- 6 hours ago
## 🎬 El Rojo (1966) – Public Domain – Spaghetti Western | Action | Revenge
**El Rojo** (também conhecido como *Texas, Adios* em algumas regiões) é um Spaghetti Western estiloso de 1966, dirigido por **Leopoldo Savona** e estrelado pelo magnético **Richard Harrison**. Lançado durante o auge da febre dos faroestes italianos, o filme é uma saga de vingança por excelência, misturando os tropos rústicos da fronteira americana com a violência operística e os visuais de alto contraste que definiram o gênero na Europa. Seu slogan, *"A mais selvagem história de faroeste da fronteira"*, promete uma experiência de alta octanagem repleta de mistério e fumaça de pólvora.
Como uma produção de 1966 que entrou em **Domínio Público**, é um exemplo de destaque do gênero, apresentando um protagonista que é tão silencioso quanto mortal.
---
## 📖 Resumo do Enredo
A história segue um estranho misterioso, vestido de preto, conhecido apenas como "El Rojo" (Richard Harrison), que retorna a uma cidade de fronteira com um propósito único e sangrento: eliminar sistematicamente os homens que massacraram sua família anos atrás.
**A vingança na fronteira apresenta:**
* **O Vingador Fantasmagórico:** El Rojo chega como um espectro, assombrando os poderosos latifundiários e oficiais corruptos que construíram seu império sobre as cinzas do rancho de sua família.
* **A Conspiração do Ouro:** Enquanto rastreia seus alvos, ele descobre uma teia mais profunda de ganância envolvendo ouro roubado e uma cidade mantida sob o domínio do medo.
* **O Mestre das Armas:** El Rojo não é apenas um atirador; ele utiliza uma variedade de manobras táticas e impasses de alta tensão para derrubar seus inimigos um por um.
* **O Duelo Final:** O filme avança para um confronto climático de "high-key", onde a verdade sobre o massacre é totalmente revelada, levando a um tiroteio espetacular na praça da cidade.
---
## 🎥 Estilo e Legado
* **O Estoicismo de Richard Harrison:** Harrison, um veterano do gênero Spaghetti Western, entrega uma performance definida por olhares intensos e diálogos mínimos, personificando o arquétipo do "Homem sem Nome".
* **Direção de Leopoldo Savona:** Savona utiliza o enquadramento de grande angular típico do gênero, capturando a beleza desolada do deserto de Almería (onde muitos desses filmes foram rodados) com uma clareza impressionante.
* **Trilha Sonora Operística:** O filme apresenta uma trilha sonora arrebatadora, com metais pesados que amplificam o peso emocional da busca de El Rojo por justiça.
* **Estética Visual:** A cinematografia é caracterizada por sombras profundas e iluminação vibrante, garantindo 100% de visibilidade dos detalhes intrincados do figurino — desde o icônico chapéu preto de El Rojo até os rostos empoeirados e desgastados dos vilões.
* **O Boom do Spaghetti Western:**
**El Rojo** (também conhecido como *Texas, Adios* em algumas regiões) é um Spaghetti Western estiloso de 1966, dirigido por **Leopoldo Savona** e estrelado pelo magnético **Richard Harrison**. Lançado durante o auge da febre dos faroestes italianos, o filme é uma saga de vingança por excelência, misturando os tropos rústicos da fronteira americana com a violência operística e os visuais de alto contraste que definiram o gênero na Europa. Seu slogan, *"A mais selvagem história de faroeste da fronteira"*, promete uma experiência de alta octanagem repleta de mistério e fumaça de pólvora.
Como uma produção de 1966 que entrou em **Domínio Público**, é um exemplo de destaque do gênero, apresentando um protagonista que é tão silencioso quanto mortal.
---
## 📖 Resumo do Enredo
A história segue um estranho misterioso, vestido de preto, conhecido apenas como "El Rojo" (Richard Harrison), que retorna a uma cidade de fronteira com um propósito único e sangrento: eliminar sistematicamente os homens que massacraram sua família anos atrás.
**A vingança na fronteira apresenta:**
* **O Vingador Fantasmagórico:** El Rojo chega como um espectro, assombrando os poderosos latifundiários e oficiais corruptos que construíram seu império sobre as cinzas do rancho de sua família.
* **A Conspiração do Ouro:** Enquanto rastreia seus alvos, ele descobre uma teia mais profunda de ganância envolvendo ouro roubado e uma cidade mantida sob o domínio do medo.
* **O Mestre das Armas:** El Rojo não é apenas um atirador; ele utiliza uma variedade de manobras táticas e impasses de alta tensão para derrubar seus inimigos um por um.
* **O Duelo Final:** O filme avança para um confronto climático de "high-key", onde a verdade sobre o massacre é totalmente revelada, levando a um tiroteio espetacular na praça da cidade.
---
## 🎥 Estilo e Legado
* **O Estoicismo de Richard Harrison:** Harrison, um veterano do gênero Spaghetti Western, entrega uma performance definida por olhares intensos e diálogos mínimos, personificando o arquétipo do "Homem sem Nome".
* **Direção de Leopoldo Savona:** Savona utiliza o enquadramento de grande angular típico do gênero, capturando a beleza desolada do deserto de Almería (onde muitos desses filmes foram rodados) com uma clareza impressionante.
* **Trilha Sonora Operística:** O filme apresenta uma trilha sonora arrebatadora, com metais pesados que amplificam o peso emocional da busca de El Rojo por justiça.
* **Estética Visual:** A cinematografia é caracterizada por sombras profundas e iluminação vibrante, garantindo 100% de visibilidade dos detalhes intrincados do figurino — desde o icônico chapéu preto de El Rojo até os rostos empoeirados e desgastados dos vilões.
* **O Boom do Spaghetti Western:**
Category
🎥
Short filmTranscript
00:00:23Well, there it is.
