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Law & Order Toronto - Criminal Intent Season 3 Episode 1
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00:04In Toronto's War on Crime, the worst offenders are pursued by the detectives of the Specialized Criminal Investigations Unit.
00:12These are their stories.
00:37Barbara, you should have brought flowers for her birthday.
00:42I don't need flowers.
00:43I need news, Detective Michaels.
00:47I can't go on like this.
00:49We've run out of leads.
00:53If I knew once.
01:02Let's go.
01:03Looking good, Ainsley.
01:06All right.
01:07Love that post.
01:11All right, I think we're done.
01:17You stay for a drink?
01:18Thanks, Riley.
01:19I think I'm just going to go.
01:23Everything okay?
01:24Sure.
01:27Never going to be hotter than I am now, right?
01:50Donnie.
01:51The clothes are the ladies, Frank.
01:54Wendy, there's only one lady in this room for me.
02:00no open drinks near the samples hey ainsley is that your name the girls need to get ready
02:06for the finale help them be helpful hold this are you even in the right look it's the last favorite
02:17this is not what i expected hey ladies eyes on me please remember what we talked about
02:24powerful and fluid let's have some fun mr sharp excuse me
02:56you wish you were out there no i appreciate this job but yeah
03:04look we will have lunch on monday and we'll talk about your future you can still get me
03:12the after party right oh my god
03:21i'm leaving and you should too it's about to become hunting hour the plus one remains
03:30oh oh sorry that's okay let me get you another you a designer cosmetics surgeon
03:37and the reason why everyone here looks so good
03:51my friend found this online i don't know what you're talking about you lied to me you said it was
03:56for
03:57your part oleo take this down i am working right now okay hey what are you don't touch her
04:06i am working right now i am working right now i am working right now
04:12hey i think it's time you called it a night okay
04:18frank take care of this
04:21come on let's get you in
04:26come on let's get you in
04:40no help
04:57Stop, stop!
04:59Wait, wait, stop, stop!
05:12Stop, stop!
05:44This is the new East End, Hector.
05:47We started emptying the trucks into this section a couple weeks ago after the old one got full up.
05:52I mean, if she'd been dumped on the old site, we never would have seen her.
05:56Lucky.
05:57Yeah.
05:58Still gotta buy a lot, I'll take it on the way home.
06:01You guys got a system in place for tracking what part of the city she comes from?
06:06Give me a sec. I can narrow it down to within about four blocks.
06:09Thanks.
06:14What is she, 19, 20 years old, Tops?
06:18Bruising on the throat.
06:22Particular hemorrhaging in the eyes.
06:26She was strangled.
06:30They're polished, but the nails have been clipped and cleaned.
06:33Maybe she fought back and the killer rewarded her with a post-mortem manicure.
06:38No trace evidence.
06:41These marks on her body, they're not bruises.
06:44Stains, maybe.
06:46These scrapes, they didn't bleed.
06:49They were made post-mortem.
06:50Maybe the killer dragged her after she was killed.
06:52The person adjusts their grip and repositions.
06:56These are deep and continuous.
06:58I'm not sure she was dumped from that truck.
07:00I think she was dragged here.
07:02By a vehicle.
07:05Ruff.
07:07Rear axle.
07:08Another tarp.
07:09That loader could have dragged her.
07:14Ainsley Scott.
07:16Elmira Ontheria.
07:18She was to turn 19 next week.
07:21So if that isn't exactly where she was dumped,
07:25does that mean we're looking at more than just the East End?
07:26If she was dragged from a different Hector,
07:28she could have been thrown in any dumpster in the GTA.
07:39Mr. Scott, why did Ainsley move to Toronto?
07:42Ainsley came to the city to be famous.
07:47That's all she ever wanted.
07:51Yeah.
07:52Her mother passed five years ago.
07:54A drunk driver.
07:56She had Ainsley in dance and acting classes
07:58before her first holy communion.
08:01A lot of good that did her.
08:03A lot of good that did her.
08:05Referring to the sacrament or the vocation.
08:09Take your pick.
08:11It's hard to shake that Catholic guilt.
08:13No, I'm lapsed.
08:15Well, obviously something's bothering you, sir.
08:17You're evading eye contact,
08:18rubbing your neck with one hand,
08:20nodding.
08:21That's the holy trinity of nonverbal guilt right there.
08:24Are you insinuated that I have something to do
08:25with my daughter's death?
08:27No, sir.
08:27I'm insinuating that you think you did.
08:32Ainsley called last week.
08:36Excited.
08:37Daddy, I think I got my big break.
08:38Said she needed $700 for headshots.
08:41I told her I didn't have it.
08:44Maybe your birthday, sweetheart.
08:45So she said she'd find another way.
08:47Is this why this happened to her?
08:49Because she found another way?
08:53Um, did she tell you what that, uh,
08:56big break was?
08:57I didn't want to jinx it.
09:00I did.
09:02Here.
09:05I'll give you a moment.
