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00:28:43the camera crew. Michael, this is giving me really bad vibes.
00:28:50Perfect. Use it. Imagine how the viewers are going to feel.
00:29:07Okay.
00:29:16Oh, God, gross. This guy offered to feed us too. I don't want it.
00:29:22Give the guy a break. I doubt he has many visitors, you know? Not willing ones, anyways.
00:29:27Proper murderer vibes.
00:29:31It's...quaint.
00:29:34Perfect. Remind me of that personal bit of doc you did.
00:29:37Oh, is that the one where Huey screamed at his own reflection?
00:29:40Yeah, I screamed because I thought it was you.
00:29:42You wish.
00:29:43All right, guys, please.
00:29:44How many hundred houses have you done?
00:29:46We did eight in season one, but now we keep it to two every season.
00:29:50You know, otherwise it gets a bit samey.
00:29:52So, to answer your question, Tori, none. None of them have been actually haunted.
00:29:56Er, they were. I've recorded so much weird breathing.
00:30:00Because Huey had to walk up so many flights of stairs.
00:30:02What about the orbs?
00:30:04Oh, you mean the out-of-focus dust particles?
00:30:07Guys, please, come on.
00:30:09Yeah, Michael, I think I'm ready to go. Should we go?
00:30:12Cool.
00:30:13You good, Huey?
00:30:14Sure.
00:30:16You get the take, we move on, right?
00:30:19Yeah.
00:30:20Okay.
00:30:21Everyone's set.
00:30:23Sadie?
00:30:26Huey?
00:30:28Sure.
00:30:32And action.
00:30:33I'm Joe Brooks, and we are laid to rest.
00:30:36Standing here in the island is La De Las Menecas.
00:30:38There is an atmosphere here of loss and what might have been.
00:30:41Julian, living here in the island's only house, surrounded by memories of his daughter,
00:30:46and in the hope that one day she will return.
00:30:48Julian has given us exclusive access to the island, and I cannot wait to find out what happened on that
00:30:53fateful day,
00:30:53and why this island elicits so much fear.
00:30:56Huey.
00:30:57We need this.
00:30:58Your job is on the line here, mate.
00:31:01Huey.
00:31:04Huey.
00:31:06Sick.
00:31:14Should we, um, should we continue?
00:31:16Yeah, yeah.
00:31:16Mm-hmm, yep.
00:31:19You're all set.
00:31:23And action.
00:31:27You made it.
00:31:31Welcome to Isla De Las Menecas.
00:31:46I hope you all brought Leia's with you.
00:31:50It gets a bit chilly out here at night.
00:31:54I bought my onesie.
00:31:57I can't thank you enough for this, Julian.
00:32:00We're all honoured to share your story.
00:32:03I'm delighted to have you here.
00:32:05All of you.
00:32:11Julian.
00:32:11You've got an interesting place.
00:32:16You're welcome.
00:32:21The soup was incredible, though.
00:32:24Sumac?
00:32:25Yeah.
00:32:26Well tasted.
00:32:29Julian, I just wondered if I could ask some questions with the camera.
00:32:33Of course.
00:32:35That's why you're here, right?
00:32:37When I received your letter, I was thrilled.
00:32:40I mean, we've all been waiting for somewhere like this for such a long time.
00:32:47But there is nowhere like this, correct?
00:32:50Sure, sure.
00:32:55When I first started collecting the dolls for Santana, I would get visitors from the mainland often.
00:33:03I think to begin with, it was out of sympathy.
00:33:07But then after a while, it felt like they were laughing at me.
00:33:13So I stopped sanctioning their boats.
00:33:18I felt like it was just better to be on my own.
00:33:24But now I think people should know the truth.
00:33:28Um, what is the truth?
00:33:30I mean, we've heard rumours about a curse.
00:33:36If the island is cursed by anything, it is cursed by love.
00:33:40Oh my God, that's beautiful.
00:33:43Love of Santana?
00:33:48I'm...
00:33:49We're all really sorry about what happened to your daughter.
00:33:53It must be hard hearing what people say.
00:33:56Santana is not dead.
00:34:00She...
00:34:01She not?
00:34:03No.
00:34:05Her spirit is here on the island.