00:00:25Gold Hill at last.
00:00:28Just one more day's journey and we'll be settling down.
00:00:35Thanks to the Lord for having protected us and helped us this far in our way.
00:00:40Now just let us reach the gold mine our son discovered last year,
00:00:44so our efforts are rewarded and our future safe. Amen.
00:01:02This here is the last of the beans, but we'll soon be eaten fresh.
00:01:05There, the kindling's almost laid.
00:01:09Well, there's a stream down there. Mind if I go catch some fish?
00:01:12I can tell there's fish there, Pat.
00:01:17Well, just know it.
00:01:20Now you watch you don't fall in there, boy.
00:01:22All right.
00:01:28I'm hungry.
00:01:30What do you think of the country out here?
00:01:32Oh, I guess it'll be fine once we settle in building platen.
00:01:38There's wood to be cut aforenight, Bill.
00:01:40Let me feed the horses.
00:01:42All right.
00:01:48As soon as we could travel and I'm going to have me the longest sleep you ever dreamed of.
00:01:51Give me the axe.
00:01:52Before you does that, you're going to have to build as a house to do it.
00:01:55And now go cut that word.
00:01:57Oh, no.
00:01:59Oh, no.
00:01:59Oh, no.
00:02:15Charlie!
00:02:30Paul! Hey, Paul! Look at the big one I caught!
00:02:48Hey, there!
00:03:06Yahoo! Yahoo! Yahoo!
00:03:15Hand over your money. Oh, honest. I ain't got nothing.
00:03:19You wanna taste lead?
00:03:21You can see for yourself.
00:03:25Hey, let's get out of here.
00:03:39I think I've earned that ride.
00:03:41By God, sure enough. Sure enough, son.
00:03:44Yeah, then you won't mind if I climb aboard.
00:03:46Right ahead.
00:03:51Make yourself at home!
00:04:18That was a right friendly thing you done back there, and I don't ever forget a friend.
00:04:23Why nothing.
00:04:31Folks call me Hank. What's your name?
00:04:33I got no name.
00:04:42Tell me what happened to your horse.
00:04:45He wore out.
00:04:46Where you from?
00:04:48Where you headed?
00:04:52Well, I'm headed for San Miguel, son.
00:04:55That's not for me. Destination's Gold Hill.
00:04:57Now, one good turn deserves another. So we'll take you to Gold Hill.
00:05:04Hey, you wanna know something?
00:05:06I'm a specialist in high explosives.
00:05:08If they'd have used my talons two years back...
00:05:12Yeah, are you listening there?
00:05:14We'd have won the war against the Yanks.
00:05:22You're not the talking kind, are you?
00:05:24Too darn tired.
00:05:49So, once again, we did it.
00:05:50And, you're gonna look and hide in a scary color section.
00:05:50You're too enamored
00:05:54Av為什麼?
00:05:55The D미 is aral Red Holiday.
00:05:57All right, because we look and identify your story.
00:06:02Your bank is mainly for you,
00:06:03However, theada era lived through a storm,
00:06:03В challeng� crisis.
00:06:11Wake up now. We're in gold, man.
00:06:23Oh, boy!
00:06:33This here's a quiet town where nobody will shoot you. And rich in sin, I tell you, a town for
00:06:38real living. Now, give me my hat. The smart one.
00:06:48Listen here, all you good citizens of Gold Hill. We've got something here that will make a big difference to
00:06:54your humdrum, day-by-day existence.
00:06:57Let me get my talking coat on, because this is something you've been praying for. This is something you've been
00:07:02waiting for.
00:07:03Don't be bashful. Step right up, because here it is. Brought to you in person from away across the other
00:07:10side of this great continent.
00:07:12These great United States. States of America. It is real scientifical. A great step forward in pharmaceutical research.
00:07:20General, this will stop your hair from falling out, fight tooth decay, and kill them corns.
00:07:26Ladies, just rub a little of this on your face when you go to bed and you wake up pretty
00:07:30as a picture in the morning.
00:07:31What do you say? Why, it's a miracle, isn't it? Just look. A miracle of modern science for just 20
00:07:39cents. Who's gonna try first? You, lady?
00:07:43This elixir is recommended by all them high-class fancy doctors in the big city. And it's good for pretty
00:07:48young'uns like you, too.
00:07:50Do you think there's any truth in it?
00:07:54There's only nine uses, but don't tell anybody.
00:07:58Sugar?
00:08:03I'll tell you what, I'll make a special reduction of 15 cents. Only 15 cents. You can afford that. Well
00:08:10now, owing to the generous nature of my nature, I'll tell you what I'll do. I'll sell each and every
00:08:15one of these bottles. Bottles of life itself.
00:08:18For just ten cents. Ten cents for ten uses. On account of you, such a receptive little group turned out
00:08:24here today. How about that offer, ladies and gentlemen? You'll never get an O in life. This is an opportunity.
00:08:29A great opportunity.
00:08:39That is not enough to feed you to bother. What do you do?
00:08:40Don't interest you to bear нужен. Look Alexander.
00:08:42You've eaten up everywhere. People are ignorant. You've eaten up everywhere.
00:08:48That's the silver. напaraary. You've eaten up everywhere.
00:08:59That's the age of age. You, so raise yourself up everywhere.
00:09:00So I'm sure you have quá alive. That's the most beautiful thing.
00:09:27Oh, look, here they come now.
00:09:30Lasky's running kind of south, but he always does.
00:09:41Good morning.
00:09:43Good morning, Lasky.
00:09:47Good morning, Mr. Lasky.
00:09:50Sound off.
00:09:54Your attention please.
00:09:58Citizens of Goldhill.