09:11If Ainsley's body was dumped here,
09:12she was picked up on Friday.
09:15Okay.
09:26I got it here.
09:38Sorry, detectives.
09:39She wasn't dumped at her building.
09:40She's only been dead three days, Tops.
09:43Well, there's no collection on Sundays,
09:44so wherever she was dumped,
09:46she was picked up on Monday.
09:48Judging by the way her larynx was fractured,
09:50the killer most likely used his elbow or forearm
09:53and put his entire body weight on top of her
09:55to close her airway.
09:56Vaginal injuries, tearing, abrasions,
09:59all consistent with sexual assault,
10:00but in absence of seminal fluid,
10:02the killer wore a condom as residue.
10:04But no DNA.
10:06Now, we know that sexual murders
10:07are committed by one of two kinds of people
10:10with pathological disorders,
10:11those who kill to hide the sexual assault
10:13and those who find gratification
10:15in the act of killing itself.
10:18The latter are planners,
10:19harder to catch,
10:21and explains the condom and the clipping
10:23and cleaning of the fingernails.
10:25What about those blue marks on our skin?
10:29Results aren't back yet.
10:30Most likely some sort of dye.
10:32Is this the trash from my den?
10:34Yeah.
10:35They appear to be mostly fabric swatches.
10:42See, the light passes through.
10:45It's pilling.
10:46It's cheap.
10:47Dispersed blue.
10:48A derivative dye often used in outdoor textiles.
10:51Exactly.
10:52Outdoor blank.
10:53It's tablecloths when clothing manufacturers
10:56use it to cut costs.
10:57Given the right moisture conditions,
10:59it can stainscape.
11:01Oh.
11:02Okay, so these swatches were caught up in the tarp
11:05she was wrapped in,
11:05so what are we thinking?
11:06Dumpster from the fabric store?
11:08Clothing manufacturer, textile mill,
11:12somewhere that has its trash collected on Mondays,
11:14and no doubt a, uh, CCTV dead zone.
11:20Well, the killer,
11:22he keeps telling us that he's smart.
11:26Let's believe him.
11:31Four down, two to go.
11:32There's no security cameras.
11:34This could be it.
11:35Remote, not much traffic.
11:38Calling the IDENT team?
11:39Well, before we waste their time,
11:41let's see if we're wasting ours.
11:57Bade-man.
12:05Call him in.
12:07Reach out to our dumpster.
12:09The owner of Walsh's textile mill is in France.
12:12He's been there for the last five months.
12:13Must be nice.
12:14What about an employee?
12:15No, they didn't recognize Ainsley from the photographs.
12:18They're mostly older women, new Canadians.
12:20Probably don't want to get on the wrong side of the law,
12:22and it doesn't really fit the profile, does it?
12:25No, our killer took his time.
12:26He's entitled.
12:27Plus, the land isn't fenced in.
12:29Anyone could have driven in there and dumped the body.
12:30Anyone who knew there weren't any security cameras.
12:33Which is why we're looking into ex-employees
12:35and anyone in the neighborhood on the sex offender registry.
12:38You're a visitor.
12:39Blood in the dumpster from the textile mill
12:41is from our victim in the landfill.
12:43But that's not the only DNA I found.
12:46Ainsley might not be the only victim.
12:50This is where your first victim would have been
12:51before the loader dragged her off.
12:53So, anything from Walsh's textile mill
12:55would have been dumped here.
12:57Yeah, if it's from that dumpster one month ago
12:59or one year ago, then it's in the cell.
13:03You sure your dogs can smell a body
13:05through all this trash?
13:06Yeah, up to 15 feet.
13:0730 in the water.
13:09Woo-hoo!
13:09Woo!
13:22We got another one deeper down.
13:24Most of one, anyway.
13:27This isn't just a crime scene.
13:29It's a graveyard.
13:36Victim number two, Freya Klein,
13:38killed a month ago,
13:39still in possession of a German driver's license.
13:41Freya was killed in the same way Ainsley was,
13:43asphyxia with a fractured larynx.
13:46There's no ID yet on our Jane Doe.
13:48Her DNA was found in the textile mill dumpster
13:50with the others,
13:51and a broken hyoid bone
13:52indicates the same cause of death.
13:54She must have been in pretty bad shape
13:55if we needed a computer to tell us what she looked like.
13:58Yeah.
13:59That Silva places her body in the landfill for about a year.
14:02All three were sexually assaulted.
14:03All three had their fingernails clipped.
14:05Same ammo, same killer.
14:07A year ago, a month ago, and now,
14:09as the pen cycle is speeding up,
14:11we know that serial killers will find their methods over time.
14:14But this guy, no mess, no DNA.
14:16We haven't found his first kill.
14:18Anything else connecting these three women?
14:21Well, Freya Klein's parents said she mentioned
14:23something about an ad campaign,
14:25and Ainsley just got new headshots.
14:26Now, Ainsley's headshot, though,
14:28that's full body.
