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00:28Transcription by CastingWords
00:42Who are you?
01:02And how does it feel like to wake up in the sun?
01:10And how does it feel like to shine on everyone?
01:18And how does it feel like to live forever breathing?
01:25And how does it feel like to spend the little life time sitting in a gutter?
01:35When she runs a�ful day and how does it feel like to spend a little lifetime sitting
01:46in the gutter?
01:48She runs immediately, and how does it feel like to spend a little life
01:55Yes, I'm off.
01:56Bye.
02:03Copy, tack. Interested.
02:04Don't want me.
02:12Hi.
02:13Hi, I'm so sorry, Miss Thompson. My plane was late. Hi.
02:17Mrs Blake, this is the third time this week.
02:19Yes, I know. I'm really, really sorry.
02:21But I'm not that late today, am I?
02:24Did you come through town?
02:25Yes.
02:25Yeah, those roadworks were a nightmare.
02:26Oh, my God, yes. The traffic is awful.
02:29I'm... but I'm sorry, Miss Thompson.
02:31It will not happen again, I promise.
02:34Well, I hope you have a splendid rest of your evening.
02:36You, too. And thank you so much for waiting.
02:42I'm Rebecca. I'm Josie's mum. She's new this time.
02:45Oh, yeah, I know. Lucia hasn't stopped talking about her since they met.
02:49Oh, sweet.
02:49I'm Elisa. Were you... were you late, too?
02:52Oh, no, we just stayed to keep Lucia company.
02:54That's so kind. Thank you.
02:56Wow. Hello.
02:58Hi, Mummy.
02:59Hi, darling.
02:59Can I go over to Josie's house to play?
03:01You know, it's been really sweet of Lucia to welcome Josie to class.
03:05I moved around a lot as a kid and it sucks to be the new girl.
03:07Oh, wow, they're the best of friends now, aren't they?
03:11Oh, I'm sorry. I'll just be a sec.
03:14Please, Josie's mum says it's okay.
03:16Oh, darling, not tonight, Lulu.
03:18Well, I'd love to have her.
03:20Oh, maybe another time. We'd like to plan the play dates in advance.
03:24Come on, Lulu, we have to go.
03:24Please have it really, really good.
03:26Please.
03:26Oh, my God, you're so cute.
03:27Look, it's really no hassle if Lucia wants to hang out with us.
03:30We're just off the forest road towards Muldron.
03:31Oh, nice. I love it, Lulu.
03:33Can you get your bag?
03:34I'm coming. I'm coming.
03:36I'm so sorry.
03:37Please, please, please.
03:38Well, okay, okay, okay, okay.
03:40Are you sure?
03:41Yes!
03:41Yeah, of course. We'll have a great time.
03:43Okay.
03:43Give me your bag.
03:45Take my number.
03:46Oh, my son has my phone. I'm sorry. Just a sec.
03:49Put your number in line and I'll text you.
03:53I'm coming, darling. I'm coming. Please.
03:56Okay, I'm calling myself, so I have you.
03:59Okay, all right. Be good.
04:01I will, I will.
04:01Two hours, okay?
04:03Really? Two hours, okay.
04:04I love you.
04:04Okay, I'm coming.
04:07Bye, Mum.
04:07I'm coming.
04:16I'm coming.
04:17Georgie, that was the deal. Come on.
04:21Hi. How was your day?
04:25Crossed up from beginning to end.
04:28Yeah, the best we can hope for is a short sentence.
04:30I'm sorry.
04:31You worried?
04:33No.
04:36Anyway, how's everything here?
04:37Good.
04:38Yeah, how's my boy?
04:40Lucia's on a play date and George and I are negotiating curry for Pokemon.
04:46Why is that a charity event?
04:47George thinks I'm low-boring him, don't you, Georgie?
04:50Good lad, that's it.
04:51Going hard.
04:52Stick to your cons, mate.
04:53Fred!
04:54I don't even have a gun.
04:56Sorry.