00:10:00After the completion of peace negotiations in our territory,
00:10:05the time has come to give public recognition
00:10:08to four of our most noted community members
00:10:11who have contributed to the making of our city.
00:10:14Indians cruelly massacred a family of settlers
00:10:17who had come to make their homes among us.
00:10:20So these four citizens
00:10:23courageously cleared the Indians from these parts
00:10:25and have continued to uphold the law ever since.
00:10:30So you found us.
00:10:33That's fine.
00:10:34Here they are.
00:10:35Lasky.
00:10:43Navarro.
00:10:46Wallace.
00:10:50And Ortega.
00:10:54Do you know who they are?
00:10:56Is Lasky the banker?
00:10:58Oh, no.
00:10:58They share everything together.
00:11:00The bank, the gold mine,
00:11:01and naturally where we work, the saloon.
00:11:03They got a kind of association going?
00:11:06That's the picture, mister.
00:11:08Each looks after one thing.
00:11:10One has the bank,
00:11:11another has the mine,
00:11:13and Lasky, of course,
00:11:14has the saloon.
00:11:16He's boss of the setup.
00:11:18The president.
00:11:20You all know these four gentlemen.
00:11:22And, like me,
00:11:23you are indebted to them
00:11:24for the growth
00:11:25and prosperity of Goldhill.
00:11:31Thank you, Judge.
00:11:44Sheriff, what does it mean?
00:11:45It means this.
00:11:59You change that?
00:12:06Don't come crying to me
00:12:07with your miserable excuses.
00:12:08Get out of here.
00:12:09Please, Mr. Wallace,
00:12:10give me a little more time.
00:12:11My crop was all burned.
00:12:13I've given you enough time.
00:12:14You owe me $1,000.
00:12:15Pay it or give up your land.
00:12:16But, Mr. Wallace,
00:12:16my land is worth
00:12:17ten times what I owe you.
00:12:19It's taken 15 years
00:12:20to get water up there.
00:12:21I've got a family.
00:12:22I've got to feed them somehow.
00:12:23Can't you understand?
00:12:24What difference does that make to me?
00:12:25I'd like to know.
00:12:26At least give me another month
00:12:27to pay you.
00:12:28Get out.
00:12:29I know what you're paying at.
00:12:30I know your game.
00:12:31You just tried to ruin people
00:12:32so you can get a hold
00:12:33of their property.
00:12:33You're a bunch of land grabbers.
00:12:35That's what you are.
00:12:35Watch what you're saying, Chris.
00:12:37I'll tell the judge about this.
00:12:38I've got the law on my side.
00:12:38You can't steal all the man's guns.
00:12:41Shut up and get out.
00:12:42Don't think you'll get away with this.
00:12:45These settlers are all alike.
00:12:51You can't do this to me.
00:13:01Well, gentlemen,
00:13:05I know I can rely on all of you
00:13:06as witnesses.
00:13:07You saw what happened.
00:13:08He was shot in self-defense.
00:13:14I think we can get back to work now.
00:13:20Ramon.
00:13:26Get him out of here.
00:13:31Pick him up.
00:13:40What's going on here?
00:13:42Ah, just some fool farmer
00:13:43got himself shot in there.
00:13:47So this is your idea
00:13:48of a nice, quiet town.
00:13:49Here.
00:13:50Don't worry about it.
00:13:51Lasky will take care of it.
00:13:53That's right.
00:13:53You saw the whole thing.
00:13:54Clear case of self-defense.
00:13:55Sure was, thought myself.
00:13:57Now that's taken care of,
00:13:58I guess we better get going.
00:14:12Oh, it's too much.
00:14:13Go on, take it.
00:14:16This piece of street
00:14:17belongs to the bank.
00:14:18You pay for using it.
00:14:20Give that money back
00:14:21to the old man.
00:14:22Look, boy,
00:14:23if you want to stay in this town,
00:14:24you do best to play by the rules
00:14:25and we make them.
00:14:26Remember that.
00:14:26Listen, that their money
00:14:27ain't yours.
00:14:29Do you want to end up
00:14:31with Boothill?
00:14:32Look, Jane.
00:14:33Hey, I don't want
00:14:34to see you die young.
00:14:36But that thief
00:14:37took our money.
00:14:40Sugar?
00:14:41Huh?
00:14:49We haven't eliminated
00:14:50the Indians yet.
00:14:51And I'm sure you know it.
00:14:53Not all of them.
00:14:55But we've taught them
00:14:56such a lesson
00:14:56that they're not going
00:14:57to feel inclined
00:14:58to poke their noses
00:14:59into our valley again.
00:15:01Huh.
00:15:02You don't think so, huh?
00:15:03Well, I'm not so sure
00:15:04about that.
00:15:06We forced them
00:15:07out of this valley,
00:15:07but there are hundreds
00:15:08more of them
00:15:09at Red Rock.
00:15:11And that's not
00:15:11so far away.
00:15:13They're quite friendly
00:15:14Indians at Red Rock.
00:15:16The sheriff
00:15:17and his men
00:15:17have ridden herd
00:15:18all over that
00:15:19entire territory,
00:15:21Ortega.
00:15:22And do you know what?
00:15:24They never saw
00:15:24one redskin.
00:15:25And who shot
00:15:26that arrow?
00:15:27Some idiot
00:15:28who wanted to ruin
00:15:29our festivities.
00:15:31You know perfectly well,
00:15:32it doesn't
00:15:34necessarily take
00:15:35an Indian
00:15:36to shoot an arrow,
00:15:37does it?
00:15:38But who would want
00:15:38to make a threat
00:15:39like that in public?
00:15:41And did they threaten
00:15:42the town,
00:15:42or do you think
00:15:43it was meant for us?
00:15:44Answer that.
00:15:48I told you
00:15:49what I think.
00:15:50The only answer
00:15:51is that it was
00:15:52just a joke.
