- 9 minutes ago
## 🎬 Hands Up! (1938) – Public Domain – Western | Action | Adventure
**Hands Up!** is a high-energy 1938 Western directed by **Charles Hutchison** and starring the athletic **Buck Jones**. This film is a quintessential "B-Western" from the late 1930s, a period where studios like Columbia and Universal were perfecting the formula of the fast-talking, fast-shooting cowboy hero. Buck Jones, one of the "Big Three" Western stars of the era alongside Tom Mix and Hoot Gibson, brings his trademark rugged charisma and genuine horsemanship to this tale of frontier justice.
As a 1938 production that has entered the **Public Domain**, it is a prized piece of cinematic history, capturing the transition from the simpler plots of the early 30s to the more complex, stunt-heavy action features of the pre-war years.
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## 📖 Plot Summary
The story follows a determined lawman (Buck Jones) who must go undercover to dismantle a sophisticated gang of stagecoach robbers and land swindlers.
**The frontier mission features:**
* **The Undercover Agent:** Buck Jones stars as a government investigator who assumes a secret identity to infiltrate a criminal syndicate that has been terrorizing the local territory.
* **The "Hands Up" Heists:** The film earned its title from a series of daring, choreographed stagecoach robberies, showcasing the "quick-draw" action that audiences craved.
* **The Hidden Mastermind:** Unlike standard outlaws, the villains in this film operate from within the town's respectable society, adding a layer of mystery and "whodunit" tension to the plot.
* **Acrobatic Stunts:** Buck Jones was famous for performing his own stunts. The film features several "high-key" sequences involving daring leaps from balconies and high-speed horseback pursuits.
* **The Final Showdown:** The narrative builds to a climactic confrontation where Buck must use both his fists and his six-shooters to protect the innocent and bring the real "brains" of the outfit to justice.
---
## 🎥 Style & Legacy
* **Buck Jones’ Screen Presence:** Jones was known for his "no-nonsense" approach to the genre. His performance in *Hands Up!* is defined by a mix of stern authority and a dry sense of humor.
* **Charles Hutchison’s Pacing:** As a director who specialized in action serials, Hutchison ensures that there is never a dull moment, keeping the story moving at a breakneck speed with 100% visible, clean-cut action choreography.
* **High-Contrast Cinematography:** The film utilizes sharp, high-key outdoor lighting, ensuring that the dusty trails, the texture of the period costumes, and the intricate stunt-work are clearly rendered for the viewer.
* **Silver Screen Heroism:** The film reflects the 1938 moral code of the Western hero—starkly divided between right and wrong, where justice is always served with a steady hand.
* **The "B-Western" Craft:*
**Hands Up!** is a high-energy 1938 Western directed by **Charles Hutchison** and starring the athletic **Buck Jones**. This film is a quintessential "B-Western" from the late 1930s, a period where studios like Columbia and Universal were perfecting the formula of the fast-talking, fast-shooting cowboy hero. Buck Jones, one of the "Big Three" Western stars of the era alongside Tom Mix and Hoot Gibson, brings his trademark rugged charisma and genuine horsemanship to this tale of frontier justice.
As a 1938 production that has entered the **Public Domain**, it is a prized piece of cinematic history, capturing the transition from the simpler plots of the early 30s to the more complex, stunt-heavy action features of the pre-war years.
---
## 📖 Plot Summary
The story follows a determined lawman (Buck Jones) who must go undercover to dismantle a sophisticated gang of stagecoach robbers and land swindlers.
**The frontier mission features:**
* **The Undercover Agent:** Buck Jones stars as a government investigator who assumes a secret identity to infiltrate a criminal syndicate that has been terrorizing the local territory.
* **The "Hands Up" Heists:** The film earned its title from a series of daring, choreographed stagecoach robberies, showcasing the "quick-draw" action that audiences craved.
* **The Hidden Mastermind:** Unlike standard outlaws, the villains in this film operate from within the town's respectable society, adding a layer of mystery and "whodunit" tension to the plot.
* **Acrobatic Stunts:** Buck Jones was famous for performing his own stunts. The film features several "high-key" sequences involving daring leaps from balconies and high-speed horseback pursuits.
* **The Final Showdown:** The narrative builds to a climactic confrontation where Buck must use both his fists and his six-shooters to protect the innocent and bring the real "brains" of the outfit to justice.
---
## 🎥 Style & Legacy
* **Buck Jones’ Screen Presence:** Jones was known for his "no-nonsense" approach to the genre. His performance in *Hands Up!* is defined by a mix of stern authority and a dry sense of humor.
* **Charles Hutchison’s Pacing:** As a director who specialized in action serials, Hutchison ensures that there is never a dull moment, keeping the story moving at a breakneck speed with 100% visible, clean-cut action choreography.
* **High-Contrast Cinematography:** The film utilizes sharp, high-key outdoor lighting, ensuring that the dusty trails, the texture of the period costumes, and the intricate stunt-work are clearly rendered for the viewer.
* **Silver Screen Heroism:** The film reflects the 1938 moral code of the Western hero—starkly divided between right and wrong, where justice is always served with a steady hand.
* **The "B-Western" Craft:*
Category
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Short filmTranscript
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00:03:25I don't know.
00:03:27You got nobody to blame but yourself, ma'am.
00:03:29He wasn't like this when he first come out here.
00:03:33It seemed like you and Buck and everybody else around here
00:03:36went out of their way to spoil a fella
00:03:37that had the makings of a good man in him.
00:03:39Well, why don't you try talking to him, Hoppy?
00:03:41You know, you've always been able to handle him.
00:03:45I would if I thought he was worthwhile,
00:03:47but I don't think he is anymore.
00:04:09Well, what do you want?
00:04:11You don't like me anymore, do you, Hoppy?
00:04:16You got me all wrong there, son.
00:04:19I like you a lot.
00:04:21That is, I like the boy you was when you first come out here.
00:04:24Well, supposing people were always making you do things you didn't want to.
00:04:28How would you like it?
00:04:30Well, if them things were good for me, I'd probably like doing them.
00:04:34I bet you wouldn't like going to school.
00:04:37Nor if you met with that teacher of ours.
00:04:40Oh, it's not as bad as all that, is it?
00:04:43That's all you know.
00:04:46Hoppy, cross my heart.
00:04:48She's the meanest person in the world.
00:04:51I think you and me had better have a little talk.
00:04:54What do you say?
00:04:59There we are.
00:05:02Now, man to man, what about this school?
00:05:06Gee, them spurs are elegant.
00:05:08Wish I owned them.
00:05:12Anything that's worth having is worth earning.
00:05:16If I had a pair like them, I wouldn't even mind going to school.
00:05:20Spurs or no spurs, you're going to school.
00:05:23You wouldn't want to grow up to be a common Callahan like me, would you?
00:05:26Sure I would.