04:57Okay, so they're going to fight now.
05:00Yes!
05:02Hi, Rebecca.
05:04Mummy.
05:05Oh, hi, darling.
05:06Can I please stay for a sleepover?
05:08Please, please.
05:09Oh, Lulu, I don't think so.
05:11You've never done that before.
05:11And you don't even have your stuff with you.
05:13You could bring it over, please.
05:15Hey, it's Rebecca.
05:16That is such a generous, kind girl you've got there.
05:19Hi.
05:19They have been baddering me for a sleepover.
05:21What do you think?
05:21Oh, that's sweet, but I...
05:24Lucia's never had a sleepover before.
05:26Oh, God, Josie's been on a few.
05:27I was a wreck the first time.
05:29I'm just worried that she'll change her mind in the middle of the night.
05:32Oh, come over.
05:33See how she's settling in.
05:35You could bring her stuff to side when you get here.
05:42Hey.
05:43Hi.
05:43How are you coming?
05:44Hi.
05:45Thanks so much.
05:46And thank you so much for doing this.
05:47It's so sweet.
05:48Oh, no, of course.
05:49The girls are downstairs.
05:50They're having so much fun.
05:51Come on.
05:52Thanks.
05:53Oh, your house is amazing.
05:54You could do photo shoots here.
05:56Oh, my God, no.
05:57I wouldn't let those guys in here.
05:59I used to be a makeup artist.
06:00I know what they get up to.
06:01Really?
06:02Can I have a look?
06:03Yeah, yeah, yeah.
06:03Go ahead.
06:04Thanks.
06:05Oh, your garden.
06:06So, what do you do now?
06:08I gave up work to spend more time with Josie, you know?
06:11And the hours were killing me.
06:12I can imagine.
06:14So, what about you?
06:15Do you work?
06:16Yes, I do.
06:17I'm, um...
06:18I'm flight crew, but on private jets.
06:20I've always wanted to fly on a private jet.
06:22What's it like?
06:24Well, it's not as glamorous as it sounds, unfortunately,
06:28but we do serve great champagne.
06:30What?
06:30Lots of it.
06:32Do you want a drink?
06:33Yes, please.
06:35Kombucha?
06:36Yes, sure.
06:37It's not quite champagne, but it costs nearly as much.
06:40We'll do champagne next time.
06:42Great.
06:42I look forward to it.
06:46Yeah, I do actually really miss travelling now that Josie's in school, you know?
06:51I mean, Jack's away all the time with work, but...
06:53What does he do?
06:54He works for a bank.
06:55Clients, deals, loans, too big to fail, all that.
07:00Lucy, I mentioned your husband is a lawyer, right?
07:03Oh.
07:04Did she?
07:05Yeah, Fred.
07:06He's a criminal lawyer.
07:07Oh, wow.
07:07That must be fascinating.
07:09Yeah, I guess.
07:10I mean, for him, but it's not without its drawbacks.
07:12I've got to look.
07:13Oh.
07:14Mummy, look, we're twins!
07:15Look, look, look!
07:16Oh, girls, you look amazing!
07:17You're it!
07:18No, you're it, Josie, you're it!
07:20Let me see.
07:22Sorry, do you mind not...
07:24Oh, sorry.
07:25Sorry, I'm just not comfortable with people taking pictures of my daughter without my permission.
07:30I didn't even think. I'm sorry.
07:32It's fine.
07:34Well, look, she clearly wants to stay.
07:36So, here's her sleep stuff.
07:38And this is Minky Mouse.
07:41She won't sleep without that.
07:43Cute.
07:44Well, thank you again.
07:45And if there is any problem, no matter what time, you just call me.
07:50Yeah, of course.
07:51Are you sure?
07:52She's gonna be fine.
07:52Thank you so much. This is really sweet of you.
07:56You're very welcome.
07:57I'll see you tomorrow.
07:58Yeah.
08:01Okay, Twinnies, I'm leaving.
08:04Lulu.
