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Stroke of Love [Full Movie] [Watch Free Online]Full EP - Full
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00:05you're kidding me right but you're late again i know i let me guess you were painting it will
00:10not happen again you're right it won't happen again because today is your last day clock in
00:15get dressed and at the end of your shift please remove that awful excuse for our work off the
00:20wall whoa freddie freddie what no freaking way you gotta be kidding me right i think you had a
00:29stalker i know him
00:38do we know each other sorry that painting that's me isn't it i painted it why
00:51i i paint my dreams really uh it's kind of hard to explain it's um
00:58what would you want to try over dinner friday night
01:06i'm ethan lily that is a beautiful painting
01:19that dream it wasn't just a dream
01:23but hey if you don't want to date with bruce wayne over here
01:27how about a date with batman
01:29well that wasn't awkward
01:37see you friday
01:41this guy huh you seem really nice
01:45thank you
01:46you know there's people that you know are very happy with just one meal
01:50ethan's the buffet kind of a guy
01:53are you gonna get anything
01:54i'm kind of holding up the line there
01:59waiting
01:59yeah um i'll take a hot mocha
02:01okay batman
02:03thanks
02:10some people say love at first sight is just a fairy tale
02:13but when i painted him in my dreams before we even met
02:16i knew we were meant to find each other
02:19those first few weeks felt like a lifetime of happiness compressed into stolen moments
02:24but dreams and reality
02:26they don't always align
02:29ethan do you have to go to europe
02:31it's only two weeks
02:34i want you to have this
02:36this necklace
02:37it's been in my family for generations and
02:41it's really special to me
02:44i'm coming back
02:47promise
02:49i promise
02:52i can't live without you
02:55i really think i've fallen in love with you
03:11come in
03:14freddie
03:14louie
03:16what are you doing here
03:23what are you doing here
03:24lily i called a cell again
03:27The place we stayed in, authorities in Belarus, hospitals, nothing.
03:35It's okay.
03:36You were with him.
03:37I know.
03:39How did he just disappear?
03:42He's done this before, Lily.
03:44Whenever he gets too close to someone, he's just...
03:49I just don't think he would stay away that long.
03:52He would have told me.
03:58Look, I'm so sorry.
03:59I'm so sorry, Lily.
04:01I just don't think he's coming back this time.
04:04Why?
04:06I warned you.
04:08I warned you that he was complicated.
04:10Didn't I?
04:12Ethan's the...
04:13The fear kind of a guy.
04:16You know, I'd do anything for you, right?
04:20Right.
04:25It's okay.
04:28I'm here for you.
04:37Who did you piss off, my friend?
04:45These visions, what are they?
04:49That, that, that, that, that, that, you don't even.
04:52The past?
04:54The future?
04:57Maybe just illusions.
05:06Hi.
05:07Hey.
05:09Look at that.
05:10You got all your favorite food out here.
05:12I'm not hungry, but, um, thank you.
05:15You can't keep doing this to yourself.
05:18And I don't want to be mean, but I think you've got to move on.
05:22How can you say that so casually?
05:24I thought you were his friend.
05:26I am his friend.
05:27What if you're wrong?
05:30Lily, you left.
05:31Something isn't right.
05:33I think about every single day.
05:37Lily, is this supposed to be Ethan, Lily?
05:41Lily, you're reaching here.
05:44Hey, Lily.
05:48He left you.
05:50And he left me.
05:52And he left us.
05:56And maybe, maybe you want something else for you.
06:01Something more.
06:03Huh?
06:14Okay.
06:18Maybe another proposition.
06:21I know that the art studio is bleeding you dry.
06:24This restaurant, I think, with your artistic flair.
06:28This restaurant up here, it's extraordinary.
06:32And I know that you need the money.
06:35Lily, I could give you $15,000.
06:37Just in advance.
06:38Right away, right now.
06:40In advance.
06:43I help you.
06:45And you help me.
06:50Is that a deal?
07:03Are they ready?
07:05You should be fired, all right?
07:07Get out of here.
07:12Ethan.
07:20Your favorite whiskey?
07:22Look, I...
07:24I called everywhere.
07:26I called the morgues, the hospitals, the authorities, Interpol.
07:29I mean, you name it.
07:30I've been in prison for three years.
07:34In Belarus.