00:05:28Look at all the fun you have, riding and shooting and fighting.
00:05:32Boy, if I could ever do that like you.
00:05:34Yeah, but by the time you were my age, this country is going to be run by the men with
00:05:39the best brains.
00:05:40Not the best guns.
00:05:42That's why you got to go to school.
00:05:44Or someday you're going to be the boss of the Bar 20.
00:05:46Who, me?
00:05:47Yup.
00:05:49After your Uncle Buck is gone, it's going to be up to you to go on making the Bar 20
00:05:53brand stand for honesty and square shooting.
00:05:56Like it always has.
00:05:57Gee, Hoppy, I never looked at things that way before.
00:06:01Well, then maybe you'll look at things my way and go on to school without making such fuss about it.
00:06:06Will you?
00:06:08Well, I guess so.
00:06:11But if that teacher of ours does just one more thing to me.
00:06:15She's not...
00:06:21What's up, Buck?
00:06:22Dan Raleigh and his rustlers made another raid off there to the west.
00:06:26And a little bit too close for comfort.
00:06:29Raleigh, huh?
00:06:31Say, we'd better get that herd away from the border.
00:06:33Wendy!
00:06:34Lucky!
00:06:35Can I go too, Uncle Buck?
00:06:36You're going to school just like you promised me.
00:06:40Wendy, see that he gets there.
00:06:41Lucky, get the rest of the boys.
00:06:47Gee, I wish I hadn't promised Hoppy I'd go to school.
00:06:52I always miss all the fun.
00:06:54Yeah?
00:06:55Well, here's one time you ain't gonna miss all the fun.
00:06:58Come here.
00:06:58Hey, I want to...
00:06:59I'll learn you to dump water on me.
00:07:01You young...
00:07:02I'll get me home.
00:07:04How do you like that, eh?
00:07:06No!
00:07:08Hey!
00:07:11Hey!
00:07:12Hey!
00:07:13Hey!
00:07:13Hey!
00:07:13Hey!
00:07:14Hey!
00:07:17Hey!
00:07:20Hey!
00:07:23Hey!
00:07:41Hey.
00:07:41Hey!
00:07:41Hey, Piper!
00:07:42Tinasai!
00:07:42Hey!
00:07:43Hey!
00:07:43Hey, me, I'm sorry.
00:07:44Hey.
00:07:51Hey!
00:07:57What do you wanna do?
00:08:04Well, we out-guessed them, boys.
00:08:06They're hazing that big bunch right down here into our hands.
00:08:10Happen to know that fellow on the white horse?
00:08:12Well, that's Hopalong Cassidy.
00:08:14What is it?
00:08:16Trying to lift that herd with Cassidy on the job
00:08:18is like sticking your neck in a buzzsaw.
00:08:20No man ever lived who can't be dropped.
00:08:23Oh, yeah?
00:08:25Most of those are tired of pushing up sagebrush.
00:08:27We're waiting here for Raleigh.
00:08:38I'll make a little bet I can lift that herd
00:08:41just as easy as Raleigh can.
00:08:43We're out against Cassidy's guns.
00:08:45Beyond Raleigh's say-so, not yours.
00:08:52Hey, Hoppy!
00:09:01Things are sure popping into town.
00:09:03What's happened?
00:09:04Plenty of trouble at the schoolhouse.
00:09:06Are they?
00:09:06Yeah, the mayor says he's got to do something right now.
00:09:09Darn that kid.
00:09:11Starting trouble at a time like this.
00:09:14Well, I ought to lace the living day.
00:09:16Ah, so fast now, Buck.
00:09:18That boy ain't really bad.
00:09:20You've just spoiled him.
00:09:22All right.
00:09:24Suppose you handle him.
00:09:25I will.
00:09:27And if Artie deserves it,
00:09:28after what he promised me,
00:09:29I'll tan his hide.
00:09:33I can see you doing that.
00:09:35Yeah.
00:09:39That gunfighter you're scared of is moving out.
00:09:42How about us moving in?
00:09:44Not without Raleigh.
00:09:48Lucky, you and Slim and a couple of the boys
00:09:51hold the herd right there.
00:09:52Have the rest of them ride to the ranch house with me.
00:09:55All right, Buck.
00:10:14Now what's the grief this time for?
00:10:16Those kids again.
00:10:18They've gone on strike against their teacher.
00:10:20Probably burned the schoolhouse down by now.
00:10:23Well, you're no cripple.
00:10:25Why didn't you stop them?
00:10:26I would have.
00:10:27But the last time I stopped their innocent little pastimes,
00:10:30you threatened to take me apart.
00:10:32Yeah, and that still goes,
00:10:34if you ever use that quirt on them again.
00:10:36You don't have to handle them kids that way.
00:10:38Then suppose you handle them in your own quiet way,
00:10:41Mr. Cassidy.
00:10:43Mr. Thorpe, that's not a bad idea.
00:11:15Mr. Thorpe, that's not a bad idea.
00:11:15Mr. Thorpe!
00:11:17Mr. Thorpe, that's not a bad idea.
00:11:22Mr. Thorpe, I'll get you off right now…
00:11:30Mr. Thorpe!
00:11:37Mr. Thorpe, that's not a bad idea.
00:11:44Mr. Thorpe, that's not a bad idea.
00:11:45Come on, you're in!
00:11:48You're inside!
00:11:49No, you can't!
00:12:22Gee, Hoppy.
00:12:24Ain't that pretty?
00:12:27Yeah.
00:12:29Yep.
00:12:29It's almost too pretty to be true.
00:12:34Oh, God, the birds swallow sweet.
00:12:42Yep.
00:12:43It's almost too pretty to be true.
00:12:45Oh, God, the birds swallow sweet.
00:12:45In the springtime,
00:12:49Does what he sold out his heart
00:12:56And long to go,
00:13:02Does what they were birdswashed
00:13:09On that summer
00:13:13Day after day in the field of yellow palm
00:13:25No place on earth do I love more sincerely
00:13:40Then over here the state I was born
00:14:11Come on fellas I'll give her now
00:14:14Good morning to you
00:14:17Good morning to you
00:14:20Good morning dear Howdy
00:14:24Good morning to you
00:14:42I'mordinating
00:14:43Good morning if they spread out any more we miss your chance
00:14:44Come on
00:14:45Wait
00:14:47How'd you get hit
00:14:51Hello
00:14:55It's just in time Waldy
00:14:56Sutton here was about to move in on herd
00:14:59You'll disobey orders once too often.
00:15:02You'll be late once too often.
00:15:06Ride down there and spread out.
00:15:08When I whistle, arrest the riders.
00:15:10Run the stock through here and across the border.
00:15:24Bring back!
00:15:26Bring back!
00:15:29Oh, bring back my Bonnie to me!
00:15:44That's mighty nice, Artie.
00:15:46But where's your teacher?