14:29That could indicate fashion model.
14:31Fashion models do ad campaigns.
14:33Yeah, and Jane Doe's got a gap in her teeth.
14:35That's a thing.
14:35Just like supermodel Laura Stone.
14:38Yeah, and it's fashion week.
14:39Okay, I'm sorry.
14:40Did I miss that you're both fashion buffs?
14:41Oh, human beings have been decorating ourselves
14:44since the beginning of time.
14:46Yeah, that's fascinating.
14:47Do we change our outside to match what's within
14:49or to, uh, to express it?
14:52What's this?
14:52Little black dress.
14:54This was in Ainsley's purse?
14:55Yeah.
14:56Perhaps we hit the runway
14:57to see if they're serving drinks
14:58with swizzle sticks like these.
15:03They were giving these out in drinks backstage
15:05opening night.
15:06And we'll be finding them
15:07in the bellies of our brand Zeno for decades.
15:10Walk and talk.
15:11Next model!
15:13I have five designers a night.
15:15Five nights a...
15:16No, no!
15:17Can we try to have a heartbeat?
15:19Excuse me.
15:20Uh, do you recognize this woman?
15:23No.
15:24What about her?
15:26Ainsley was a PA opening night.
15:29Dorian Sharp's big show.
15:30Did you hire her?
15:32No.
15:33Ainsley is what happens
15:34when someone uses their status
15:36to make you hire help with no experience.
15:38I see.
15:39And who of status
15:40imposed Ainsley Scott on you?
15:42A modeling agent.
15:44Senoya Lee.
15:45She's around somewhere.
15:47Check the bar.
15:51This is awful.
15:52Yes, I knew her.
15:54Ainsley wanted me to rep her.
15:55She was persistent.
15:58I just wasn't sure if I could sell her.
16:01But you went out on a limb for her
16:02and got her a job backstage?
16:03Yeah, she reminded me of me when I was young.
16:05How so?
16:06Small town.
16:07Starry-eyed.
16:09When was the last time you saw Ainsley?
16:10The party on Saturday night.
16:12After I left,
16:13I heard that she got into an altercation
16:15with a photographer named Riley Chan.
16:18I heard it got really ugly.
16:20Does Riley Chan have a reputation
16:21for having altercations with young women?
16:23I don't know.
16:24But he did Ainsley's headshots.
16:26Well, Ainsley's dad said
16:27she couldn't afford headshots.
16:30Maybe Riley Chan has a side hustle?
16:36She attacked me.
16:37I just did her headshots.
16:39For free.
16:39Well, I mean, they weren't entirely for free.
16:42There was a price.
16:44An exchange.
16:46Tradesies?
16:46Yeah, we found other women
16:48on your quiet night page, too.
16:50Was it tradesies with them as well?
16:52I took her photos down.
16:53Well, we found them.
16:54No, I mean, I felt bad.
16:56I even went to Ainsley's place to apologize.
16:57What, an argument broke out?
17:00One thing leads to another, and...
17:01No, there were cops at the apartment,
17:02so I left.
17:03Well, I hope you have someone
17:04to corroborate that,
17:05because as far as we know,
17:07you're the last person to see Ainsley alive.
17:09Me and a bunch of other people.
17:11She was drunk.
17:12Dorian Sharp kicked her out himself.
17:13Well, I mean, you being such a nice guy,
17:15but you walked her out and got her a cap?
17:17I was working.
17:18You got proof?
17:19Photos from the after party.
17:20Well, let's see them.
17:24Sign an NDA.
17:25Oh, well, then.
17:26Riley, you're going down
17:28for distributing pornography without consent.
17:30That's sex offender registry.
17:32Worry about us, not the NDA.
17:37That necklace.
17:39She wasn't wearing that one.
17:40She was found.
17:41Who's the guy?
17:42Frank Maddox, cosmetic surgeon to the elite.
17:46He walked her out of the party
17:47and never came back.
17:48Yeah, I was chatting with her
17:49until the altercation.
17:50I offered to get her a cab,
17:51but she wanted to walk.
17:52Where'd you go after that?
17:53Home.
17:55To my wife.
17:56Good boy.
17:57I'm not stupid.
17:58The sort of girls at these things,
18:00it's a child support lottery.
18:01Gosh, all these poor, wealthy men
18:03getting taken advantage of
18:04in VIP rooms all across the nation.
18:06Well, that's the epidemic of our times.
18:09These sharp parties sure look wild.
18:11Wilder than the ones
18:12that TPD throw at Christmas.
18:14That's how we got wild.
18:16Yeah, no, we don't get that wild.
18:18These girls know what they're signing up
18:19for when they walk through that door.
18:21And they're pulling each other's hair out
18:22to get in.
18:23And your wife is cool with that?
18:24You staying so late at these parties
18:26all by your lonesome.
18:27I met my wife at a sharp party.
18:29Oh, yeah?
18:29Years ago.
18:30He flew me down when he had his place
18:31in Honduras.
