Launch of 100 Sine.Pelikula.Film: 100+ Greatest Movies in Philippine Cinema by Jo-Ann Q. Maglipon and Joel David

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At the launch of "100 Sine.Pelikula.Film: 100+ Greatest Movies in Philippine Cinema" by Jo-Ann Q. Maglipon and Joel David, National Artist Ricky Lee graces the event and looks back on his colorful memories of making films with the greats. #PEPCoverage #PEPVideo #PEPRachelle  Subscribe to our YouTube channel! https://www.youtube.com/@pep_tv  Read the latest in showbiz at http://www.pep.ph  Watch more videos at https://www.pep.ph/videos  Follow us!  Reddit: https://www.reddit.com/user/pepalerts/. Instagram: https://www.instagram.com/pepalerts/  Facebook: https://www.facebook.com/PEPalerts  Twitter: https://twitter.com/pepalerts Viber: https://bit.ly/PEPonViber Kumu: pep.ph  Visit our DailyMotion channel! https://www.dailymotion.com/PEPalerts

Transcript

00:00Thank you very much.

00:01Thank you very much.

00:02Thank you very much.

00:05Well, there's no people, not serious, not PHDs, nothing, they're just reporters, we form

00:14the screening committee.

00:15But that is explained in the preface and the introduction.

00:18For those who kind of question whether we have any right to actually form the screening committee,

00:30whether it will be a gum shot.

00:32So, here are the movies, all frequently, that are included in the book, Jaguar.

00:42It goes out to the cell phone.

00:45Tumapangkasalusa.

00:47Mandela by night.

00:49Relasyon.

00:50Himalak.

00:51Titib.

00:52Brutal Morang.

00:53Karnal.

00:55Salome.

00:56Sinerosene.

00:57Silik.

00:59Ang utrong tay.

01:00Pasita M.

01:01Private show.

01:02Kuratsya.

01:04Ang babae ng pahinga.

01:06And bingsan, minahal kita.

01:08Which, coupled with his 30 workshops, now the 31st is outgoing, which has birthed so many

01:19gifted writers and directors, which brings his DNA to generations, makes him deservedly

01:25a national artist.

01:27People, here is Ricky Lee.

01:29We're going to talk to people.

01:33Thank you, Mr. Song.

01:44We're going to be preaching for somebody.

01:49No, I'm not.

01:53Sorry.

01:54Thank you for,atorio.

01:55Thank you NIT for all about this.

01:56Thank you, Dr. Wolf.

01:58original talk si Ricky kasi he is so busy. He's already taking me a set.

02:06Okay? So,

02:08So,

02:09Mabog Q&A na lang tayo. Ricardo.

02:16Ang pinaka-impressive sa akin ay,

02:19hindi alam ng marami, pero this guy is an alpha.

02:23You know, just in queue.

02:25He's an alpha.

02:26Ngayon, ang lahat ng mga, halos lahat ng mga nakitrabaho niya,

02:31marami sa kanilang naging national artist din.

02:34Mga alpha din.

02:35So, ang gusto kong tanong eh.

02:37Anong ginagawa mo para hindi kayo kapagandaan?

02:41Magkaka-

02:41Kasi, hindi mo pwedeng laging nagkakalintipihan tayo at nagkakasuntok.

02:46So, I want to know the creative dynamics.

02:52Yes.

02:53Ang ito sa tagong laging pinagkwento sa workshop or school.

02:57Ang experience ko with Ishmael Bernal.

02:59And when I was writing Himala,

03:03Tumutuwa ko doon sa ibang mga excel na yung sulat ko ako.

03:06Tumutuwa ko doon sa ibang mga excel na yung sulat ko ako.

03:06Tumutuwa ko.

03:06Tanda na yung revised scenes na sinasunod ko sa kanya.

03:09So, yung silat ko na-release.

03:11Nadaling ko kayo Bernal.

03:13Yung silat ko na.

03:14Feeling ko ang ganda-ganda.

03:15Yung silat ko na.

03:16Yung silat ko na.

03:17Pinabangga niya.

03:19Para sa kanya,

03:20something is easy.

03:21Pinabangga niya.

03:23Pinabangga niya.

03:24So, pagdating ng idea ko sa kanya.

03:26Nakapapasa.

03:27Papanggay niya.

