Jazz City Part 2

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Transcript

00:23Márch 1948

00:27PAKISTAN के काइद आजम मुहम्मद अली जिन्ना पूर्वी PAKISTAN में आये थे

00:32यहां के चात्रों और आवाम में ये उम्मीद थी

00:36कि यहां की जमीन के चजबात, जुबान और संस्कृति को वो समझेंगे

00:43लेकिन उन्हें मिला एक ऐलाम

00:46उर्दू ही दोनों PAKISTAN की एक मात्र राष्ट भाषा होगी

00:51और बांगला?

00:55वो जुबान यहां की मिट्टी, संस्कृति और इतिहास की गवाह थी

01:00उसके हक के बारे में एक बार भी नहीं सोचा गया

01:06ये हमला सिर्थ भाषा पर नहीं था

01:09ये हमला था आवाम की पहचान पर

01:13यही समय था जब यहां के लोगों को पता चला

01:16कि पहचान बनाने के लिए उन्हें लड़ना होगा

01:42और कितना टाइम लगेगा

01:46सर बस पांच मिनट कोशिश कर रहा है सर

01:50वो देखो बस आई बस को रोको रोको

01:53बस रोको रोको बस

01:55यह लोग बस क्यों रूक रहे हैं

02:02सर आईए सर

02:04वैसे यहां क्या हो रहा है

02:06पता है बेटा

02:08एक समय था जब बसों की मनजिलों पर

02:11बंगला में नाम लिखा होता था

02:15वो नानी, तेजगाओं

02:17धान मोंडी, मोती जील

02:21इन्होंने हमारी भाषा को मिटाने की जुज़त की है

02:24लेकिन तुम जैसे कुशिद्दत वाले लड़के-लड़कियां

02:28उनकी बंदूकों के सामने डटकर खड़े हो गए थे

02:34वो चार साल का संग्राम कौन भूल सकता है दादा?

02:37हम एक जयाम उर्दू में देना पड़ा था

02:39यादा है काबेरी?

02:41कहां जाएंगे?

02:43उर्दू में पूछ

02:43पूछ रहा है जनाब कहां जाना है?

02:45टिकट लेना नहीं तो पूछ के क्या करेगा?

02:48हाइट

02:51आयो सर आयो जनाब

02:53हटिय हटिय हटिय

02:54जल के रहा है

02:55जलो जलो हटो हटिये जगाबन आई जिए ज़ो पीजे

02:57चलो अधिये अराम से अराम से

03:01बैठिये सर

03:15के बालेतोर दोरीत्रो घर

03:20रिदोयेतोर रतोन राशी

03:25आमी जानी गोतार मुल्लो जानी

03:30जानी गोतार मुल्लो जानी

03:33परेरादोर काड़बोनामा परेरादोर

03:38काड़बोनामा जेतोमाए छाडे छारू

03:43Oh, my God.

03:44Oh, my God.

03:45I don't understand.

03:47Who is this?

03:50Rabindranath.

03:51Tagore.

03:54Why are you singing by the government of Fizul's government?

03:58Do you know that there's a band on the radio?

04:01Yes.

04:03There's a band on the radio.

04:04No.

04:06The sound is so sweet.

04:09Listen to me.

04:12Oh, my God.

04:13Oh, my God.

04:14What will you do?

04:15How will you do your progress?

04:16Learn the band.

04:18Contonement.

04:19Programme.

04:24Why are you not wearing a gun?

04:31My sister, your stop has come.

04:34Come, come.

04:35Let's go.

04:38Go.

04:40Come.

04:45Come.

04:47Go.

04:48Go.

05:02Pakistan and Hindustan are both fighting for the girls.

05:05We will be able to find them first.

05:07Now, they are for us.

05:11Go.

05:18Today is the song of the song.

05:20We will put the words in the morning.

05:22We will stop the song from some days.

05:25We will stop the song from the bus.

05:27We will stop the song from the morning.

05:30Last week, three professors left the country.

05:33They will be a leader in Kolkata.

05:34They will be a leader in Kolkata.

05:37But those who are not a leader,

05:38who are not a leader in the truth,

05:40they will be a leader in their last hope.

05:44Let's try to help those people.

05:48I don't have to worry about my thinking.

05:50Our struggle is very old.

05:52We will not be so soon.

05:54Why don't you call the Kaveri?

05:56How will he be there?