00:15:48Uh...
00:15:49Well, we're just practicing until she gets here.
00:15:54You might as well keep it up till she does.
00:15:57Go on.
00:15:58How about singing Clementine for me, Artie?
00:16:01All right!
00:16:02Good night!
00:16:29Good night!
00:16:52Come on!
00:17:18Oh my darling, oh my darling, oh my darling Clementine, you are lost and gone forever, dreadful
00:17:30sorry Clementine. Night she wasn't like a fairy and her shoes were number nine, herring boxes
00:17:42without boxes, sandals were for Clementine. Oh my darling, oh my darling, oh my darling
00:17:54Clementine, you are lost and gone forever, dreadful sorry.
00:18:05Come on, all day.
00:18:06I'm back here!
00:18:08Hold on breathe, please, let me down.
00:18:13All right. Open the door.
00:18:14Open the door.
00:18:16You'll have trouble.
00:18:18I haven't done anything. Come on open it.
00:18:25It's not interfering, you.
00:18:27You're not going to hit this child with that thing.
00:18:30That's right.
00:18:30Encourage him.
00:18:31If ever a brat was born to stretch a rope, it's that little end.
00:18:35But I'll take it out of him.
00:18:36Oh!
00:18:38My hands!
00:18:39Oh, I'm through trying to beat anything into these young outlaws.
00:18:44Anyone can have the job.
00:18:45I quit.
00:18:47You've had a spanking coming for a long time, and I'm going to give it to you.
00:18:50If you do, I'll tell Uncle Buck to fire you.
00:18:53Yeah, well, it'll be worth losing my job just to reform you.
00:18:56Wait a minute, Hoppy.
00:18:57Wait a minute.
00:19:00Oh.
00:19:01There.
00:19:02Oh, my gosh.
00:19:04You've had this for a long time.
00:19:10Hoppy!
00:19:11Hoppy!
00:19:13Well, he's been this ready to hurt.
00:19:15Did the doctor know about it?
00:19:16I said Slim over to tell him.
00:19:29How old?
00:19:45I hope you got a little bit of me.
00:19:46It started to get my girlfriend.
00:19:47And I was too old.
00:19:49I was too old.
00:19:51I was too old.
00:19:52I was too old.
00:19:53And he was too old when he came to wear a shoe.
00:20:02Well, that's another score we've got to even.
00:20:05It all happened so fast we didn't have a chance.
00:20:08Anybody see Raleigh?
00:20:10Nobody ever sees him.
00:20:12He hits from behind like a wolf.
00:20:14Then he's gone just as quick.
00:20:17Let's follow him. Come on.
00:20:18Too late, Hoppy.
00:20:20They're across the border by this time.
00:20:22Maybe so, but Raleigh will ride that way again,
00:20:25and when he does, we'll be able to see him.
00:20:25We'll be waiting for him.
00:20:30Say,
00:20:32it's funny that that trouble at the school started just before the raid.
00:20:37What do you mean by that?
00:20:39Nothing much.
00:20:41Only I don't like the way that school's being run.
00:20:52Hey, Mayor, come on out. We want to talk to you.
00:20:54We want to talk to you, Mayor.
00:20:54Come on.
00:20:58Looks like he's not back yet.
00:21:02Why, what's the trouble?
00:21:04We're a parent's committee, Mayor.
00:21:05There ain't been any school for two weeks.
00:21:07Where's that teacher you promised us?
00:21:09Oh, I took care of that while I was away.
00:21:13Oh.
00:21:15Ah.
00:21:20Folks, your children deserve the kind of education guaranteed them by our glorious Constitution.
00:21:27And that is why I went all the way to Santa Fe to get a competent teacher to handle your
00:21:33children.
00:21:34A man.
00:21:35He'll be here any day now.
00:21:39No one can handle the little rowdy.
00:21:42They'll all turn out to be done rawly.
00:22:05What's wrong with the parents given to you?
00:22:12Well, you're all gone.
00:22:13No one can't be here anymore.
00:22:13No one can't be here.
00:22:13No one can't be here anymore.
00:22:14No one can't be here anymore.
00:22:14No one can't be here.
00:22:14I don't know.
00:22:15No one can't be here anymore.
00:22:15You won't last long with those young pips.
00:22:20I sent for a man, teacher.
00:22:22There's no place for you here in Crockett.
00:22:25Well, surely you won't send me away without even giving me a chance.
00:22:27I'm sorry, but we can't use you.
00:22:32Just a minute, Miss Lake.
00:22:38This young lady stays right here.
00:22:40And you might just as well like it.
00:22:42Where do you get off mixing in my business, Cassidy?
00:22:46I thought it was about time somebody did.
00:22:49So I went to the superintendent of the schools at Santa Fe and explained the situation.
00:22:54He said he was going to send us something brand new on the way of school, Mom.
00:22:59Looks to me like he has.
00:23:05There's no way to treat a girl after she's traveled all the way out here to try to help your
00:23:09children.
00:23:10Thank you, Mr. Cassidy.
00:23:12But I don't think I'll like it here, now.
00:23:15I think I'll go back east where I came from.
00:23:17Well, I can't say that I blame you much, Miss, but we really want you to stay.
00:23:22Poppy's right, Miss.
00:23:23We won't let you leave us if we can help it.
00:23:26You can come and live with us at the bar 20.
00:23:28It's not far from town.
00:23:33Cassidy.
00:23:36I'm telling you, for the last time, I'll not have you interfering in my affairs.
00:23:41If you try riding, Sprayton, I won't have to.
00:23:43What are you insinuating?
00:23:45Figure it out for yourself.
00:23:50Oh, Mr. Cassidy hurt that man.
00:23:52Well, he got what he asked for.
00:23:54Get in the buckboard.
00:23:59The West still is wild, isn't it?
00:24:01Yeah, I am spot.
00:24:03But wait till you meet your kibbles.
00:24:06Come on.
00:24:07Come on.
00:24:24Come on.
00:24:25Come on.
00:24:29Hey, Wendy.
00:24:31Look what Hoppy's bringing in.
00:24:38It looks like Hoppy's turning the bar 20 into a juvenile ranch.
00:24:42Oh, boy.
00:24:46Look down.
00:24:48Whoa.
00:24:51Boys, this is the new school teacher.
00:24:54And her name is June Lake.
00:24:56And this is Bill, and Jim, and Bob, and Pete Wellets, all the boys.
00:25:00And this is Wendy Hummer.
00:25:01The best rider, the best rider, the best player in the world.
00:25:02The best rider, the best shooter, and the biggest liar in the whole territory.
00:25:06But he's all right if we can overlook him.
00:25:07Oh, I don't take no shock at that, Miss.
00:25:09I'm supposed to be the meanest man in this part of the county.
00:25:12You know, four fighting a year ago, I was down in the ancient territory.