07:37In prison?
07:38How is that possible?
07:39I don't know.
07:40You tell me.
07:42All of us were there.
07:44Don't you remember?
07:45You disappeared on me, Freddie.
07:47You disappeared on us, Ethan.
07:52You really don't remember, huh?
07:55I want...
07:56I did the setups, but I needed...
08:02Lily.
08:04I've missed you so much.
08:08You left me.
08:10You disappeared without saying a word.
08:12I was set up.
08:15Set up?
08:20I was set up.
08:22Set up.
08:26I knew it.
08:27I told you.
08:28I told you that what had happened and you did nothing.
08:31You did nothing.
08:32You did nothing.
08:33I...
08:33You did nothing.
08:34I was the one who was helping you, Lily.
08:36I warned you, Lily.
08:39Ethan is a fraud!
08:40You son of a...
08:44I'm so done with you.
08:47I'm going to show you something.
08:52This?
08:53It's from the Department of Justice.
08:55Oh, come on.
08:56This is ridiculous.
08:59Forgery.
09:00Money laundering.
09:02Oh, embassment.
09:03We have theft.
09:05I can go on, Ethan.
09:06Lily, I don't know anything about this.
09:08How do I know you're not acting?
09:11Ethan, what is this?
09:13How do you not know?
09:14What is this, Ethan?
09:15I don't know.
09:21I might know something that could help.
09:30This is the art dealer you were caught working with.
09:34Ethan, I think you should leave.
09:37For the sake of Lily.
09:39Lily, I'm sorry.
09:42I love you.
09:43Get out.
09:46Just get out.
09:50Freddy, just go.
09:59I've already planted seeds between the art dealer and other wealthy families that will
10:03lead him down the wrong path.
10:04That's how we exploit this.
10:06This wasn't supposed to go this way.
10:08What's the matter, Freddy?
10:09You afraid of a little competition?
10:11Look, I'm afraid that this thing might explode in our faces.
10:14The only thing that's going to explode is Ethan.
10:16You and I are going to tear him apart.
10:19His career, his future, his reputation, piece by piece, until there's nothing left.
10:26The only thing we have to worry about is this leading back to us.
10:29Understand?
10:31Is he going to take the bait?
10:32With his mind the way it is, he's desperate to know what happened.
10:35We gave him the gas.
10:36We gave him the matches.
10:37And all we have to do is sit back.
10:42And just watch him burn himself.
10:53Caroline.
10:54Ethan?
10:58Where have you been?
11:02I've been imprisoned.
11:04What?
11:05How come?
11:06What happened?
11:07I'm okay.
11:07I'm sure you probably have a million questions.
11:10Right now, I really need your help.
11:13I'll get someone to help you.
11:14It has to be you.
11:16I really need someone I can trust right now.
11:18Can you be there for me?
11:19Okay, sure.
11:20I was set up by an art dealer.
11:22What?
11:22I really need you to get to the bottom of anything you can find on this guy and who he's
11:27potentially working for.
11:29I'd love to help you, Ethan.
11:30But I'm just in the middle of the Venetian art fair.
11:33And we've been working on this gala for the last two years.
11:36I'll help you finish the art gala.
11:38I really need to get to the bottom of this.
11:41Sound good?
11:42Yeah.
11:42I have to go, Caroline.
11:43Thank you so much.
11:44I gotta run.
11:46I'll let you know, Caroline.
12:01I was at your art studio.
12:05Someone else lives there now?
12:07Well, I'm broke, Ethan.
12:08I had to sell it.
12:10What are you doing here?
12:12Haven't you done enough already?
12:14I can't...
12:15You know what?
12:16Doesn't matter.
12:17I don't know you.
12:21Haven't you done enough already?
12:23I can't...
12:24You know what?
12:25Doesn't matter.
12:26I don't know you.
12:29Don't even know you.
12:30Yes, you do.
12:31No.
12:31Yes, you do!
12:32No, I don't, Ethan!
12:33I've been waiting three years for this moment with you.
12:37What are you talking about?
12:38To show you what you've always known.
12:43When was the last time that you painted?
12:47What was it?
12:49It was me, wasn't it?
12:52Wasn't it?
12:59Am I going crazy?
13:00Please!
13:01You were lost.
13:02You were trapped and...
13:03And...
13:04And alone.
