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Tum Larkay Bhi Na - Episode 28 - 17 Mar 2026 - [ Aina Asif & Ali Dayyan ] - HUM TV


"HUMTV"
"hum tv drama"
"top pakistani dramas"
"Pakistani drama"
"Latest Pakistani dramas"
"Pakistani Serial"
"Top Pakistani Dramas"
"momina duraid dramas"
"Pakistani drama 2026"
"টপ পাকিস্তানি ড্রামা"
"drama best scenes"
"Pakistani drama OST"
"trending pakistani dramas"
"romantic dramas"
"saba qamar new drama"
"mawra hocane"
"bilal abbas"
"new drama episode"
"टॉप पाकिस्तानी ड्रामा"




HUMTV, hum tv drama, top pakistani dramas, Pakistani drama, Latest Pakistani dramas, Pakistani Serial, Top Pakistani Dramas, momina duraid dramas, Pakistani drama 2026, টপ পাকিস্তানি ড্রামা, drama best scenes, Pakistani drama OST, trending pakistani dramas, romantic dramas, saba qamar new drama, mawra hocane, bilal abbas, new drama episode, टॉप पाकिस्तानी ड्रामा

Category

📺
TV
Transcript
00:00This year, the best award is awarded to the award.
00:03What have you written, Mirza Bilal?
00:05When did you become Mirza?
00:07Mirza, we didn't become. We were born.
00:10How are your video viral?
00:12Two, four shares say,
00:14you've become a fan.
00:15You've become an autograph.
00:16I've asked what I've written.
00:18I've written a number.
00:19I've written a number.
00:21You've got your talent on your own.
00:24You've got to blame.
00:26You've got to blame.
00:27You've got to blame.
00:28You're not sending our money in the safari.
00:31You're calling me two or three times
00:33I love you.
00:34What?
00:37I thought we would get our hands.
00:42Only Shabana, Day Smart,
00:44from Peer & Mangal,
00:46at 8am.
01:02I thought we'd be getting you back on it.
01:06I thought it might be hard actually.
01:09I thought that's why.
01:11I've beenибled.
01:12I knew it.
01:13You couldn't express myself.
01:15I wonder if I don't want to give my kids
01:16to your emotional blackmail.
01:18And if you're doing what you're doing,
01:20it's very old-fashioned.
01:21I'll tell you about me.
01:23You've done a lot.
01:23There's a lot of big fights now.
01:25So, you've got to study the moves?
01:26And how do you see it?
01:28I don't understand why Zoyan
01:30seems to be angry with a little girl.
01:33Because I don't have a full girl.
01:36What's the audience?
01:40You don't be funny.
01:42You give a hero vibe.
01:43Now, when we're going to do short films,
01:46you're going to do acting.
01:47I'm like a child.
01:49I'm going to do it again, but we'll go all together.
01:50I'm going to do it again.
01:51You're going to be very good.
01:53You're going to be asking something.
01:54No, I was at the Empress Market.
01:56I got a very good vegetable.
01:58I made a mixed vegetable.
01:59You're going to be good.
02:01Yes, but I know it's a shame
02:02to call the baby's milk.
02:04I don't know.
02:05Where did you get a burger from the band?
02:09My brother, it's a great apartment.
02:11Nazish, I like it.
02:14Luckily, it's a furnish.
02:15Yes, Amir.
02:16Look, how beautiful is it.
02:18You know, people of the past also are very good.
02:20It's okay.
02:20You're going to have a big surprise.
02:27Amir, give me some water for me.
02:32It's weird.
02:33It doesn't mean the nature of it.
02:34Go.
02:35Go, please.
02:37Okay, man.
02:38It's water.
02:42It's water.
02:43You know it.
02:45It's water.
02:49Yes, yes, you will have to go, you will have to sit down, you will have to sit down, you
02:56will have to listen to a lot of things, I will have to wait for you, one minute.
03:15Today it's going to be really.
03:17I've been hiding so many times,
03:19sitting on the door on the other side.
03:23Okay.
03:24Tell me this, how are you feeling?
03:28I'm feeling very good.