08:06Love you.
08:08Love you too, Mummy. Bye-bye.
08:15Hi, darling. How are you feeling?
08:17Did you call Rebecca?
08:18Er, yes.
08:19Well, she called.
08:20She said, er...
08:22She's taking the girls swimming and she'll drop Lucia back by 12.
08:27Oh, that's so nice.
08:28And how was Lucia?
08:30Er, yeah, good.
08:31Yeah, Rebecca...
08:32Rebecca said she was fine.
08:34Be here later.
08:35Er, I've got to go, Fred, darling.
08:37Fine.
08:37I'll call you later.
08:39Okay, love you.
08:40Bye.
08:50Hello.
08:50Welcome.
08:53How are you?
08:54Good to see you.
08:56Good to see you.
08:57Welcome.
09:08Hi, buddy.
09:22Hello?
09:26Hello?
09:27Hi, darling. Can I speak to Lucia?
09:29Oh, she's not back yet.
09:31I left a message for Rebecca.
09:33Well, that's odd.
09:35Yeah, they must have been held up,
09:36or maybe they stopped for lunch or something.
09:39What time did she say she'd drop her off?
09:42Er, 12?
09:43Fred, it's 2.30.
09:45Is it? Yeah.
09:47Fuck, shit.
09:48Sorry.
09:50It's all right, I'll call her now.
09:53Now, just quickly,
09:55you know when Lucia called yesterday,
09:57was that from Rebecca's mobile?
09:59Yeah, why?
10:00No, it was just when Rebecca called this morning.
10:04The number was withheld.
10:29Oh, my God.
10:31Oh, my God.
10:31Oh, my God.
10:31What are you doing here?
10:32Did you not get my messages?
10:33No, I've got no service.
10:34Did you get hold of her?
10:35No, well, she's not picking up.
10:37What, are you calling the right number?
10:38I'm calling the number that you left on the fridge.
10:41Look, I was gonna go to the house,
10:43but I didn't have the address, and I tried calling the school,
10:45but it was a Saturday, so...
10:46No, I didn't know what to do.
10:48Well, we need to go over there.
10:49Now.
10:55Maybe her phone's broken.
10:56She could have had an accident.
10:57Yeah, I mean, you'd think she'd found a way to get hold of us.
11:00Send someone to the house.
11:01What if she's unconscious somewhere?
11:17Try again.
11:20Yeah, here we go, here we go.
11:21Okay.
11:25Hi, hi.
11:25We've just come to pick up Lucia.
11:27Yeah.
11:31We're looking for Rebecca.
11:33The, um...
11:35Rebecca, the woman who owns the house.
11:38I'm here to clean.
11:39No one lives here.
11:40It's a holiday let.
11:47No, yeah, the family that live here,
11:49where are they, the family that live here in the house?
11:52No, no, that's like a hotel.
11:54I'm sorry, I'm here to clean.
11:55I-I...
11:57I clean here.
11:58I don't, yeah.
12:00I think...
12:01We have to go.
12:02We have to go, please.
12:03We have to go, we have to go.
12:05We have to go.
12:05We have to go.
12:06We have to go.
12:07We have to go.
14:13What do you make of this, then?
14:16Pretty messed up.
14:18It's cute.
14:20That helps.
14:21Fuck off, Tom.
14:43Good morning, everyone.
14:44I'm Detective Inspector Shona Sinclair.
14:47The missing child is Lucia Blix, nine years old.
14:51She was taken sometime between 9pm on Friday and 2.30pm yesterday.
14:57She was staying at the home of a school friend, Josephine Walsh.
15:01We believe Lucia was taken by Josephine's mother, Rebecca Walsh.
15:06We believe Rebecca Walsh to be an alias of this woman.
15:09She provided false ID to the school.
15:12The e-fit is based on a description given by Mrs. Blix.
15:16We urge anyone who recognises this woman to get in contact with the incident room.
15:22I'm now going to hand over to Mrs. Blix.
