
04:01Mommy!
04:02Where is the door?
04:03Where is it?
04:03Mommy!
04:04Mommy!
04:05Mommy.
04:06I mean, you haven't even come here.
04:07What happened?
04:09What happened on your face?
04:10Why did you come from the office?
04:13Dude, you're not speaking of the phone.
04:14I don't think so.
04:15Tell me something, brother.
04:16What happened?
04:17The market will reach, but no.
04:18Put your phone.
04:19Tell me something.
04:20What happened?
04:21I came to the temple and had no change in the market.
04:23How?
04:24You're going to call Papa.
04:25I'm asking you.
04:26Santy.
04:28What happened?
04:29Mom, you haven't reached until.
04:30You haven't reached until?
04:31You haven't reached the phone?
04:32You haven't reached the phone?
04:33No.
04:34It's not.
04:34You haven't reached the phone.
04:38Hey, Ranu.
04:40You go there.
04:41You have to keep the temple from here.
04:44You have to keep the phone from here.
05:04Where did you go?
05:08Mom, you're scared.
05:09When you say, you have to take the markets.
05:12Mom, you haven't reached the market.
05:23What happened?
05:25Mom, I'm on the one.
05:26Not it.
05:27You have to take the money.
05:29No.
05:33No.
05:34.
05:45Papa?
05:45Hmm?
05:47Amma gush bowl le hai hai?
05:48Doctor dhi kya hai kya?
05:50Chottie l to nahi hain
05:51Hr I ssad besi
05:54Lyegin ap kya karein Papa?
05:56Mami ke li hai pani le kya
05:58Italo ta behar ke lana
06:00Axa here kye bichar la dhena
06:02AY M B Peh nie
06:03I know it's mine.
06:08It's been a long time with my mother.
06:11You don't want to leave me alone.
06:12Don't be quiet.
06:14You're my mother too, right?
06:16There's so many people out there.
06:18No, I'm fine.
06:19But I'll tell you this to my mother.
06:21Cut.
06:51I'm fine.
06:52But when I'm going to sleep,
06:54there's no other need to be.
06:57When I'm sleeping,
06:59how does it take the weight of my mother?
07:02I'm studying these people.
07:07But when I'm not sleeping,
07:11I'm sleeping.
07:12It's just sleeping.
07:13This is the makeup of the hair.
07:14It is only a pain, but the makeup is also soft.
07:24The hair is also soft.
07:27The hair is also soft.
07:30The hair is very small.
07:34The hair is very soft.
07:43There was no wonder-
07:44And then there was no wonder and there was no wonder
07:54But we used to play a little bit
07:58It was just some shade, it was a little dirt
08:01But we used to put anything on the table
08:02It was a little bit of Haut
08:02Anyway, years ago, Love
08:07Wouldn't come in, so
08:12After the world rose
08:13This is the way I can change
08:16This life is a good place
08:18This life is a good place
08:23This life is a good place
08:43I'm sorry
08:51I'm sorry
08:53I'm sorry
08:53I'm sorry
09:03You have to eat something.
09:34Oh my god, you're so tired.
09:39Oh my god, my god.
09:42There's a lot of blood pressure on you.
09:45We'll get a lot of blood pressure on you.
09:49But we're happy.
09:50That's not it.
09:52I don't want to eat anything from the morning.
09:54I'll leave you alone.
09:56How will you do that?
09:59There's a lot of blood pressure on you.
10:02If you break down, the body will grow up.
10:04If you break down, the sugar will grow.
10:07My mom, we're all canceling today.
10:09We don't have to break the train.
10:11If you break down, we won't keep the day in the years.
10:14We'll burn up the body in the years.
10:16What will it be, then what will it be?
10:18You'll get a chance to get the chin to the chin.
10:22You'll get so much fun when you get the chin to the chin.
10:26You'll get a chance to get a chance to get a meal of the kitchen.
10:27And?