00:15:54Yeah, sure.
00:15:55A joke that's
00:15:56making us waste time.
00:15:57With so many things
00:15:58to be discussed,
00:15:59why do we bother
00:15:59with all this foolishness?
00:16:02Exactly.
00:16:04Wallace,
00:16:05explain to the boys
00:16:06your idea
00:16:07about deposits
00:16:07in the bank.
00:16:10It seems
00:16:11that our fellow citizens
00:16:12want us
00:16:13to take care
00:16:14of their millions.
00:16:17certainly.
00:16:18I'm taking care
00:16:19of it for them.
00:16:20There's absolutely
00:16:21nothing to worry about.
00:16:22It's completely
00:16:23watertight
00:16:23as far as
00:16:24the law is concerned.
00:16:31Cobb!
00:16:32Ramon!
00:16:33What are you
00:16:34waiting for?
00:16:34Get going!
00:16:48at last the time
00:16:48has come for you
00:16:49to pay
00:16:49for your crimes
00:16:50against us.
00:16:52All four of you
00:16:53will die
00:16:54starting with
00:16:54Wallace
00:16:56then Ortega
00:16:59Navarro
00:17:01and finally
00:17:03Lasky.
00:17:04Do you still think
00:17:05it's a joke,
00:17:06my friends?
00:17:22Hold it.
00:17:23Hey, what you doing?
00:17:25Can't you see
00:17:25it's a sheriff?
00:17:26You're kind of
00:17:27jumpy tonight,
00:17:28Cobb.
00:17:28I'm going to ride
00:17:29around the town
00:17:29and don't you move
00:17:30from here for any reason
00:17:31even if you're
00:17:32here shooting.
00:17:32Right, Sheriff.
00:17:39I'm just a little
00:17:40too jumpy
00:17:41to sleep tonight.
00:17:42Well, if you
00:17:42trusted me a little
00:17:43more, you just
00:17:44might get yourself
00:17:44some shut eye.
00:17:48Well, you thought
00:17:49it was a joke
00:17:50this morning,
00:17:50didn't you?
00:17:52Until this morning
00:17:53no one had smelled
00:17:53an Indian around here.
00:17:55And what's that
00:17:56supposed to prove?
00:17:57A redskin can play
00:17:58a joke just as well
00:17:59as anyone else,
00:18:00can't he?
00:18:00A dangerous joke,
00:18:02don't you think?
00:18:03If we'd have
00:18:03caught him this morning.
00:18:05Am I right, huh?
00:18:07If he'd have
00:18:07seen your face,
00:18:08he'd have thought
00:18:09it worth the risk.
00:18:12I'm not afraid.
00:18:13Well, I hope not.
00:18:14After all,
00:18:15we're surrounded
00:18:15by armed men, Wallace.
00:18:17You leaving?
00:18:18It's late.
00:18:19It's time we left.
00:18:23I'll tell Ramon
00:18:24to stand guard.
00:18:31See you tomorrow, Wallace.
00:18:35Yeah.
00:18:36I'll be here.
00:18:54I've no doubt
00:18:54there's nothing in this,
00:18:56but tonight I advise you
00:18:57to sleep at my place
00:18:58just in case.
00:19:03Ramon,
00:19:04keep your eyes open.
00:19:05Right.
00:19:13No,
00:19:17CCTV.
00:19:19No,
00:19:22no,
00:19:23No.
00:19:49Darling.
00:19:58Not now, Jenny.
00:19:59Well, you are moody.
00:20:00Well, leave me a piece, will you?
00:20:01Why don't you go to sleep?
00:20:02I've got enough worries.
00:20:48Look out!
00:20:49Ramone!
00:20:50Shoot at it!
00:20:50If it gets any closer, it'll blow us all the vents.
00:20:52Quick!
00:20:53All of you, fire at that barrel.
00:20:54It's headed right for us.
00:21:12Cobb, find yourself a position and stay down.
00:21:18Hold your fire.
00:21:28Poor two of them.
00:21:30Go ahead, Wallace.
00:21:32I think you need a drink.
00:21:41We ought to drink to something, don't you agree?
00:21:57You don't recognize my face, do you?
00:21:59But you know my name.
00:22:03It's Donald Sorensen.
00:22:05Sorensen?
00:22:07Yeah.
00:22:08And I'm drinking alone.
00:22:13You mustn't kill me.
00:22:15You see, I've done nothing.
00:22:19Do you have a gun?
00:22:21Yes, but I...
00:22:23Yes, but I...
00:22:25You'll shoot.
00:22:26If your life depends on it, you'll try to kill me.
00:22:30No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:22:51no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:22:55no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:22:55no, no, no.
00:24:08All right.
00:24:09Quit your drinking.
00:24:11Get back on stage.
00:24:13We want to see a dance.
00:24:15It's okay.
00:24:16I don't mind if I do.
00:24:17That's what we're here for.
00:24:18Get off his knee and come and sit on mine.
00:24:20I'm a customer too.
00:24:24Hey, ain't anyone listening to me?
00:24:25Stop yelling.
00:24:25You ain't at home.
00:24:26Get.
00:24:28Bring on the girls.
00:24:30I want to see you dancing.
00:24:32Hey.
00:24:33Come on outside.
00:24:34I want to see you dancing.
00:24:35Outside his head.
00:24:37Good.
00:24:43Good.
00:24:45Good.
00:24:50Good.
00:24:57Good.
00:25:05You are the joy and the wisdom
00:25:12You are the king and one of the lands
00:25:21No one shall be left alone
00:25:37To the west we shall go
00:25:45Where no one will say no
00:25:53Let's go, let's go
00:25:59To the end
00:26:05To the end
00:26:10To the end
00:26:12To the end
00:26:18To the end
00:26:18To the end
00:26:22To the end
00:26:38To the end
00:26:44Hello
00:26:46Hello
00:26:47So you can draw
00:26:49We don't know your name yet
00:26:50Seems about time
00:26:52Joe
00:26:56Joe, that's all?