13:08I never should have left you.
13:22You need to go now.
13:32I bought our old studio back.
13:35Well done, Ethan.
13:38Well done.
13:40You like it?
13:41Yeah.
13:42You did always have an eye for talent.
13:47But...
13:48Do you think this will work?
13:50It has to.
13:58Maybe you can help her.
14:00Help her?
14:02How?
14:03Rediscover what she's lost.
14:05She's lost more than just her art, Ethan.
14:10You need to tell her eventually.
14:12And not just about you buying her this studio.
14:16Please, Ramona.
14:18I can't.
14:19Ethan, I can deal with not knowing everything that's happened to you.
14:22For now.
14:24At least until you remember more.
14:27But you need to tell her who you are.
14:29If you don't, she'll think that you're hiding other things and you will lose her.
14:34I've seen it happen before.
14:37I can't.
14:38I can't.
14:39I can't.
14:40I can't.
14:41I can't.
14:41I can't.
14:41Oh, these are beautiful.
14:45Oh, Lily.
14:46Thank you so much for coming and being in this on such short notice.
14:49Of course.
14:50You know, I've been kind of out of Thornton for a little while.
14:53But I was so surprised when you called me and I brought this.
14:58Oh, wow.
15:01Lily, this is spectacular.
15:04You know, we were just thinking about switching some of our pieces out and I think this would go great
15:08next to the door.
15:10Uh, Leo, could you please put this near the entrance?
15:15Oh, I just love the use of color here.
15:18That's so gorgeous.
15:19Um, excuse me.
15:21Hi, Sasha.
15:22I would love to introduce you to meet Lily here.
15:24She is-
15:25I was told that the space up front is for the artist who sold the most art this year at
15:29the gallery.
15:30Yes.
15:31Um, we did have-
15:32Um, and if you'll recall, that artist is me.
15:35Three years running.
15:39Lily, this is Sasha.
15:41And as she has just humbly mentioned, she is our most in demand artist here at the gallery.
15:47Congratulations.
15:48Uh, it's so nice to meet you.
15:50Are we just going to ignore everything I've done for this gallery?
15:53Sasha, we decided to diversify and I think that Lily's art is exactly what-
15:58Please.
16:00Experimental art is what you need to be looking for.
16:03This gallery could use more of that, not someone stuck painting the past.
16:10Sasha, we will hang your art adjacent to Lily's.
16:13We'll let the people decide what belongs in the gallery.
16:17Right.
16:25Oh, did you hear?
16:27Someone bought back your studio for you.
16:30Oh, you're joking.
16:32That's funny.
16:33That's-
16:35Are you serious?
16:38R-Really?
16:40Why?
16:41I don't know.
16:43Who?
16:44I don't know.
16:45Probably someone who really loves your art.
16:48They even renovated it for you.
16:52Oh, this is great.
16:53I think.
16:54Oh, yes.
16:55Oh, yes.
16:57Oh, yes.
17:08Oh, yes.
17:12Ethan.
17:16What is all of this?
17:23For believing me.
17:27I believe in you.
17:33I believe in you.
17:40These are beautiful.
17:43I'm so happy we got put back together.
17:47You did this.
17:49I know you did this.
17:51Now, why would you say that?
17:55Because no one else would understand how special this is to me.
18:03I don't understand how you did this.
18:06Where did you get the money?
18:08Are you a criminal like Freddie says you are?
18:10Why did you do that?
18:11I don't want you to be in debt because of me.
18:14No, I'm going to work really hard.
18:15I promise I'm going to repay you for-
18:17No, no, no.
18:18That's not what this is.
18:20Let's work together.
18:22Okay?
18:26This can be our second chance.
18:54Ethan, I need to tell you something.
18:57It's okay.
18:59I'm listening.
19:00I need you to believe me.
19:03I'll believe you.
19:07Do you remember when I told you that some people, they can see things that others can't?
19:14Well, I wasn't talking about other people.
19:16I was-
19:18I was talking about me.
19:19Lily.
19:20I see things and I know that sounds crazy, but I just need you to believe me.
19:23I know.
19:24Your first painting.
19:26I just keep thinking that maybe if I believed them, then you wouldn't have gone to prison and I-
19:33Maybe-
19:34I've put you through so much.
19:36Maybe this is all a little too much me being back.