10:29And they get the money from the pigs.
10:31Papa, what are our pigs in the pigs?
10:36Where are you, son?
10:38What's the gift of the sony chain?
10:40They got the money.
10:48Hey, Mom.
10:50We'll take the new sony chain.
10:51It was old, right?
10:54No work.
10:54Oh, my God.
10:56In the 10th century, it was a hundred percent.
10:59It was an old sony chain.
11:04Now, it's been increased.
11:06It was for 40 years.
11:08In the 15th century.
11:10Today, it's about 50.
11:1225 carat paper gold.
11:141.5-1.5-1.5 gram.
11:17Papa, we've never seen this chain.
11:21You won't remember.
11:22Let me show you.
11:24Hey, but the chain is broken, right?
11:26Let me show you the album.
11:27Let me show you the photo.
11:30This?
11:31Hmm.
11:32It's a big deal.
11:32It's like Sardar Ji.
11:35When it was new,
11:36it was a mess.
11:38Yeah, yeah.
11:39Do you know?
11:40I think it's nothing,
11:41The first time,
11:41when your mother got into it
11:44in her daughter's daughter's house,
11:46the camera was killed with her,
11:49they were killed by the photo.
11:50Yes, brother.
11:51He said, I'm going to put him in 6-7.
11:53I'm going to kill him, I'm going to kill him.
11:56You know, pinkies are going to be like that.
11:59What do you think?
12:00I'm going to have to take this.
12:03So what do you want to take?
12:05He bought it in a few days.
12:07He paid $1,000 to $1,000 to $1,000 to $1,000 to $1,000.
12:10Ask your mother to pay for $15,000.
12:13You'll remember that.
12:15When we took the first time,
12:16we took it to the anniversary of the first time.
12:19In our hands, there was Daru Chakna Chicken.
12:24We didn't see it.
12:26We went to the kitchen.
12:29There was no chicken masala.
12:31We went to the kitchen.
12:33We went to the kitchen.
12:33Now, our hands and chains,
12:35as we kept it in front of them,
12:38we changed our shoulders like the government of the government.
12:44He didn't come.
12:47We went to the kitchen.
12:48We didn't hear that.
12:51We didn't hear that.
12:52What's that?
12:52Where did it go?
12:53We were eating.
12:54You're not the one.
12:56You're not the one.
13:03You're not the one.
13:16It's not the one.
13:17It's the one.
13:17It's the one.
13:19It's the one.
13:20We'll take it to the kitchen.
13:22We'll take it to the kitchen.
13:23What's the problem with the dogmaani?
13:25You're not the one.
13:29Papa,
13:31how much trouble is in my mother's chest.
13:33If she's going to die, she'll die immediately.
13:35I'm sorry.
13:36Let's go.
13:37Yeah, let's go.
13:38What's the problem?
13:39She's not the one.
13:40She's not the one.
13:40She's behind the angry young man.
13:42Where are they?
13:43Let's go.
13:47So, Mom,
13:49you leave to the temple at one hour.
13:51Okay?
13:52We'll wear chains and chains.
13:53After that, you took the train.
13:54The train has left you to the temple.
13:56What happened after that?
13:58He was in the temple.
14:01He was surprised by Pandit Ji.
14:02Who surprised by the people?
14:03Papa, one second.
14:04You're asking about chains.
14:06Who's going to die?
14:08He was telling me about chains and chains.
14:10Okay.
14:12So,
14:12you're asking about chains and chains
14:14and chains and chains
14:15that are coming from here.
14:19We had to make chains.
14:22We had to make chains.
14:23He's sending us every year.
14:29Papa,
14:31Pandit Ji is a sensitive man.
14:32But he's also very good.
14:33He's also very good.
14:34I'm a good guy.
14:35I'm a good guy.
14:37I'm a good guy.
14:37You're a sensitive man.
14:39He's coming out of the temple.
14:40He was standing outside the temple.
