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Tum Larkay Bhi Na - Episode 28 - 18 Mar 2026 - [ Aina Asif _ Ali Dayyan ] - HUM TV(720P_HD)
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00:01They say,
00:03I've never given the love of the world.
00:06It's not that you've never given the love of the world.
00:09Have you ever had a love with anyone?
00:12The names of the names can become very powerful,
00:14but in my heart.
00:16If the story is dead,
00:18I'm ready to die for my life.
00:22We both are the two of them
00:23and the two of them are the same story.
00:25I think that I have forgiven you as a woman.
00:31I don't think there is no sorrow in the world of love.
01:01I don't know how much makeup is going to be done, but I'll do it again.
01:05We'll do it again.
01:06We'll do it again.
01:07We'll do it again.
01:09My uncle.
01:11You'll come out from your old days.
01:13It was the first time when there were women and women.
01:17Today we all do makeup.
01:19When girls do makeup, girls do touch too much.
01:22What is it?
01:22Blood pressure, okay?
01:25I don't know.
01:26Then check it out.
01:27Listen, we'll meet at some coffee shop.
01:31I'll do it again.
01:33I'll do it again.
01:34I'll do it again.
01:36You've made it for drama set.
01:39It looks really good.
01:41I feel like women are good set designers.
01:44They're good.
01:46I've made it a sample.
01:48I'll show you what I'm saying.
01:50I'll do it again.
01:52I'll do it again.
01:53I'll do it again.
01:54I'll do it again.
01:55I'll do it again.
01:56Listen, I'll do it again.
01:57It's a lot of demand.
02:03Okay, my uncle.
02:04Please keep your work.
02:06I'll talk a lot about you.
02:09I'll talk about you.
02:10Yeah.
02:10I'll talk about you.
02:38I'll talk about you.
02:40I'll talk about you.
02:41I'll talk about you.
02:41I'll talk about you again.
02:44I'll talk about you.
02:46I'll talk about you.
02:53Bye.
02:59I'll tell you, you learn a lot of stuff.
03:10But then you talk about these things.
03:12The heroines of the old films were doing things.
03:17The world has changed, the time has changed.
03:19It's your own life.
03:22When will you prove yourself, Neelofar Zaydi or Tayyabha,
03:25and you will be happy with your attention?
03:27This is a sick mindset.
03:31So tell me what I'll do.
03:34You should move on.
03:34You should move on.
03:38What do you mean?
03:42You are young.
03:45You have to learn a good life.
03:47I am with you.
03:51You understand what I am saying?
03:57I have a habit of life.
04:00Okay, okay.
04:03I don't want to move on my hands.
04:07Go and do my work.
04:15In the post of the Diberti Coaching Center,
04:19there was a message of Neelofar Zaydi's daughter.
04:24She said that Neelofar Zaydi has died for 10 years.
04:30There is a message of Neelofar Zaydi's daughter.
04:31But...
04:32they are 항상 and she understands you.
04:37They are schöne.
04:38You work to become the girl.
04:41Then there'll be a new character.
04:42A new story.
04:46It's so colourful, right?
04:49It's a romantic past.
04:55We're sitting alone.
05:16Where are you from?
05:22Where are you from?
05:23What do you see here?
05:39Who?
05:40I'm Sunlu.
05:42Are you alone?
05:43No one is alone?
05:45Yes, I'm alone.
05:50How are you?
05:51How are you?
05:52How are you?
05:53How are you?
05:54How are you?
05:55Mom, you've missed so much that there's no point.
05:59Let's go, girls.
06:00Oh!
06:01How are you?
06:04Dude, you've kept your daughter and daughter in my neck.
06:08What's your relationship with my daughter and daughter?
06:11What do you think of my daughter?
06:13She's a baby.
06:14She's a baby.
06:16She's a baby.
06:18She's a baby.
06:20She's a baby.
06:21No.
06:22Okay, tell me.
06:23How are you shooting?
06:25How are you shooting?
06:26Shooting is even going on.
06:28You know that your daughter is so jealous of me.
06:32I don't know why.
06:33She's like,
06:38She's a baby.
06:39I don't know why.