18:32Introduced me to a pretty girl
18:34from back home.
18:35She was a model.
18:36Oh, so you and sharp are close.
18:39I'm his doctor.
18:40An artist with a Botox brush.
18:43Sharp doesn't like aging.
18:44Oh.
18:45And what else, um, stops aging?
18:48Seriously, I'd like to know.
18:50You know, what do you do for these guys?
18:52You do the, uh, PRP hair regrowth?
18:55Testosterone.
18:56Uh-oh.
18:57Looks like we had a nerve.
18:59Now, what are the side effects
19:00of testosterone treatment?
19:02Uh, aggression?
19:03Hyper sex drive?
19:04Not at a legal dose.
19:06Right.
19:06Because if you were to inject a man
19:08with more than a legal dose
19:10and that man were to, say, uh,
19:13hurt a woman, that would make you, um...
19:15An accomplice.
19:19Did you ever inject yourself?
19:22Puzzleark.
19:26Do I need to call a lawyer?
19:27No.
19:28That one's on me.
19:30I crossed a line.
19:31All right, bring it in.
19:32I'm sorry.
19:36Yeah?
19:38Okay.
19:39So we giving out hugs now?
19:41It ain't that he fought back.
19:43Why else would the killer have clipped
19:44and cleaned her fingernails?
19:46There's no scratches on his face and neck,
19:48and given how she was pinned down,
19:51the only place she could reach would be there, or...
19:53His back, and he didn't even win.
19:55Not once.
19:57Only when I mentioned the testosterone treatment.
20:00So who are you thinking?
20:01Grandiose sends his self
20:03as the trait of the power control serial killer
20:05above the rules.
20:06We've been looking at the players.
20:08It might be time to consider
20:09who built the playgirl.
20:10You're talking about Dorian Shaw.
20:14There he is.
20:17Dorian.
20:18I didn't see you on the schedule.
20:20Yeah, the girls fit me in.
20:21Fashion week's really doing a number on my energy.
20:24Need a little pick-me-up.
20:25Sure, we can do a milligram of B12.
20:26Yeah, B12.
20:27That's not really what I was thinking.
20:30Well, if you want a new testosterone,
20:31we're gonna need to stay below 200.
20:33Why is that?
20:35I'm concerned about your heart, your liver.
20:39Oh.
20:39Okay.
20:40Well, I appreciate the concern, Frank.
20:42I really do.
20:43But let's just stick with the regular doses, okay?
20:45We can discuss cutting back another time.
20:52Here, a girl was killed after your party.
20:55Same girl you asked to leave.
20:58I did, yeah.
20:59Jeez.
21:01Cops brought me in to talk about it.
21:05Think you had something to do with it?
21:07They didn't say that, but it's...
21:12It's how they made me feel.
21:19Frank and his friends party with part-time babysitters
21:22like a gang of delusional vampires.
21:25But Frank is harmless.
21:28What about Sharp?
21:29Is he harmless?
21:31I met Sharp when I was down in New York on a shoot.
21:34And did he ever...
21:36No.
21:37At 22, I was a little long in the tooth for him.
21:42But I heard stories about the kind of sex he was into
21:44that it could get rough.
21:47Are we talking consensual?
21:48You know, we used to let men tell us
21:50that truly liberated women were down with anything they wanted,
21:54but consensual wouldn't be the first word that comes to mind.
21:57You think Sharp's capable of murder?
22:01Wendy, Dorian Sharp has a life
22:04that gives him access to an unlimited supply of young women.
22:07When we enable men like that, they lose perspective.
22:10When we enable him,
22:12women are as victims, detective.
22:15And then it's up to us to come forward,
22:17even when that's a very dangerous thing to do.
22:20We can offer you protection.
22:22We can protect anyone you connect us to
22:24who corroborates your story.
22:25There is no protection
22:26against that kind of money and power.
22:29You know, I always got a bad vibe off Sharp,
22:31but he wasn't dangerous
22:34until he was in an expensive suit.
22:37An expensive suit?
22:39And what was he wearing before that?
22:41Cup rolls, I suppose.
22:42He started out in some textile mill
22:44on the north end of the city.
22:46Crawled his way off the factory floor.
22:52Your first job in the industry
22:54is right here in Toronto
22:55at Walsh's textile mill.
22:57Was that a tough job?
22:58We drove past it on the way here.
23:00What a dump.
23:02Right.
23:03Well, I wasn't there long.
23:04No, you were poached by Atelier X,
23:06off to the Big Apple.
23:08Five years later, you were creative director,
23:10so why'd you leave?
23:11Atelier stripped my designs
23:13of their most interesting aspects,
23:15so, uh, yeah, I left.
23:17Came home.
23:18Started my own empire.
23:19Do you know this woman?
23:22No, I don't think so.
23:23No?
23:24Because you asked her to leave your party.
23:25Well, I asked lots of young ladies
23:27to leave my parties.