14:44He was standing outside the temple.
14:46leave the house back.
14:47He said,
14:48I'll take 50.
14:50He said,
14:51we'll come to the temple.
14:52We'll come to the temple.
14:54We'll go to the temple.
14:54He's lying.
14:56He's lying.
14:57He's lying.
14:57He's lying.
14:58He's lying.
14:59He's lying.
15:03He's lying.
15:04You're lying.
15:05It's not the native people.
15:06You're lying.
15:07He's lying.
15:08The paddle has episodic.�
15:27What was the sound of a motorcycle?
15:31We were dead.
15:33The man sitting behind the bike was killed by his arm.
15:41We were falling down on the ground.
15:45We were talking about school and college.
15:48He was running away from the ground.
15:53He hit his head.
15:55You're a dreamer.
15:56You're a dreamer.
15:57I am.
16:20Mom, I've never seen my wife's face.
16:22I've never seen my wife's face.
16:24The color, the color, you have to remember anything.
16:38You don't need to remember anything.
16:41But Mom, don't forget the shirt of the shirt.
16:44We'll reach the whole world.
16:47How?
16:48How?
16:49Mom, I will tell you what the shirt will tell me.
16:52We will see the shirt of the shirt.
16:53We will see the shirt.
16:55The shirt will be the shirt.
16:55And the shirt will be the shirt.
16:58Why, brother?
16:59That shirt has been met with the shirt.
17:01How did the shirt have been met with the shirt?
17:03It was a dream of the shirt that Mom is wearing a robe.
17:05The shirt will be the shirt.
17:06You understand yourself.
17:07The shirt has left the shirt.
17:09After that, she's standing outside.
17:11There are so many people coming.
17:12She didn't get any questions.
17:13What?
17:14What?
17:16What?
17:16What?
17:18What?
17:28What?
17:28What?
17:30What?
17:31What?
17:32What?
17:33What?
17:42What?
17:44We have to do all the work.
17:46Why are you talking about kidnapping?
17:48They are going to be scared.
17:50But we are going to put the clothes on.
17:52That's right.
18:00Listen.
18:02We have to talk about this with you.
18:05We are all together.
18:06We are going to get back and forth.
18:08We don't say anything and we will go out.
18:10We are going to get back.
18:11What do you want to do?
18:12We will do our plans.
18:14We will do a long day.
18:16And make a bag of rickshaw.
18:19No, this is a wrong thing.
18:20We don't feel like talking about people.
18:23If it happens,
18:24we will not put the rickshaw in the mother.
18:27You have not been up with the rickshaw union.
18:30No.
18:31We feel like that the man is poor.
18:34That's why you are taking him to the house.
18:35No, this is not a problem.
18:38This is about the rights and rights.
18:40Oh my God, Papa.
18:42You and Annu don't want to do a good job.
18:44He said that you had a good job, right?
18:47And this isn't it?
18:49He started with childhood.
18:52First, he's killed in his own house.
18:55He's starting with his own house.
18:58Then he's like,
18:58he's like,
19:00he doesn't go to the house,
19:00he doesn't go to the house,
19:01he doesn't go to the house,
19:02he doesn't go to the house,
19:02he doesn't go to the house.
19:03Tell him what to do.
19:08No.
19:10First, he has to take the police.
19:11You have to take the police.
19:12Why are you going to take the police?
19:13Who is your daughter and who else?
19:15Okay.
19:17Do that.
19:17You get that photo of the kitchen.
19:19And the police will look like that.
19:20The police will sit with you.
19:22Where is your daughter?
19:23My daughter is putting in the house.
19:26Okay.
19:27What are we talking about with your daughter?
19:35Is she going to eat my dog?
19:41Look, it's going to be there.
19:44No, you're not here.
19:46Where did you go?
19:49Hey Anno, I don't know how to talk to my mom.
19:52But it's so insensitive.
19:56You go.
19:57We take Chavi.