19:39I don't want these visions.
19:41I don't.
19:43But they're real.
19:47It's taken me a long time to tell you.
19:54What's the matter?
19:58Lily, I want to be there for you.
20:01I do.
20:03I think I know just the place.
20:04My grandmother, she has this beautiful log cabin.
20:08No phones?
20:10No people.
20:12Exactly.
20:13It's beautiful, Lily.
20:16It's beautiful.
20:28I really did not know you were this much of a chef.
20:31Well, you know, you pick up a few things.
20:34Pick up where? Where'd you learn?
20:35In Europe, mostly in France.
20:36Yeah, kids.
20:38Tell me what ingredients you think the sauce needs.
20:42Not too much.
20:45Probably.
20:45Thank you, thank you, thank you.
21:08You are truly amazing.
21:12Do you know that?
21:15Were they amazing?
21:19Is this true?
21:25I'm just so glad to be here.
21:30Me too.
21:39I'm just so glad to be back here.
21:44Me too.
21:49You must tell your grandmother
21:52thank you for letting us stay at the cabin.
21:55I will.
21:56To her.
22:10What?
22:13Which is so beautiful.
22:17Ethan.
22:22You know when I look at you
22:25it feels like home.
22:32Like you're the place I've been searching for all along.
22:36Lovers don't just meet sometimes.
22:41They're in each other all along.
22:48Lily.
22:50I have something to do.
22:51Just kiss me already.
22:57Lily?
22:58Lily.
22:59Lily.
23:00Lily.
23:02Lily.
23:21Lily.
23:22Lily.
23:23Lily.
23:24Ethan, I had another vision.
23:27A vision?
23:27Um.
23:28Tell me.
23:28Tell me what you saw.
23:31You were in a castle.
23:34And...
23:35Todd...
23:37Freddy...
23:38They were there.
23:41I was buying stolen art.
23:44Yeah, I acquired these after the war.
23:46Things were much simpler than her.
23:48Acquired.
23:49More like looted.
23:51Priceless pieces, all of them.
23:53You'll never see a finer collection.
23:55The only problem is...
23:57the money.
24:00That is a problem.
24:03Ethan.
24:06How about a three instead of four?
24:23Let's get all four.
24:25Excellent.
24:27Let's go all in.
24:29We have a deal, huh?
24:30Let's have a deal.
24:31Great call.
24:32Yeah, that's how you do business with my wives.
24:40I was buying stolen art.
24:45What?
24:47I was buying stolen art from the war.
24:49With Freddy and Uncle Todd.
24:51What do you mean?
24:52I thought I was saving it.
24:55They...
24:59Something really bad is gonna happen.
25:02I don't understand, Ethan.
25:04Lily, I'm gonna tell you everything about me.
25:07But right now...
25:08Lily, we have to go.
25:14Ethan, what is this?
25:20What is this?
25:21I'm sorry.
25:23I was gonna tell you.
25:24I was.
25:26But you didn't.
25:29Why didn't you?
25:30The same reason you didn't tell me about your visions at first.
25:33I couldn't.
25:38Lily...
25:41I want to know the real you.
25:43And I want you to know the real me.
25:45No more secrets.
25:52Lily...
25:55I want to know the real you.
25:57And I want you to know the real me.
25:59No more secrets.
26:03I'm Ethan Waldorf.
26:06Of the Waldorf Empire.
26:12But I'm not the man in those headlines.
26:14Well then why would you lie to me about it then?
26:16I didn't want you to know me for what I have.
26:18I want you to know me for who I am.
26:21When I'm with you, I'm not Ethan Waldorf.
26:24I'm just Ethan.
26:26And that's the only version of...
26:27I don't care about any of that.
26:28I care about you.
26:30Lily, Lily.
26:31Let me prove it to you.
26:33Lily!
26:35I care.
26:41How can I believe anything you say?
26:45I'm gonna fix this.
26:47All of it.
26:51I'm gonna prove it to you.
27:02The story is everywhere, Ethan.
27:04I know.
27:04We need damage control.
27:06I know.
27:07How's the Venetian art fairy?
27:09Some of the exhibit has already dropped out.
27:11It's okay. We'll fill in the gaps.
27:12And your Uncle Todd reached out.
27:14He's got a proposal.