00:26:58You did that drawing so quick
00:27:00You do want to meet
00:27:11To the end
00:27:12To the end
00:27:31I'll take that.
00:27:34Ramon!
00:27:39Ask him to draw me a picture, would you?
00:27:42Hey, you there, Michelangelo.
00:27:50Michelangelo, is that a name?
00:27:52I don't know.
00:28:03You wouldn't mind making a drawing of this young lady.
00:28:06I guess you ought to know that's the reason I called off my boys.
00:28:13Interest in subject.
00:28:14Too bad I don't have the time.
00:28:17I just thought your time would be well spent.
00:28:21Whatever she wants, she gets. I won't ask you again.
00:28:29All right, I'll find time.
00:28:46Boy, is it just going out to get a little freshy?
00:28:51Is that all?
00:28:52I am.
00:28:52I am.
00:28:55I am.
00:29:06I am.
00:29:11I am, I am.
00:29:21All right, girls, on stage.
00:29:28You're gorgeous.
00:29:32He's starting the music.
00:29:49Oh, my God.
00:30:22Oh, my God.
00:30:22Wake up.
00:30:29Sugar.
00:30:39That no good sheriff.
00:30:41He's no more use to any of us.
00:30:43I'll see that he loses that badge of his.
00:30:46By the time he got there the other night, Wallace was already dead.
00:30:48Don't any of you forget, looking after the bank is our responsibility.
00:30:55Our great mistake was thinking there'd be a gang of them.
00:30:57Unfortunately, one took us off guard.
00:31:00I'd give a lot to get my hands on that man.
00:31:03Same as you all would, I'm sure.
00:31:05It's clear that this is no joke.
00:31:07And it's no good imagining that we're protected in any way by the men around us.
00:31:11We've got to find another means of defense.
00:31:14Are you quite sure this is not the work of the Indians?
00:31:17If it's Indians, then they've hired a professional gun.
00:31:21Only an idiot like you'd make such a stupid remark, Ortega.
00:31:25Whatever you call me, it's the work of a professional...
00:31:29Lasky!
00:31:30We've got the...
00:31:31Where is he?
00:31:32Out near the mine.
00:31:33I'm going down there.
00:31:41You come with me, Ortega.
00:31:42All right, Lasky.
00:31:51Better admit it.
00:31:53You killed Wallace.
00:31:54Who are the others?
00:31:55Go on and talk.
00:31:56Well, were you able to get the man to talk yet?
00:31:59Nah.
00:32:00Keep trying, come on.
00:32:03Talk if you know what's good for you.
00:32:07This will make you change your mind.
00:32:11Hold it!
00:32:13Throw down your gun belts.
00:32:14Go on.
00:32:19Now, untie that man.
00:32:26Flat on your faces.
00:32:31Don't try to move.
00:32:46Get ready.
00:32:47And then go for your guns.
00:32:51Here.
00:32:52I told you not to move.
00:32:53I told you not to move.
00:33:00I told you not to move.
00:33:01I told you not to move.
00:33:02I told you not to move.
00:33:05I told you not to move.
00:33:07I told you not to move.
00:33:08I told you not to move.
00:33:10I told you not to move.
00:33:10I told you not to move.
00:33:11I told you not to move.
00:33:11I told you not to move.
00:33:12I told you not to move.
00:33:12I told you not to move.
00:33:12I told you not to move.
00:33:12I told you not to move.
00:33:13I told you not to move.
00:33:14I told you not to move.
00:33:14I told you not to move.
00:33:15I told you not to move.
00:33:16I told you not to move.
00:33:20I told you not to move.
00:33:22Let's go.
00:34:04No shells.
00:34:06Me neither.
00:34:34Hey, Hank, it's us.
00:34:36That was a great job you did.
00:34:41Hey, how's that chilling?
00:34:45You know, your invention's better than the army.
00:34:48How come they caught you?
00:34:49Hose, he get wounded and legged.
00:34:51He full.
00:34:58Well, that takes care of that.
00:35:00Don't reckon anybody will get back to tell them what happened.
00:35:09Hey, you hungry son.
00:35:10Go on.
00:35:11Sit down.
00:35:13I'll save you some beans.
00:35:15Well, to tell you the truth, I darn near ate them all myself, really now.
00:35:19They're good.
00:35:24You're right.
00:35:24Have a drink.
00:35:26The beans are better.
00:35:27With a little hooch.
00:35:31There's nothing in it.
00:35:33Empty.
00:35:35You know, you can't trust a bottle.
00:35:38As soon as you get fond of it, it deserts you.
00:35:41Like a woman.
00:35:44You already done your celebrating.
00:35:46Well, that ain't fair, son.
00:35:47And you figure I can do all my celebrating on just one little bottle of tequila?
00:35:52All right, Pops.
00:35:53I understand.
00:35:54Well, remember, when you get to be my age, a bottle of tequila's all there is.
00:36:06This here's quite a toy, Hank.
00:36:08It sure is.
00:36:10Yeah, this invention of mine did pretty good today, now, didn't it, Rojo?
00:36:15Well, didn't it?
00:36:16Oh, yeah.
00:36:17They never did give me a decent chance there was no good highfalutin' generals.
00:36:21And in the war, I was in charge of a cannon.
00:36:24And whenever I fight around, nothing was left standing.
00:36:30And when I wasn't fighting, I was inventing.
00:36:33I escogitated a whole mess of war machines.
00:36:38You saw one today.
00:36:39And you know what?
00:36:41I could wipe out a whole division single-handed with one of my machines.
00:36:45Like this one.