05:58If he comes to the first time,

05:59he will come to the first.

06:01There is a lot of death.

06:03There is a language of the day.

06:05He will remove the language.

06:09He is now a young man,

06:11but I don't know how much he is made.

06:14He is a young man.

06:21He has so much to know.

06:24You've helped them with help.

06:27There are people who were not making it up.

06:29That wasn't a man.

06:31Yeah, I can do it.

06:34That's why I am saying I am saying.

06:35Do you know that the Arabs said that if you give a gift to your home, don't ask them for

06:41three days.

06:44Don't ask them for a visit or for a mansion.

06:48You'll be able to answer them in those three days, or you'll become a good friend.

06:55Let's go, we have to go.

06:57Okay.

06:58There are other refugees coming.

07:01Yes, I'm thinking about going there.

07:05Let's see.

07:36Babu, today's work is done.

07:38Now we can go.

07:40Hmm.

07:42Hey, what happened?

07:45Wait, wait, wait...

07:48Oops, wait!

07:50Wait, wait.

07:51Go ahead.

07:53Please wait.

07:53Go ahead.

07:54Come ahead.

07:55Just go ahead...

07:56Come on.

07:57Come on.

07:58Come on.

08:07Come on.

08:09Yeah, I'm sorry.

08:23Go.

08:24Yeah.

08:24Where are we going?

08:25That's where you took the previous brother.

08:27What?

08:28Go for it now, sir.

08:30Oh, yeah.

08:30Come.

08:31Come.

08:32Come.

08:33Come.

08:34Come.

08:35Come.

08:38Come.

08:40Sina sahab, you have a phone for you, go ahead and take your phone.

08:46Hello, this is what is Shashi Babu?

08:49Do you know your agency?

08:50It's over 10 years.

08:52Sir, sorry.

08:53Sorry?

08:55Sorry?

08:55Sorry, what's going on?

08:56Our hands are coming out, Shashi Babu.

08:58Sir, I'm trying to do this,

08:59but we don't have to do this work with BWD or electric supply engineer.

09:03We don't have to do this work with a local man.

09:06We don't have to do this.

09:07Ministry has given you free hand,

09:08then we have to manage budget.

09:09we are trying to do this work with a local man.

09:32So we are trying to do this work with a local man.

09:34That is the same life,

09:36and that is much shorter.

09:37So that will be the same work with us.

09:38We have to take a happy place, sir.

09:40And now, we have to give all the knowledge we have.

09:43We will give you more.

09:45Listen, a person is an engineer in the country.

09:47Okay, who is that?

09:48A British engineer?

09:50British engineer.

09:51Write it down.

09:52George Holbrook.

09:54Hol mean, it's a guy or...

09:56G-E-O-R-G-E-H-O-L-B-R-O-O-K-E.

10:01Right?

10:02It's two days later London will go.

10:04Then, you'll see.

10:05Holbrook, I've understood.

10:27Damn it.

10:39Hello.

10:42No, I'm late.

10:46What?

10:48My friend.

10:51School.

10:55School.

10:56You will need me to go to my club.

10:57What?

10:58You will have to give me a friend with Tiger.

11:00Tell me.

11:01Then, what am I doing?

11:02Say that, the guy will get some back.

11:03Fielding.

11:04Okay.

11:10Sir.

11:11Baba.

11:12How did my surprise look?

11:13You know, in the early days, Sharmila and Tiger Inn were in the Jazz City.

11:18Yes, this is a very big man.

11:20How's it going?

11:21And what?

11:21We'll buy tea, right?

11:23You'll also buy tea?

11:25Yes, of course.

11:26Sir, that's about the terrain of the land.

11:29This property is a rent.

11:30We'll buy this land.

11:32You'll buy tea.

11:34I'm going to buy tea.

11:35And you, Pluto, Baba.

11:37Homework or not?

11:38Go.

11:38Homework.

11:39Okay.

11:45I didn't want to come here.

11:47I didn't want to give me jail.

11:49So, what?

11:50You're taking care of me?

11:52This is our friend's beginning, Baba.

11:55You can come to our club.

11:56I can't come to your house.

11:58Come on.

12:01I can't stand.

12:06You'll do work on a wife.

12:07All right.

12:08Don't be interested.

12:09Don't be interested.

12:09I'm also with you.

12:11Your friend will stay together.

12:12I'll keep you.

12:15You'll make me feel a good.