00:34:08But not...
00:34:09Her body?
00:34:12Santana's spirit is what matters.
00:34:16Her body is gone.
00:34:18But she still helps give life to the island.
00:34:24She knew this would bring me great comfort.
00:34:32And where is Santana now?
00:34:36The dolls were my tribute to her.
00:34:41I left her favourite doll near where she died and...
00:34:44And over the years I've just added more.
00:34:49Now they are her vessels.
00:34:53They are everywhere.
00:34:56So she can watch.
00:34:59She's watching us right now.
00:35:02Waiting.
00:35:09Sorry.
00:35:10Sorry.
00:35:14Look, do you have everything you need for now?
00:35:16Because I'm feeling a little bit tired.
00:35:19Just...
00:35:20Reliving it all.
00:35:21It kind of takes all of my energy away.
00:35:24Yes.
00:35:25Yes, of course.
00:35:27That was perfect.
00:35:29Thank you so much, Judy.
00:35:31Are you sure you're okay camping out here?
00:35:34I...
00:35:34I have some room inside.
00:35:36No, I can't.
00:35:36I think...
00:35:37I think they're fine.
00:35:39Jo?
00:35:43Uh...
00:35:46But...
00:35:47I can.
00:35:48We've got shots to film around here tonight and whatnot.
00:35:51You know, I'll...
00:35:52We'll be back in the morning, of course.
00:35:55As you wish.
00:35:57Goodnight, everyone.
00:35:58Goodnight.
00:35:59Goodnight.
00:36:10Oh, my God.
00:36:14That was perfect.
00:36:15He's a fucking creep.
00:36:17Aw, I actually...
00:36:19I think he's quite broken.
00:36:21And I really hope we can tell the story the way he'd like, guys.
00:36:24I think we know what he would like, honey.
00:36:26Aw.
00:36:26Aw.
00:36:28Alright, look.
00:36:29We've got some good footage today, guys.
00:36:31Tomorrow's a big day.
00:36:33We'll get the rest of Julian's story in the morning.
00:36:35We'll get a few more bits and we're back to the boat for noon.
00:36:38Tonight, we need some creepy shot from where the girl died.
00:36:42And some decent sound from the forest.
00:36:45Santana.
00:36:46Sorry?
00:36:47Her name was Santana.
00:36:49Right.
00:36:50Santana.
00:36:51Sorry.
00:36:52Where Santana died.
00:36:53I thought she didn't die.
00:37:02I'll record in the forest.
00:37:03I love all the different noises.
00:37:05Yeah, I'll come with you.
00:37:07Uh, no, Huey.
00:37:08We need you for these shots.
00:37:10We can't be up here all night.
00:37:12We've got to rest up.
00:37:13We're up at dawn.
00:37:14I can film where Santana died.
00:37:17I want to be a cinematographer one day.
00:37:20I've got a good eye.
00:37:21I can do it.
00:37:22She's taking good establishing shots for me.
00:37:25Okay, fine.
00:37:26I'll go with her.
00:37:28She might get lost.
00:37:29You know what she's like.
00:37:36Don't be too long, if all.
00:37:40Have you got time to go over the scripts?
00:37:41Yeah, sure.
00:37:58Are you scared, baby boy?
00:38:01It's a phobia.
00:38:02I can't help it.
00:38:03I'm sorry.
00:38:05I wish you would have told me.
00:38:07We wouldn't have come.
00:38:08How am I supposed to know that de las maracas meant dolls?
00:38:12Well, it doesn't.
00:38:14Maracas.
00:38:17It's cute.
00:38:18You're cute.
00:38:30Come on.
00:38:44Are you sure you don't need me to protect you?
00:38:59They're just dolls.
00:39:04My hero.
00:39:14Poor Santana.
00:39:16This is where they last saw her alive.
00:39:18It's so sad.
00:39:20Well, someone's done their research.
00:39:22I just want to do a good job.
00:39:30Jo mentioned it was one doll to begin with.
00:39:32Reckon this is it.
00:39:34This is it.
00:39:39Freaky.
00:39:40You seem pretty good Nick, though.
00:39:43He was in tennis.
00:39:44He was very special to her.