06:40I don't know why.
06:40I don't know why.
06:42We are full.
06:44We are full.
06:44I'm your uncle.
06:45I am so excited to see you in the comments.
06:46Because all of us are saying, oh my god,
06:48I am so cute.
06:50So, girls are so cute.
06:53My son is so cute.
06:55I have a comment.
06:56Someone wrote that,
06:59why are you saying this?
07:00Why are you saying this?
07:01Why are you saying this?
07:02I am saying this.
07:07Mama,
07:09you come to the house.
07:10You don't feel like you're in the house.
07:12I miss you too.
07:14Shiva and Papa.
07:16Papa is so cute in the house.
07:19He is so cute in the house.
07:20Why are you saying this?
07:23Why are you saying this?
07:24Why are you saying this?
07:25Why are you saying this before?
07:28Before.
07:29You know, it was something else.
07:31Life decisions.
07:33It takes time to think.
07:35Hmm.
07:42So,
07:57whether for a man who'soshi discovered.
07:58Maybe that's not true.
07:58Let us wave anybody...
07:59No...
08:04Someone is sure.
08:07That seems like still.
08:08But how would you ever go together?
08:09This is the one that doesיחide.
08:10So,
08:12the person has a treatment.
08:30Are you sleeping?
08:31It's just that you're sleeping.
08:33What are you asking?
08:36What are you asking?
08:37Why are you so angry?
08:38Why are you here?
08:41It's a pain.
08:42I don't want to eat anything here.
08:43It's boring and boring fruits.
08:46What are you doing?
08:48I'm so happy to eat a double-decker fatty burger.
08:50It's loaded with cheese.
08:51I ordered it.
08:54I didn't eat anything in the morning.
08:55I don't want to eat anything.
08:56I don't want to eat anything.
08:59Of course.
09:02I don't have a net.
09:04My package is finished.
09:04I don't want to eat anything.
09:05I don't want to eat anything.
09:07How long will I talk to you?
09:11Do you work here?
09:13I'll order a burger for you.
09:15How long will you go?
09:18I'll go to 10 minutes.
09:18I'll go to 10 minutes.
09:19Look at me.
09:20How long will you go?
09:22I'll go out quickly.
09:24I need all the tea today's show.
09:26Hurry up.
09:28Yes.
09:40You are totally wrong.
09:44You are a good girl.
09:45You never had to give up.
09:48Don't talk to me.
09:49Don't talk to me.
09:50Don't talk to me.
09:51Don't talk to me.
09:51I'll tell you what I am speaking so good.
09:53I'll just tell you.
09:54Every time their ears are stuck in my words.
09:57Every time I feel that when someone is sitting in a room,
09:59I'm listening to my words.
10:01Just one minute.
10:02Let's see what I'm doing.
10:03What?
10:05What?
10:07Hmm?
10:15Huh?
10:16Huh?
10:16Huh?
10:22I'm an idea!
10:27I'll make a video and it will be viral.
10:29You know I got followers also.
10:30I'll be followed.
10:31Oh, Zoyan!
10:32You don't have to worry.
10:33You're making a record of your father-in-law.
10:35It's a shame.
10:36We were watching Abba-Jaan,
10:37and we were going to die.
10:39We were out there.
10:41We were out there.
10:41We were out there.
10:42You were out there.
10:42You were married, right?
10:46This is our attitude.
10:48You don't want to be in your clothes.
10:50You immediately get out of your clothes.
10:51And I don't know what my heart wants.
10:53I'm going to put you in ten shoes.
10:57I'm going to say that
10:58I feel very romantic
10:59if a person is married.
11:03Sammi,
11:03one question is necessary.
11:05Before marriage,
11:07I didn't know that they were like this.
11:09No.
11:11He's a horrible boy.
11:15He'll be addicted to me.
11:17Now, let's see.
11:18How many of you are addicted to me?
11:20It's a death of marriage.
11:23No.
11:25It's not death.
11:26No.
11:27But yes.
11:28It's a death of a ventilator.
11:30Let me tell you.
11:32How many people have been alive from ventilators?
11:34It's a pain.
11:44It's a pain.