00:36:47Come over here.
00:36:48Come on.
00:36:52Now, take a look at this.
00:36:54They never did want to give old Hank any recognition.
00:36:57They never did appreciate me.
00:37:00Now, this rifle is something unique.
00:37:03Look here, son.
00:37:04Take a hold of this gun.
00:37:07Oh.
00:37:08Well, how does it work?
00:37:11Well, let me show you.
00:37:18Hey.
00:37:22That's quite a gun.
00:37:23Hey, you can't miss with that baby.
00:37:26She's a trusting friend, I tell you.
00:37:29Providing you're real nice.
00:37:48Well, who is it?
00:37:49That's me.
00:37:51We got a visitor.
00:37:52What you going to do about it, Ramon?
00:37:54These newcomers give me a pain in the neck.
00:37:56Yeah, that's how I want to drink.
00:37:57Oh, that's all.
00:37:58Well, you betting on Ortega?
00:38:00Yeah.
00:38:01That he won't make morning.
00:38:02I got that feet-first feeling.
00:38:11Somebody giving a costume ball in here?
00:38:16Hey, take it easy there.
00:38:29Give me a beer.
00:38:49What's going on?
00:38:52Howdy, Sheriff.
00:38:53I wouldn't worry about a thing.
00:38:56We're just attending to our own business.
00:39:16But why is he bringing in this professional gun, this black Bart?
00:39:19Doesn't Ortega have any faith in us anymore?
00:39:21He's a man with no mercy.
00:39:23He could teach you a few things.
00:39:25Our boys know plenty about gunplay.
00:39:26We've done our share of killing when we had to.
00:39:29It's kind of difficult when you don't know who your enemy is.
00:39:31It won't be easy for him this time.
00:39:33The mine's a safe place because anyone going in has to come through here.
00:39:36And we're here to stop them.
00:39:40This mine's like a fortress.
00:39:42They'll try and find me in town like Wallace.
00:39:46But I'll be safe in here.
00:39:52Determined they won't find me.
00:39:55Only three people know I'm here.
00:40:01Lasky, Ramon, and you.
00:40:03I have every confidence they won't succeed in carrying out the threat.
00:40:11Ramon and his men will take care of things.
00:40:14No one will get in here.
00:40:17Someone already did.
00:40:21Help! Do not like this!
00:40:51I don't know.
00:41:21I don't know.
00:42:04I don't know.
00:42:05I don't know.
00:42:06I don't know.
00:42:07I don't know.
00:42:27I don't know.
00:42:30I don't know.
00:43:00I don't know.
00:43:50I don't know.
00:43:53I don't know.
00:43:56I don't know.
00:44:00I don't know.
00:44:01I've done you a mighty big favor, Joe.
00:44:02Well, he appreciates it.
00:44:08I had something to settle.
00:44:12Personal matter.
00:44:15Here's the money I owe you.
00:44:23Looks like I do all right for myself in Gold Hill.
00:44:28I don't know.
00:44:29I'll be seeing you, Joe.
00:44:42I have to compliment you on the way you handle that gunman.
00:44:46You pulled off the first two okay.
00:44:48But how in hell are you going to manage Navarro?
00:44:53I know he'll really be surrounded.
00:44:55You may be a good shot, but...
00:44:57There's other ways to kill him, man.
00:45:01That was pretty good.
00:45:03But it still won't be easy to get Navarro.
00:45:05You know, he got himself holed up in the town of San Miguel.
00:45:08You won't even get inside.
00:45:35Catch.
00:45:42Hey, Hank.
00:45:43Get going.
00:45:44Yeah.
00:45:46Sure.
00:45:48It's not safe for you here.
00:45:49They're bound to catch up with you.
00:45:51That's if they can find me.
00:45:53Are you serious?
00:45:55They'll be sure to.
00:45:57And you're certain to be hung.
00:46:00But what did you expect?
00:46:02That's the law.
00:46:04Sugar?
00:46:05I'm amazed that you could kill those men as coldly as that.
00:46:10You're breaking my heart.
00:46:13If you knew what they did.
00:46:16You're a murderer.
00:46:17Yeah.
00:46:21You're risking your skin.
00:46:23I wouldn't give a cent for your life.
00:46:26I guess my life isn't worth much.
00:46:30How come?
00:46:31You have everything you want.
00:46:34Beautiful house.
00:46:35You're rich.
00:46:37Even married an important man.
00:46:39It means less than nothing to me.
00:46:42With you, I'd have been content to stay poor, Donnie.
00:46:45I still love you and I know now I always will.
00:46:49Why'd you leave, go away like that?
00:46:51I respect everyone's intentions.
00:46:54I respected yours too.
00:46:57If you respected me, then why did you do it?
00:47:03I'll never know.
00:47:05I'm still here.
00:47:14Come on, you ought to get going.
00:47:15I'm still here again.
00:47:16One more time.
00:47:25I'm still here again.
00:47:33I'm still here again.
00:47:56Garcia, listen I'd like you to get everything prepared, tonight is the fiesta.
00:48:17Hey, fix that securely! Wait, what you got in there? Maze. Go on.
00:48:32All right, get along. Not so fast. What you got there? Hey, what you doing? You won't find anything
00:48:42under there. We come every year to the Fiesta of San Miguel.
00:49:09Well, Ramon, any troubles yet? No, we're keeping a pretty sharp lookout. I hope you're checking
00:49:15everyone. Not even a fly could get in here. I've got the men keeping their eyes open for
00:49:20visitors. They'll come, and you can be sure of that. But we'll be ready for them,
00:49:26and we'll give them the kind of welcome they won't like at all.
00:49:45Yeah!
00:50:22All right, let's go.
00:50:22All right.
00:50:58Where do you come from?
00:50:59From the ranch.
00:51:00Whose ranch?
