- 7 weeks ago
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FunTranscript
00:13Don't tell me, sir.
00:14You've got a photo?
00:16I don't think you've got a photo.
00:19I've got a photo on you.
00:21You're a type of photo on you.
00:23You're a type of photo.
00:24It's not like a photo.
00:24You're a type of photo.
00:24No, you've already made it.
00:26I'll do it since.
00:27If you've got a photo on me,
00:59I'm going to talk to you.
00:59What is your question?
01:02My husband, my father, my father,
01:04I'm going to put a pen,
01:05I'm going to put a pen,
01:06I'm going to put a pen,
01:06I'm going to put a pen,
01:08What do I know?
01:10Who is this?
01:10Who is this?
01:11Mama.
01:12Mama?
01:13Mama is the same as you say.
01:15That's why you're a Tamil cinema culture.
01:17I'm a stereotype.
01:18Who?
01:19I'm a mama.
01:20Jaya Raj.
01:21Who?
01:22Who is already a contract?
01:23That's why.
01:25I'm a father.
01:26Who is this?
01:27Who is this?
01:28Who is this?
01:28Who is this?
01:29You'll be listening now.
01:31Who is this?
01:32Please tell me.
01:33Jaya Raj is here.
01:35Jaya Raj is also here.
01:36He is here.
01:38Even the lady is here.
01:38That's why she has a father's wife.
01:41Who is this?
01:42That's the only one who does this?
01:43You are.
01:45You are.
01:45You can tell me to tell me.
01:47You'll take me,
01:48My father's run away with me.
01:50What?
01:50I don't see my father's run away.
01:52You'll take him to the good,
01:53or take him to the good.
01:54He's used to stick him up to the good luck.
01:56That's why I'm going to be a cinema.
01:59What's that?
02:01Pari Sir, it's a reason.
02:03And it's a serious emotion.
02:05You can do anything like this to your grandma.
02:07How?
02:07I've got to pay for school.
02:10That's not Pari Sir.
02:11That's why you're a big fan.
02:13You're a big fan of love and a little bit.
02:18You can get your grandma's back.
02:22You can get your grandma's back.
02:50Mr. Jayraj, I am coming for you.
03:01Mr. Jayraj, I am coming for you.
03:25Mr. Jayraj, I am coming for you.
04:00Mr. Jayraj, I am coming for you.
04:04Mr. Jayraj, I am coming for you.
04:07Mr. Jayraj, I am coming for you.
04:18Mr. Jayraj, I am coming for you.
04:20Mr. Jayraj, I am coming for you.
04:22Mr. Jayraj, I am coming for you.
04:23Mr. Jayraj, I am coming for you.
04:23Mr. Jayraj, I am coming for you.
04:23Mr. Jayraj, I am coming for you.
04:24Mr. Jayraj, I am coming for you.
04:25N. Hanukawa
04:29S. girl, I'm looking for you
04:30N. J. R. I'll have a boss
04:31N. J. R. I'll have a boss
04:34A. H. I'll have his boss
04:35N. J. R. I'll have a boss
04:35N. J. R. I'll do a boss
04:45N. J. R. I'll be the boss
04:57Mani sir, you are listening to Amadhyan, what do you understand?
05:01When is he coming here?
05:03He doesn't want to talk to you.
05:05No, he doesn't want to talk to you.
05:07He's telling me about duty.
05:09He gave me S.I.P. phone.
05:10He gave me what he told me to leave.
05:13He's talking about the station.
05:16Why?
05:18When did he come to the station?
05:19Now the problem is,
05:21he told me what he told me to leave.
05:24That's the problem.
05:28You tell me about duty.
05:31Then,
05:32I'll tell you what he told me about.
05:35He's not at all.
05:36He's not at all.
05:39He's not at all.
05:40He's not at all.
05:41Why are you at all?
05:44What are you talking about?
05:46I'm thinking about it.