23:28There's a certain decorum
23:29that I think might have skipped this generation.
23:31Huh.
23:32What about her?
23:33Have you ever seen her before?
23:37Doesn't look like a model, huh?
23:39No, I don't think so.
23:40Her name is Freya Klein.
23:41She was also found in the landfill.
23:43Are you sure?
23:44Detectives.
23:45A bead.
23:46What, from a necklace?
23:48Yeah, probably from a dress,
23:50I would imagine, yeah.
23:51Seamstresses aren't what they used to be, I guess.
23:53Seamstresses?
23:54Young ladies?
23:55I bet you long for the good old days
23:57down in Honduras.
23:59Your botulism guy, Frank,
24:01he told us that you used to fly people down there
24:03quite a bit for some pretty wild parties.
24:06Did those women display appropriate decorum?
24:10He flew Frank down to Honduras
24:12to help set up his stem cell research center.
24:14Anti-aging research center.
24:16That's right, yeah.
24:17Is there a problem with that?
24:20Looking for more beads, detective?
24:24You know, buttons.
24:27Yeah, I love buttons.
24:28And what would happen if I pushed that one?
24:31Well, if I pushed that button,
24:33it locks my office door,
24:34so people can't come in and bother me.
24:36So you don't want people to come in?
24:39Or to get out?
24:41Tell you what, detective,
24:42I'll wait to push that button
24:43until after you leave.
24:45How's that?
24:52You think that's our killer?
24:54I think we just walked out of the crime scene.
24:59You found this bead in Sharp's office?
25:01Yeah, we did.
25:02We believe it matches the necklace
25:04Ainsley Scott was wearing the night she died.
25:06Well, anyone with an RBC Cub card
25:08can buy one of those on Instagram.
25:10And no CCTV footage from the night of the murder.
25:13No.
25:14What about your first kill theory?
25:16What does our timeline tell us?
25:17Well, in 2010,
25:19after his career took off in New York,
25:22Sharp bought an estate on Roatan Island in Honduras.
25:24It was fast becoming
25:26a medical tourism destination for the wealthy.
25:28In 2013,
25:30he funded an anti-aging lab there
25:32that was doing some pretty questionable
25:33legal things with stem cells.
25:35He even bragged to the New Yorker
25:36that he discovered that felt me use.
25:38But no missing women in Honduras.
25:41Ah, please say no,
25:42but we're gonna keep digging.
25:43Then in May 2021,
25:45Sharp leaves New York
25:46and returns to Canada
25:48to go out on his own.
25:49But we haven't found any other murders
25:51that match his M.O.,
25:52at least none connected to fashion.
25:54Wait, wait, wait, I was wrong.
25:55We do have murders that match his M.O.?
25:57No, about when he came back to Canada.
26:00According to this article,
26:02after he left Atelier X,
26:03he leased a building in Manhattan
26:05for his new headquarters.
26:07May 2021.
26:10May 2021?
26:12When did he start his operation in Toronto?
26:14Not until August 2021,
26:17three months later.
26:18Oh.
26:19So why the sudden change of plans?
26:21Why'd he cut and run for the border?
26:23Because she's there.
26:25Our primary victim's in New York.
26:28These are the unsolved homicides
26:29in New York City from 2021.
26:31Remove anything after August 21.
26:35Remove anyone under 16.
26:38Remove all the men.
26:40Remove any females over 30.
26:43And narrow it to deaths
26:44that occurred in the month
26:45before Sharp left his New York City headquarters.
26:49If one of these women were his first victim,
26:51there's a chance he left DNA.
26:54Detective Sergeant Michaels,
26:55thanks for meeting with us.
26:57Laura was found on the lower level of the plaza.
26:59We have no idea how she got there
27:00or who she was with.
27:01Were there any parties or events
27:03at the hotel that night, Detective Michaels?
27:05Uh, yeah, there was a bar mitzvah
27:07and a fashion show reception.
27:08We couldn't find anyone who remembered seeing her.
27:10Crime scene was a mess.
27:11She had a bloody nose and a crushed larynx.
27:13Tell us she got DNA.
27:15Male DNA blood sample coming your way.
27:17Obviously, we have no match.
27:19Look, Detective's her mother, Barbara.
27:21But she's been, uh...
27:25Yeah.
27:26I'd love to find this guy for her.
27:27Of course, Detective Michaels.
27:29You'll be your first call.
27:31Appreciate it.
27:31Okay, we need a warrant for Sharp's DNA.
27:33This is bound to be a match.
27:35To get a DNA warrant on someone like Sharp,
27:37you'll need at least one woman
27:39to corroborate Wendy Maddox's sexual assault implication.
27:42We're gonna be dealing with fear, intimidation...
27:45Stop, stop, stop.
27:46I have complete faith
27:48that if anyone could cause that first domino to fall,
27:51it is you guys.
27:58No, I haven't heard that Sharp assaults woman.
28:01But maybe I wouldn't.