03:30I'm feeling very good.
03:32It's like this is my second child.
03:36You're leaving your parents,
03:37what kind of life you're going through?
03:40That's the house where you had one thing
03:41with your heart.
03:42You're leaving the house and you're leaving here in the flat.
03:46I don't understand why we're all human beings
03:48and why do we understand why we're all human beings?
03:52What do you think about human beings?
03:55You don't know what you're going through.
03:56You're leaving the house and you're leaving.
03:59The girls have come and come and go.
04:02I'm going to go to the kitchen.
04:04I saw that my brother,
04:07who was so bad about the private house.
04:11I don't know how much I feel.
04:11I don't know how much I feel.
04:13She was there.
04:14She was alive.
04:16She was alive.
04:16But when I came here,
04:17I felt like I was running on track.
04:20I don't care about it.
04:22Then, I don't know.
04:23There are children.
04:24There is a need for you.
04:25She offered to live here.
04:28What do they say?
04:29She didn't have to do it.
04:32She made it.
04:33She made it.
04:33You know?
04:35Everyone has the right to live.
04:37Children.
04:38Children too.
04:40And mother too.
04:47Don't worry about me.
04:49It's okay.
05:13People are wrong.
05:14Sometimes it's worse.
05:15Sometimes it's worse.
05:17Sometimes it's worse.
05:26You don't have to do this.
05:28You've never done this.
05:29You've never done this.
05:29You've never done it.
05:30You've never done it.
05:31If you're happy with your friends, then you're happy with your friends.
05:34Look, don't do such a thing to me. I can't believe you.
05:38I don't know how you're trying to keep your children safe and keep you strong.
05:44But whatever you're doing, I know exactly what you're doing.
05:48What am I doing?
05:54No, man.
05:57There's no taste. How are you?
06:00Hey, don't give up your mother's daughter.
06:04Kamal.
06:06No, Kamal. I'm in shock.
06:11Eat it.
06:12Eat it.
06:14Wow.
06:21It's fun to see the big screen.
06:24Don't look back.
06:26It's fun to see them.
06:29It's fun to see them.
06:31It's cool to see them.
06:31It's a very good color.
06:34Thank you, Uncle.
06:35I can't tell him what I'm saying.
06:36Oh, my brother.
06:38I'm a good friend.
06:41I'm okay.
06:42I'm saying that my brother is a good friend.
06:44I'm telling you that my brother is a good friend.
06:47You look like a bad friend,
06:50when a child says my aunt.
06:53I say that my brother, but I don't.
06:56Let's go to the balcony.
06:58We have to watch the TV TV.
07:01I'm so sorry.
07:02It was so good.
07:03Let's go.
07:16You're disturbed.
07:20Yes, I am.
07:23How many years have we been?
07:26As long as we can go, we can go.
07:29We can go.
07:31We can go.
07:32I don't know.
07:36I don't know.
07:38When a woman leaves her own money,
07:41or leaves her own life,
07:43why do you have to go so much?
07:46I've always seen the children who are given me.
07:50There's a lot of research on the women.
07:55She was a lot of children.
07:55She left her home to earn money.
07:58As long as I've seen the world,
08:00I've never seen her father.
08:03I've never seen her father.
08:04I've never seen her father.
08:07I've never seen her father.
08:08When she's done.
08:09She needs to normalize her death.
08:12And to be a woman.
08:16When she's been a woman, I'll tell her.
08:18When she's been a woman?
08:21She's been a woman.
08:45My wife.
08:49I don't know what to do now.
08:51I have to go to Samkot and I have to go to Samkot.
08:53I have to go to Samkot and I have to go to Samkot.
08:54I have to go to Samkot and I have to go to Samkot.
08:56What did he do? Where did he go to Samkot?
08:58I checked it out. It's 91K.
09:01I can see it too.
09:02I can see it too.
09:05I can't get it.
09:09It's 95K.
09:10This is just my 40 plus Eros line.
09:13Do you know?
09:14There are so many drama pages on our channels.
09:17And so many people have made memes.
09:20So give me credit too.
09:22I told you those lines.
09:24Yes, okay.