20:02Okay, hold on.
20:07What?
20:10What?
20:10Go.
20:13Where are we going?
20:15Where are we going?
20:15Where are we going?
20:16No, Santy.
20:16We don't feel good.
20:17We've eaten anything from morning.
20:19Think about our nature.
20:21When you come back, you're doing things.
20:23You're going to be doing things.
20:23You're going to be dry, you're going to be dry.
20:26You're going to be dry for your nature.
20:26And what's the most important thing is that your nature is bad.
20:29We're not sure.
20:29You're scared, Santy.
20:31But we're all together.
20:33You don't have to say anything.
20:36We will say anything.
20:36We will say anything.
20:37And what we want to do is we will do.
20:40So what are you both of us?
20:42What's the problem?
20:43It's a bad thing.
20:44You're with us.
20:46We will not write your report without you.
20:48Mom, you will have to write your signature on F.I.R.
20:49You will have to write your signature.
20:50Yes.
20:51There's no need for writing a report.
20:53The burden of burden will be reduced.
20:55No, there's no burden.
20:56It's necessary to write a report.
20:58And you've got to write a report again.
21:00You've got to write a report.
21:01Huh?
21:03It's a little bit.
21:04It's a little bit.
21:05It's a little bit.
21:05It's a little bit.
21:05It's a little bit.
21:06What?
21:09You don't know?
21:10No.
21:12The last thing was,
21:13my mother's daughter was married at the house of Bittu's mother.
21:16Now you know that the mother of Bittu's mother was 36.
21:19Now, this woman,
21:20was a woman in the house and a man,
21:21and was a woman.
21:23This girl was a big deal of money in her hands.
21:25Now, as they gave their hand in a marriage,
21:29they gave their mother to come and gave their mother to come.
21:31They gave their hand to come and gave their hand.
21:34Now, I'm going to go for this night.
21:36One of the characters played them.
21:38Their type of giggies.
21:40They took a cake and gave them themselves.
21:43The characters were happy, they got lost without their effort.
21:45The characters said thank you and they wanted a group selfie.
21:50What do they do?
21:51They sent a report?
21:54Where did the report come from?
21:56We are saying that we are listening.
21:58After three days,
22:00they were going on the road
22:01where they were stolen.
22:02And they killed them again.
22:05The Jewar had stolen them
22:06and put them back in a little bit.
22:08And now, Papa,
22:09he gave a gun to his face.
22:12When they were stolen,
22:14they didn't say that Jewar was stolen.
22:16They wasted time.
22:17They didn't waste.
22:17The group selfie was also deleted.
22:19They went to our house.
22:22That's why we have to report
22:23that Santi.
22:26Our mother knows.
22:28He says,
22:31don't go down from the night.
22:32Papa, we are just waiting
22:33to get them to get them.
22:35Then, they will take their hands
22:36and take their hands.
22:39Chabi.
22:42What is it?
22:43What is it?
22:43It's going to be on the night.
22:45We will see the night.
22:49There's a lot of trouble.
22:50If you have to ask us,
22:51you will ask us.
22:55I'm going to ask you.
22:56Papa, what are you saying?
22:58Don't do the time.
22:59Don't go to the report.
23:01You haven't eaten anything?
23:02You haven't eaten anything.
23:03Don't eat it.
23:04You have to eat it.
23:07It was your mother's wife, right?
23:10So,
23:11we have to write the report
23:11and see what it's going to eat.
23:13Come on.
23:13Let's go.
23:27Little child is not done.
23:30What is the only thing about what?
23:33This is the most difficult situation.
23:44६ुलिस थाना इस देश की न्याय प्रक्रिया की सबसे छोटी एकाई है
23:51पर अगर आपको उसके दर्शन करने पड़ जाए
23:55तो गोर अन्याय समयसूस होने लगेगा
24:00कोई बड़ा दिकारी हो या छोटा वैपारी
24:06The police's thawnees' kie chokhut pere apnei khushi se koi naihi aata.