05:47He's not at all.
05:48He's not at all.
05:48You know,
05:51you are at all.
05:52He's not at all.
05:53You can't see him at all.
05:57You can see him at all.
05:57He's not at all.
05:59He's not at all.
06:00He's the customer.
06:01He's the owner of the station.
06:03I feel the type of guy.
06:03Sir,
06:04I know you have a copy of Gobby, sir.
06:07You can come to the record room.
06:08I don't know how much you are going to get out of here.
06:14Do you check all the characters?
06:16I'm going to get out of here, sir.
06:18I'm going to get out of here, sir.
06:19I'm going to get out of here, sir.
06:21Okay, Mani.
06:22Sir.
06:23I'm going to go to the record room.
06:24Okay, sir.
06:35I'm not going to try.
06:39I'm going to talk to your family.
06:41Here.
06:43I got to talk to my family and work.
06:45She also has to talk to my family.
06:50Her family is not doing much work.
06:54My family is a different type of emotion.
06:56I think it's emotional.
06:59I know, Ma. You're a Sarsha.
07:02Yes.
07:04I know, I'm going to talk about one thing.
07:07I'm going to talk about the situation.
07:09Okay, now I'll go to my mom.
07:11We'll talk to my mom.
07:12You're a Sarsha.
07:14What are you doing?
07:15What are you doing?
07:18My mom,
07:20what are you doing?
07:21What are you doing?
07:22Not about me.
07:24Why are you doing such a business?
07:27I don't know.
07:29But if we know,
07:30your mom should be one of them.
07:34Is it yours?
07:36Why are you doing something like you?
07:40In the meantime,
07:42Yeah.
07:44You know how to spend money
07:49on you.
07:50I don't know what to do.
07:50I don't know how it is.
07:53I don't know how to drop it now.
07:54I'm not a dumbass.
07:55Sorry.
07:56I'm not a dumbass.
07:58But I told you I'm wrong.
08:00I'm sorry.
08:01You've got some emotional emotion?
08:03Why?
08:04Why are you asking?
08:05Hey, what are you asking?
08:07Napoleon said to him for a clean record.
08:10He's on this one.
08:10That's why he's on the ground and on the ground.
08:12What?
08:13You guys are going to be on the ground.
08:17It's a perfect match.
08:19It's a perfect match.
08:20You have the same way.
08:22Let's go to this match.
08:25Okay.
08:29You're not going to buy a market.
08:30I will tell you.
08:31I will tell you.
08:33You are going to pass your mother to your mother.
08:39Correct?
08:41Correct.
08:42What did you say?
08:43My mom is the best.
08:45I know. The investigation never goes wrong.
08:48That's not Jeraj's mom.
08:50It's Raghavan's mom.
08:52You mean this docile, uncle?
08:55If you go here,
08:56you're going to go to my mom,
08:57you're going to go to the investigation.
08:59Look here.
09:00If you tell me,
09:02you're going to talk to my mom.
09:04Let's go.
09:05Please.
09:06Please.
09:08Please.
09:11Please.
09:25My name is Thamodhar.
09:27When you look at the broker,
09:28he's telling you to see him.
09:30What did you say?
09:34Raghavan,
09:35you're going to have a taste.
09:38Hey.
09:39I'm sorry.
09:40Hey.
09:40What are you talking about?
09:42I'm eating.
09:43I'm not eating.
09:45Hey.
09:45I'm eating.
09:47I'm eating.
09:47I'm eating.
09:49I'm eating.
09:50I'm eating.
09:51See.
09:52Why do you just follow me?
09:53How are you doing this?
09:55How many will I eat?
09:58Although in a company,
10:01I can marry you,
10:02even a person,
10:02a brother Bergman,
10:04I ask him.
10:07Excuse me and I am very well.
10:08I write my words and I will discover that I amgende.
10:10I know again,
10:11you have trouble with me.
10:12Hey.
