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A unique look into the creative process of playwright Harold Pinter, featuring unprecedented access to him rehearsing scenes with actors, giving masterclasses, and being interviewed by his friend Henry Woolf.
Transcript
00:02Fifty years ago, the British Theatre witnessed a debut that was to influence the world of plays and cinema forever.
00:10The event was the first performance of a new play by an unknown author.
00:15What were you looking for? The man who runs the house?
00:18The title of the play was The Room.
00:21The landlord, trying to get up with the landlord.
00:23The author's name was Harold Pinter.
00:27Actor, poet, director, screenwriter and winner of the Nobel Prize for Literature.
00:34Today, Pinter's 29 plays and 19 filmed screenplays are consistently performed and screened all over the world.
00:44But what is it like to work with Pinter?
00:48I found working in rehearsals with actors terrific.
00:53I think they're a great body of people.
00:57I invited him to rehearse several scenes from his plays with a group of actors.
01:03I appreciate if more time were taken about the text.
01:06If the text isn't right, it certainly hits the author, I can tell you that.
01:14I don't want to appear like a stern headmaster.
01:18Very nicely put.
01:20A pause could be that.
01:25It's just a moment's breath, a moment's thought, a moment's uncertainty perhaps.
01:31Silence is when nobody knows quite how to deal with what has just been said.
01:37But I think these terms, silence and pause, have been taken much too far.
01:44My wife calls them the curse of Pinter.
01:50That's it's a moment, isn't it?
01:52You can't see it.
01:53These terms are my best for my students.
01:53It's been a big mess.
01:54Things are my best.
01:54The first time I look into something,
01:54It's been a little bit of a big joke.
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