27:16He wants to meet with you tomorrow.
27:17A proposal? With everything going on?
27:20He wants to address the elephant in the room.
27:22I'm sorry, Ethan, but Todd controls the art world.
27:24One call from him and the narrative changes.
27:27He wants the Venetian art fair to be more modern so that he can make more money.
27:32I went to Belarus to acquire the classics so we could have the most historical art of it ever.
27:38And obviously he didn't want that.
27:41He just wanted me out of the picture and the dealer just wanted my money.
27:46Are you saying Todd's behind all this?
27:50I think the last thing he wants is me hosting the gala.
27:53What if you're wrong?
27:54A public accusation against Todd would bury you.
27:58Ramona, can you book a meeting with Lily in the gallery?
28:01I want to hang her panties at the gala.
28:04And Carolyn, book that meeting with Todd.
28:07I got an elephant to address myself.
28:14You know, Lily, I understand what you're trying to do with your art.
28:22And I want you to succeed. I really do.
28:27After everything I've done for you, huh?
28:31I need you.
28:35You needed me. Remember?
28:38She doesn't need you anymore.
28:41You've got a nerve showing up here.
28:44Waldorf, shouldn't you be hiding and avoiding humiliation?
28:48Tell me, what was it? Jealousy?
28:52Come on, don't flatter yourself.
28:54If you had kept your hands clean.
28:56You need to take a look at your own hands.
28:58Because they're soiled with guilt.
29:00You know what you did to me.
29:02And what you've been trying to do to Lily.
29:04But now, I know too.
29:13Come on.
29:14Aren't you even the least bit curious?
29:26Recognize those signatures on the transactions?
29:32Who has the painting?
29:37Look, I'm really sorry to the both of you.
29:42I, uh...
29:46Recognize the names on those transactions?
29:52Who has the painting?
29:57Look, I'm really sorry to the both of you.
30:01I, uh...
30:03I...
30:03We don't want your apologies, Frank.
30:10We want my Uncle Todd.
30:22I want to start out by thanking you for offering to help with these.
30:27Anything you could do would be much appreciated.
30:30I'm glad to hear it, Ethan.
30:32Because if you let me, I'd like to steer this ship back on course.
30:37I'm listening.
30:41It's beautiful.
30:42You and I see you with the same eyes.
30:45We always have.
30:47I've arranged a little, let's say, agreement with some prominent collectors.
30:55And this could be ours.
30:58A once-in-a-lifetime opportunity, Ethan.
31:02But if I'm going to help you out, I need to ask a favor of you.
31:07You cannot attend the fair.
31:10Let me put it another way.
31:12If you attend the fair, you and Lily will be in big trouble.
31:26With your reputation being the way it is.
31:29Your association with artists, it'll end their career before it even starts.
31:35We both know how much you care about Lily.
31:38You don't want to do that to her.
31:40No.
31:42I don't.
31:44But I want her art in the fair.
31:46Ethan, please do not put me in this position.
31:50Her art is just as good as any of the other artists.
31:54Why do you think I was drawn to it in the first place?
31:56I am, I am trying to help you, Ethan.
31:59I'm probably the only person who is.
32:01Can't you see that?
32:03Well, then help me with this, Uncle Todd.
32:06Why this uninteresting classical art?
32:09Weren't you always the one trying to push the Waldorf family empire to focus on modern art?
32:14You always said...
32:15I always said a prominent work is still a prominent work, regardless of influence, style, or error.
32:22The difference, Ethan, between you and I, is that I don't let my bias and idealism blind me from the
32:30future.
32:32Now, I don't care what your reservations are about doing what I've asked you to do, but for your own
32:38sake, you better do it.
32:49I can't believe my art used to be in a coffee shop and now it's here in this gallery.
32:55Lily, your work belongs here.
32:58It always has.
33:04Ethan, I have to tell you something.
33:08Part of me feels like, when you were gone, I kind of lost myself.
33:14And now it's just every day, it's getting harder and it's harder to even just pick up the brush and...
33:25Tell me.
33:29Gala's in a couple days and...
33:33I haven't finished the paintings yet.
33:38I think I lost my inspiration.
33:41I have something to tell you too.
33:44My Uncle Todd doesn't want me to attend the gala.
33:49Why?
33:51He's trying to convince me my reputation's gonna harm the other artists' chances of their work being seen.