09:26But look, the skills are all mine.
09:28I said so lively and improvising.
09:30I said something like that.
09:32Wow.
09:36Why are you afraid of your mouth?
09:38It will be.
09:40It will be.
09:41Huh?
09:43Put it in front of me.
09:45Listen to me.
09:47We will make up this time.
09:49Why?
09:50We are learning film making.
09:51But they don't know that the dull face is bad.
09:55I am so bad.
09:57So we will make up this time.
09:58And you guys are focusing on the color grading.
10:02You know?
10:03If you look good at the show,
10:05it will become a good thing.
10:06Yes sir.
10:07Anything else?
10:09I am so bad.
10:10I am so bad.
10:11I am so bad.
10:11I am so bad.
10:14I am so bad.
10:29I did not forget.
10:34Are you?
10:35Oh,
10:36I am so bad.
10:37Let me go.
10:46I don't know.
10:50Don't you go.
10:53I am so bad.
10:55I am so bad.
11:00My daughter, my daughter, has only been a part of my life.
11:03It's not a part of my life.
11:04It's not a part of my life or a part of my life.
11:06But if you want to make my mother's mother, then it will go.
11:11When I was in the age of my mother, I would say to you.
11:15After that, I started to say to you.
11:18Please understand our history.
11:21My mother, my mother would say to you.
11:30My heart, my mother would say to you.
11:33What's your story?
11:35My mother, my mother would say to you.
11:37My mother would say to you.
11:38My mother, my mother would say to you.
11:41How bad are you?
11:44If I can tell you.
11:46Let's go.
11:48I don't care about it.
11:50I don't care about it.
11:53I don't care about it.
12:01Confusion is Jumlim.
12:03Or hard extract.
12:05I was blown away by my child's feelings.
12:08I gave my L.A.D. to the end.
12:11I didn't get any experience from this.
12:14I just wanted to play a little bit.
12:16So we're getting wet.
12:19But I'm sorry, I'm tired.
12:22That's why I'm laughing.
12:24You're so tired of it.
12:27It's a title of a new story.
12:30The story of the morning.
12:32I was not gonna let you go through the route.
12:34Who has to hold you?
12:39Just so.
12:41Now this story is the love story.
12:43Love story?
12:46Don't blame me to love stories.
12:48This was a solid, my brother.
12:52You should have been having a good job.
12:54And I would love to have my good responsibilities.
13:01What do you want to say, Muniya?
13:06Muniya?
13:09You don't want to make any good tea.
13:13Go.
13:14What are you doing?
13:16Don't tell her like this.
13:19Go, Muniya.
13:41Are you all good?
13:46You are all good.
13:50You are all good.
13:52You are all good.
13:53You, your Guru,
14:12Al-Fatiha.
14:54Oh
14:55You have a little liner.
14:57You will see the eyes of the eye.
14:59Look, see.
15:00You have a bad base.
15:01Look at this.
15:03Soyan, you do my hair style.
15:06Do you do a job?
15:07Let's do the makeup.
15:09You have to wear all the makeup on the screen.
15:14You have to do my makeup too.
15:17God!
15:19You're so much makeup on the top.
15:21You'll do it again.
15:22Yes, you'll do makeup on the top.
15:25You'll do it again, so that you will wear the makeup.
15:27That you'll wear the makeup on a lot.
15:27Wow, my uncle.
15:28You'll go outside.
15:30There was a morning when it was the it were.
15:32It was the time when it became women, men.
15:35Today they all get makeup on.
15:37It's a girl,�' people do makeup on style.
15:38They're so weird.
15:40You're so weird.
15:42Like a girl's a man.
15:43They dress it, so you dress it.
15:44If you dress it, you would wear it.
15:47What?
15:47They are the women?
15:50Do you do it?
15:51I'm just trying to sellers take it.
15:53One place to Jai Rosh.
15:53If you have one more time, keep it calm.
15:56Now go!
15:56I'm going to do your makeup.
15:59Come on, Big Show.
16:01Jai Lai?
16:02Yeah.
16:03Hand right.
16:04I'm not looking at it.