24:13Aap thawnees me paaye gaya hai,
24:15Matlab, jeevan me koi apriya gha'tna gha't gaya hai.
24:20Aap aparadhi ho, ya khud peedit.
24:23Police thawnees me guztay hi aapka aam aadmi wala status khatrye me ajaata hai.
24:40Aap madala ka chaljai spay.
24:42Eh?
24:44Suno, kya khe rahe hai?
24:46Ham sara ghadnakramin ko sanjahayang.
24:48Usi basis pe ye F.I.R. likhengi.
24:50Simpel, uske baad, Santhi.
24:52Daskat krivengi.
24:53Thikka, Santhi?
24:56Santhi?
24:57Mami?
24:57Mami, man.
24:58Hmm.
25:00Batayye.
25:03Maadam, myself Santosh Misra.
25:05Hmm.
25:06This is my wife, Santhi Misra.
25:08Aaj yeh mangir se ghar laut rahiti naa.
25:11Toh, dhu motorcycle shawar badmaso ne,
25:13enki gale se sone ki chayne kheish leo maadai.
25:15Aap bhi dhe saath ne?
25:16Aray nahi maadam, haam hooteteta mohjal hai kisi ki yeharkat kar lieta.
25:20Maadam, hum aapko detail me saamjhate.
25:22Hmm.
25:23Dekhi, hua yeh ki, karib eek vajay yeh ghar se.
25:26Eek pandara hama?
25:27Haan woi.
25:27Sava bhaje yeh ghar se nikli yeh mandir jane ke liyeh.
25:31Chh.
25:31Ab bahaar ilko eek riksa waala kada mil gaya.
25:34Usmei baihti aur mandir pahunj gaya.
25:36Ties rupay usko dhe diyeh.
25:37Ab jab yeh pooja karke baahar nikli,
25:41Maadam, wahi riksa waala baahar kada mila hain ko.
25:44Kaya ki maadam wo sone ki chayne joe taad liya tha.
25:46Anu bahiyya, kya?
25:50Myself, Anand Misra, bade lardke.
25:52Aman Misra, chote lardke.
25:56Maadam, jate time, tis.
25:56Oh, jate time, pachas hi to gailas na.
25:56So, yeh pooja karke jabe baahar nikli yeh.
25:59Toh bahi riksa waala inko baahar kada mili gaya.
26:01He usmei baihti gayi.
26:02Ab iz baari inse paachas rupay maangga.
26:04Maadam, jate time, tis.
26:06Oh, jate time, paachas hi to gailas na.
26:08So, yeh baas utar gayi na.
26:10Papaya riksa nne lagi.
26:11So, yate ni, yo, bohatan ko suwaa.
26:14Maadam.
26:15Maadam.
26:16Maadam.
26:17Maadam.
26:18Maadam.
26:21Maadam.
26:28Maadam.
26:33Maadam.
26:34Maadam.
26:35Maadam.
26:37Maadam.
26:37Maadam.
26:39Maadam.
26:40Maadam.
26:40Maadam.
26:40Maadam.
26:41Maadam.
26:41Maadam.
26:42Maadam.
26:42Maadam.
26:43Maadam.
26:43Maadam.
26:43Maadam.
26:43Maadam.
26:44Maadam.
26:44I'm sorry.
27:06No!
27:08He can come.
27:09What do you mean?
27:11Madam, I was looking at the rickshaw in the wine.
27:16This is not a joke about it.
27:19No.
27:20This is a joke about it.
27:22We are asking questions to them.
27:24And when you are giving them?
27:25Madam, we don't know.
27:27We don't know.
27:28We don't go outside.
27:30And whoever has a joke,
27:32we have a list.
27:33Okay?
27:34Let's talk about it.
27:37Madam,
27:37Madam, proceed.
27:41Madam, you have a good breath, right?