00:25:15Hey, wait a minute.
00:25:17Wait a minute.
00:25:17Wait a minute.
00:25:17And this is Lucky Jenkins.
00:25:19He's an all right boy if you just keep a tight rope on him.
00:25:22There's a dance down at Crockett, Miss, this Saturday night.
00:25:24May I have the honor?
00:25:26Better look out for him, Miss.
00:25:28Lucky's got a gal in every town from here to jump off.
00:25:31Get away from her, boys.
00:25:32Give her a chance to breathe.
00:25:34You'll have to kind of excuse the boys, Miss.
00:25:36They haven't seen a pretty girl for so long.
00:25:37It's kind of gone to their heads, I guess.
00:25:39Come in the house, Miss Jew.
00:25:41Boys, bring her back.
00:26:06Take a sniff.
00:26:09Hmm.
00:26:09Smells right and nice.
00:26:11Yeah.
00:26:11Well, I bet it ain't yours.
00:26:16Smells just like sweet grass in the springtime.
00:26:19No, it's more like Florida water in a barbershop.
00:26:24Why, you won't eat an old horned toad.
00:26:28And at your age, you won't eat an old horned toad.
00:26:31Finally falling, huh?
00:26:32Oh, women don't bother me none.
00:26:35Too old?
00:26:36Oh, I'm too smart.
00:26:37I'm just trying to give you an idea what you're going to see around here from now on.
00:26:49School mom, huh?
00:26:50Yep.
00:26:51Here, two minutes, and she's got the place turned upside down.
00:26:54Yeah, the old place got a little life to it now, huh?
00:26:56Yeah?
00:26:57How do you expect to get any work out of these cowhands now?
00:27:00Oh, that's my worry, Buck.
00:27:02Yeah, well, I've been wondering.
00:27:06Wondering if this schooling means so much after all.
00:27:11Well, I think it does, Buck.
00:27:13I'd like to see every child have a chance at a little schooling.
00:27:18Say, you ain't figuring on turning Artie into one of them educated little Lord Fauntleroys,
00:27:25are you?
00:27:25No, hardly that.
00:27:27But I would like to see him get a better start in life than we got.
00:27:31Well, I got plenty out of life.
00:27:33Don't I own this country for miles around here?
00:27:37Yeah, I know that, Buck.
00:27:38But when you rode in here and slung your saddle 40 years ago,
00:27:41all it took was nerve and a six-shooter and hard work.
00:27:46But things was different then.
00:27:48Different and better.
00:27:50The fella had to be a man.
00:27:52Yeah, but if Artie expects to hang on to what you built for him,
00:27:55he's got to be a different kind of man than you.
00:27:58I can teach him all he needs to know.
00:28:03But you won't always be here, Buck.
00:28:16All right.
00:28:18I won't be here.
00:28:22But I know, Hoppy, that I can depend on you to look out for the boy.
00:28:28To teach him things, or to steer him right.
00:28:33But I won't be here always, either.
00:28:35But your land will be, and your brand.
00:28:38You've gone a long ways to make the Bar 20 stand for what it does.
00:28:42With your help.
00:28:44Thanks.
00:28:45But you've made Bar 20 something to be proud of.
00:28:48And you've got to keep it that way.
00:28:50Well, Buck, this country hasn't started to grow yet.
00:28:53Someday, maybe, there'll be mills and factories and packing houses
00:28:57right here on this spot.
00:28:59For the right kind of men to carry it on,
00:29:01your brand, the Bar 20, will be known and honored all around the world.
00:29:05Now, don't you see why Artie's got to have some real schooling?
00:29:09Say, Hoppy, maybe we ought to get one of them college professors down here.
00:29:14You know, from Harvard to Yale.
00:29:17Oh, we'd better learn to walk before we try to run.
00:29:20I think the school man will be all right for the time being.
00:29:23Oh, well, have it your own way.
00:29:27You usually do.
00:29:30Mr. Cassidy.
00:29:42After the way you fought for me, I'll simply have to make good.
00:29:45I got an idea you will.
00:29:50Well, take a good look.
00:29:52Here comes your biggest problem.
00:29:58Oh, there, you slack-sided, arm-headed, sky-dummin'
00:30:04centipede.
00:30:04Whoa!
00:30:05Hold it there now.
00:30:07Whoa!
00:30:10Guess I showed you who's what.
00:30:13Hey.
00:30:16Where'd you get that black eye?
00:30:18He keeps on the tough side of Crockett.
00:30:19But I walked them both, single-handed.
00:30:22Like this.
00:30:23See?
00:30:23I lay it on my left, like this.
00:30:25Then I came up with an uppercut.
00:30:27Then I lay it again on my left, and then I swip.
00:30:29Oh, my hand, you busted it!
00:30:31Oh, my.
00:30:32That's too bad.
00:30:34Artie, I want you to meet your new school teacher, Miss Lake.
00:30:37How do you do, Artie?
00:30:39What do you do with the hat?
00:30:43Better.
00:30:43Don't let me keep you from your work, Mr. Cassidy.
00:30:54You won't last long.
00:30:56Well, I shouldn't care to remain where I wasn't wanted.
00:30:59I run the last teacher out of town.
00:31:02Why?
00:31:03The only way she ever tried to teach us anything was with a club.
00:31:07Oh, I see.
00:31:10Well, I'll try to do it differently.
00:31:12Even if the kids do like you, you wouldn't stay long.
00:31:16You'd marry some fellow right off.
00:31:19Every pretty girl I never came out here did.
00:31:22But don't go sit in your cap for a hobby.
00:31:26I don't think he likes girls.
00:31:33Whatcha reading?
00:31:36Who's he?
00:31:37Sir Galahad.
00:31:39Sir Galahad?
00:31:41What was he?
00:31:42A knight in shining armor who always fought for what he thought was right.
00:31:47Gee, he's got a white horse just like Hoppy.
00:31:50Better Hoppy could out ride him.
00:31:53You rather like this hop-along, don't you?
00:31:55Yes, ma'am.
00:31:56Everybody does.
00:31:57He's the best rider, the best fighter anywhere.
00:32:01Bet he could knock that old Sir Galahad right out of his old tin suit.
00:32:05But why don't he have tied behind him?
00:32:09Can I borrow that?
00:32:11Can you read well enough to understand it?
00:32:15Well...
00:32:16I mean just to look at the pictures.
00:32:18Mm-mm.
00:32:20Well, couldn't you and me read together?
00:32:23You mean you and I.
00:32:25What's a death?
00:32:26One's right and the other's wrong.
00:32:29Well, couldn't we?
00:32:31Aw, please.
00:32:33What's the use if I'm not gonna last long here?
00:32:37Got many books like that?
00:32:39Oh, lots.
00:32:44Maybe you'll last quite a while.
00:32:48When'll we start?
00:32:50As soon as you wash your face and comb your hair.