15:25This is a difficult and distressing situation, so there will be no questions.
15:30Please be respectful.
15:41Rebecca, words can't describe the pain we've been in as a family since you took Lucia.
15:48We are appealing to you and to anyone who thinks that they may be able to help to please go
15:56to the police.
15:59Rebecca, you are a mother, too.
16:02I'm asking you now, one mother to another, please, please don't hurt our daughter.
16:12You said Lucia was a kind and generous little girl.
16:17She is.
16:20She needs to be at home with us, with her family.
16:26Please, please, please, let her come back home safely.
16:33Thank you, Mrs. Blix.
16:35That's all for now.
16:39Elisa, do you regret leaving Lucia alone with a stranger?
16:42Mrs. Blix?
16:44Why Lucia?
16:45Why you?
16:47Why you?
16:54I'm sorry.
16:56You did really well.
16:58Right, well, what next?
17:00I want you to go home, try and get some rest.
17:05DC Coolidge will be there for you if you need anything at all.
17:07Well, in our house?
17:08I think it's a good idea to have someone there in case Rebecca makes contact.
17:12Right.
17:13Right.
17:15Right.
17:34Yeah, okay, I mean, if you're okay, you'll just, you know, keep him a bit longer.
17:37No, no, I want him here.
17:39No, no, no, that's not a good idea.
17:43Yeah, of course, yeah.
17:46Yeah, I know.
17:48I know.
17:49All right, Mum, thanks.
17:53Fred, I really need George home with me.
17:56No, no, it's not a good place for him to be right now.
17:58We're his parents.
17:59He needs us.
17:59It's not a good place for him to be right now.
18:05Oh, God.
18:07I feel like he's watching us.
18:09Yeah, well, that's exactly what he's doing.
18:13You know, he's watching how we behave, who we speak to,
18:16just to see if we are in any way involved in our daughter's disappearance.
18:20Yeah, that's his...
18:21That's his job.
18:26I don't think I can do this.
18:28Hey, hey, hey, hey, hey, hey, hey, hey, hey.
18:32Hey.
18:33You're okay.
18:34All right, we'll find her.
18:35Yeah.
18:37We'll find her.
18:40Yeah, because we have to.
18:42Yeah, we'll find her.
18:43Yeah.
18:44We have to, okay?
18:47Okay.
19:01Shane, what's she doing here?
19:04Oi, you!
19:11What are you doing?
19:12On it.
19:16What are you doing?
19:17You need to leave.
19:18Sorry, I'm covering this for Dash Voice.
19:21The Blix family are not speaking to the press.
19:24Yes, I'm very...
19:25Hey, come on.
19:27Have some respect.
19:28Yeah, fine.
19:29I'm going...
19:36Selma, where's your copy?
19:37I need it now.
19:39Okay, thanks.
19:41Got alerts on so we know if it's used again.
19:44Okay.
19:45Bye.
19:46Yeah?
19:47The credit card used to rent this place.
19:49What about it?
19:51Details were stolen in a data breach last month.
19:55Fuck me.
19:56So we could be looking at an OCG then.
19:59And Fred Blix is working on a case that involves organised crime.
20:02Lucy has a pretty white girl.
20:04Could be stolen to order.
20:05Mm-hm.
20:05I don't buy it.
20:06Why target a kid like her?
20:09Middle-class child taken from a play date in Cheshire.
20:12All ports?
20:14Checked.
20:14I let them last night, boss.
20:16Good.
20:17Dougie, what have you got for me?
20:19Not much.
20:20I'll tell you what you're giving me.
20:21House made of glass.
20:22Four bedrooms, games, hand pool room, and surprisingly thorough cleaners.
20:28Dusting the kitchen surfaces took all morning.
20:30We got partial prints, but it's been used as a short-term rental,
20:33so it's most likely in multiple subjects.
20:34We did find this.
20:36Could be at least here's.
20:38Mrs Blix mentioned a toy mouse.
20:40I'll let you get on.