03:29So, papanggay niya.

03:30Papanggay ito eh.

03:32So, nangyayari eh.

03:33May idea 1 ako.

03:35Pinabangga ng idea 2 niya.

03:37So, mapabangga yun.

03:38And, pag nga na mong life at that.

03:40Then, I'm going to see na.

03:41At, at, at, at, at, at.

03:42Pag-laming mga.

03:43Pag-laming mga.

03:44Pag-laming mga.

03:45Ideas.

03:46In the air.

03:47Parang ikatlong katas.

03:49Ang tabag ko doon.

03:50Ipagay ang napitigan.

03:51So, nakatansikan mo.

03:53Ikatlong katas.

03:54Bala sa idea ko.

03:55At idea niya.

03:56And, any other thing.

03:57Yung beauty ng collaboration.

03:59Dahil hindi kami nag-agree.

04:01At that.

04:02Mas maganda yung ikatlong katas.

04:04Kesa dun sa idea ko.

04:05At idea niya.

04:06And, on that note.

04:07I became very open to.

04:09Collaborating with people.

04:10Na mga mga mga mga mga mga mga mga mga mga mga mga mga mga mga mga mga mga mga

04:16mga mga mga mga.

04:17Pero, meron ba yung nasusundot ang tigong?

04:19Kasi, hindi mo gusto ang tono ng kanyang partner.

04:23Dino?

04:24Dino?

04:25Dino?

04:26Dino?

04:43Dino?

04:51Dino?

04:56Dino?

04:58Dino?

05:07Dino?

05:09Dino?

05:14Okay, I will write the second draft first.

05:17Usually, I'm going to do now.

05:19Maybe I'm going to do that.

05:23But in the case of,

05:25in the case of,

05:28in the case of,

05:29in the case of,

05:29if I could,

05:32if I could,

05:36I could,

05:37I could.

05:39Manila,

05:40it's,

05:43I mean,

05:46how about,

05:48how about this

05:48sense of

05:48the process

05:53so

05:56yes

05:57you

05:59yes

06:01When I went to Christa, I-pina-papangka, I-pina-papangka, I-pina-sa sa ating paket ito, it's up

06:05for a team,

06:07wala siya negative comment.

06:09Ang tatawin nga yun, didiscuss niya ang eksena sa kanyang pakikimabalda.

06:15Didiscuss niya, didiscuss, at mag-didiscuss pa rin mag-didiscuss.

06:18Habang nagkidiscuss kami, parang umiikot ang mayhina ng eksena pa rin ito.

06:23Kung may datang na, dumating dito at napato na niya yung mayhina ko, hindi ko naada pa,

06:40I was able to write the endings,

06:54but I was able to write the endings,

07:01these are the whims,

07:04they were wondering who we need to want to come out,

07:10collaboration with them,

07:11whether it's the three of them or other characters.

07:19Excuse me, excuse me.

07:23I thought,

07:24I thought,

07:28I thought,

07:35at the board with the directors now.

07:43Did he like?

07:44Did he know that?

07:51Did he know that?

07:54Did he know?

08:05I'm a very open person.

08:10I get along with practically everybody.

08:13I've worked with action director or comedy directors.

08:16I don't believe that they don't see what I know

08:21ever since I know someone's

08:24who

08:25what

08:25I

08:31can

08:33I

08:36sell

08:41In the case of brutal,

08:45Marilu had a club with the Nicalata first film.

08:50First screening niya night of patiata.

08:53Nasa screening niya po pia miyata ng hapon.

08:56So si Tatuya ripad na hindi kumita.

08:57So naging hita dito to brutal.

09:00Sabi ni Kit, I want something sexy and violent.

09:03Kasi kumita siya.

09:07Ako naman, I just came from Miss X.

09:09I was actually very happy with Miss X.

09:12So I wanted something inagandang maganda.

09:15So, pinipilit naman yung tagpong kaming dalawa.

09:19Kaya baka, nung binigay ko sa mga yung script naman,

09:22kaya hindi kaya nga to.

09:24Sobra naman akong shopping.

09:26Kaya hindi kaya hindi know.

09:27Kaya nagbibiro lang si Marilu.

09:29Si Marilu yung self-control challenges,

09:31hindi akanggap ng lahat.

09:33Mga pati kaya,

09:36howling that.