00:39:46I think it's really nice that Julian left it here for her.
00:39:52Do you reckon that guy even had a daughter?
00:39:56He's a bit off, isn't he?
00:39:59Makes a mean soup, though.
00:40:01Well, of course she was real.
00:40:02You don't lie about something like that.
00:40:04He's heartbroken.
00:40:06He's heartbroken.
00:40:06You can tell.
00:40:15What's your story then, Tori?
00:40:18My story?
00:40:19Yeah.
00:40:21You rock up as an intern.
00:40:22You've got this whole Detsy-body-in-control thing going on.
00:40:26But I know nothing about you.
00:40:31I'm sorry.
00:40:31I'm really not interested.
00:40:34Excuse me?
00:40:35I'm just here to do my job.
00:40:39Oh yeah?
00:40:40You suddenly want to become a cinematographer
00:40:42as soon as there was a chance to be alone?
00:40:45I do want to be a cinematographer.
00:41:01Veronica!
00:41:02I'm not done here!
00:41:04Where are you going?
00:41:05Veronica!
00:41:22What was that?
00:41:24Stop.
00:41:28Normal rustling to be found in any normal forest?
00:41:31No.
00:41:31No, it was something else.
00:41:39Okay, I heard that.
00:41:41Oh yeah, I'm scared.
00:41:43Who's out there?
00:41:46Veronica!
00:41:48Stop being such a weird bitch!
00:41:57I think we should go.
00:41:59No, no, no. We're not going anywhere.
00:42:01Who are you?
00:42:02This cheesy giggling is just Veronica.
00:42:04Even though I've never heard her laugh a day in my life!
00:42:08The viewers will eat this shit up.
00:42:18Yeah, haha.
00:42:20Okay, we know it's you, Veronica.
00:42:22Just give us something so we can go back to camp.
00:42:25It's chilly.
00:42:28Who, please?
00:42:30I'll give it up, V.
00:42:32Just give us your little lighting trick, whatever it is you're planning.
00:42:35Is Michael there too?
00:42:37Was this all a set up?
00:42:41Do you reckon this was all a set up?
00:42:42Do you reckon we should go?
00:42:44It's fine.
00:42:45I'm quiet now anyway.
00:42:46She gave up.
00:42:52Were those here before?
00:42:57Yeah, um...
00:42:58Okay, let's go.
00:42:59I'll give it up, V.
00:43:01Oh my God.θ
00:43:02.θ
00:43:04.θ
00:43:05.θ
00:43:06.θ
00:43:07.θ.
00:43:07Ah! Ah! Ah!
00:43:22Veronica, you scared me.
00:43:24And what?
00:43:25What's wrong with you? And where's Tori?
00:43:27How should I know?
00:43:29OK.
00:43:30Michael! Michael!
00:43:32If you're going to snore, you're sleeping in Julian's house
00:43:35with the creepy dolls!
00:43:46Tori!
00:43:47What did I say before?
00:43:48I'm so sorry we filmed as far as we don't make this case.
00:43:51I'm sorry, I'm sorry.
00:43:52I'm just anxious of all this work stuff, you know?
00:43:55Yeah, of course.
00:44:00Anyway, do you get what you needed out there?
00:44:02Sure did.
00:44:02Great, great.
00:44:04You know, I think it's really great.
00:44:06It's very creepy over there and we found Santana's doll and everything.
00:44:10Oh cool, maybe we can film that tomorrow.
00:44:12Yeah, cool.
00:44:14Great.
00:44:20Ah, here's Camry. You can just put that over there with the things.
00:44:24Oh, they're not back yet?
00:44:25No.
00:44:29You know, I really admire you.
00:44:32You make everything so accessible and whenever you speak to anyone, you do it with dignity.
00:44:38You're the reason I wanted this internship so badly.
00:44:43Yeah, you've been a great addition to the team too. Keep up the good work.
00:44:50Do you think you would let me take some more shots?
00:44:54He's precious about his camera.
00:44:57Yeah, maybe I'll just wait up for him.
00:44:59I wouldn't. I'd dread to think what he's even doing out there and, you know, maybe ask him tomorrow.
00:45:06Yeah.