12:16You should do it for me.

12:17Then three of you is a table.

12:18Come on.

12:19And you'll understand me.

12:21Look.

12:22You won't understand me.

12:27I'm going to come again for the tea.

12:31What is this?

12:32He's gone.

12:34You keep tea.

12:35And what else?

12:37I'll drink both.

13:07Go there and ask them if they need something. Go.

13:16170.

13:24Please stop.

13:25I'm spending more money with tips.

13:28It's because they're doing their job.

13:30But they don't have any questions.

13:32Why are you making a big deal?

13:35Why don't you use the calculator?

13:37Because I don't need it.

13:38They give me more money.

13:40Hello.

13:41Welcome.

13:43Sir.

13:47Hello.

13:49Chandu has sent a phone.

13:50I mean, you don't get Joseph's place.

13:52You don't have to find yourself.

13:54Jazz City, what are you thinking?

13:55What's going on?

13:57Pamela, when will you double duty?

13:59Why don't you keep a good manager?

14:02Pamela is a singer of the club.

14:03No manager.

14:04Chandu!

14:05Where is my steak sandwich?

14:08I'm watching.

14:10There are so many studies that have been in the Bengali refugee.

14:13Have you seen anyone with that?

14:15Why don't you try to do it?

14:17Refugees?

14:18Your mind is bad.

14:20How are you?

14:21How are you here?

14:22Jazz City is all the same.

14:23Jazz City is all the same.

14:25They're all the same.

14:27They're all the same.

14:27Don't keep the same.

14:29Don't leave a mistake.

14:30But give them a chance.

14:32But they don't have to do a drink.

14:33But they don't have to drink.

14:34They're all the same.

14:35They don't feel bad.

14:35What do you think?

14:36Jimmy,

14:37all the big companies of the company

14:39are trying to help you.

14:41Come on,

14:42you can take an interview.

14:43Okay.

14:45Let's go.

15:04Playtime.

15:05Duke.

15:06Hmm.

15:06Do you remember that we had to try a snow fox?

15:10God!

15:11We were bad.

15:13It wasn't bad.

15:14It wasn't your fault.

15:15Roderiguez was scared.

15:17Yes.

15:18Because Anita had a plan to propose to do it.

15:21I remember everything.

15:23I remember everything.

15:25I remember everything.

15:35It's playtime.

15:36Alright.

15:37It's playtime.

15:42And let's see what the results will be done.

15:44What can't you say,

15:44It's a great time.

15:47It's a great time.

15:50It's a great time.

15:53I remember everything.

15:58It's a great time.

16:04It's a great time.

16:05I don't know what you're doing in the city.

16:07You know what I'm thinking.

16:10Look, there's no place in the city.

16:13It's a place in the city.

16:15It's a place in the city.

16:16And also, I don't think I'm afraid of any controversy.

16:20He won't share my father's pocket money.

16:35Go, go, go, go!

16:38This is the car behind me.

16:40Come on, come on, come on!

16:43This is the place here.

16:47This is the place.

16:49Come on, come on.

16:50Come on, come on!

16:52Come on, come on!

16:55How are you all?

16:56How are you?

16:59Okay.

17:01This is for you, and this is for you.

17:07Come slowly.

17:08Where are you?

17:10This is for you.

17:13How are you all?

17:14Good.

17:18How are you?

17:19Are you okay?

17:20Is there water coming?

17:21Yes.

17:22Namaskar.

17:24Here.

17:36This is Jimmy.

17:37Jimmy Roy.

17:38He is the owner of Jazz City Club.

17:40He is a manager of the Jazz City Club.

17:42He is the manager of the Jazz City Club.

17:44I will not do an interview in Hindi.

17:47Jazz City is a cosmopolitan club.

17:49Most of our patrons listen to highest forms of music,

17:51are aware of the best brands of alcohol,

17:53and while I'm there for that,

17:55I would need someone with a certain panache

17:57who will not look like a fish out of water.

17:59When a guest asks for the vintage,

18:02he's being served.

18:04So,

18:05those of you who understood what I said,

18:07please raise your hands.

18:08What did you say?

18:10I don't understand.

18:11All of them have to go.

18:13Jimmy.

18:14Let's go.

18:15It's easy to hear.

18:17You don't have to say anything.

18:18Let's go.

18:19How many of you are fluent in English

18:21and have workable Hindi?