20:41Thanks, Dougie.
20:59Hi.
21:00Sorry, are you, um, Louise Thompson?
21:02Lucia Blix was in your class.
21:04Er, yeah, can I help?
21:05Yeah, sorry, I'm Summer Desi.
21:06I'm a reporter with Dash Voice.
21:08Look, I shouldn't be talking to the press.
21:10It's not appropriate.
21:10Well, it can be off the record if you want just background, if you like.
21:13I mean, what did you make of Rebecca Walsh?
21:14Yeah, she seemed normal.
21:16Like all the other mothers.
21:18Oh, uh, and, um, a Josephine?
21:22She's sweet.
21:23A polite child.
21:25A little quiet me there.
21:27But I didn't really get to know her.
21:29She'd only been with us a short time.
21:31Didn't she join at the beginning of term?
21:33No.
21:34Look, I already went through all of this with the police.
21:36Her mother requested an emergency transfer.
21:38She was being bullied at a previous school.
21:41Er, and, um, before Lucia was taken,
21:43did you have any reason to talk to Elisa about Lucia?
21:45Anything out of the ordinary?
21:47She was frequently late for pick-ups,
21:49but nothing more than that.
21:51Anything at all.
21:52I mean, even little details can be incredibly important.
21:55Look, I'm sorry.
21:56I really do have to go.
22:11How are you doing?
22:17So, um, we found this.
22:31Does it belong to Lucia?
22:33Er, yes, yes, it does.
22:36She's never spent a night without it.
22:43Sorry.
22:47We're considering the possibility that Rebecca was hired for the job
22:51and Josephine wasn't her child.
22:54Elisa, everything she told you may have been false.
22:59No, that's not possible.
23:01The relationship, it was, it was so natural and so real.
23:05I don't know how anyone would have faked that.
23:08Why would anyone do that?
23:10You know, go to those kind of lengths.
23:13I need you both to think.
23:16Is there anyone who might have had a grudge against you?
23:19Any reason to want to hurt you?
23:23No.
23:24No, I don't think so.
23:31Fred, what about you?
23:35Well, what about your case?
23:38Uh, right.
23:39Yeah, yeah, I'm defending a client who...
23:42who was coerced into laundering money by a criminal gang.
23:45You know, he's given evidence against them.
23:49Okay.
23:51I'm going to need to speak to the SIO in your case.
23:56We're also going to be looking into your home life,
23:58so I'm going to need passwords for your phone,
24:01your email accounts, your social media accounts, too.
24:03Yeah, of course, yeah.
24:07Fred?
24:11Yeah, yeah, yeah.
24:13I think I'd like to speak to Elisa alone for a minute, if I can.
24:18I think we might need to hear this.
24:20No, I need to speak to her first, thank you.
24:24What?
24:26What is it?
24:28Yeah, come on.
24:35What's going on?
24:41Fred, you're really scaring me.
24:43What?
24:46At least, uh...
24:48nothing happened, right?
24:50Not really.
24:55But, uh...
24:58There was a woman.
25:01There was a woman.
25:21Do you want to come through?
25:23Yeah.
25:35The first message is from Sarah Banks
25:38on the 13th of January last year.
25:41Hi there.
25:42Hope you don't mind me saying hello.
25:44I see you took the family to the mini-golf.
25:46I was there the same weekend.
25:48Did your little one get scared by the Aztec godhead as well?
25:52Mine had a full meltdown.
25:54Fred then replies,
25:56Oh, that's so random.
25:57No, my little one didn't.
25:59He's like his dad.
26:00Very brave.
26:01Fred, was that the first time you came into contact with Sarah Banks?
26:04Uh, yes.
26:05Yeah, although I never would have started...
26:08Sarah asks,
26:10Does your wife go running with you?
26:12Fred replies,
26:13Nah, she's the queen of pilates but hates the cardio stuff.
26:16Sarah replies,
26:17Does she?
26:17And then there's a smiley face upside down.