00:32:53Wait here. I'll be right back.
00:33:05You've done wonders with that boy.
00:33:07I think you've got him won over.
00:33:09Perhaps it was the Galahad thing that did it.
00:33:12You know, using that Galahad fella wasn't such a bad idea as that.
00:33:16You've read Sir Galahad?
00:33:17Oh, sure.
00:33:19King Arthur and Lancelot and Elaine.
00:33:22Anybody can understand Tennyson.
00:33:24Even me.
00:33:27Yeah, when I was a little kid I used to dream too.
00:33:31About shiny armor and whipping the world.
00:33:35But I guess the only thing me and, uh, Galahad ever had in common is our white horses.
00:33:40You have a shining golden armor too.
00:33:42A brave heart.
00:33:44Well, that's, uh, that's mighty nice of you to say, I think, man.
00:33:48But I think you're giving me a lot the best out of it.
00:33:55Now, there.
00:33:55Little more.
00:33:57That's it.
00:34:03Hey, you.
00:34:06Quit mooning around there like a lovesick calf and get busy with that shovel.
00:34:10School Marm ain't gonna run away.
00:34:13What's the matter with you, you old Moss back?
00:34:15You jealous because she didn't make a fuss over you?
00:34:17Oh.
00:34:18You think she didn't, eh?
00:34:19Heh.
00:34:20I don't see you carrying around those souvenirs like the ones you give me.
00:34:29Hoppy?
00:34:31You think I'm too old to get married?
00:34:36Why?
00:34:37Why, of course not.
00:34:38The man's no older than he feels.
00:34:39Well, I don't take no backseat for none of the Calhans around here.
00:34:43I feel like a colt this morning.
00:34:48He might be a good catch for some bright girl.
00:34:51Yeah.
00:34:52Got a nice homestead picked out up north and considerable nest eggs stole away.
00:34:57You know, Hoppy, I got an ocean to pop the question.
00:35:03It might not be a bad idea at that.
00:35:05Meanwhile, you better get busy on that wire stretcher.
00:35:11Whoa.
00:35:13Didn't I tell you what would happen?
00:35:15We've got a new corral to build.
00:35:18Not a hand to be found on the ranch.
00:35:20I'll round up the boys, Buck.
00:35:23All right.
00:35:24Come on, boy.
00:35:26And while I'm gone, you dig.
00:35:29Unless you want to feel something swift as an arrow.
00:35:33And I don't mean through the heart.
00:35:55I don't know.
00:35:57I don't know.
00:36:00I don't know.
00:36:02I don't know.
00:36:05I don't know.
00:36:05Hey, where do you think you're going?
00:36:07I've got something else to do.
00:36:09Well, be sure to give her my love.
00:36:13Come on, boy.
00:36:14Come on.
00:36:15Come on.
00:36:16Come on.
00:36:17Come on.
00:36:18Come on.
00:36:19Come on.
00:36:22Come on.
00:36:43It's so peaceful and beautiful.
00:36:45It's much prettier here than it is over in Messalia.
00:36:48And over there a little bit, Indian Reservation.
00:36:51You know, every now and then, the young bucks come over here
00:36:53and scalp and kill a few people, and we have to run them back.
00:36:57It's nice living around here, except nothing exciting ever happened.
00:37:02Is this the shortest way to the schoolhouse?
00:37:05No.
00:37:06I mean, ma'am.
00:37:07I mean, Miss.
00:37:09I brought you this way because I've got a confession to make.
00:37:12You can?
00:37:14I wrestled something that belonged to you.
00:37:18Isn't that awesome?
00:37:22Aren't you ashamed of yourself?
00:37:26Where's the other one?
00:37:28You ought to know.
00:37:29You gave it to Wendy.
00:37:34I've completely forgotten that.
00:37:35Well, he hasn't.
00:37:37And listen, Miss.
00:37:38If he starts talking marriage to you, don't you pay no attention to him.
00:37:40Why, that old whomstead of his ain't worth a whomst.
00:37:42I bet he hasn't got $100 in that bank account of his.
00:37:45I'll try to remember your warning, Lucky.
00:37:50Don't you think we ought to drive faster?
00:37:52I'm afraid I'll lose my first school before I even start if I'm late.
00:38:29What's going on here?
00:38:30Why aren't you fellas at the ranch where you belong?
00:38:34Why, if Miss Judy had seen this old hen coop like it was, she'd have flapped her pretty little wings
00:38:38and flew right back to Boston.
00:38:40Off you were, huh?
00:38:55My, how nice and clean and lovely.
00:38:58What was so good of you, Mr. Cassidy, to do this for me?
00:39:01Oh, but I, uh, I didn't do it.
00:39:05Oh.
00:39:07Well, I can't find words to thank you, boys.
00:39:09Oh, that's all right.
00:39:15Just a minute.
00:39:16You're too big to be going to school.
00:39:19My, how fine you look this morning, Artie.
00:39:23Where are the other pupils?
00:39:24I'm the only pupil you've got, Miss June.
00:39:26All the other kids played hooky.
00:39:29Oh dear, I'm certainly getting off to a bad start.
00:39:32Boys, go out and round up every kid you can find and get them in here.
00:39:43I hope I'm not upsetting your routine.
00:39:45Oh, not a bit.
00:39:47We haven't got a thing to do this morning.
00:39:49Except build a new corral and brand a couple of hundred wild yearlings.
00:39:52But so long as I'm kind of responsible for you being here, I want to see if you get a
00:39:56good start.
00:39:56Well, as long as you're here, you might as well make yourself useful.
00:40:00Come on.
00:40:01You're going to look like you might win a pair of spurs after all.
00:40:05Now, we'll put this on.
00:40:07Oh, no, I...
00:40:08Right around.
00:40:10There.
00:40:12That'll keep you nice and clean.
00:40:15Now, here.
00:40:16Go and dust those blackboards.
00:40:18Yes, ma'am.
00:40:18Go on.
00:40:19Come on.
00:40:36Can you imagine anything with a face like that being called Snooksy?
00:40:41How do you expect me to have any discipline if you laugh at a thing like that?
00:40:44Oh, that's beautiful.
00:40:46You shouldn't drop it off.
00:40:48Here, dust that out.
00:40:54Hey, what in Sam Hill's going on here?
00:40:59Oh.
00:41:01Good morning, lady.
00:41:02Would you like a bouquetty?
00:41:04The word is not bouquetty.
00:41:06I'm no lady.
00:41:07And why ain't you working on the fence?
00:41:08Oh.
00:41:09Well...
00:41:10Lucky run off.
00:41:12And I...
00:41:12I figured I'd find him here.
00:41:14So I...
00:41:16Hey.
00:41:17You do a little spleen yourself.
00:41:20How come you're playing the housemaid?
00:41:23Well...
00:41:24You see, I'm...