10:13How many will I know your Superman?
10:14He's got a job.
10:14He's got a job.
10:16He's got a job.
10:17He's got a job.
10:19Sir...
10:19I'll tell you,
10:21he's got a job.
10:31What's the way to go to the house?
10:33We can't go.
10:34We can't do it.
10:35Did you get a job?
10:38Janu...
10:39What?
10:42I have to come to the house and get a gift.
10:47Hey...
10:47Are you waiting for us?
10:48Don't do it!
10:50We're gonna go.
10:51Let's are in trouble.
10:51Let's go.
11:29I don't know.
11:30What's wrong with this file?
11:33What's wrong with this?
11:33You need to check out the file and check out the file?
11:35What is wrong with this file?
11:36I'll check out the file.
11:39This file is fine.
11:40It's right.
11:41I'll check it out.
11:43What you said is wrong.
11:44Even if you have to check out the file,
11:46I'll get the file.
11:47How are you doing, sir?
11:49How are you doing, sir?
11:51This is Dhamadhar.
11:52I'm going to talk about Hari.
11:55I'm going to talk about the land file.
11:58I'm going to talk about Hari.
11:59I'm going to talk about Dhamadhar's file.
12:05I'm going to talk about Hari.
12:06No!
12:19Come on.
12:20I'm going to talk about the land.
12:21Go, go, go.
12:22Hey, Sunny.
12:23Okay, sir.
12:29Sunny.
12:31Dhamadhar is a file.
12:32Hari is a loser, sir.
12:34One file is a file.
12:37It's a file, Sunny.
12:39This is the original.
12:40What is it?
12:42It's a file.
12:42I'm going to talk about the tools.
12:44I'm going to talk about Javuli.
12:47What are you doing now?
12:49It's a change.
12:51I'm going to talk about it.
12:54Nilri.
12:55That's not a V2D.
12:57How are you coming now?
13:04I'm going to talk about you.
13:07I'm going to talk about you.
13:09That's why I'm here.
13:11I'm going to talk about you.
13:12You're going to talk about you.
13:15I'm waiting for you.
13:17That's not a problem.
13:22But I'm going to talk about you.
13:24One thing.
13:25One thing.
13:25One thing.
13:28One thing.
13:30You have to get into your house.
13:32Someone is unable to try any decor and discuss more.
13:34Why?
13:37I'm going to talk a little bit.
13:38Some are相容.
13:39Maybe they all are talking about,
13:40You have to get to learn it.
13:42I know we started talking about that.
13:45But do not adapt the ones to go anywhere.
13:47Like, what we are going to do?
13:48Is everything you do better,
13:50You haven't asked us to tell you.
13:51Her husband, was rough and still in his head.
13:54That didn't hurt him.
13:57They've doubled in our whole family and had toangen our house.
14:00This was my father to express it.
14:03They've been given up.
14:05I'm fine now.
14:08Thank you, dad.
14:14Dad, what's inside?
14:16Where are you from?
14:17Where do you think about it?
14:18What are you doing?
14:19If you don't want to go to the house, you can go to the house.
14:22You can go to the house.
14:24Thambi, if you want to go to the house,
14:25I'll go to the house.
14:32You're so happy, Thambi.
14:34I'm going to see our friendship.
14:36What do you know?
14:37I'm going to be in the house.
14:39I'm going to be able to see you in the house.
14:41That's right, Ma.
14:42I'm going to tell you something else.
14:44What do you tell me?
14:45I'm going to be able to come to the house.
14:49Why?
14:50No, but not too much.
14:52You're not going to be able to come.
14:55What is special?
14:59If he is,
15:01he is still late,
15:03I'll be able to go to the house.
15:05You're going to be able to come to the house?
15:07Why?
15:09I'm going to be able to see you in the house.
15:13That's it.
15:14What's your father?
15:16In this world, I've lost a lot of money.
15:20That's why I don't know.