18:25Hmm.

18:26You, sir, could you introduce yourself?

18:28Salahuddin Shamsi, sir.

18:30I'm Boris Aal.

18:31Master's in Chemistry.

18:33Chemistry.

18:35Interesting.

18:36Can you make some cocktails?

18:38Do you have any model experience?

18:40Thought so.

18:41Anyone with any...

18:42Sir!

18:43Hmm?

18:45Sir, I was assistant manager at Intercontinental Restaurant.

18:47He's also one year.

18:49Since 1960, sir.

18:52All right.

18:52And...

18:53What's your name?

18:54Ram Bahadur Singh, sir.

18:56Hmm.

18:57I've also done a short-hand course.

18:59And my typing speed is 160 words per minute.

19:01All right, all right.

19:01Okay.

19:02So, I need a manager, not a stenographer.

19:04Stenographer.

19:05You won't get a complaint, sir.

19:08Hmm.

19:23Hmm.

19:26Hmm.

19:30Hmm.

19:34Hmm.

19:38Hmm.

19:38Keep your attention, please.

19:42Can I see?

19:44Sure.

19:48Anything else?

19:53Thank you very much.

20:00Bye.

20:01Let's go.

20:33How is this?

20:35the most commonplace that you call your name?

20:38No.

20:40No.

20:41No.

20:42There are many.

20:44People PayPalדי and김 amidsmen,

20:49We are going to go with our thoughts.

20:54Yes, we are.

20:57If you are going to open the door,

21:01you are not afraid.

21:04In my mind, only 21 years ago?

21:07Sumantha, Pratool sir, they said that the language is bulletproof, as well as the soul.

21:21They can't, they can't, they can't, they can't, they can't.

21:30No, sir.

21:31Sir, a word is a word.

21:35If you don't do it, you will die.

21:38No, no, no, stop.

21:40Work, work, work.

21:41Yes, yes, yes.

21:43There was a time when the California language was speaking.

21:47In Louisiana, in Alaska, in Alaska,

21:52there were three words in America,

21:54because they didn't have a doubt.

21:55I didn't have a word.

21:57If you don't give a word,

22:01then the language won't be.

22:02Sir, sir, please come here.

22:04Yes, I'm here.

22:06Yes, I'm here.

22:07Yes, I'm here.

22:08Yes, I'm here.

22:25I'm here.

22:29I'm here too.

22:34What's, what's the name of an English,

22:36tenthly.

22:36Now, Urdu, they would go to the form of a Malvi, and then they would go back to the other

22:42day.

22:42They would go to the whole day.

22:46They would go to the money order for a single day.

22:53Because the baby was reading.

22:57That's right, sir.

22:59When we will go to the river, when we will go to the river,

23:01we will go to the river.

23:02foreign

23:32Hey, what are you guys doing?

23:37Chitrakala.

23:39Bangla's face is Chitrakala.

23:41Will you take it?

23:43It's the same thing, right?

23:44Every time you take it, we will make it the same time.

23:48Come here, brother.

23:49Give it to us with this.

23:51Give it to us with your voice.

23:56We will have to come in 21 years.

23:57Good work will surely be.

23:59You're my country, my country will be,

24:04I'm my country, my country will be,

24:07I'm your country, my country will be,

24:09I'm my country, my country will be,

24:20Don't you say, no.

24:22You say about the radio.

24:23Say, say, they copy the program of Kalkatu.

24:25Yes.

24:53You will make a decision.

24:54Look, Shashi Baba.

24:56If you are looking for people in the agencies,

24:58it's okay.

24:59But this man is not a chemist or a chemist.

25:02He is a chemist.

25:03He is a chemist.

25:04He is a chemist.

25:06He is a chemist.

25:06How do you feel?

25:07What do you think?

25:08How can you do this chemist?

25:12Please sir,

25:13if we don't talk about protocol,

25:15then we will be better.

25:19Pakistan,

25:19you have to follow protocol.

25:20Can you say?

25:23That's why,

25:23we need to follow up quickly.

25:26Start working quickly.

25:27quickly?

25:38Dad,

25:39how much time will you go?

25:41Yes, I'm trying to do it, sir.

25:46Hey,

25:47is it going?

25:48Yes, it's going, it's going.

25:50You said,

25:5120 minutes.

25:52How much time will it take?

25:53Hurry up.

25:54Sir,

25:56what do you think?