11:51No.
11:52No.
11:52I don't feel like it.
11:54I don't want to do anything else.
11:56It's a work that doesn't have two numbers.
11:59Yes.
12:00In books.
12:05Yes.
12:06When I asked you, tell me.
12:07Yes.
12:08When someone is dead,
12:09you don't have to ask the next person.
12:11No.
12:11I think you should ask the next person.
12:13You have to ask the question.
12:14It's a good habit.
12:15How cute is your dress.
12:17Can I take it?
12:18I'll take it.
12:20I think.
12:21It's better than cleaning.
12:23It's better than cleaning.
12:25No.
12:27No.
12:28No.
12:29No.
12:29No.
12:31No.
12:32No.
12:32No.
12:38No.
12:41No.
12:42No.
12:43No.
12:44No.
12:46No.
12:46I have seen the road outside.
12:49Really?
12:51It was very good.
12:52To have a home record for a woman,
12:55there is no problem with this.
12:56And the person who leaves the companionship for years,
13:01doesn't need to trust that person.
13:05You know, sometimes I feel like my mother's mother.
13:11I will give you a job.
13:12You know, I have a table in my house.
13:14It was very antique.
13:15I will give you a lot of money.
13:18Tell me, I will sell it.
13:19This is the sound of your mother.
13:23There is no answer to that.
13:25What do I do? I will open my eyes.
13:27In your house, there are many things that I see.
13:30Hmm.
13:33Where are we going?
13:36It's a shortcut.
13:37We will go through the park.
13:39There is a taxi stand.
13:40Oh, wow.
13:43Okay.
13:43Okay.
13:43Okay.
13:43What do you mean?
13:44The new BTV drama called Badbakhnadiya.
13:48Now, the badbakhnadiya's teddy is really clean.
13:52They are wearing a wig.
13:53I don't have any problem with that.
13:55But they are not a bit less than a chimpanzee in the wig.
13:58They are looking for a lot.
14:00They are looking for a lot.
14:01And they are looking for a lot.
14:04That is a big house.
14:06But the clothes are looking for a lot like you.
14:11They are looking for a lot like you.
14:12One thing.
14:13I think it's a good thing.
14:16I think it's a good thing.
14:17When she was in the morning,
14:18she didn't make up 19-20.
14:22But I think it's another thing.
14:25I think so.
14:28I think it's a good thing.
14:30They are looking for a lot of hair.
14:31I don't know.
14:32I think it's a green eye than the hair.
14:36And then, the hair is like a red.
14:39And then, the hair is like a bit.
14:40I think it's a good thing.
14:44And it's like it's a good thing.
14:45That's true.
14:46You need to put these different clothes like drama.
14:51You need to put these different clothes on the way.
14:53It's a lot of pain.
14:55It's a lot of pain.
14:56It's a lot of pain.
14:58It's a lot of pain in social media.
15:02What are you doing?
15:04Why are you doing so much?
15:05I've been doing so much in my life.
15:08If I'm doing so,
15:09I'll tell you the number of people.
15:11Okay?
15:13Listen to me.
15:14Today, we're going to make a bread and bread.
15:18We're going to adjust our scene.
15:21We're going to adjust our scene.
15:24Yes, Jan.
15:26Yes, I've talked to the writer.
15:28Let's leave your scene.
15:33Okay.
15:34Okay.
15:38I've uploaded the episode in the morning 10 o'clock.
15:41I'm thinking that every drama
15:42is at 8-9 o'clock.
15:45Do you know how much shock I'm doing?
15:48Sometimes the experiment is good.
15:51Sometimes it's a disaster.
15:52It's a disaster.
15:53Oh, that means...
15:55It's a disaster.
15:58I'll tell you something,
16:00if you don't mind, obviously.
16:02Meena Sixth Sense was saying
16:03that all the people watching the second show
16:04who were watching the first show,
16:06who subscribed to our channel,
16:08will cancel your channel.
16:11And...
16:12That's right.
16:13You know what?
16:13My grandma came to the house
16:14and said,
16:15God save the Sixth Sense of Zoyan.
16:18That was our auntie in the house.