33:59That's ridiculous.
34:00Your reputation is the only reason that my art is even here.
34:05But I need to finish the rest of the paintings.
34:11I think I know someone who can help.
34:16How could you let an art thief vouch for her work?
34:24I think I know someone who can help.
34:27Don't you think that this is going to hurt the reputation of the gallery?
34:31What do you mean?
34:32How could you let an art thief vouch for her work?
34:36Well, he's not a thief.
34:38And Lily's work speaks for itself.
34:40That's what yours does too.
34:44So you really think this Master George guy's gonna be able to help me?
34:48They don't call him Master George for nothing.
34:51He's tremendously knowledgeable and talented.
34:53in the classical art techniques.
34:56He has an uncanny way to inspire even the most uninspired.
35:02Kind of like you.
35:07Lily, you deserve this more than anyone else.
35:11It's time for your work to be seen.
35:20So let me guess.
35:22Still no response from Freddy, huh?
35:28Okay.
35:30Now we make sure that Freddy doesn't talk to anyone ever again.
35:52I just, I want it to be perfect.
35:56Art is about seeking perfection and beauty.
36:01But you can't be attached.
36:03See the difference?
36:05No.
36:13Let go of ego.
36:16Aim for a pure mind.
36:19Art should aspire to higher ideals.
36:22The ancients understood this.
36:25That's why they spoke of divine inspiration.
36:42Hmm.
36:47Welcome to surrender, Lily.
36:51Your entire life's journey is in your work, Lily.
36:56Now it's time to take it to the next level.
36:59True art.
37:01True art.
37:16I'm so sorry, Mr. George.
37:18I, I need to go.
37:24Lily.
37:25What's wrong?
37:25The victim, a 30 year old male, by the name of Frederick Dunn, was found shot.
37:32It's Freddy.
37:34He's been shot.
37:36You cannot go to the gala.
37:37You cannot go to the initial gala.
37:39I cannot stand by and watch Todd soil my family's legacy with selfishness and greed.
37:48Really, people are getting hurt.
37:50I'm lucky to still have-
37:51I care about you more than anyone in the entire world.
37:55I-
37:56I could not live in myself if something happened to you and I could have prevented it.
38:00We've been down this road before.
38:02I don't think we can prevent it.
38:05Do you?
38:13Wow.
38:16I can't believe you're finally finishing them.
38:21The image is almost complete.
38:24It is.
38:26Yeah.
38:28Yeah.
38:30But you know what isn't?
38:32Our future.
38:34But I really think this is our shared purpose.
38:38It's about changing our hearts and staying the path one step at a time.
38:46Look out.
39:01I don't know what it is.
39:04What should we do?
39:07It really feels like they can Kelly.
39:09I'm too scared is truly freaked from getting away from her.
39:16Because of us.
39:22Ethan, I'm scared.
39:29What? Tomorrow night?
39:32Are you sure we can do this?
39:41That's right. And let's make sure we have the VIPs well attended to.
39:45And make sure that no one gets in without my approval. Understand?
39:52I knew she couldn't finish what she started.
39:56Always nice to see you.
40:02What would you put there instead?
40:04Hmm.
40:06A real artist's work?
40:13Carolyn.
40:14A minute, please.
40:18Sasha's paintings would look nicely there.
40:21I'm sorry, but Ethan specifically requested that this goes there.
40:25It's Lily's last painting in the series.
40:27Ethan's not here right now. I am.
40:30But we all want the gala to be a success tonight, don't we?
40:33Remove Lily's paintings.
40:38Yes.
40:40Move, sir.
40:43Call me.
40:49Ethan.
40:50Ethan, your Uncle Todd was just here. He doesn't want Lily's last painting show.
40:54I know.
40:55In fact, he doesn't want any of her paintings shown.
40:57Do you both trust me?
41:00You do? Good.
41:03Because I have a plan.
41:05Because I have a plan.
41:31I have a plan.
41:32Is that so?
41:34You need to leave.
41:37Okay.
41:39I want to thank everyone for helping us celebrate our Venetian Gala this evening.
41:47We can truly fulfill our dreams.
41:50The Waldorf family has a history of doing just that.
41:52But as many of you know, forging such a legacy, it's not a simple feat.