00:51:01Well, from Don Diego's.
00:51:03Go on in.
00:51:21Help.
00:51:23Help me.
00:51:36He's only a little further.
00:51:37Try to get up now.
00:51:38Come on.
00:51:38Let me help you.
00:51:40Come on.
00:51:41Who has wounded you?
00:51:43Indians, I was ambushed.
00:51:46Where did they get you?
00:51:47Go to San Miguel and get a doctor.
00:51:51Here.
00:51:53Be careful.
00:51:54Don't tell anyone you've seen me.
00:51:56Understand?
00:51:56Stand?
00:51:57Si, si.
00:51:57I only tell doctor, eh?
00:51:58Quickly.
00:52:04Look.
00:52:04Oh, Prince.
00:52:05He passed here a short while ago.
00:52:06How do you know is he?
00:52:07Horses are different than San Miguel.
00:52:10Stop!
00:52:13Hey, there's a wounded man down there in the woods.
00:52:15I think he must be the man you're looking for, eh?
00:52:18You better show us where he is.
00:52:19Ah, then you take me to see Senor Navarro as San Miguel.
00:52:22Entendido, hombre.
00:52:23Eh?
00:52:24Bueno?
00:52:24The information is worth something.
00:52:25Go on.
00:52:55Ah, the artist.
00:52:57Mr. Fancy, fancy painter.
00:53:00You haven't learned your lesson very well now.
00:53:02Have you?
00:53:04He's been shot.
00:53:06Yes, the guards on the other side must have shot him.
00:53:08We found him like this.
00:53:11Get him out of here.
00:53:13Take him to the stable and keep him alive until Navarro's seen him.
00:53:16Hold him.
00:53:18Better go this way.
00:53:24Can we join the fiesta now?
00:53:26Sure, it's about time we get a drink on Navarro.
00:53:29Come on.
00:53:30Come on.
00:53:33Come on.
00:53:34Come on.
00:53:35Eat a me, niña, bonita.
00:53:38Eat a me, niña, bonita.
00:53:41Lágrimas de nepañuelo.
00:53:44Que la llevare a ganada.
00:53:47Que la venga ese un flotero.
00:53:49Eat a me, niña, bonita.
00:54:00If you celebrate like this when someone threatens your life, I hope they do it more often.
00:54:07You mean he's caught?
00:54:08On a silver platter.
00:54:11I have to send word to Lasky.
00:54:13Sure.
00:54:15What was that he said?
00:54:16Didn't you hear?
00:54:16They caught him.
00:54:18Water.
00:54:22Ladies and gentlemen and parents spectators, this very evening on the stroke of midnight,
00:54:27we are going to set ablaze.
00:54:30We are going to burn the effigy of Lucifer in honor of Samagel, his fiery sword.
00:54:35Protect Sich and everyone from the powers of evil.
00:54:39It's time for him to go, and far below.
00:54:43And here he goes.
00:54:47Here he goes.
00:54:52Water.
00:54:55Water.
00:55:00I'll give you water.
00:55:02Oh, yeah.
00:55:24Navarro?
00:55:31You're on time, aren't you?
00:55:33So are you.
00:55:35I expected you, with all that sugar around.
00:55:38Why do you think I put it there?
00:55:43Guess you were smart to pretend you were hurt.
00:55:45We fell right into the trap.
00:55:47Get walking.
00:55:51And just how do you imagine that you're going to get away with it?
00:55:55Your friends are all too busy having a good time.
00:56:00Just what is it you want?
00:56:09I'm Donald Sorensen.
00:56:16Then what are you waiting for?
00:56:18Why don't you shoot?
00:56:19Go on.
00:56:53I'll be.
00:56:57Ah!
00:57:02Oh!
00:57:19Oh
00:58:01Oh
00:58:03You see that
00:58:05Sure, yeah
00:58:06$5,000
00:58:09That's a lot of money
00:58:10It's for his own
00:58:13Murder of Wallace
00:58:14Tego Navarro
00:58:16$5,000
00:58:20Well, what do you know about that?
00:58:22That's an awful lot of money
00:58:23I'd be scared too
00:58:25Yeah, he'd better work out
00:58:26I know
00:58:27I mean, they're off of the money
00:58:30Here comes old
00:58:30Oh, wow
00:58:32I was gonna call
00:58:34Oh
00:58:37I got some real rest
00:58:40Yeah
00:58:45It's for you, it's from Lasky
00:58:51Hmm
00:58:56Uh-huh
00:58:57The only sensible thing he could have done
00:59:00He's moved out of town
00:59:02Come on
00:59:22Come on
00:59:22Come on
00:59:24Come on
00:59:24Come on
00:59:25Come on
00:59:26Come on
00:59:35Come on
00:59:35Uh, tequila here
00:59:36More whiskey there
00:59:39All right, another hundred
00:59:40But if you lose this time, you pay up
00:59:44What are you doing there?
00:59:45Where are you from?
00:59:46Now look, when I ask for tequila, I don't mean a slug
00:59:48I want the whole bottle
00:59:52Here we go
00:59:55Look over there
00:59:57Oh
01:00:05You're a friend of Joe's, aren't you?
01:00:07Which Joe?
01:00:08I know at least a dozen with that name
01:00:09Oh, come on, don't pretend you know who we mean
01:00:12If there's anything we could do
01:00:14If you'd tell us where he is
01:00:16You can trust us
01:00:21We only want to help the guy
01:00:22Just see if he's all right
01:00:25Hmm
01:00:27He's friends
01:00:34You
01:01:00All right.
01:01:05Don, are you crazy?
01:01:06They could have caught you coming here.
01:01:10You're still beautiful, Consuelo.
01:01:22Quite a shack.
01:01:24Yeah.
01:01:26It's it for a real lady.