16:20She was married.
16:21I told my grandma.
16:22I don't think it would be married.
16:23The day she was married,
16:25that day,
16:27she ran away from her ex-girlfriend.
16:29I have many examples.
16:32But...
16:33I don't know what the problem is.
16:34You don't listen to me.
16:35I don't know what the problem is.
16:35I said to you,
16:37that Saloo will fall asleep.
16:38As you're overacting,
16:39you laugh like that.
16:40He didn't like anyone.
16:42Shoot PR,
16:43she also gave me a VP.
16:44It's a mistake.
16:46I didn't say anything.
16:47I didn't tell you anything.
16:47I didn't know that
16:48you would make a move.
16:49I know for a fact
16:50that you don't handle criticism from me.
16:53Yeah.
16:57But you don't have to worry.
16:58We will have no solution.
17:00I remember that I had a idea
17:01that I would call an OST.
17:03I would call an OST.
17:04I got a friend.
17:04I'll call an OST.
17:05I'll call an OST.
17:06I'll call an OST.
17:06I'll call an OST.
17:06I'll call an OST.
17:06I'll call an OST.
17:07I'll call a guitar.
17:11It's wrong.
17:12It's also possible to be the same.
17:13I don't know who the voice of Christopher Nolan
17:15came from in their lives.
17:17They made a video of their marriage.
17:18Stop it.
17:19Please.
17:20What are you eating today?
17:21What are you eating today?
17:22When you guys are saying
17:23that you guys are saying
17:24that you guys are saying
17:25that you've never seen themselves.
17:27You're going to do it.
17:27You're going to do it.
17:29You're going to do it.
17:30I won't say anything today.
17:31Just tell me.
17:32Just tell me.
17:33You don't have to be good mentally.
17:35Zoyan!
17:35Look at the other episode
17:36on the other episode.
17:37Stop it.
17:38You're not my name.
17:40Wow.
17:41Abbuji.
17:42You're great.
17:43You're good.
17:43You're good.
17:44You're good.
17:47Good work.
17:48You're good.
17:50Thanks.
17:53Mashallah, mashallah.
17:55Let's go.
18:09Hamda?
18:17Listen.
18:22You're good.
18:25Hmm.
18:27You're good.
18:29I'm good.
18:30You're good.
18:31I'm good.
18:38Oh
19:02Tathwar, you're not old. How old are you?
19:0618 years.
19:07I'm 17 years old. You're big. Why are you doing so stupid jokes?
19:15I was always joking.
19:17I'm very serious. I don't like these 3rd class jokes.
19:21You're full of me.
19:24I don't remember.
19:27My name is Adar.
19:28My name is Adar.
19:31I was only the one you remember.
19:36Adar?
19:38Which Adar?
19:40Adar is my mother's name.
19:42I don't know any Adar.
19:44What are you doing here?
19:45Why are you making my clothes? Who are you?
19:50Tell me.
19:53The weather is very good.
19:55It's very good.
19:56I'm going to park.
19:57It's good.
20:00It's good.
20:01I'll buy ice cream.
20:05Let's go.
20:17Let's go.
20:31Let's go.
20:33Yes.
20:34Speaker.
20:35Speaker.
20:36Speaker.
20:37Speaker.
20:38You're my mother.
20:41I'm watching you.
20:42You're doing good.
20:43You're doing good.
20:44Healthy criticism.
20:45I think you should be doing this show.
20:48You're doing this show.
20:49Do you find us?
20:51Do you find us?
20:53I've reviewed this show.
20:55Sorry.
20:56My focus is on the actors.
20:59I don't remember the names of the directors.
21:01Yes.
21:02You're fine.
21:03Who is the director?
21:05The actual game is an actor.
21:09No.
21:10It's a little bit.
21:12The director is the captain of the ship.
21:14And in our country, there are very good directors.
21:17Okay.
21:18Tell me your name.
21:19Who is the director?
21:21No.
21:23Okay.
21:23Let me know.
21:24Let me know.
21:25Who is going on the serial today?
21:27I've never given up.
21:28In the slot.
21:29I've watched the same drama.
21:32Good.
21:33Very good.