00:45:07Yeah.
00:45:08So, should you just hang out for a little bit?
00:45:16You know, I really have to get on with these notes, Tori.
00:45:21Good night.
00:45:43Hello?
00:46:14Good night.
00:46:36Good night.
00:46:36Good night.
00:46:54Joe.
00:46:57Everything okay?
00:46:58Yeah, I'm so sorry that your doll scared me.
00:47:02Yeah, they have a tendency to do that.
00:47:09Do you want to come in?
00:47:11Um, I mean, sure. I just, I'm not sure if you'd rather be alone and I know we said we'd
00:47:16come back in the morning.
00:47:19It's no trouble. I'll be glad of the company.
00:47:24Okay.
00:47:35I can't remember the last time I had someone here for tea.
00:47:39Well, I'm glad to be of service.
00:47:40Let's do it.
00:47:47Let's do it.
00:47:49Should I get up?
00:47:50Let's do it.
00:47:55Where did you find that?
00:47:58Oh, I just found out outside. Is it your daughter's?
00:48:02Yeah.
00:48:06Do Lily love Johnny?
00:48:13Oh, yeah. I remember now.
00:48:17It was sometimes friend Lily's.
00:48:20She must have dropped it the last time she was here.
00:48:23They used to play outside together all the time.
00:48:28And Johnny?
00:48:31Yeah. And Johnny.
00:48:35Little Johnny.
00:48:38Yeah, such a crush on her.
00:48:43I know it's not the same thing, but I live alone too,
00:48:47so I know what it's like to be alone.
00:48:52Actually, I just throw myself into work, you know?
00:48:56I don't really have any family.
00:48:58What are the crew? They're like my family, you know?
00:49:01I don't think they realise just how much they mean to me.
00:49:07Family is important.
00:49:10And you know the best thing about family is that you can always make your own.
00:49:17They don't have to be blood.
00:49:24You know, there is a difference between being alone and feeling lonely.
00:49:31I don't feel lonely.
00:49:35I feel Santana's spirit all around me every day.
00:49:41I feel her warmth.
00:49:43That's...
00:49:44That's nice.
00:49:53Look, I know you'd rather stay outside with your friends.
00:49:57Buy some extra blankets you can take.
00:49:59If you like.
00:50:01That would be lovely. Thank you.
00:50:03That would be lovely. Thank you.
00:50:56We used to sit outside and wrap ourselves in this blanket.
00:51:00It was Santana's favourite.
00:51:04It's lovely and warm.
00:51:05I'm here.
00:51:25Um...
00:51:25I wouldn't, without your permission, of course, but...
00:51:28I just wondered if you had any photos of Santana?
00:51:32You know, it brings a story so much more to life for you in this place.
00:51:37No?
00:51:42I have many.
00:51:45I used to look at them every day.
00:51:49But it was too painful to see her face.
00:51:52Yeah, I understand.
00:51:56I have some locked away.
00:51:59It's getting easier to think about looking at them again.
00:52:02You mentioned before that Santana, you know, sees through dolls.
00:52:08What do you want to know?
00:52:12Um...
00:52:14Like...
00:52:14What she's looking for?
00:52:16Not what.
00:52:18Who?
00:52:20She's looking for someone.
00:52:25Santana was a very curious girl.
00:52:28She liked to sit in the forest and watch when we would have visitors.
00:52:33She used to sit there for hours.
00:52:35And just, uh...
00:52:38Her and her sister would stay out there for hours.
00:52:41Her sister?
00:52:43Wait...
00:52:44Is she alone?
00:52:47Does she live here?
00:52:50How old is she?
00:52:51Enough!
00:53:03I'm sorry, Jo.
00:53:06This is all very emotional.
00:53:09It's okay.
00:53:10Um, I should get going because we have a really early start in the morning and...
00:53:14You know I'd never hurt you, Jo.
00:53:19Thanks for the tea, Julian.
00:53:25Don't forget this.
00:53:29Goodnight.
00:53:31Sweet dreams.
00:53:45Sweet dreams.
00:53:45She's doing great.
00:53:45I'm going to bring her home on her.
00:53:47One time.
00:53:47It's okay.
00:53:51We're leaving.