00:41:25I'm kind of responsible for Miss June being here.
00:41:28You see...
00:41:29Well, yes.
00:41:30I see you all right.
00:41:31I suppose I'll have to be right and heard on you now.
00:41:34Seems as lucky.
00:41:59No!
00:42:12Well, Miss Cheetcher is different, you see.
00:42:15Yes, she sure is pretty.
00:42:16Pretty?
00:42:17Boy, she's elegant.
00:42:18And the first kid to say she isn't,
00:42:21I'm gonna punch him right in the nose.
00:42:24Now get your seats.
00:42:27Do be careful! Don't hurt them!
00:42:32Be careful!
00:42:33I suppose you fellas get back to bar 20 and get busy on that corral.
00:42:45Go on now! Get out of here!
00:42:55Well, what are you two waiting for?
00:42:57Oh, he's appointed himself a member of the Board of Education.
00:43:01I've got to stay here and keep an eye on the young idiot.
00:43:05All right, come on.
00:43:26Well, seldomly is heard the discouraging word
00:43:34And the skies are not cloudy always.
00:43:43Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:43:48The blind eye on the young people are going to be on it.
00:43:48I've got to stay there,
00:43:50Oh, oh, oh, oh, oh, oh, oh, oh.
00:43:51And here's the beautiful day.
00:44:02Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:44:06Oh, oh!
00:44:08Oh, oh, oh, oh.
00:44:15Oh, oh, oh, oh, oh.
00:44:22Where the deer and the antelope pray
00:44:30That's very good.
00:44:32You brought up a little bit of an antelope.
00:44:35I just thought I'd drop in to tell you how bad I feel about the way I acted when you
00:44:39first got here.
00:44:41And the size of my...
00:44:44I can see by the way you handle these young outlaws that you know your business.
00:44:48And as mayor of Crockett, I want you to know that I stand squarely behind you from now on.
00:45:11Venison again? That's all we've had for days.
00:45:13Oh, you're always bellering about something.
00:45:16Last week you was complaining about the quail and the dove.
00:45:19Now you'll eat deer meat and you'll like it.
00:45:22I'll sure be glad to get back to the ranch and get some of them good old baked beans.
00:45:27You know, Wendy...
00:45:29Next week it'll be June.
00:45:33June.
00:45:34I wonder how she stands it down there all alone, without me.
00:45:39Without you.
00:45:40She don't know if you're dead or alive, and she don't care.
00:45:43Oh...
00:45:43Oh, is that so?
00:45:46Well...
00:45:46Maybe she don't.
00:45:48You know, she could be married by now for all we know.
00:45:52Eh, Hoppy?
00:45:53Sure.
00:45:54Sure.
00:45:55She probably is.
00:45:58Give me another hunk.
00:46:06Don't you think you ought to go in, Artie?
00:46:08It's almost your bedtime.
00:46:09I don't want to.
00:46:10Oh, I think you'd better.
00:46:11If you want to be rested up when Hoppy and the other boys get back.
00:46:15Where are they coming?
00:46:16I heard your Uncle Buck say they'd be home next week.
00:46:18Boy, that'll be elegant, won't it?
00:46:20It certainly will.
00:46:21Now run out to bed.
00:46:23All right.
00:46:26Night, Miss June.
00:46:28Good night, Artie.
00:46:33You sound as though you missed those cowhands in spite of everything I've tried to do.
00:46:37Oh, I might have at that.
00:46:39If you hadn't been so kind and attentive.
00:46:42Well, that makes me feel better.
00:46:44For a minute you had me worried.
00:46:54Lucky.
00:46:57Hi!
00:46:57Hello, boy.
00:46:58Hi, Bert.
00:47:00Hi.
00:47:01Lucky.
00:47:02Hello.
00:47:03How are you, Doc?
00:47:04Fine.
00:47:05Good work, Hoppy.
00:47:08Say, I'm sure glad to see that the stock wintered so fine and fat.
00:47:12I've got a big order for Santa Fe.
00:47:14Tough prices.
00:47:15Oh, that's fine, Doc.
00:47:17Any trouble?
00:47:18No, it's been so lonesome and quiet around here, even a visit from Raleigh's gang would have been welcome.
00:47:24How's my little Junie?
00:47:25She's fine, Wendy.
00:47:26All right.
00:47:27All right.
00:47:27We left.
00:47:27Is she going steady with anybody yet?
00:47:29No, not yet.
00:47:30She's still looking around.
00:47:32Then I still got a chance, huh?
00:47:34You got a chance.
00:47:36Sure, Wendy.
00:47:37He gets sore headed, you know.
00:47:41What are we going to do next?
00:47:43Well, we'll haze the herd down below to the meadows near Crockett.
00:47:47Then we'll rest them there a couple of days before we start the drive to Santa Fe.
00:47:52That's good.
00:47:53All right, boys.
00:47:53Break camp.
00:47:54We'll get the herd on the way downhill.
00:47:56Oh, I'd be glad to get out of here.
00:47:58Never come.
00:48:04And didn't I tell you men to stay out of this town and keep on the cover until you're needed?
00:48:09We're tired of waiting on you, Raleigh.
00:48:11The men are getting to think you're going yellow on us.
00:48:13The board is broke.
00:48:14Some of them think you'll try to give them a run around.
00:48:16You don't need to worry.
00:48:18I was just going to get word to you.
00:48:20I'm planning a job.
00:48:22Where?
00:48:23Next week.
00:48:23Bar 20 is moving a big bunch of steers down from the mountain.
00:48:27They'll be pastured on the meadows near Crockett.
00:48:31We'll run them through Silver Bell Canyon across the border like before.
00:48:35Yes, but, uh, let's play it safe.
00:48:39Why?
00:48:40Quiet.
00:48:41Tell what he has to say.
00:48:42They're pulling off a big shindig at the schoolhouse.
00:48:46Graduation exercises for the kids.
00:48:48While everybody's celebrating there, you'll pull off the job without taking any chances.
00:48:53We?
00:48:54Yeah.
00:48:55Where'll you be?
00:48:57Why, boys.
00:48:58You don't think I'd be nigg at this stage of the game, do you?
00:49:02I don't think you'd be acting very smart if you did.
00:49:06Come on.
00:49:10Better get your mind off that school, Mom, Raleigh.
00:49:12Women don't mix in our business.
00:49:25Let's go!
00:49:27It's got a big change.
00:49:32Oh, dear.
00:49:39Oh, dear!
00:49:47I'd, uh, well, I'd, I'd like to go over the plans
00:49:51for the graduation exercises with you.
00:49:53You know, arrange the program.
00:49:55I think it's a good idea.
00:49:57Then I'll call after dinner.
00:49:58All right.
00:50:00Hiya!
00:50:15Hey, getting kind of prettied up, ain't you, uh, Windy?
00:50:19Oh, he's going courtin'.