21:35Excellent.
21:38Cut.
21:40Cut.
21:47One million views.
21:49This is a surprise.
21:50The cake is also made for you.
21:51For you.
21:52For you.
21:53For me.
21:53My cake is my cake.
21:54This is a surprise.
21:56Tell me how many of you are.
21:57I'm the greatest of all time.
21:58Tell me.
21:59I'm not doing it with you.
21:59I'll cut the cake for you.
22:02A little bit.
22:03You're done.
22:04For you.
22:04Yes, later,
22:06Ah.
22:10Let's get back.
22:11No, no, no, no.
22:13No, no, no.
22:13I was going to tell you that you're a great type of dhufa.
22:18But you're going to be very lame.
22:20You always underrated me.
22:22They are always me.
22:23I'm not really serious.
22:25Instead, you are not aware of me.
22:26Oh.
22:27I have taken them seriously.
22:29You're at the cake.
22:32What's going on?
22:33No, no, let's take a selfie first.
22:35Let's go.
22:37Just keep it in a second.
22:38I'll see.
22:39Happy family.
22:42One.
22:55After the show, it's so hard to get out of the show.
22:58I don't know how many girls are in the mall.
23:02They say, oh my god, big fan, big fan.
23:05You can take a picture with you.
23:08And if I tell the girl to tell me, how do you feel?
23:12You?
23:14I don't think so.
23:15I can't tell you.
23:17No, why not?
23:20Okay?
23:21Thank you so much.
23:28I can't tell you.
23:31I can't tell you.
23:33I can't tell you.
23:34You can check the flow of your auntie.
23:35I can't tell you.
23:38I can't tell you.
23:51I can't tell you.
23:52Your petrol?
23:53My car.
23:54And the bill?
23:55The American system.
23:57In fact, I'm so good.
23:58Look, I'm coming from YouTube.
24:00I'll play with you.
24:01What happened?
24:02You always talk about such things.
24:04You build it or I build it.
24:05It's the same thing.
24:06Exactly.
24:07Same thing.
24:10So, what do you think?
24:13What can we plan for?
24:15For our future?
24:17What can we plan for?
24:19What can we plan for?
24:19What can we plan for?
24:20How many years ago?
24:21How many years ago?
24:2121-22.
24:22People have to plan for 25-26 years.
24:25You know, I was like,
24:26when my aunt was watching a drama on TV,
24:27she was talking about marriage.
24:29I feel cringe.
24:30What can I tell you?
24:35You don't like to talk more often?
24:37We are also more often.
24:38I feel more comfortable with you.
24:41Listen, I don't want to talk to you.
24:43Tell me.
24:43What can I tell you about?
24:45I have to tell you about the next show.
24:45They have to tell you about their experience.
24:47They have to tell you about the right things.
24:48You have seen that when they came out from the show,
24:50it was a big show.
24:51If they say that the cameras are good,
24:53and pay a little money for the money,
24:53then do it.
24:54They are saying that they are right.
24:55Why?
24:55The screen will be good,
24:56the viewers will be good.
24:58I don't feel that.
25:00It's our initial stage.
25:02We have started now,
25:03but we can't increase our budget.
25:05Let's see what we need to do.
25:07We will see what we need to do.
25:09But you should say something.
25:10Please don't mind.
25:11Please don't mind.
25:12It's okay.
25:12When you talk about any offensive,
25:13you don't talk about it.
25:14Please don't mind.
25:15Let's talk about it.
25:16Don't talk about it on your next shoot.
25:18Don't talk about it on your next shoot.
25:19The shoot environment was very bad.
25:22Sallu told me,
25:23that if you have an uncle come to the shoot,
25:25he will not come.
25:26Tell me,
25:27what is your name of Sallu?
25:29You are also becoming your father's father.
25:32I have told you something.
25:37You are the one who talks about it.
25:38My mother,
25:38Every day,
25:39I am the one who talks about it.
25:41I will have to be a fool.
25:42I will be a fool.
25:42I don't like this.
25:43Because that girl,
25:43who talks about you,
25:45who challenges you,
25:47who talks about you,
25:48who talks about it.