09:37So,

09:37Mga pati kaya hindi kaya napaka.

09:38Mga pati kaya hindi kaya sinas.

09:41Sige, kaya hindi kaya napaka.

09:45Maa hindi kaya napaka.

09:45And you can still be like,

09:46sa vistas siya sa mga pin-interactors.

09:50So in a pinas,

09:52yung hindi pa gusto ang pagbataol sa kanila ng pin-interactors.

09:55Thank you very much.

10:48Thank you very much.

11:00Thank you very much.

11:45Thank you very much.

11:50Thank you very much.

12:20Thank you very much.

12:46Thank you very much.

13:04Thank you very much.

13:47Thank you very much.

14:08Thank you very much.

19:42In the case of Jaguar, very known as Akin, first credited screenplay was Jaguar, May 79th.

19:50So, nang dalapitan ako ni Pitlohapa, dahil binagawa siya ng Lino ng project, sabi ako yung GQ24 at Ruby.

19:57So, pula ko. Iba-iba yung sistea niya.

20:00I was going to say, may bata sa inyo, I remember you say,

20:04that John C. Jaguar, ikaw yung first draft, susunod.

20:08Kaya, una-una, tinagawa namin yung storyline.

20:11Kailangan nakakasundo namin si storyline.

20:13And then we did a sequence treatment.

20:15Kailangan nakakasundo kami bali.

20:16So, wonder mauna ako kung maghati kami.

20:19Ano na eh.

20:21Nalino na yung, nalino na yung susundin namin pala ko.

20:25Kasi meron ako kabuwa siya.

20:27In the case of Manila, may night.

20:29Siswer Bernal usually writes his own screenplays.

20:32Actually, hindi it writes tala.

20:34Kasi wala siya ang finished script.

20:36Is it useful?

20:38Sinusulot niyo yung mag-excellence ship niya.

20:40The night before.

20:42In fact, sabi niya.

20:44Sa lahat ng mga pinakatawaho niyang writers,

20:46dalawa lang yung hindi niya pinakaedalaman niya.

20:48Extreme pay.

20:49Yung nal sa tupit.

20:50Minore araw ko.

20:51At yung.

20:52Hinala.

20:52Na naginawa ko.

20:54To the letter, hindi na pinakaedalaman.

20:56Otherwise, pakid sa titan yung script sa kanya.

20:58I-be-discrown kanya talaga.

21:00In the case of Manila, may night.

21:03Tumawa siya ng patita consultants.

21:07And then we went through the sequence treatment, one whole night,

21:13and the idea of ending and so many other things.

21:18After that, siguro tinusol din niya yung ipang-rasultans

21:22and then siya nang naging script every night.

21:25Nakumot shooting the next day.

21:27And then mostly naging improvised on the set.

21:29And the case of relation,

21:31Nakumot up sa bahay niya.

21:33Sabi ni Bernal,

21:33gusto kong umuha ng project.

21:35Kapag niya mother,

21:36Wilma,

21:37tupo sa pirita.

21:38Tingin sa pirita, hindi naman sabi ka.

21:40Tingnan na rin ba natin.

21:42So with Bernal,

21:43tapo kami,

21:44si Bernal intelektual ang discussion.

21:47So, you know,

21:48kay Bernal,

21:49pag upo pa lang namin,

21:50ang pirendo na niya,

21:51may kibigan ako ng lamakayan

21:53ng kanyang lover.

21:55So hindi siya makakuta sa wake.

21:57So nagigrip siya

21:58sa kanyang bahay,

22:00sa retratumong gaya.

22:02Yun naman ang mabila.

22:03Ang tesis naman niya sa akin yun,

22:05we went into a discussion of the

22:07the legal problems of the kabila,

22:09the emotional problems,

22:10the financial problems,

22:11the existential problems of the kabila,

22:14the etc. etc.

22:15of the kabila.

22:15Discussion na siya ng intellectual level.

22:17Kung kailin mo yun,

22:19ang discussion,

22:19o anong galing niya,

22:20ang pinakara niya,

22:21o anong gusto niya,

22:22mas down to the city.

22:24So we were like,

22:25ganong discussion.

22:27So after discussing,

22:28siya naramta,

22:29sa first draft ako ng script,

22:32nag-shoot na siya.