00:50:23Well, why not?
00:50:24Every other cowfolk's had a chance since we've been gone,
00:50:27and she's turned them all down.
00:50:28Hey, hey, give me my priority water.
00:50:31Just smelling nice, ain't gonna get you no place with Junie.
00:50:34Nothing is gonna get anybody anyplace with June.
00:50:38She's leaving us.
00:50:39When?
00:50:40Right after graduation tomorrow.
00:50:42She's taking the stage east.
00:50:44Going home to Boston.
00:50:47Too bad.
00:50:49Why, Artie is a different boy.
00:50:52Stood at the head of his class all winter.
00:50:55Sure hate to stop his learning now.
00:51:00I've been thinking.
00:51:02You know this country's changing?
00:51:04Fruit and grain are gonna grow right where my herds run now.
00:51:09Yes, siree.
00:51:11Mill's and factories are gonna be here too.
00:51:14And my brand, the bar 20, gonna be known in every country in the world.
00:51:20Buck, you sure do get fine ideas.
00:51:24You bet I do.
00:51:25I'm no old fogey.
00:51:28I'm a thinker and I keep up to date.
00:51:32I want Artie to be smart enough to hold what I've built up for him by using his brains, not
00:51:39guns.
00:51:42So, point is, how am I gonna figure a way to keep Junie from leaving us?
00:51:49Something's got to be done about it.
00:51:55If I was only younger, about your age, Hoppy, and unmarried, I'd know what to do.
00:52:06Buck, your worries is over.
00:52:08I'll marry Junie myself.
00:52:12If I was to tell her that, she wouldn't wait until tomorrow to leave.
00:52:17Oh, I don't know.
00:52:19Women always did like me.
00:52:21Even if you don't show it much.
00:52:22Well, how about me?
00:52:24I'll just take her out in the moonlight and sing her a pretty song and hustle her right over to
00:52:27the preachers.
00:52:28You're both a couple of blatant sheepherders if you can't see that it's Hoppy she wants.
00:52:33Oh, now you're doing a little blatant, Buck.
00:52:36I gotta withdraw Strauss to see who asks, sir.
00:52:44Windy, Lucky, Hoppy, where are you?
00:52:48Hello, boys.
00:52:49Junie!
00:52:49Hello, Junie.
00:52:50Amanda just told me you were back.
00:52:51Oh, I'm so glad to see you.
00:52:52You're a shite for show ride, Junie.
00:52:54You sure are.
00:52:55See, I just heard a new song.
00:52:57Would you like to have me see you?
00:52:58Mm-hmm.
00:52:58What's the matter?
00:52:59Jun, are you forgetting you and I have a date?
00:53:03Oh, it can wait.
00:53:04But it's important.
00:53:06I'm sorry, but I didn't know the boys were coming home.
00:53:09It's my last night here, you know.
00:53:11We can go over the graduation plans tomorrow morning in the schoolhouse, can't we?
00:53:15Then your duty to your school isn't as important as these cowhands?
00:53:20Oh, if it hadn't been for these cowhands, I wouldn't have had the school.
00:53:26Please try to understand.
00:53:29All right.
00:53:37Let's go.
00:53:37Hoppy, I'm sure of myself now.
00:53:40I can always feel that with your help, I've accomplished something.
00:53:43Something worthwhile.
00:53:45Why, tomorrow you're going to be as proud of those children as I am.
00:53:48I know I will be, Jun.
00:54:05But after you all go?
00:54:09Heyříí?
00:54:12Shortly as such warable.
00:54:14Well!
00:54:15Whatever you didn't do, I'm gonna love you!
00:54:19Thy mandates make heroes assemble
00:54:24When liberty's form stands in view
00:54:29Thy matters make tyrannies tremble
00:54:34When born by the red, white and blue
00:54:39When born by the red, white and blue
00:54:43When born by the red, white and blue
00:54:49Thy matters make tyrannies tremble
00:54:54When born by the red, white and blue
00:55:10I pledge allegiance to the flag and to the republic for which it stands
00:55:17One nation, indivisible, with liberty and justice for all
00:55:33Well, Miss June, I've got something I'd like to ask you
00:55:38Of course
00:55:39Well, go ahead
00:55:42Boy, I can't, here, I couldn't sort of go
00:55:48All right
00:55:52Oh, uh, Mayor Thorpe
00:55:54The reception committee want to speak to you
00:55:56Come on
00:56:04Raleigh's gonna hang around that school, Mom, until it's too late
00:56:07I'm gonna tell him what's what
00:56:08If you've got such enough stay out of the barums while you're feeling so big
00:56:14Say, have you seen June?
00:56:17June?
00:56:17June?
00:56:18Oh, yes, yes
00:56:19She just went out that way
00:56:21Much obliged
00:56:24Wendy
00:56:27If we weren't short of pies, I wouldn't have stopped you
00:56:31If you can't wait for the eating to start, why nibble on that, here
00:56:37What, where?
00:56:45I, that is, we, well, I mean, Hoppy and Wendy and me, we...
00:56:49Just what are you trying to tell me?
00:56:51Well, we sort of kind of decided that maybe you ought to marry me
00:56:57Well, you're a very nice boy, Lucky, and I think a lot of you
00:57:01But it's more like a girl would care for her brother
00:57:06Oh, I get it
00:57:13You sure got my sympathy, Miss Judy
00:57:16So you put it over, ain't sure?
00:57:18Yeah, all over
00:57:20Won't Ma be surprised to find out I got a sister?
00:57:26Hey, he's acting dappier than usual
00:57:31Did you turn him down?
00:57:35Have you something to ask me, too?
00:57:38Well, if you ain't taking up with any of the other Bar 20 boys, I...
00:57:42I guess it's up to me
00:57:46Well, it won't be easy to say no to you, Wendy
00:57:48But I'm afraid I'll have to
00:57:50You mean to say you're turning me down, too?
00:57:53Why, Junie, you're missing the chance for a lifetime
00:57:56Women have been setting their cap for me as long as I can remember
00:57:59Well, I can easily understand that, Wendy
00:58:01But still, I have to turn you down
00:58:05Oh, I do like you a lot
00:58:08But it's, uh, more like a girl would care for a father
00:58:12Well, I'm glad you didn't say grandfather
00:58:19Be a dear, Wendy
00:58:20Go tell Hoppy I want to talk to him
00:58:22Yeah
00:58:27I'm not so sure I'll take him, Hoppy
00:58:30You've earned them, Marty
00:58:31You've earned them, Marty
00:58:31And I'm sure proud of you
00:58:34Gee, Hoppy
00:58:35I'll keep them always
00:58:39Thanks
00:58:46Junie wants to see you
00:58:49I'm darned if I ever thought I'd turn out to be your father-in-law
00:58:54Father-in-law
00:58:55Father-in-law
00:58:55Yes
00:58:56What's the matter with you?