25:48You are always good.
25:50You are all right, right?
25:51Please do not.
25:52I will leave you.
25:53Why do I leave you?
25:53I will leave you.
25:54You're silent. I'll tell you.
26:13You've been hurt. What do you need to learn?
26:16I feel you've opened your hands.
26:19Do you ever save money?
26:20Hmm hmm.
26:21Which I like very good, I take the bag and eat food for him.
26:27Hmm hmm.
26:28You know?
26:29She was a child of Imran.
26:30She had a great heart for her.
26:32I think she was 17 and I was 16.
26:37Hmm hmm.
26:38That was just that love I had done.
26:43That was a real drama that I was watching.
26:46That was the only thing I was watching.
26:50It felt like a tear in my heart.
26:52The first love is the last one.
26:55After that, all the love
26:58is the first love of her.
27:06You know?
27:07When I was your uncle,
27:10I was going to see her face.
27:13And when I told her,
27:14I told her,
27:23I told her,
27:24I told her,
27:24I told her,
27:25I was going to run away.
27:25Before I told her,
27:26three or four times,
27:28I was going to run away.
27:30But,
27:30well,
27:31the first thing was another thing.
27:33Now,
27:34I think it's different from you.
27:36Now,
27:36we're friends.
27:41Hmm.
27:42Hmm.
27:43You're a devil in your hands.
27:45Excellent.
27:47You used to add to my childhood, right?
27:50There's a devil in the oil.
27:53I remember.
27:55I remember.
27:56I was thinking
27:57that you had a lot of money on this food.
27:59You'd buy something for me.
28:01Oh, my brother.
28:03She's our small businesswoman, right?
28:05She's a lady.
28:06She's a lady.
28:07She's a lady.
28:08She's a lady.
28:09She's a lady.
28:10Excellent.
28:12But,
28:12it's very fast.
28:14I know,
28:15I'm going to sell double, triple price.
28:17But,
28:18I mean,
28:19the meaning of the money is that
28:19I have to pay.
28:22Do you know?
28:24I said,
28:24I've got a job.
28:27I'm going to do it.
28:28I'm going to work on a job.
28:30I'm going to work on a job.
28:30I'm going to say.
28:31I'm going to tell you.
28:33I'm going to tell you.
28:34I'm going to tell you.
28:34I'm going to tell you.
28:35These are the Gensies.
28:36You're serious.
28:37You're not going to tell them.
28:38They're going to tell them.
28:38I'm going to tell them.
28:40Because
28:40they're going to tell on them…
28:41…
28:42…
28:48I can't actually tell them the point of thinking…
28:52Don't we nghĩ anything about our idealism…
28:57…
28:58You have lost your heart to the house of a woman's heart.
29:02It feels like someone else has come.
29:06It's the only one who doesn't have you.
29:36The end of the day
29:38I won't find you
29:39I won't find you
29:40You just keep doing things
29:42I'm doing it
29:44When I'm doing it, brother
29:45I was telling my mom and dad
29:47Now that's my fault
29:48Now that's my fault
29:51Now all the time is missing
29:53What does the time mean?
29:55The time is missing
29:56At that time, let's see
29:59I didn't have any career
29:59But now my career started
30:01I have to focus on that
30:03And the other thing, people say that
30:05I don't have to get married
30:07I didn't understand it
30:08But now I understand it
30:10I don't understand it
30:11There are many cousins
30:16Who are very interested in me
30:17Oh God!
30:19Why don't you look at my cousin
30:22No Manu!
30:23You have to give me advice
30:26Sir!
30:27Assalamualaikum!
30:28Your show is amazing
30:29You have to call me
30:29You have to call me
30:30You have to call me
30:31But that's my auntie
30:32I don't like it
30:33No, you don't
30:34Don't worry
30:35But in some days
30:36I'm taking another show
30:38Let's take a selfie with you
30:40Yes, of course
30:53Now I think
30:54I don't know this story
30:55I don't know this story
30:56I don't know this story
30:56That snake's heart is very bad
30:58And very bad
30:59Now their new drama is
31:00Be Kader
31:01In this story
31:02So many people
31:03So many people
31:05So many people
31:06So many people
31:08So many people
31:08Yes, snake
31:08Yes, snake
31:10Now the hero's mother
31:11In one scene
31:12His friend comes to his house
31:13What does he say
31:15My mother
31:15You sit down
31:16I take you
31:17Snakes
31:18Snakesái
31:22So
31:23brothers So
31:24dear Adios
31:24Clobs
31:24Snakes
31:25And snake
31:27Thank you
31:28channel Oh man,
31:30i don't know This Gen Z
31:31What made the
31:32American Undersed?