42:00It comes with challenges, mistakes, and occasionally, nephews.
42:12Is that so?
42:13You need to leave.
42:15I don't think so. I think there's a kind of misunderstanding we're definitely allowed in.
42:19Ma'am, you need to relax.
42:21Hey, don't tell her to relax.
42:24So you're telling me I can go in, but the owner of this gallery comes.
42:28You're telling him that he needs to leave.
42:31We're not going anywhere.
42:35Do we have to do this?
42:40We're not going anywhere.
42:44Do we have to do this?
42:47Come on, Lily.
42:56Don't worry.
42:57It's going to be all right.
43:00Because I have a plan.
43:01Stop.
43:03You're alive.
43:07Freddie.
43:07I'm with you guys.
43:10Just in time.
43:21Now, I know recent headlines may have cast a shadow over tonight's affair.
43:28Here, my nephew Ethan's decisions have raised questions about his judgment, about the values of our family.
43:43Let me reassure you that our family's commitment to integrity and excellence remains unshaken.
43:54In fact, it is stronger than ever.
44:03I have no more words.
44:04I do.
44:09I have no more words.
44:10I do.
44:11I have no more words.
44:22I do.
44:23I do.
44:24I do.
44:25I do.
44:28I do.
44:37I do.
44:38that you can take it from here.
44:44Thank you, Uncle Todd.
44:47For your kind words.
44:51Thank you all for joining us this evening.
44:54As we celebrate art and legacy.
44:57A legacy built on truth.
45:00Truth has a way of resurfacing,
45:03no matter how deeply buried.
45:05Three years ago,
45:07our foundation uncovered a lost masterpiece.
45:10Hidden for generations in private collections
45:13that hoarded away its brilliance.
45:16This piece is a symbol of artistry reclaimed.
45:22This piece is a symbol of artistry reclaimed.
45:27It's much more than just a painting.
45:30It's a bridge to the past.
45:32A pure, true symbol and lesson
45:36of forgotten ancient techniques.
45:40The artist worked on this for over a decade.
45:45Inspired by divine visions.
45:49Carolyn?
45:56I spent the last three years in prison.
45:59Falsely accused of a crime that I did not commit
46:02to return this treasure to the public.
46:06The betrayal that sent me there
46:09was orchestrated by someone in this room tonight.
46:12This stage isn't only for celebration.
46:16It's about setting the record straight.
46:19The painting we will be unveiling tonight
46:22is Felipe de Champagne's
46:24The Enunciation.
46:30The piece that started it all.
46:51But tonight isn't only about reclaiming stolen art.
46:55No, it's about the journey that brought us here.
46:59Let me also introduce to you
47:02Wishes Unheard by Lily Austin.
47:21Tonight, the truth comes to light.
47:26And it pains me deeply to tell you all
47:31It was my dear Uncle Todd
47:33It was one who orchestrated my downfall
47:37to seize control of this organization.
47:42This cannot stand any longer.
47:50Uncle Todd.
47:55Uncle Todd.
48:16You were right about one thing.
48:22A prominent work
48:23is a prominent work regardless.
48:30This will never work.
48:38You are a real artist.
48:46Well,
48:48what an extraordinary night it's been.
48:52Tonight we celebrate
48:55many artists
48:56and their various techniques.
48:58One artist in particular
49:00has not only demonstrated
49:03a remarkable technique
49:04but one whose talents
49:06have reactivated
49:08techniques of the past.
49:11So, ladies and gentlemen,
49:12it's my honor
49:13to present
49:14the Best Newcomer Artist Award
49:17to
49:19the Best Newcomer Artist Award
49:23to Lily Austin.
49:26Congratulations, Lily.
49:49It's everything you fought for.
49:53And now it's on display
49:54for everyone to see.
49:57It's everything we fought for.
50:00We wouldn't be here
50:01if you didn't see it.
50:02You know,
50:04the other night
50:05I had a vision too.
50:08Oh yeah, a vision.
50:10Mm-hmm.
50:11Here.
50:12Let me show you.
50:21This is it, huh?
50:23This is it.
50:26It's beautiful.
50:30So did you see.
50:50Lily.
50:51Will you spend the rest
50:52of your life with me
50:54as my wife?
50:55Yes.
51:01May you.
51:04May you.
51:06Oh,
51:07you.
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