25:58This will go to Shami.

26:02Well, Khanna has an advantage.

26:04The voice of Kishore Kumar.

26:07You can go,

26:07come here,

26:08and put it here.

26:09Go,

26:09go.

26:10You have to go.

26:11Get it.

26:12Hey,

26:13this is a favorite.

26:15That's a favorite of Shiloha.

26:18It's the favorite of Shiloha.

26:33Let's go.

26:45I think that's what you call a pangali.

26:47The job is done, let's go back.

26:49That's great.

26:51How much do I do?

26:5310 rupees.

26:55Give me one.

27:01Do one.

27:02Yes sir.

27:04What's the film?

27:05No sir, we have a strict code of conduct for refugees.

27:09Sheila has also briefed us.

27:11I can't get it.

27:13I can't get it.

27:14No, no, sir.

27:15I mean, I can't get it.

27:18How do I get it?

27:19Go.

27:23Thank you, sir.

27:24You're welcome, darling.

27:45Thank you, sir.

27:49This is a big deal.

27:51I think it's a big deal.

27:52Our communist brothers are fighting.

27:54It's a big deal.

28:00This is a big deal.

28:01Oh

28:05Oh

28:06Oh

28:10Oh

28:12Oh

28:14Oh

28:32Oh

28:33Oh

28:33Yes

28:38Oh

28:44Oh

29:00Oh

29:01Oh

29:01who are asking the refunds,

29:04please take them from the police station.

29:07Hey, sit on the line.

29:09Let's go.

29:12Let's go.

29:14Let's go.

29:15It was very thick.

29:16The face didn't show it properly.

29:19Now look at my heart.

29:24Which college, son?

29:25Medical college. Homeopathy.

29:27This is not any work.

29:31Which college?

29:32Mathop and university.

29:34That's it.

29:35Take it.

29:36Sir, but why?

29:37Sir, but I haven't done anything.

29:40Sir, I can go.

29:42I'm not a student.

29:43Sir, I'm a manager.

29:46Park Street?

29:47In Jazz City, sir.

29:54Sinana.

29:56What happened?

29:56Let's go.

29:57Where, sir?

29:58Let's go.

29:59But sir, I haven't done anything.

30:01Listen to me.

30:02Let's go.

30:02What happened, sir?

30:07Sir.

30:09Sir, I'm not a Bengali.

30:10Sir, I'm a student.

30:12I was watching a film in dress circle, sir.

30:15I'll show you the dress circle.

30:18No, I'm not.

30:18But I'm a fan.

30:20He's a fan, right?

30:20He's a mark.

30:21He's a mark.

30:22So, you've got a screen.

30:24You've got a problem.

30:25You've got a problem.

30:26You've got a problem.

30:27Sir.

30:28Sir.

30:29Sir.

30:30Sir.

30:30Don't stop.

30:31What are you doing here?

30:37Mr. Vilaiti Rai.

30:40You've got two calls, right?

30:41Yes.

30:48Sir.

31:03Hello.

31:04Hello.

31:05Yes, Jimmy.

31:05I'm from Park Street Police Station.

31:06He's got my manager.

31:08But he's nervous.

31:10You can come here.

31:11It's going to be 20 minutes.

31:13Okay.

31:14But...

31:15...

31:16...

31:17...

31:18...

31:19...

31:20...

31:21...

31:25...

31:26...

31:30...

31:31...

31:36...

31:37...

31:39...

31:422

31:42...

31:43...

31:44...

31:45...

31:46Mr. Collins has sent you a gift.

31:52And he said that he has been in the hotel in his hotel.

31:56Oh dear.

31:57But we have given you a suite in my hotel.

32:00Jassery.

32:02Please.

32:17So this is Jassery.

32:19Park Street's best club.

32:22Please come.

32:23The room is on the top.

32:25Jimmy Sir.

32:26What happened?

32:27Please come.

32:27I saw the menu once again.

32:29Yes.

32:30So you can see it once again.

32:31Yes.

32:32The room is on the top.

32:33Hmm.

32:43Oh.

32:45Oh.

32:45Excuse me.

32:46Oh God.

32:48I didn't know that you have a suite booked today.

32:51Oh Lord Pad.

32:52Oh.

32:53Excuse me Mr. George.

32:54Our club's beautiful Pamela is ready to be in the suites.

32:57Darling Rambauder have probably given you a mistake.