31:33Have you heard that?
31:34Eat Eat Eat Eat Eat
31:36Eat
31:36Eat
31:37Eat
31:37Eat
31:37Eat
31:37Eat
31:37Eat
31:48Paheel?
31:50Ah!
31:53Khaapardaaj, ab tumne guchha kiya.
32:03Assalamu alaikum.
32:04Assalamu alaikum?
32:05Ah, here, payment.
32:07Achha, payment.
32:1310,000,000.
32:1810,000,000?
32:24Ah, ah, ah.
32:26My name is...
32:28Just 10,000,000.
32:29I do so much work.
32:31When I come back to shoot,
32:34I'm so tired.
32:35Aunty, a good amount.
32:39Why do we do a show in a week?
32:43At least we should do three times.
32:45I think that we should maintain our standard.
32:49Of course.
32:50Oh, my God.
32:51You've also kept your commission as well.
32:54This is a show of your auntie.
32:56One-man show.
32:58Sallu ko bhi berabar ka hi pyaar mil raha hai.
33:00Oh, London has thousands of fake accounts for social media.
33:05Well, what can we do to do?
33:07Well, what can we do to do to you?
33:07Like you're welcome.
33:14You're welcome.
33:14We know that in this hour,
33:17we didn't have to talk to others.
33:20We didn't have to talk to others.
33:20You're not a genesis.
33:21You're not a genesis.
33:21We don't have to know our own dogs and dogs.
33:23You're welcome.
33:25You're welcome.
33:28You're welcome.
33:29You're welcome.
33:30You're welcome.
33:42You deserve this?
33:50In this regard,
33:51We'll also give you an advantage.
33:51It's a legitimate advantage.
33:52We'll give you one more.
33:54No, no, yeah.
33:55Let me show you.
33:56Let me give you whatever you get.
33:57How good would you give you a nurse
33:58who had such a child to be.
34:06One seconds,
34:07But I'll leave my house. I have a car too.
34:09It's not necessary for your car. I'll take my money from your own.
34:13Wow, that's a big deal. Give me my mother.
34:5050,000 rupiah. Your salary.
34:53My salary? I'll do it. 50,000 rupiah.
34:57It's going to be our show.
34:59I told you, my mother,
35:00that if you have a salary, I'll give it to you the first time.
35:04I'll give it to you the first time I'll give it to you the first time.
35:05Oh, that's so nice.
35:09Come on. Come on. Come on.
35:11The first time of dinner is your father.
35:14Okay. Come on.
35:17Come on.
35:17Come on.
35:2250,000 rupiah.
35:24I've never thought so much of your money.
35:43Get into your house.
35:43I can't wait.
35:46It's still here.
35:46I can't wait.
35:47Why would you change your heart?
35:47Oh, that's our house.
35:49We can't wait.
35:49Let's see.
35:50If you see us somewhere,
35:53I can't wait.
35:53It's still here.
35:54I can't wait.
35:54Oh, that's this.
35:58How many times are we running?
36:00You can't wait.
36:01Oh, that's it.
36:09Mrs. Ibrahim, are you crying?
36:14I'm crying.
36:19I'm not crying.
36:22I'm crying.
36:24I'm crying.
36:26I'm crying.
36:28You're not crying.
36:30You're very strict and popular.
36:31I'm crying in the Liberty Coaching Center.
36:39Why did I take you down?
36:42Mrs. Ibrahim, you're fine.
36:45I'll go.
36:48Okay.
37:19I'll see you next time.
37:19Mrs. Ibrahim.
37:23Mr. Ilana Jr.
37:23You
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