00:53:52No, let's not be here.
00:53:53Can I get the little exhausted?
00:53:54I know my turn.
00:53:54You're just waiting for her to be quiet.
00:54:00We're gonna get the new party.
00:54:02Who's watching this?
00:54:06So I'm leaving the new party.
00:54:19Spantana?
00:54:23Will you be my daughter?
00:54:45I'm the director, I have to be grumpy.
00:54:50Morning guys.
00:54:54We need to be getting those shots up at the house right now.
00:54:56The boat's coming in two hours, I can't believe this.
00:54:59Huey and Sadie was like still sleeping or?
00:55:03They didn't come back in last night.
00:55:04What?
00:55:05You didn't see them either?
00:55:07No, I was writing some notes and I went straight to bed.
00:55:11I knew it was a bad idea to keep hiring them both.
00:55:14Ever since they got together they've been wandering off every five minutes canoodling.
00:55:18No, this isn't like them.
00:55:21We should go and look for them.
00:55:22No, no, we're not wasting any more time.
00:55:24Toy, you've got the camera there, right?
00:55:27Yeah.
00:55:28How do you feel about taking over?
00:55:29I'd love it.
00:55:30Whoa, whoa, whoa.
00:55:32What about sound?
00:55:33I know I torture Huey and Sadie but they are the best.
00:55:37And they could be in trouble.
00:55:39Maybe Action Man came back for Huey?
00:55:43We don't know what's out there.
00:55:45Please, they'll be fine.
00:55:46They probably got busy in the woods and then fall asleep or something.
00:55:49I mean Huey definitely has.
00:55:51But poor Sadie.
00:55:53Okay.
00:55:55Look, me and Toya are going up at the house to speak to Julian.
00:55:59You two, find those other idiots and meet us there.
00:56:04If those two are having tea with Julian right now, I swear I'll kill them both.
00:56:09Tea with Julian?
00:56:11Yeah, sorry.
00:56:12It's a bit too normal.
00:56:14Go.
00:56:16Don't get paid enough for this.
00:56:19I guess you get paid a little more taking on these extra responsibilities.
00:56:24There's counselors out-hook.
00:56:58See you later.
00:57:06See you later.
00:57:08See you later.
00:57:10See you later.
00:57:21We did say we'd be back to him this morning, right?
00:57:24Yeah.
00:57:44Fuck this.
00:57:50Julian.
00:57:53Okay.
00:57:54That's my call, the director.
00:57:55I'm coming in.
00:58:08Julian?
00:58:16Jillian!
00:58:46Jillian!
00:59:02Fuck.
00:59:30Jillian!
00:59:32Yes! Yes! Yes! Yes! Yes!
00:59:48Ad-ok. Fucking cheapskate.
01:00:14Did I do good, Dad?
01:00:17We're proud of you.
01:00:19You don't say much for your sister.
01:00:28Huey! Sadie!
01:00:32You better be decent by the time I find you!
01:00:36What if something's happened to them? What if an animal got to them?
01:00:39An animal?
01:00:42Yeah, well, something's not right. Something's happened.
01:00:44Bo serving his younger siblings.
01:00:44Relax. They'll be fine. They're cringe, little idiots and they love each other.
01:00:49They're probably trying to sneak past us while pulling on their clothes on right now.
01:00:54Huey!
01:00:55Sadie!
01:00:59that was us once what cringe little idiots who love
01:01:05veronica this isn't the time come on i'm just saying try and remember how great it was
01:01:14well the way i remember it wasn't great but fun
01:01:18i don't understand the fucking nothing reasoning why you ended it though
01:01:23well it's cool don't worry about it i don't wonder what was going on in your head anymore
01:01:28i'm over it now well if you didn't know that says it all doesn't it
01:01:35keep going home alone and telling yourself that don't you
01:01:43hi joe i can't wait for you to be my doll
01:01:53uh is she for real
01:01:56santana i saw her last night
01:02:05santana think fast
01:02:10it's just a fucking dolly i'll slice that
01:02:13beach open like i did to mine when i was a kid
01:02:17you don't sound very nice oh i'm not
01:02:22i think you should go you should come with me joe
01:02:26she's not going anywhere with you
01:02:28she is
01:02:31she is
01:02:57Oh, my God.