22:33And then,

22:34nag-rivify siya ng the set.

22:35So pinatulong niya si Raquel,

22:37pinatulong niya si Raquel,

22:37while shooting,

22:38kasi wala ko sa set.

22:40And then,

22:41sinasabihan niya si Vilma,

22:43at si Boyan,

22:44halimbawa,

22:44in a scene,

22:45para kayo mataway

22:46sa muna perspective niyong asawa ko.

22:49Ang sinasabi niya,

22:50pinipick up niya

22:52dun sa dalawa,

22:53yung muna magagamit niyang lines

22:55sa shooting.

22:56When he was shooting,

22:57that scene

22:57where,

22:59namatay,

23:00eventually,

23:01na-attacking ang aneurysm

23:02si Boyan,

23:03at sinusupong sa sahig.

23:06Natataranta si Vilma,

23:07going all over the place,

23:08not knowing what to do.

23:10But Vil,

23:11mula-mula,

23:12pinakusap niya ang mga artista ko

23:13nang sasabihin niyo,

23:14et cetera, et cetera.

23:15And then,

23:16nung nag-shoot na,

23:17pumunta si Vilma,

23:18sa Polo,

23:20hindi niyo kong magagamit ko dito,

23:21hindi niya alam kung siya ang magasapos si Bernal,

23:24And,

23:25ma-actic siya,

23:26din ba siya pwedeng nung magulas?

23:28tulid-tulid siya.

23:29Nang kadot-tulid siya si Vilma,

23:32ngagaday mo si Vilma.

23:32Ang Tagalog kailangan,

23:34nating pag-usap sa kanya,

23:35hindi na alam kung ha'n ito,

23:36but what a deal.

23:37Talagang si Bernal.

23:39Ang gusto lang sakin,

23:41ano,

23:42early early on,

23:43in my career,

23:45nakatrabaho ko agad ng mga tänker,

23:47director unlike other writers who stuck to just one director and so on and so forth and so on and

24:16so on and so forth.

24:39Among your films, what would you consider your most politically satisfying?

25:02Politics as in went to prison for it.

25:14.

25:15.

25:18.

25:24.

25:28.

25:30.

25:32.

25:37.

25:38.

25:45.

25:51.

25:53.

25:55.

25:56.

25:57.

26:01.

26:02.

26:03.

26:05.

26:09.

26:11.

26:15.

26:16.

26:17.

26:18.

26:19.

26:20.

26:22.

26:23.

26:23So, patay na lang ang sila.

26:25Moros na lang na malaman.

26:27Sa mga artista, sino na lang yung nakakabili?

26:31Kasi they get it right toward you.

26:34Again, ito ibang para nila nabukuhay.

26:37Sino at hindi niya talagang kinikaharalan,

26:40sabi niya, minabasa lang niya, tinitintin niya,

26:43or like yung monologue sa inala,

26:46which I wrote on the set,

26:48kasi pangit-pangit no, regional,

26:50kanal nabukuhay'dun niya.

26:55Kasi anuagin.

26:56No do no.

27:00El popiones nabukuhay valj как screaming

27:03aux ay lesobateszaine القصik

27:04.

27:04sa Junes.

27:06En yukameras intern Unterschiede yung nis ära

27:13konungこの話あとど schedules

27:14.

27:15In vital SENJA

27:18that yung pastor, kung paano niya nagawa,

27:20sabi niya,

27:21mula mula, dito lang.

27:23Bila yung approach niya.

27:27Si Chathri naman ayon niya,

27:28take two, take three,

27:30ayon niya, we know shot.

27:32and he's done.

27:33The other thing that I can say is,

27:37Wilma Santos,

27:40different people,

27:42he's doing what he's doing.

27:44His body movements,

27:47whether conscious he's or not.

27:48You can see it in his own body movements.

27:52If you're conscious he's or not,

27:52you can see it in his own body movements.

27:52You can see it in his own body movements.

27:56You can see it in his own body movements.

27:57So,

27:57if you are conscious of his body movements,

28:00I think, I think I wanted to survive.

28:06I mean, I mean, bagong salt ako, sabi nga ni Marito, kung nakikita nila ako gusto nila ako pakainin,

28:14because I was getting thin and I was getting lost lagi noon, so,

28:20ginupug nila ako lahat, so I wanted na makasundok na, I wanted to survive the industry.