28:02Your clients wouldn't come to you?
28:04They might be afraid that what I would do
28:05would cost them work,
28:06like get him arrested,
28:08which I would.
28:09Ms. Lee, of all the models we contacted,
28:11there were three that we couldn't reach
28:12and they were all your clients.
28:14Anna, Trident, Joy Williams, and Lucy George.
28:19Becca, remember, in the fridge, okay?
28:21Not in the bin.
28:23Yes, Anna, she got canceled, poor thing.
28:27Joy, she tragically took her own life,
28:29and Lucy George.
28:31I haven't heard from her in ages.
28:34I'm really sorry, detectives.
28:36Should I cancel your call at two?
28:37Rebecca, would you happen to have
28:39an emergency contact for Lucy George?
28:41I would have that.
28:43Give me a minute.
28:48Lucy wanted to tell the world
28:49what a creep that Sharp was,
28:52but I warned her against it.
28:53I mean, she was saying some wild stuff,
28:55and I was wondering if she was hearing stuff right,
28:57you know?
28:57Lucy has pills, but she doesn't always take them.
29:00Wild things like what?
29:05Look, Doris, anything you say might help us.
29:09Oh, Lord.
29:11Stuff like he was forcing pregnant women to get rid of their babies
29:15so he could steal the fetus's stem cells?
29:17I told her Lucy to sound crazy as a loon.
29:21And you didn't want her to speak out?
29:23I wanted her to talk to a psychiatrist.
29:25But instead, she stopped talking to me.
29:27Said she was going out to California,
29:29try her luck out there,
29:30you know, get in the movies.
29:32I don't have her Los Angeles phone number.
29:34Keep looking for her on the TV,
29:35but I haven't seen her yet.
29:37She's not on social media?
29:39No, she shut all that down.
29:40She thought Sharp was stalking her.
29:42You know, if you find her,
29:43you might want to tell her.
29:44Her mother would love to hear from her.
29:46Of course.
29:47Do you have a photo of Lucy that we could see?
29:49Yeah.
29:56Gap and those crooked old tees.
29:58Couldn't afford braces.
30:00Wouldn't you know it's the look now?
30:01I'll get the kettle.
30:06It's quite this while.
30:08We've seen that Gap before.
30:10Lucy is our Jane Doe.
30:13I'm sorry.
30:14Lucy George's mother is not an eyewitness.
30:17Theo.
30:18It's just not enough for a DNA war.
30:19Come on.
30:20The dental records prove
30:21that Lucy George is our Jane Doe.
30:23Lucy knew what Sharp was all about.
30:25She wasn't afraid to talk,
30:26and then she's just gone.
30:27It's a credible theory.
30:29But I need this to be tight, airtight.
30:31This guy has a huge team of lawyers.
30:33Yeah, well, our laws apply to the rich as well.
30:35We all seem to forget that.
30:36Billionaires get a free pass,
30:38yet over and over again.
30:39We bear witness to the horrific misconduct
30:42of unchecked wealth.
30:44That's why I'm being extra careful.
30:45Which is why I'm done with careful.
30:47We don't need a DNA warrant for Sharp.
30:49Frankie.
30:49We need to get this guy.
30:51Frankie.
30:51Frankie.
30:54Well, you're about to be very, very busy.
30:58Cheers.
30:59Roach will talk to your agent,
31:01and we'll start booking you.
31:02Hey, kid.
31:03Take your break.
31:08Put that down.
31:10Oh, my goodness.
31:12What's happening here, folks?
31:14Detective Graf was just about to forfeit his career.
31:17Ah, you really should listen to my lawyer.
31:19That tracks.
31:20Do not spend time alone with this man.
31:22Tell your friends.
31:22What do you mean?
31:23Oh, it's all right.
31:24She has a contract.
31:26He likes the invisible ones that nobody will miss.
31:28The ones with big dreams and no chance.
31:31But you know what's got me wondering?
31:33Is what happened in New York?
31:36Huh?
31:37What pushed you over the edge of the murder?
31:39Did something humiliate you to make you want to go further?
31:43Did Laura Johnson reject you?
31:44Tell you that you're old enough to be your dad?
31:47Or maybe he had some performance issues.
31:51Is that why you started taking testosterone?
31:53Whatever it is that made you snap,
31:56it awoke something in you, didn't it?
31:58Something dark, something you like.
32:00Oh, please.
32:00You know, you really didn't need to resort to burglary here, detectives.
32:05If you want my DNA, I'll give it to you.
32:09I don't know any Laura Johnson, and I have nothing to hide.
32:25Sharp, we need to talk.
32:27I'm listening.
32:28The cops are asking questions about Ainsley.
32:31Come on.
32:39Sharp, get off him.
32:43Sharp, get off him.
32:44Hey.
32:45What?
32:47What the hell, man?
32:48Good job, bro.
32:55Sonoya, you need to stop worrying.
32:59Worrying causes wrinkles.
33:02Look at me.