15:24Why are they lost?
15:27Mother, I know everything I've told you.
15:31Mother, I don't know everything I've told you.
15:32I've done everything I've done.
15:32I've done everything I've done.
15:35I've done everything I've done.
15:40What do you want to tell me?
15:42Mother, Mother, I know everything I've done.
15:45That's my mother.
15:47I don't know anything about it.
15:49You've never seen me.
15:52Oh.
15:53Have you seen one of my father?
15:56No, Mother.
15:57I'm going to see you first time.
15:58She's here and she's here.
16:01She's not telling me.
16:03My mother is here and she's here.
16:07She's closer to us and seeing her animals and she has respectably.
16:14She has seen him.
16:15For all the city in her house, I've told them everything I've done.
16:17Since then, I've grown up to godly, but I'm able to hang out.
16:21After everything I've done.
16:21My mother piers, I've noticed they've burned and just failed.
16:22Someone used to get to my god.
16:26A mother and my mother and daughter is my father.
16:31Mom, are you married?
16:34Are you married?
16:36No, Mom. My dad is married.
16:39That's why you keep going.
16:41My dad and my father,
16:44he's not a problem.
16:46He's not a problem.
16:47He's not a problem.
16:48He's not a problem.
16:49He's not a problem.
16:53He's not a problem.
16:58He's not a problem.
17:04I'm not a problem.
17:05I'm not a problem.
17:08I'm not a problem.
17:08Collectors, register offices,
17:10all offices are in the past.
17:13We have to keep them in the past.
17:15Not to be careful here.
17:16I'm going to take you to my Kota Kases.
17:18I'm so happy.
17:20You're having a lot of knowledge.
17:22I'm so happy.
17:24Why?
17:25We're doing a lot of you.
17:26If you have finished visiting the panel, you would grab your card.
17:30There is a Therapy story there.
17:34So, there is an outbreak for you.
17:37You can find the practicality here.
17:39googling sounds and then you should take over.
17:40That's fine.
17:40He said smallpox.
17:42We get to some barrels.
17:43Come on!
17:44I really just want out that this is a girl.
17:48I mean, these two are regular 음식 and Todena.
17:51We will see them bad!
17:53Sorry we well.
17:54She will see them fast!
17:57Hey, this is a big file.
18:00Hey, I'm telling you, what are you doing?
18:03I'm doing it right now.
18:05I don't know how to do it.
18:11I'm looking for a letter.
18:17It's a letter.
18:20There's a letter.
18:28I don't know what gì either.
18:31I don't know what a letter there.
18:34I'm trying to do that.
18:40All right.
19:08Your mother told you all about your mother.
19:11Now you know your mother is a great man.
19:15You know your mother is a great man.
19:16You know who you are.
19:16You know your mother is a great man but you know your mother is a great man.
19:25But you know your mother is a great man.
19:28But you know your mother is a great man.
19:33You are a great man.
19:35I will be very happy.
19:37Everybody will see you.
19:42Your mother will come back to us.
19:43We will come back to you.
19:45You will come back to us.
19:50I promise, you will die.
20:16This mission is called Similarity Attraction Effect.
20:21That's why, you know what to do with your mother.
20:24Look at that.
20:25If your mother died, she died.
20:28That's not my fault.
20:30That's why my mother died.
20:33If you died, you will be able to do it.
20:36No, that's not it.
20:38If your mother died,
20:39if she died, she died.
20:43Who told you?
20:45One.
20:46Sir, I'm here.
20:48Sir, I'm here.
20:48Sir, I'm here.
20:48Sir, I'm here.
20:49Sir, I'm here.
20:50Sir, I'm here.
21:10I'm here.
21:11Sir, I'm here.
21:19Sir, I'm here.
21:20Sir, she world's Casting!
21:21And my friend goes on.
21:26The Th Cheese!
21:28Sir, Heard!
21:28It was Белас valuable.
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