32:59This is a 501.

33:00I want to forgive very much.

33:03Forgive me, sir.

33:06Oh, let's get ready.

33:08There's no preference of my room.

33:10That's so nice of you, George.

33:11We won't stop here.

33:14I mean...

33:16I was enjoying it, John.

33:19It's just a bit of mascara and gloss.

33:22Today's costume has been changed.

33:25What do you think?

33:27Is pink good?

33:29Or cream?

33:31This is amazing.

33:35Oh, my God.

33:36These dresses are all right.

33:52Excuse me.

33:52Sorry.

33:53Have a nice day.

33:55Enjoy the room.

33:55Oh, Pam.

33:57Oh, Pam.

34:25Oh, Pam.

34:26Oh, Pam.

34:28Oh, Pam.

34:37What's his name?

34:39Left me a diamond

34:41At this so-and-so place.

34:45You know what I mean.

34:48I put a smile on his face.

34:52I put a smile on his face.

34:55The cartelery, the chauchat.

34:59The babu and the chokra.

35:03The lobster, the shardney.

35:06The tarts and the orchard.

35:10The tarts and the orchard.

35:13He formed.

35:16I yawned.

35:18His muse.

35:19Excuse.

35:21Tuxitides and lights.

35:25Another jester remused.

35:33Lace and lock.

35:34Cluckety-cluck.

35:35Shimmery shim.

35:36Knip and tap.

35:37Kick me by the raisiness.

35:40Fun times.

35:41Fun times got over in my nest.

35:45Fun times got over in my nest.

35:49Fun times got over in my nest.

35:53Fun times got over in my nest.

35:57What's his name?

35:59Left me a diamond

36:01At this so-and-so place.

36:04It was a you-know-what-I-mean.

36:09I put a smile on his face.

36:12I put a smile on his face.

36:33Waiter.

36:35Yes sir.

36:39Did you see Jimmy?

36:43Good morning Mr. Holbrooke.

36:45What can I help?

36:47My passport.

36:49My wallet.

36:50Passport?

36:51Did you leave it here?

36:57Do you remember this table?

36:59No, I remember.

37:01I remember.

37:02I remember.

37:03I remember.

37:06The food was so good.

37:08Sir.

37:09Your passport is there.

37:11Oh.

37:11Okay, thank you.

37:12What?

37:14How did this happen?

37:15Sit down.

37:16I don't.

37:17Can someone take me to the embassy?

37:20Yes, of course.

37:20I'll take you somewhere.

37:22First, you'll be quiet.

37:23I'll take you some food.

37:25I'll take you some food.

37:33Excuse me.

37:34Yes sir.

37:35I've booked a call for London.

37:37I'm sorry, sir.

37:39The international lines have been jammed.

37:41Oh, I'm sorry.

37:42Yes sir.

37:43I think that the people in the world

37:44are being called for the Beatles.

37:47Please.

37:50What is this room?

37:51Just for this room.

37:53Sir.

37:58Sir.

38:04Toilet is in the hall.

38:05And I'm sorry,

38:06I want to make sure

38:06that all the rooms have been booked.

38:12When will you get paid for the room?

38:15I'll get a passport.

38:16Sir.

38:17But it'll be a week for a week.

38:18If anyone knows,

38:19if Jimmy, sir,

38:20if you want to increase your line of credit,

38:22then it'll become a job.

38:23You're right, sir?

38:42Lovely.

38:43But, God of sir,

38:46you'll tell me.

38:47Jamie,

38:49Look at this place, you have changed completely this place.

38:54I mean, look, I don't want anyone to do anything, but...

38:57Lahore, you have seen this place?

38:59But this place...

39:01This place is less than London.

39:03Who is going to go to this place, Mr. Alvarez?

39:05Oh man, I don't know how many discounts are being given to Arora.

39:09I hope you don't call me.

39:11You're crazy.

39:13You left the apartment of the agency?

39:15You left the apartment there?

39:17You're going to get a good price.

39:20You've become a patriot, man.

39:25It's not a personal thing.

39:27I just want to reach people to the world.

39:32We both are not against any country.

39:35I'm sending you news.

39:37Don't you?

39:38Well, until the Jazz City has become your party central.

39:42Who is complaining?

39:44Inshallah.

39:45The house is coming?

39:47Hmm.

39:48It's going to be double this thing.