28:27So, I tried to, I tried to, I tried to, I tried to survive in the industry.

28:44I think you knew it was before, I was learning, I was learning, I was learning from everybody.

28:56Comment from somebody.

29:00.

29:01.

29:02.

29:17Thank you very much.

33:24Happy Everyone.

33:27Happy Birthday to you.

33:29Happy Birthday to you.

33:30Happy Birthday, Happy Birthday.

33:33Happy Birthday to you.

33:46May time ba na daman ka rin sa depression at naisin mo rin na ma-suicide?

33:55gesprochen

33:59beautiful

34:12square

34:14When I was high school, I was a kid.

34:18But I was like, what did I do?

34:22I was like, I'm going to sit down.

34:23I'm going to sit down and say, what's going to do?

34:28And if I can tell myself, I'm not going to sit down.

34:34I'm not going to sit down.

34:44Elsa, but at that year 1982, the same year na pinilabas ang relasyon.

34:50It was a busy year for me. I did seven films that year.

34:56Relasyon kay Natabel, Imalak Moral.

35:01I told it, Moral, Moral Imalak.

35:07Aplos.

35:10And then Kay Natabel, relasyon.

35:16Kasi, kumbaga, best actor sa Metro Manilap, Imalak Moral.

35:21Pero siyempre, alamak natin, sa mga overseason, si atin yung relasyon ang naka-drugs sila.

35:30Na-di pa si Nora, kasi she was...

35:35Everybody's telling her, right?

35:36Sa Himalak, so na-depress siya nga, hindi siya na nalagotan.

35:40Ay, Vicky, nandiyan na rin lang, binamit yan.

35:44Sabihin ko nga yung philosophy mo toko sa award list.

35:51Uhhh...

35:53Sabi ko kayo, siya nga, hindi ako nanginiwala.

36:10Hindi ako nanginiwala sa awards in the sense that, I don't think you can really say that this is the

36:17greatest or the best of him, okay?

36:21Kasi matagay pang ito, hindi may drama, et, et, et, et, et, et, et.

36:24Ikalo, napanood mo lahat ng pinagalabas na Pilikula.

36:27That time.

36:28Ikatlo, magkapita ng place na...

36:32...Pilosopiya, lahat ng people.

36:33So, yung title ko na sila sa premium niya.

36:36Pero hindi nagsasabing ito na yung best.

36:39For that time.

36:40Ito yung best for them.

36:41Ito yung best for them.

36:42Ito yung best for them.

36:44Ito yung best for them.

36:45Ito yung best.

36:46And there's nothing wrong na may apat na best.

36:49Ito yung sabi yung isa na best.

36:51Ako, when people say that,

36:54halimbawa,

36:55na lalo ka rin,

36:56you're the bestest writer of the year.

36:58So, ito yung totoo yan.

36:59Kasi may mga maspagaganda rin

37:01na paano yung mga lahat ng kwalit at na-quantify it.

37:04And, when people say saan maging best writer ka,

37:07I don't think may gano'n.

37:09Ito yung ito.

37:10Kung naging mahusay akong writer,

37:12I always tell people na may hindi mahusay akong writer.

37:15Kasi,

37:17katabi ko na mahusay si Pintaka,

37:20at si David Dalmundo,

37:21at si Walaki, Pakistan.

37:22We came as a wave.

37:26Nakakahilaan kami as a wave.

37:28Pumusay sila lang sa akin.

37:29Pumusay ako dahil sa kanina.

37:31One wave kami.

37:32Isang patak lang ako.

37:33So, I can't say na,

37:34I'm the best writer.

37:36But, I think I'm a good writer.

37:39And I think good news sila.

37:40So, yun.

37:41So,

37:42I'm the best writer.

37:44again, ito si Greatest at Puntesha.

37:46And,

37:48maaari mo ang tatanong sa'yo.

37:49Kung bakit sila,

37:50ang,

37:51ang papang yun,

37:52para sabi natin yun.

37:53Greatest.

37:54Mga nag-greatest.

37:55Because people say,

37:56napalag yun ka lahat.

37:57Ano yun yun?

37:58Ano yun?

37:59So,

38:01let's say,

38:01ang question kung,

38:02these are great films.

38:04That's not the greatest.