26:19You then reply with a wink.
26:21This is from a week later.
26:23The 23rd of February,
26:25Sarah texts at 6.03pm.
26:28Home alone?
26:29Fred replies,
26:30Yep, he's working late.
26:31Kids at my parents.
26:32Sarah replies,
26:33Want a FaceTime?
26:35A 17-minute FaceTime call then follows.
26:38Fred, what happened during that call?
26:40Uh, I mean, I think, you know, we would have talked.
26:44Oh.
26:45Okay.
26:47The next morning, a message from Fred.
26:49Last night was amazing.
26:51Can't believe how sexy you are.
26:53Sarah replies,
26:54Do me a favor every time you fuck her.
26:57Think of me.
26:58Fred then replies,
27:00Done.
27:03The messages continue in a similar manner for a few weeks.
27:08Sarah sends several messages asking to meet up.
27:11These are all unanswered by Fred.
27:13And these are met with escalating anger from Sarah.
27:17I fucking had enough of you.
27:18Go back to your perfect family and enjoy it while you can.
27:22Fred then replies,
27:23What's that supposed to mean?
27:25And the final message from Sarah is at 8.41pm,
27:28Enjoy your little life while you still have it.
27:31You're going to be so fucking sorry for this.
27:36Fred, was that the last communication between you and Sarah Banks just over a year ago?
27:41Yes.
27:45Um, so, this is the clearest image that we could obtain from the CCTV from the school.
27:53It's of Rebecca Walsh.
27:55It seemed that she knew exactly where to stand to avoid the cameras.
27:59Fred, I need you to focus.
28:01Is this Sarah Banks?
28:06It's just so hard to tell.
28:08I don't know.
28:11I don't know.
28:12Fred, you had video calls with her.
28:16Obviously, you weren't looking at her face.
28:18I know this is painful, but this is our best lead as to why Lucia might have been taken.
28:24Yeah, I mean, I would definitely know if I saw her again, but with that, no.
28:28Sorry.
28:28Okay.
28:29Do you think Sarah Banks took Lucia?
28:32Honestly, at this point, I just don't know yet.
28:35But you can trace her, right?
28:36From her Instagram, her phone.
28:38Her phone was in a registered mobile, and her Instagram was deleted months ago.
28:42We do have access to the data, but we're also looking at other ways of trying to trace her, too.
29:15And this test sergeant gives us...
29:16What happened to my copy?
29:17Okay, yeah, great.
29:20Your buttons are wrong.
29:21No, they're not.
29:25What happened to my article?
29:27What's going on with you, Selma?
29:29I'm sorry, what is all this stuff about organised crime?
29:32I wrote it.
29:33I had to fudge it from BBC News because you missed your deadline.
29:36Yeah, by, like, two minutes.
29:38I was getting background on the Blix case.
29:40It was an hour, and I couldn't publish it.
29:42I mean, what is all of this about Elisa Blix's job and how she'll cope with the scrutiny on the
29:46family?
29:46I just think we're not seeing the full picture.
29:49Don't go for the mother.
29:50The mother's always the story.
29:52Not in the first 24 hours when her child's just gone missing.
29:56Sunday, I've been there since six.
29:58I'm going home.
30:01Well, when is an acceptable time to go after the mother?
30:04I spoke to police contacting one with the CCTV trawl at the school.
30:08Rebecca Walsh knew exactly where the blind spots were.
30:10She knew where to stand so she wouldn't get caught on camera.
30:12This was planned meticulously.
30:15Yeah, it supports the organised crime angle.
30:16You know I'm getting changed, right?
30:18Right, OK, but why are you going through all that trouble?
30:20Why not just grab a random kid of the street?
30:21I don't know.
30:22When the police find out, we can report it.
30:24Elisa's all over Twitter and Facebook, too.
30:27No privacy controls.
30:29Thousands of likes on every post.
30:31She gets blamed, too.
30:32Like, really bad stuff.
30:34What are you saying?