01:01:27And the wife of a real gentleman.
01:01:30I don't like being poor, Donnie.
01:01:32I suffered too much.
01:01:34And now I'm respected here.
01:01:35And it's just because I'm rich.
01:01:38Love doesn't mean anything.
01:01:41Why'd you come here?
01:01:45There's more than one way of deceiving a man.
01:01:49Where's Lasky?
01:01:54Hey, Sheriff.
01:02:00Come on, open up, will you, Sheriff?
01:02:03What do you want?
01:02:06Go on, get in.
01:02:07Here's your man.
01:02:10Rewards can be tempting, even for the best of friends.
01:02:13Where's he been hiding?
01:02:15A couple of miles west of here.
01:02:17I can tell you he's a real bad one, Sheriff.
01:02:20Get moving.
01:02:21Hands up, Sheriff.
01:02:22What?
01:02:23Get over there.
01:02:29Get over there.
01:02:30Get over there.
01:02:35Get over there.
01:02:38Get over there.
01:02:45Get over there.
01:02:47Get over there.
01:02:48Get over there.
01:02:49Get over there.
01:02:50Get over there.
01:02:51Get over there.
01:02:52Get over there.
01:02:53Get over there.
01:02:53Get over there.
01:02:54Get over there.
01:03:08Imagine finding an important man like you in his own jail.
01:03:24Get out.
01:03:29What do you mean by coming in here like this? What do you want from me?
01:03:33My name is Donald Sorensen.
01:03:38Sorensen?
01:03:42Move.
01:04:06Let's go, Sheriff.
01:04:22Now it's your turn, Lasky.
01:04:25Confess and I'll hand you to the judge. Otherwise, I'll hang you like a dog.
01:04:31He's the last of those responsible for murdering my family.
01:04:36Right, Lasky?
01:04:37I got nothing to say. Nothing!
01:04:39You heard what he said. He's the one who murdered my friends.
01:04:42No use, Lasky.
01:04:44Can't you see he's lying? He's just trying to save himself from the gallows.
01:04:47Only a federal court can decide that.
01:04:49If you kill that man there, then you'll be found guilty of murder.
01:04:53Then you'll get hung.
01:04:55Go, Chief.
01:04:59No! Stop! I'll talk!
01:05:03I confess.
01:05:08I'll talk. Go on.
01:05:20Sorensen, your family was killed because they were in our way.
01:05:25We had to get rid of them.
01:05:26There was a witness. Cochise.
01:05:30He was there at the massacre.
01:05:33He told me the whole story.
01:05:36My family had reached the last stage of their journey out west.
01:05:40They were coming out to work a gold mine my older brother Bill had staked a claim on the year
01:05:44before.
01:05:44They'd sacrificed everything to come out here, and their whole future depended on that mine.
01:05:52But Lasky, Ortega, Navarro, and Wallace had other plans.
01:05:56They were determined to get that mine for themselves, at any price.
01:06:01And the price was high.
01:06:03The cold-blooded murder of the Sorensen family.
01:06:28Oh, they planned it well.
01:06:30They knew that if the Indians could be blamed for the crime, they'd be justified in driving them all from
01:06:35the territory.
01:06:36So, instead of using guns, they used arrows.
01:06:45The Sorensen murders were followed by the ruthless hunting out and killing of many innocent Indians living peacefully in the
01:06:50district.
01:06:52Lasky and his accomplices made pretty sure there wasn't an honest citizen in town who'd trust another Indian.
01:07:00They stole the deeds and the plan of the mine and became leading citizens.
01:07:05The big men of Gold Hill.
01:07:08The family, so brutally murdered, was my family.
01:07:13I was away fighting at the time, and then I was held prisoner till the end of the war.
01:07:22Now you've heard it all, and I'm going to hand him over to you for justice.
01:07:34It's all yours.
01:07:51Hold it.
01:07:52Get your hands up.
01:08:06A little surprise for you, Lasky. Your wife.
01:08:10Why is she here, Ramon?
01:08:11She's the one who sold you out.
01:08:14I'll deal with her in my own time.
01:08:21And now it's my turn to settle accounts.
01:08:25Now, Judge, this man's got to be hanged.
01:08:28You're making a mistake, I warn you.
01:08:29Nobody has the right to take the law into their own hands.
01:08:33Is that so?
01:08:36And who's going to stop me? Tell me that.
01:08:39Hmm?
01:08:41You needn't think I'll help you?
01:08:45What are you going to do?
01:08:47You're just a filthy butcher, Lasky.
01:08:50You keep your mouth shut.
01:08:51I'll arrest you for murdering the Sorensons.
01:09:01I reckon you were being hopeful, Judge.
01:09:12It'd be very simple to finish you off the same way.
01:09:15But I want to have the pleasure of seeing you dancing at the end of a rope.
01:09:20I'm kind of old-fashioned, you see.
01:09:26Come on, string him up!
01:09:27No! No, don't kill him! Don't kill him!
01:09:30Out of my way!
01:09:31Leave him alone!
01:09:32Fight him!
01:10:06No! No! No! No!
01:10:13Consuelo!
01:10:20Don't worry about me, Donnie.
01:10:28There's a safe in the office.
01:10:31Here's the key to open it.
01:10:35The money from the mine.
01:10:39Take it.
01:10:50The money from the tonne.
01:10:56The money from the broken glass.
01:11:03The money from the ebb.
01:11:08The money from the old house.
01:11:09The money from the old house.
01:11:10Oh
01:11:30Surprised to see me
01:11:34They told me you were settling a personal account, so I let you get on with it
01:11:43But there's one thing you didn't reckon on
01:11:46When you got me in to help you with or take you you did me a favor and got yourself
01:11:51a partner
01:11:52We're gonna make a great pair the red and the black
01:12:10I
01:12:11I
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