00:58:57You been drinking that hard cider?
00:58:59Go ahead, now
00:59:00Just be a dear and don't keep her waiting
00:59:14Hoppy, I just wanted a few words with you alone before this is over and I go
00:59:18All right
00:59:23I wanted to thank you
00:59:24Because it's to you I owe success and happiness
00:59:27Well, that's mighty nice of you to feel that way, but
00:59:30I want to thank you for the happiness you've brought all of us
00:59:34I want you to know that we'll be awfully glad to have you coming back in the fall
00:59:39Well, I...
00:59:39I won't be coming back, Hoppy
00:59:42You won't?
00:59:44No, I...
00:59:45I'm going to be married
00:59:49Well...
00:59:50Who's the lucky man?
00:59:51Mr. Thorpe
00:59:53Thorpe
00:59:54We fooled everybody
00:59:56Judson didn't want it to get out until we leave on this afternoon's stage
00:59:59We're going to Boston to live
01:00:00He's going to invest his money there
01:00:02You won't tell anybody
01:00:07Well...
01:00:08Won't you offer me your good wishes?
01:00:11There's a very good reason why I can't
01:00:16I shouldn't have told you because you hate him
01:00:20It's just that I'm thinking of your happiness
01:00:22So am I
01:00:23I know what I want, a home of my own
01:00:26And you're entitled to it
01:00:28But your happiness has been here with these children
01:00:31You have something they need
01:00:33You've proven that
01:00:35Now you're throwing it all away
01:00:39Love is important too
01:00:40Yes, that's most important
01:00:43But I'm just wondering if...
01:00:46If you are really in love
01:00:49Who are you to say that?
01:00:51What do you know about it?
01:00:53Why you're a man's man, I'm satisfied to remain that
01:00:58I wonder if Galahad too was so busy being Galahad that he had no time for anything else
01:01:04I'm sorry you feel that way about things
01:01:07I thought you of all people would understand
01:01:13Well, it's your own life, June
01:01:16I'm sorry I said anything
01:01:19Good gracious, Tal, I've been looking all over for you
01:01:21Hurry up, the exercises is starting
01:01:43What do you say, Artie?
01:01:46What do you say?
01:01:47Did you fellas ever hear folks say how Thorpe made all that money he's supposed to have?
01:01:50Oh, hey, you don't ranch
01:01:52You don't mind
01:01:54There's only one other way a man can save any great amount of money in this country
01:01:58without everybody knowing his business.
01:01:59Rustling?
01:02:02And there's only one big rustler left.
01:02:05Rowling.
01:02:08We'll give him the last few inches of rope, and if I'm right, he'll hang himself.
01:02:23We'll give him the last few inches of rope to find
01:02:27Should old acquaintance be forgot
01:02:35And days of old lang syne
01:02:42Old lang syne, my dear
01:02:52Old lang syne
01:02:57We'll take a cup of kindness yet
01:03:06O'er old lang syne
01:03:23Good luck.
01:03:25Old lang syne
01:03:26May I have a hand?
01:03:30Yes, sir.
01:03:36The sound of a man.
01:03:40The sound of a little bit
01:03:42The sound of a little bit
01:03:50Thank you, Mayor.
01:03:51Goodbye, Miss June.
01:03:52Good luck, Miss June.
01:03:53Goodbye, Miss June.
01:03:54Goodbye.
01:03:56Goodbye.
01:03:56Thanks for being tonight to the children.
01:03:58Oh, I'm enjoying myself.
01:04:00Goodbye, darling.
01:04:01Goodbye.
01:04:02Goodbye, Miss June.
01:04:02Goodbye.
01:04:03Goodbye, Miss June.
01:04:11Hoppy and the boys.
01:04:12I thought they'd say goodbye to me.
01:04:14Never mind them.
01:04:14We've got to hurry.
01:04:17Why to hurry?
01:04:18The stage doesn't leave for hours.
01:04:19We're not taking the stage here.
01:04:21We'll catch it out in the desert.
01:04:23I've hired a rig.
01:04:25Goodbye.
01:04:26To avoid more goodbyes.
01:04:28It'll be much easier, dear.
01:04:30Just think.
01:04:32In a few hours, we'll be married.
01:04:34And in a week or two, we'll be in the east.
01:04:50No more goodbyes.
01:04:53No more goodbyes.
01:04:53You're right.
01:04:54At least not for you.
01:04:58Running out on us, huh?
01:05:00I'll give you $1,000 to clear out.
01:05:03Money ain't gonna square what stands between you and me.
01:05:07I've got a plug in the back just now, Raleigh.
01:05:11But I want you to know why you're getting it.
01:05:31I know now what you're trying to tell me, Hoppy.
01:05:34He's Dan Raleigh.
01:05:35Come on.
01:05:38Got it!
01:05:39Lucky, you and the boys take the cutoff and head to the border.
01:05:41Way better.
01:05:42Hey, boys, let it go.
01:05:43Look out!
01:05:50Ha!
01:05:51Oh, I'm going to be there.
01:06:02Oh, my God.
01:06:03What do you think?
01:06:03Oh, my God!
01:06:06He's done from this.
01:06:12Stutton shot off his mouth and spilled the beans.
01:06:14We gotta run for it.
01:06:15We ain't goin' empty handed.
01:06:17We're takin' up cattle across the border
01:06:18and you're goin' with it.
01:06:19Come on.
01:06:58Come on, boys.
01:07:32Come on.
01:07:37Come on.
01:08:10Come on.
01:08:39Come on.
01:09:18Hold him, Wendy.
01:09:20I'll take care of him.
01:09:27Hold him, Wendy.
01:09:35I'll take care of him.
01:09:36Come on.
01:10:02I guess they've had enough.
01:10:19I'll take care of him.
01:10:20That was good.
01:10:20Come on, buddy.
01:10:35No, I'm wsz t' my eyes.
01:10:48Oh, my God.
01:11:13Oh, my God.
01:11:37Come on.
01:11:42Come on.
01:11:43Come on.
01:11:55Well, you rustlers will never bother us again, mister.
01:12:00Hoppy, looks like Mr. Rawley will be put away safe for a long time.
01:12:15You're coming back, aren't you, Mr. Kidd?
01:12:18You know, we're, uh...
01:12:21I mean, the children's school are gonna miss you a lot.
01:12:23Is that what you started to say?
01:12:25Well, not exactly.
01:12:28I'll be back, Hoppy.
01:12:30Fine.
01:12:31Hurry up, honey, or we're gonna miss the stagecoach.
01:12:38All right. Come on, boys.
01:12:40Good-bye, Junie.
01:12:41Bye, Junie.
01:12:43Come on, boys.
01:12:43Come on.
01:12:44Come on.
01:12:58Come on.
01:13:10THE END
01:13:33THE END
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