39:50Oh, one double Mr. Richard and one Mr. Hallbrook for me.

39:56Oh, I'll meet you.

39:58Mr. Hallbrook, he's an engineer.

40:00He doesn't know where he is going to get his passport.

40:04But you know the situation here?

40:05How are you?

40:06I'm hearing from this.

40:07I'm hearing from Sheila.

40:08Sheela and Madam are also coming from a few days.

40:10She was in our office.

40:12But the question is, after the nationalization, the cash flow has stopped.

40:17All of us are doing something.

40:19Oh, he's also in Lloyds.

40:21Oh.

40:22And I heard that he also has a donation to Pakistan.

40:24I can't say that he's also a donation to Pakistan.

40:25I can't say that he's the only professor of Bangla.

40:28Maybe he's the name of Shamsour.

40:29What?

40:29I told her.

40:30If you want to fundraise,

40:32then...

40:33Oh, yeah.

40:34I was thinking,

40:35what can I do here for two weeks?

40:37Oh.

40:38My security is empty, Mr. Hallbrook.

40:40But Ms. Bose,

40:41we've become a person of all.

40:44But I don't think that there will be any other problems.

40:47You're a very rich white man.

40:50I can work if he can find something for me,

40:54a engineer.

40:55Maybe when my passport doesn't come,

40:57my passport doesn't come.

41:01Excuse me?

41:03What kind of engineer are you?

41:06Mostly civil.

41:07Okay,

41:08I have a job if you want to do it.

41:10You'll get out of your life.

41:13I'm Sinhan.

41:14And your name?

41:16George.

41:17George.

41:17Nice to meet you.

41:18Would you like to play chess with me?

41:20Oh.

41:22I feel like it's a good feeling.

41:32Good luck, George.

41:35Sir.

41:42Have a good dress, sir.

41:53Chef, Table 8, Appetizer Pickup.

41:55Okay, sir.

41:56Good morning, Gori.

41:58Chef Samuel, Table 11,

41:59you've received a lot of service.

42:01Thank you, thank you.

42:03This is Appetizer.

42:04Oh, yes.

42:06Yes, Michael.

42:06You were looking for me.

42:08Did you ask me something?

42:09As a matter of fact,

42:11I and Gori

42:12want to go home with my duty.

42:14I'll get a substitute for my place.

42:1621st means?

42:19Saturday, Michael.

42:21How are you talking about?

42:23Saturday, right?

42:25How do you manage the most?

42:27See,

42:29but

42:30if I don't eat good,

42:31I'm not going to knock.

42:32I'll get ready.

42:34I'll get ready.

42:35I'll get ready.

42:36I'll get ready.

42:37I'll get ready.

42:38I'll get ready.

42:39But

42:40Saturday evening, Michael.

42:41I'll get ready.

42:42Chef, Table 12, please.

42:51I'll get ready.

42:52Go back.

42:53drei.

42:57Six

42:58Six

42:59Six

43:00Six

43:00Five

43:01Six

43:02Six

43:02We will recognize our own

43:04We will ask you

43:05We will ask you

43:06We will ask you

43:07We will ask you

43:09We will ask you

43:10We will ask you

43:13Our situation is

43:15Our situation is

43:18Kamiini Gandhi

43:20Sir

43:22We will ask you

43:28We will ask you

43:30India will attack us

43:34We will keep the borders of India from different borders.

43:37The Bengali-Urdu ratio will be balanced with these people.

43:41The Bengali-Urdu ratio has not been done for the Bengali.

43:43They are all easy to attack the terrorists.

43:46They are only with us.

43:53The spirit is not the spirit.

43:56The spirit will always be with Tegor and Gandhi.

44:05The spirit will always be with us.

44:09We will not buy any of you.

44:11We will not buy any of you.

44:13Our friend will be in your language.

44:16Oh, my god language.

44:18I love you very much.

44:28Table number 5 is ready.

44:29We are ready.

44:31We are ready.

44:32We are ready.

44:33We are ready.

44:34Everything is ready.

44:36Yes.

44:38What happened?

44:39Today is a big deal.

44:41What is going on?

44:42My wife is going to go to the house today.

44:45No sir.

44:45We have to go to Ravindra.

44:46We have to get the order of tea and samosas.

44:50Samosas?

44:51What is the order?

44:52Sheilati.

44:53Yes.

44:56Yes.

45:04Yes.

45:08Yes.