30:35I think this was targeted.
30:37They didn't want any child and they wanted to see her.
30:39This is about Elisa, for sure.
30:41Sonny's not right about her.
30:42And we can run the story when you've got something real,
30:45based on more than Selma's little spigy sense.
30:51I'm sorry I missed a deadline.
30:54I was focused on the background story.
30:56It's important.
30:57I don't know what it's like to live inside your head.
31:00Can't you just put an alert on your phone or something?
31:01I did.
31:02I do.
31:04Next time, I will.
31:05I promise.
31:20Hi, darling.
31:22Come here to me.
31:24Hello, hello, hello, hello.
31:25Mr. and Mr. and Mr.
31:30Do you have a good time at Grandma's?
31:33Oh, I missed you so much.
31:38Thank you so much, dear.
31:40I really appreciate it.
31:41I thought I'd stay a couple of nights.
31:42Help out with, uh...
31:44Oh, that's not necessary.
31:45It's okay.
31:45It's no trouble.
31:47Mum, it's okay.
31:49No, no, you must be exhausted.
31:51You don't want to be cooking.
31:53Bread.
31:54We appreciate the offer, Mum, really, but, you know, I think we're trying for some sense
31:59of normality.
32:01Well, families need to be together at times like this.
32:04Has someone hurt Lulu?
32:07What?
32:07Who told you that?
32:09It was on TV.
32:11What?
32:12You let him watch the news?
32:14No, no, no, no, no, no.
32:15Listen, listen, listen.
32:17We don't know where Lulu is right now, but we're going to find her.
32:19Yeah.
32:20Yeah, we're going to find her.
32:21Why don't you go upstairs and put your pyjamas on, and I'll be up in just a minute, okay?
32:25Go on, there's a good one.
32:26Go on.
32:35Lucia's my granddaughter, too.
32:36She spent half a childhood with me while you were up in the air.
32:40Just...
32:42Please go home.
32:44We need to be alone.
32:46Please.
32:56Listen, I'll call you as soon as we hear anything, okay?
33:04Can you just please be somewhere else?
33:29Did you do two minutes, darling?
33:32I did four, two for Lulu.
33:39You're such a good brother.
33:50Now, if you get scared tonight, you can come in and sleep with me, okay?
33:55Can Lulu get in, too, when she comes back?
33:58Absolutely.
33:59Of course she can.
34:00She's going to come in soon, isn't she?
34:02Mm-hmm.
34:07I'm going to be alone.
34:11I'm going to be alone.
34:13Sleep well.
34:24Can we talk about this?
34:26Why?
34:28So you can apologise?
34:30Yeah, well...
34:31I'm sorry, I...
34:32I am.
34:34I'm so, so, so, so sorry.
34:36Yeah, I know, Fred, but I don't want you to be sorry.
34:39I want you not to take cases that mean we have to put three locks on our front door.
34:44And I really want you not to have phone sex with some random fucking woman you met on the internet.
34:52What?
34:55Well, somehow I always end up becoming a bad parent, don't I?
34:58Oh, my God.
35:02Yeah, but you know what?
35:02I would never...
35:04You would never what?
35:08I know that I would never let Lucia stay with a woman that I didn't know.
35:19Yeah, so you're right.
35:20We shouldn't talk about this now.
35:27Oh, my God.
36:03Oh, my God.
36:42I'm asking you now, one mother to another, please don't hurt our daughter.
36:48Please don't hurt our daughter.
36:52Please don't hurt our daughter.
37:03I feel like I'm losing my mind.
37:10The people who took Lucia plumbed it meticulously.
37:14I need a passport.
37:16Well, we have to appear to be on their terms, yeah?
37:20People have found it so difficult to understand your decision to leave Lucia with a virtual stranger.
37:27She's hiding something.
37:29I know it.
37:32Did they get to?
37:43I'm here now, and I'll never let you go again.
37:47I know it.
37:49I know.
37:52I know it.
37:53Look.
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