33:03I feel like a teenager.
33:04You know why?
33:05Because I have nothing to worry about.
33:08Okay?
33:12I think we should get down there.
33:13He knows where we're coming from.
33:15It's okay.
33:15I just parked a spin team outside his headquarters the second we get confirmation that the DNA bought.
33:23It's not a match.
33:24How is that possible?
33:26Blood sample from the body in New York didn't match Sharp's cheek swab.
33:30Come on, you can't be serious.
33:32I reviewed your evidence.
33:34You have no prosecutable case at this time.
33:36Dio, everything points to Sharp.
33:38Sharp willingly gave you a cheek swab and the DNA did not match the blood left at the murder scene
33:42that you claim was his first kill.
33:45He did, didn't he?
33:46Did what?
33:47He gave us a cheek swab.
33:49Willingly.
33:50Handed it right over.
33:54Yeah, Lucy, you in the building?
33:56Okay, can you meet us in the kitchen ASAP?
33:59Hey, you, uh, you want to fill me in?
34:02Well, this is going to sound a little weird, but just bear with me.
34:04I always do.
34:05Doris George's statement, the fetuses, um, they're full of stem cells.
34:10Yeah, I'm not so sure how reliable the rest are.
34:11Sharp willingly gave us his DNA.
34:13Why?
34:15Because he knew it wouldn't match.
34:17Wait, so you're saying it wasn't Sharp's DNA at the crime scene in New York?
34:22Well, it was his DNA, his blood DNA.
34:25Because Sharp is a chimera from great mythology, the lion and the serpent together, two beings in the same body.
34:32Chimerism in humans refers to somebody who's had a stem cell transplant,
34:35something that Sharp was experimenting with in his fight against aging.
34:39Okay, I'm with you.
34:40Just take it back a little bit.
34:41Here.
34:42Hmm.
34:44When somebody has a stem cell transplant, their DNA is, may I, replaced by the donor's DNA.
34:53Take it away, this hill.
34:54It's true.
34:56But only the DNA in the blood.
34:59He has two sets of DNA.
35:00The other cell's skin or saliva from a cheek swab won't change.
35:05So he gave us his saliva because he knew it wouldn't match the blood found on Lord Johnson in New
35:10York?
35:10Which contained his donor's DNA, and that's why he cut and cleaned their fingernails, because the skin cells underneath would
35:17have Sharp's original DNA.
35:18At that lab in Honduras, he took the stem cells and changed his blood.
35:22We need to find the donor or the records.
35:25We just gotta prove it.
35:27Uh, you can start in the hallway.
35:29Thanks.
35:29Oh, and mix some bleach into the floor cleaner for me.
35:33That's oddly nostalgic for me.
35:35My mother used to use it to, like, keep the neighbor's pig farm a bit.
35:39You know we could have bought the DNA.
35:42Are you kidding me?
35:43I miss all the fun.
35:44I wish I could see the look on that detective's face when he saw the results.
35:47I mean, priceless.
35:49You know, if I thought I was gonna live forever, I'd try to avoid life in prison, Sharp.
35:54Well, here's an idea.
35:55Why don't you fix it, Roach?
35:57Or don't.
35:57Whatever.
35:58I'm on a plane in a few hours anyway.
36:00It says here the lab burnt down nine years ago.
36:03The records were incinerated, it was arson, and they never solved it.
36:08What about permits?
36:09I mean, he must have detailed the procedures he'd be doing.
36:12Well, I'm getting the impression that Honduran law is, uh, lax to those with means.
36:19Wait a minute.
36:21We had a sexual assault complaint against Sharp from 2012, McGrath.
36:26Look who testified on his behalf to quash the charge.
36:29I knew she was hiding something.
36:30You think she knows what happened to the lab?
36:33I think she knows everything.
36:37Ah, Miss Lee, thanks for coming.
36:41Hey, would you like to finish that at all?
36:43The rest of your meal?
36:44Yeah, my eyes were bigger than my stomach.
36:46It's just I noticed how you saved that, uh, that salad.
36:50It was a bit of a tell.
36:51My grandfather, he grew up during the Depression.
36:53He never left anything on his plate.
36:55And even the way dentures were back then, it wasn't a pretty sight, let me tell you.
37:00No, I knew poor.
37:02Just like you.
37:04Excuse me?
37:05No hint of an accent.
37:06I never thought to look for you in Honduras.
37:13One second, sorry.
37:15It's my partner.
37:17She says there's a, there's a cleaning van outside Sharp's office.
37:21I wonder what that's about.
37:22You said you had information on Lucy George?
37:25Oh, yes, I, I do.
37:26Please take a seat.
37:33Uh, first I would, uh, I'd like to talk to you about, uh, your home in, uh, Honduras,
37:40or, well, your lack thereof.
37:42Detective, I don't like your tone.
37:43What about Dorian Sharp?
37:44You like him?
37:46I mean, he, he hired you from off the street.
37:49You were homeless, correct?