38:05Pero,

38:06susunod ako lang ito na,

38:08I think,

38:08pagkakayang tinagawa niya,

38:10kasi,

38:10you're helping,

38:12focus attention,

38:15sa mong pelikulan na,

38:16pagkakayang tinagawa niya,

38:19but by doing this,

38:20people will pay attention.

38:21Whether they agree

38:22or disagree,

38:23they will pay attention.

38:25I don't know if I can't believe

38:25that I can't believe that I can't believe.

38:27I can't believe that I can't believe that I can't believe that I can't believe that I can't believe that

38:31It will,

38:32it will,

38:33you can't believe that.

38:35And,

38:35so on.

38:37So difficult though.

38:38So difficult to get into it.

38:41Last question,

38:42kasi,

38:43na-dongit po na nga kakaling na ito,

38:44It was a lot of great American dreams producers.

38:52It was controversial, Salome.

38:55Did you say that Salome?

39:00Salome and Luis Guillermo.

39:03What happened to Salome?

39:07I don't know why, but I don't know why.

39:13Hermita wanted Haley's scoring in the field.

39:17She wanted Haley's scoring in the field.

39:21I checked the producers.

39:23So I think you have to check the lyrics.

39:26I think the lyrics are on the editing room.

39:29They think, uh, hindi, ano?

39:34Pareho sila.

39:35Yeah, so, yeah, pareho sila pareho.

39:37And so, ang nanain yung version ni Arvila.

39:43Yeah, eh, thanks.

39:44It was the second time.

39:46But the impression is,

39:48na sarili niya,

39:50hindi ko ano.

39:51Hake, hindi ko daw.

39:52Hindi lang nawawala yung real vibe.

40:04but you have to ask people

40:06kasi there are different versions

40:11so

40:12question

40:12is

40:13is

40:17is

40:19is

40:29is

40:30is

40:31is

40:32It was a routine, you know?

40:34So, that's happy birthday.

40:36So, question ko po lang.

40:37May detain si Puan na pwede mo pitch trading ng concept,

40:41or meron ko kayong, by any chance po,

40:44na pwede mag-pitch ng concept po.

40:46Mayro.

40:48Opo, kusangali na po.

40:49Kaya, oo, open up to,

40:52to return with, maybe, for one like this before,

40:56open up for a life in the series,

40:59muna ka mong simulan yung career ko,

41:02muna ka mong simulan yung career ko,

41:02muna ka mga ito.

41:03And, yun, a point na,

41:05for a reason, hindi si Puan na pwede mo,

41:07but, yun,

41:10and, pero, kasi hindi ka map-pitch siya,

41:12GMA, 75, ABS,

41:14very open sila sa mga map-pitch.

41:18Thank you, Father.

41:19Ay, grapher na po ang kong people,

41:22from the book community.

41:23And, for,

41:25it's Joanne Pao, since nilabas po natin itong

41:27100 cine film,

41:29katikula.

41:30Ano ko ba to?

41:31We want to encourage readers or people

41:33who will get a copy of this book

41:35to watch this film,

41:37because, honestly, ako marami dito.

41:39And, for me, it's a question of accessibility.

41:43Kasi, like, where can I access these films?

41:45And I want to watch that.

41:47I want to learn from this.

41:49So, yun, go.

41:52Yes.

41:57Yung, pili ko na, accessible na ngayon.

42:03Una-una yung FTCP,

42:05yung program sila,

42:06na ipakalagasan ng mga classics,

42:09hanggang pili ko na ngayon,

42:10na accessible sa mga tao,

42:13FTCP.

42:13But, maskip ako yung FTCP,

42:16ang dami naglalagas sa YouTube,

42:19Mostly YouTube.

43:15I'm Emma from the book community as well.

43:18Congratulations for the launch. My question is for serving me. Sir, we all know that we're a national artist and

43:25we are so very respectful with what you have done. So with the years of experience that you have, do

43:36you have any advice or things that you can say to the new generation, you know, especially with regards to

43:48or she think those clubs are nasa past. So I love them.

45:11the

45:12the

45:13the

45:14the

45:15the

45:15.

45:16.

45:17We will not be able to do the resources to help you and to help you.

45:24We will not be able to do the trans contest so we will have a chance to do it.

46:04Thank you very much.

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