01:03:52Michael.
01:04:22Michael.
01:04:26Michael.
01:04:26Michael.
01:04:30Michael.
01:04:32Michael.
01:04:33Michael.
01:04:35Michael.
01:04:38Michael.
01:04:39Michael.
01:04:41Michael.
01:04:44Michael.
01:04:49Michael.
01:06:38Veronica.
01:06:41Veronica, can you hear me?
01:06:44Veronica!
01:06:51Oh my god, are you okay?
01:06:54I feel like... shit.
01:07:02I think they killed Michael.
01:07:05Hugh and Sadie too.
01:07:10Get us out of here, okay? We just have to find Dorian.
01:07:13Oh, hi!
01:07:18I'm hearing aids.
01:07:20Nope.
01:07:21Hi Veronica!
01:07:23I'm sorry about this, Joe.
01:07:25We filmed the scares. We don't make the scares.
01:07:27I tried to make sure I didn't frighten you.
01:07:29You're Julian's other daughter.
01:07:31I knew you'd work it out. You're so smart, Joe.
01:07:35What's going on there? What other daughter?
01:07:37Surprise!
01:07:39He had two daughters. You brought us here.
01:07:44Well, you brought us here. So desperate for your big story.
01:07:47My dad found you, though. Your series is okay, by the way.
01:07:50I think I could do better.
01:07:52You look so much like our Santana.
01:07:57See? That's me and dad.
01:08:01Oh my god. Do you know what could be amazing?
01:08:04If we could turn this into a documentary.
01:08:06I mean, we wouldn't be able to show it to anyone, of course.
01:08:09But it would be amazing, wouldn't it?
01:08:11Then me and Santana could look back at it.
01:08:14You're fucking insane.
01:08:17We're so happy to have you here, Joe.
01:08:20We've been looking for a body for Santana for a long time.
01:08:23She's quite picky.
01:08:24But she really seems to like you.
01:08:27We're always here, leading us to our deaths.
01:08:30How could you?
01:08:31Not your death, Joe.
01:08:33We could never hurt you.
01:08:35But yeah, what about everyone else?
01:08:37We don't need them, do we?
01:08:38We have each other.
01:08:41Tori, you fucking bitch!
01:08:43Bring your stuff, sister, and I'm gonna fuck her up!
01:08:47Then it'll be your turn!
01:08:49You're so angry, Veronica.
01:08:51Do you know how much I fantasize about breaking your neck?
01:09:02Tori, it's me you want, isn't it?
01:09:05Just let her go, please.
01:09:21No, actually, we need her.
01:09:24You see, for Santana to take her new body, we need a sacrifice.
01:09:28Guess who that is.
01:09:31I think that would be my favorite part.
01:09:34I think that would be my favorite part.
01:09:38No!
01:09:39No!
01:09:42Tori, that's enough!
01:09:56I'm sorry I had to do all of this, girls.
01:09:59I thought I could just take two lives and it'd all be over.
01:10:04But I've had to kill and kill again!
01:10:09We have needed Santana's blessing and that has been difficult.
01:10:14Her spirit has grown very powerful and very unsettled.
01:10:18It's taken a lot of work to find someone she approves of.
01:10:22You should be honored, Jo.
01:10:25You're fucking crazy!
01:10:27Santana, can I cover your nose, too?
01:10:29No!
01:10:31No!
01:10:34Why me?
01:10:35Why?
01:10:41Santana went missing one morning.
01:10:44The last time I saw her, she was playing happily in her favorite spot.
01:10:49The next thing I know, I find her drowned in the river.
01:10:53It fucking destroyed me!
01:10:57I didn't protect her!
01:11:00I failed as a father.
01:11:05The years passed and my pain only got worse!
01:11:10I couldn't be the father to Tori that I wanted to be because of it.
01:11:18I needed to do something.
01:11:32The pain, the grief, the sorrow, all of that cursed Santana's soul.
01:11:39It was my fault!
01:11:45I made her a temporary body.
01:11:48Now all I can do is free her.
01:11:51She is trapped.
01:11:53And she will stay trapped until she finds the perfect place.