37:50Sleeping rough?
37:51Yes, actually, I was.
37:53At that point in my life, I was lucky if I could sleep in a public bathroom.
37:57And then you had your own bathroom.
37:59Sharp lifted you out of poverty and offered you opportunities beyond your wildest dreams.
38:03How could you say no to him, to anything he asked?
38:07So when he needed you to, uh, discredit a woman's sexual assault allegation...
38:12I told the truth.
38:13That woman was lying.
38:14I understand that.
38:15I mean, you were just a kid, and you cared about him, and he was more than just an employer.
38:21He was a savior of sorts.
38:22But that does not give him the right to exploit you, to abuse you.
38:26Detective Graf, the relationship that I have with Dorian Sharp is purely professional.
38:31It's okay, Sonoya.
38:32I know what happened in Honduras.
38:36Dorian Sharp's the bad guy here, and for that, I'm sorry.
38:42Does this feel familiar?
38:44What, what's happening here?
38:46What I just did.
38:47A couple of low blows, and build you back up again, make you feel safe.
38:51Because that's what monsters like Sharp do.
38:54They, they break you down, and then they put you back together.
38:57Okay.
38:57I want my lawyer.
38:58Oh, what, uh, Vincent Roach?
39:00Yeah, sure.
39:01Isn't he on, uh, Sharp's payroll, too?
39:03I mean, he's a, he's a paid servant, just like you.
39:06I'm not a servant.
39:07What are you, then?
39:07I'm a survivor.
39:08No, you're a chimera, just like Sharp.
39:11Except for you, it's part predator, part prey.
39:14It's how you survived.
39:16You needed those young women to shoulder the burden of what he was doing to you.
39:20I didn't know such thing.
39:21Sure you did.
39:24No, you didn't write the menu, but you served those women up on a plate.
39:28You fed the beast.
39:29And as the world changed, as women's eyes were open to the horrors that waited for them,
39:33behind closed doors, you were the lure Sharp needed.
39:37A false beacon calling vulnerable young women to their deaths.
39:42Laura Johnson, brutally murdered in New York.
39:45And bingo, you have your own modeling agency.
39:48Freya Klein, a stranger to this country, tossed into a dumpster.
39:52He met Freya about an ad campaign.
39:55Campaign that, uh, poof, magically disappeared along with her.
39:59And, uh, where's Lucy George?
40:01Lucy went to California.
40:04No, Lucy went into landfill.
40:06And it broke her mother's heart when we identified her remains.
40:09Take a look.
40:10How did you describe Ainsley Scott again?
40:13A starry-eyed, reminded you of yourself.
40:17He said he saw spirit in her.
40:21So I drove her to his office.
40:23I was helping her.
40:25Oh, you were helping her.
40:26You drove her to a meeting, a go-see, in the middle of the night.
40:29Didn't she find that a little odd?
40:30Was she scared?
40:32What did you tell her to ease her fears, to get her to cross that dark threshold?
40:38Imagine those, uh, those starry eyes, yeah?
40:43As he pushed his elbow down onto her throat and stole her last breath.
40:47Stop it!
40:48Oh, that man, he loves a pattern.
40:50I didn't know what he was doing.
40:52You gonna bring on the waterworks?
40:53Sure, go ahead.
40:54Hey.
40:54Okay, there's one for Lucy.
40:56There's one for Laura.
40:57And there's one for Freya.
40:58And both.
40:59Damn it.
40:59Take them all.
41:00You earned them.
41:01I was helping them.
41:03Were you?
41:05I was helping them.
41:07No, you weren't.
41:09But you can.
41:11You can help them.
41:12Right now, I need to know how Sharp changed his blood.
41:15It was a stem cell transplant, wasn't it?
41:17At the lab in Honduras.
41:19I don't.
41:21Sonoya, I need proof.
41:22I need the name of the donor.
41:23I don't have.
41:24It's the only way we can connect Sharp to the bloody left on Laura Jones.
41:28I can't.
41:28Why?
41:28Because.
41:29Because what?
41:29Because the donor died.
41:36He made me get rid of my baby.
41:43And he used the stem cells to heal himself.
42:00But you can't help those women now.
42:04You can bring them justice.
42:06You can bring justice to the woman he killed.
42:10Sonoya.
42:12Your blood is your testimony.
42:22I need you to stop what you're doing.
42:24Now.
42:27Dorian Sharp.
42:28You're not going anywhere this time.
42:30Are we really going to go through this charade?
42:33Excuse me, I'm late.
42:39How's that feel?
42:41We're going to need another sample.
42:44Blood this time.
42:46Should be a 50% match for Sonoya.
42:58I updated Detective Michaels in New York.
43:01Thanks.
43:02Sharp made his fortune making women's clothes.
43:04And he used it to steal their boys.
43:07Well, four of those women.
43:09Finally got a chance to say something about it.
43:12We're going to need another sample.
43:18We're going to need another sample.
43:21We're going to need another sample.
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