27:44It's not a good breath, right?
27:45We will understand.
27:47Please.
27:49Yes.
27:50We don't go outside.
27:51Where are you from?
27:58Madam, that's my...
28:01Don't worry about tension.
28:02We are here, okay?
28:04Go, son.
28:05Your mother is in the house.
28:05We are with the rickshaw brothers, right?
28:08Sorry.
28:13We have to send out more money.
28:16Our theory is to send out.
28:18We want to eat a credit.
28:20So we have to send out.
28:21We have to send out.
28:22We don't have to do anything.
28:23If you have to send out,
28:24I will send you to my mother.
28:25I will send you to my mother.
28:26I will send you to my mother.
28:27I will send you to my mother.
28:29Customers,
28:30and I will ask you...
28:30You need to send out the bikes.
28:32And someone's guess?
28:33Keep it.
28:36Ma'am, tea?
28:37Yes, keep it.
28:44Hey, it's your nirzala.
28:52Will you come to the chin?
28:54We'll try.
28:57We'll keep these two puzzles.
29:00Why are you so angry, Devi Ji?
29:02She's gone.
29:04Our family has a big burden.
29:07They don't have to wear it, don't wear it.
29:10Okay.
29:12If someone gets drunk and gets drunk,
29:15it's a little burden.
29:16It's hard to wear it.
29:19You can say it.
29:22No one will get to your face.
29:24No one will go.
29:31Sign.
29:42Do you think that if we are in your place, we can do something different.
29:48Shanti ji, today's action is pretty good.
29:53Look at yourself.
29:55Nirjala, keep your breath.
29:57Without eating anything, you don't have any trouble.
29:59You don't have any trouble.
30:00You have been saved by yourself.
30:02You don't have to think about your family.
30:04Then you have reached home.
30:06And you are now reporting here.
30:09No, no, no, no, no.
30:12Whatever happened, you could have been a big deal.
30:16These people take a blade.
30:18You have to tell something.
30:19Nothing.
30:25If your soul is lost, why don't you feel happy about this?
30:29Hmm?
30:32Shanti ji, don't get rid of your soul, you don't get rid of your soul.
30:38You will be quiet the next time.
30:41Don't be quiet.
30:43Don't be quiet.
30:45Don't be quiet.
30:47Don't be quiet.
30:56Don't be quiet.
30:58Just...
30:59It won't happen.
31:01I know.
31:13We have to copy.
31:16Phone green.
31:38Yaman, where are you?
31:41Hey man, where is my kid?
31:42Hey!
31:43What is your kid here?
31:45He calls you a saint pretty urgency.
31:47I was surprised.
31:48Did you get permission from Pandi?
31:50Did he take some of his cash?
31:53Oh.
31:55We're taking a lot of water from the market.
31:57I'm also a doctor.
31:58So you've got to eat a lot of food?
32:01Are you going to give FIR madam a lot?
32:03He's saying he's happy.
32:04He's taken a lot of work.
32:07No, he's not.
32:08How can he be able to get back to the girl?
32:10He's saying he's just saying he's going to marry the wife.
32:17Let's go, Amand, we're going to put it in the bag.
32:20We're going to put it in the bag, and we're going to put it in the bag.
32:23Let's go, let's put it in the bag.
32:29Are you seeing that you're going to do it?
32:32Only you're not seeing it.
32:35You're seeing that you're looking at the bag,
32:37which has been in the bag of pocket money.
32:42You're seeing that you're collecting character certificate in office.
32:47You're watching the bag that keeps giving you money.
32:52For the mum's sake, she's making a tea,
32:54which doesn't mean to be,
32:56she doesn't even think of someone's hands.
32:59They will eat the vegetables when the mum's getting rid of it.
33:06Middle class is the one who eats the sleep,
33:10and will also be able to do and generate the milk.
33:15But yes, if the water is on top of the water,
33:20brother, it's hard to do it.
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