01:11:57And she does have to be perfect.
01:12:09Shut up!
01:12:14Tori was looking for her sister, too.
01:12:16We'd almost given up.
01:12:19Until I found you.
01:12:22As soon as I heard your voice, before I ever saw your face, I just knew.
01:12:28You are everything I imagined Santana to be.
01:12:31If she had lived.
01:12:34Santana knew too.
01:12:47Now we can begin.
01:12:48No!
01:12:50No!
01:12:52No!
01:12:54No!
01:12:54No!
01:12:55Please let us go!
01:12:57Please, Julia.
01:12:58Please.
01:13:00No!
01:13:02No!
01:13:04No!
01:13:05Please!
01:13:09Please let us go!
01:13:12Please!
01:13:14No!
01:13:16No!
01:13:16No!
01:13:17No!
01:13:19No!
01:13:48Oh, my God.
01:13:54It is with blood running, the trapped souls find a crack to escape.
01:14:00Tori, focus!
01:14:08You fucking bitch!
01:14:12What have you done?
01:14:14You spoiled the blood of the sacrifice.
01:14:22No, I didn't. They can drink from the same cup.
01:14:25They cannot drink the mixed blood, you fool!
01:14:28Fuck!
01:14:29Forgive me.
01:14:40We finished this. We will have our Santana back.
01:14:51No!
01:14:54No!
01:15:06Joe!
01:15:07Joe!
01:15:19Joe!
01:15:20Joe!
01:15:37Joe!
01:15:40The longer you hide, it will only get worse for you!
01:15:44Joe!
01:15:46Joe!
01:15:48Joe!
01:15:49You're a machine!
01:15:54Joe!
01:15:55Joe!
01:15:57Joe!
01:15:57Joe!
01:15:58Joe!
01:15:59Joe!
01:16:00Joe!
01:16:04Joe!
01:16:05Joe!
01:16:06Joe!
01:16:06Joe!
01:16:10Joe!
01:16:20Joe!
01:16:23Joe!
01:16:26Joe!
01:16:35Joe!
01:16:39strands!
01:16:44Joe, I'd have a chase.
01:16:50Joe!
01:16:52Joe, come out.
01:16:54Come out, Joe.
01:17:07Joe, now you're in here.
01:17:09I'm coming over here.
01:17:43I'm coming over here.
01:17:48Oh.
01:18:05What have you done?
01:18:10You killed my dad.
01:18:11He wasn't well, Tori.
01:18:13How many people did he kill?
01:18:14He did what he had to.
01:18:16All he wanted was for us to be a family again.
01:18:18Look, I'm going to cow up here.
01:18:21You can come too.
01:18:22You're not going anywhere.
01:18:27You know what?
01:18:28I used to think you were so amazing.
01:18:30I couldn't wait for us to be sisters to get my Santana back.
01:18:33But you're not worthy of her.
01:18:35She must have been so special for you to go to the temple for her.
01:18:37She was my best friend.
01:18:39I didn't mean for her to die.
01:18:44You killed her?
01:18:47It was an accident.
01:18:48She fell and I couldn't save her.
01:18:51But she fell because of me, so I have to do this for her.
01:18:54Tori, look, you're not a bad sister, okay?
01:18:56You're not.
01:18:56You're good.
01:18:57We can get out of here.
01:18:59We can go.
01:19:00You can start fresh.
01:19:00You can start new.
01:19:03I killed Michael too.
01:19:07I meant that one.
01:19:35I'm sorry for your dad and your sister.
01:19:37But it's over.
01:19:39They are not necessary.
01:19:48You're so pretty, Jo.
01:19:52I can't wait for you to be my doll.
01:20:22You're really stood up.
01:20:23I was like, look, J-mmm .
01:20:28You weren't worrying about things around...
01:20:33I really could go.
01:20:33Yes, we're pretty, man.
01:20:36We have F73 and Fantastic Δα»a.
01:21:03You're so pretty, thanks for being my daughter.
01:21:36You're so pretty, thanks for having me.
01:22:05You're so pretty, thanks for listening.
01:22:18You're so pretty, thanks for having me.
01:22:56You're so pretty, thanks for having me.
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