45:09Yes.

45:11Yes.

45:15Yes.

45:18Yes.

45:19Yes.

45:20Yes.

45:21Yes.

45:24Yes.

45:28Where is that?

45:29I was not going to die.

45:32Your father was listening to radio.

45:34I was not going to open the door.

45:37You're not going to work.

45:39Not going to work?

45:41You've never done anything?

45:43You both have to manage your father and son,

45:45my mind is wrong.

45:47What do you say?

45:48Why are you not there?

45:54What happened?

45:57Lock the door.

45:59Don't run away.

46:00Don't run away.

46:10Dad?

46:15Excuse me.

46:16Please, Atna.

46:18Excuse me.

46:20Dad?

46:20Why are you killing me?

46:22Where are you coming from?

46:24You're still sitting on the bus.

46:25What is this?

46:26You talk like this.

46:28Oh my God.

46:28Don't go to the beach.

46:35What do I do?

46:40This is such a big note.

46:41This is not a small note?

46:41You have to hang out?

46:43I'm a real widow.

46:44Drowned.

46:45Keep it.

46:47Look at that.

46:49You're not coming to the beach.

46:50You're not coming to the beach.

46:51The nonsense is coming to the beach.

46:53Hey Tai Babu.

46:54You've just lost my life.

46:56If we started talking about it,

46:57you'll have to make your father's name.

46:59You're going to start.

47:00You're not going to remember this.

47:01You don't remember anything.

47:13All right.

47:14All right.

47:19Hi.

47:20What's up?

47:28Hi.

47:29Hi.

47:31Hi.

47:34Hello, ma'am.

47:35Hello, Ram Bahadur.

47:36How are you?

47:36All right, ma'am.

47:37All right.

47:38All right.

47:38No problem.

47:39No, ma'am.

47:41Listen.

47:41Yes, ma'am.

47:44Is it a problem?

47:45What do you mean?

47:46Tell me to tell you.

47:48Wow!

47:48What a joke.

47:50You've always thought of yourself.

47:52It's a good joke, Jimmy.

47:54If you say Michael, you can tell me,

47:56then you can write a live count.

47:59Okay.

48:02This time, we've been singing 21st century

48:03in a different way.

48:05How are you singing?

48:06In the words of Abdul Gaffar Chaudhry.

48:08Are you ready?

48:10No, no, go.

48:11Go back to me anywhere.

48:19I'm not surprised.

48:20Oh, I was just saying thank you.

48:23Okay.

48:25That's a hotel called Nadi Kinaari,

48:27so I'll tell you.

48:29You forget me, Mr. Roy.

48:32That's true.

48:35I'm sure you'll remember.

48:35All right, we'll see you all.

48:47No, no, no.

48:49In my way, my father,

48:51I will hear you and your son.

48:54I'll tell you.

48:54I'm sorry.

48:59That's true.

49:00But I'm sorry I'll tell you

49:03why I'm sorry.

49:39Sir, that's not going to do Bengali today.

49:47Kansawa! Sakim! Where are you going to die?

49:56Sir?

50:17Sir?

50:19Sir, we didn't give you permission.

50:22We took the money.

50:25I will take the money.

50:27I will take the money.

50:29I will take the money.

50:44Sir?

50:45Sir?

50:47Sir?

50:49Sir?

50:53Sir?

51:05Sir?

51:06Sir?

51:07Sir?

51:09Sir?

51:11Sir?

51:12Sir?

51:13Sir?

51:14Sir?

51:15Sir?

51:16Sir?

51:17Sir?

51:18Sir?

51:19Sir?

51:28Sir?

51:30Sir?

51:302

51:382

51:392

51:412

51:414

51:515

51:52You'll have to get a lot of fun-raiser for a solid plan.

51:57It's a very big program.

52:02You'll have to go and go and go.

52:06Let's do it.

52:08I

52:09I think the

52:19people are there where they get a peace.

52:21Oh, I think

52:23I thought that you have no soul.

52:26But you know the words of your mind,

52:28I'm very excited.

52:31Alright.

52:37Oh, my God.

53:07Oh, my God.

53:38Oh, my God.

53:41Oh, my God.

54:11Oh, my God.

54:54Oh, my God.

55:12Oh, my God.

55:42Oh, my God.

56:12Oh, my God.

56:56Oh, my God.

57:12Oh, my God.

57:16Oh, my God.

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