16:06You both, please go outside.
16:07It's a lot of rush.
16:08Go to the lounge.
16:09Yes, we're going.
16:11Next time, call me a professional makeup artist.
16:14I'm going to call Mahirah Khan.
16:16She's doing a lot of makeup.
16:18Because next time, she's got bad on the screen.
16:20I won't go to the show again.
16:21I won't go.
16:22You go.
16:24You just go.
16:24You think you're a pink girl?
16:28You're a girl.
16:30You're not supposed to have a bad tooth.
16:33You're not supposed to have a bad tooth.
16:33I'm seeing this show again.
16:35You're gonna get a look at it.
16:36I'm not supposed to have this show.
16:36But it's just for your auntie.
16:41If it's someone else,
16:43I'm going to do this job.
16:45By the way, we will work better.
16:48Let me tell you.
16:51Okay, I'm going to change the lipstick.
16:55Can you see me too?
17:40I'm going to change the lipstick.
17:58I'm going to change the lipstick.
18:01I'm going to change the lipstick.
18:04I'm going to change the lipstick.
18:06How are you?
18:10I'm fine.
18:11I'm very happy.
18:13I'm very happy.
18:14I'm very happy.
18:16How are you?
18:17How are you?
18:18I'm fine.
18:20I'm fine.
18:22I'm fine.
18:22Everything is working.
18:23It's a routine life.
18:24I'm going to change it.
18:25Is your blood pressure okay?
18:27I don't know.
18:50I'm fine.
18:51I'm fine.
18:53I'm fine.
18:55I'm fine.
18:57I'm fine.
19:01I'm fine.
19:11I'm fine.
19:15I'm fine.
19:20I'm fine.
19:21I'm fine.
19:30I'm fine.
19:33I'm fine.
19:34I'm fine.
19:48I'm fine.
19:51I'm fine.
19:53I'm fine.
19:56I'm fine.
19:59I'm fine.
20:01But I don't want to be interested in working the same way.
20:02I know you're 40 plus, but you have a victim from being a victim.
20:06Now, I've got a girl with a bone from being a bone.
20:11Oh.
20:12You're talking for both of you, right?
20:15I'm still talking for both of you.
20:18Hey, Rusa!
20:19Rusa!
20:19You don't hear your voice.
20:21Don't tell me.
20:23Cut!
20:26Don't say anything.
20:27It's a very good quality mic.
20:29He's doing all the noise.
20:29He's doing all the whispers.
20:30He's doing all the noise.
20:31Oh, I like that.
20:33I think that the noise is completely dropped.
20:35And why are you so close to this?
20:37Yes, you're funny.
20:38You're hiding your auntie.
20:39You can see her too.
20:40I'm watching everything on the monitor.
20:42Everything is totally fine.
20:43You guys are doing all the same.
20:45Let's go.
20:45Come on.
20:46Okay, I'm going to see you.
20:47Do you know?
20:50There was a movie camera in my house.
20:53My husband came from Saudi Arabia.
20:55Yes.
20:55How many cousins of my husband have married to me?
20:58And my songs were the same.
21:01People were crazy.
21:02They were crazy.
21:03I'm sure.
21:07Yes.
21:09Yes.
21:14They were crazy.
21:15They were crazy.
21:17They were crazy.
21:18They're doing something, they're giving names, understand them.
21:21I'm late, man. I want to go.
21:24I don't know what to do. I'm going to cut their overacting 50 years.
21:28Okay, let's start. Let's go quickly.
21:32Come on.
21:34Let's go to the frame.
21:35And Rousa.
21:39Rousa.
21:39Rousa, keep your profile, man.
21:43Keep your profile.
21:43If you get your profile, you'll look like a little bit.
21:46My experience, I'm saying.
21:49Okay, go.
21:54We're starting to go.
21:55Action, bro. Action.
21:58Roll.
22:02Action.
22:04Now we're going to cut the gajers.
22:07What will we do now? Please tell me about the Khawadena.
22:11It looks good.
22:13Okay, you're good.
22:15You're happy.
22:19What a strange thing.
22:22When a person is happy,
22:24it doesn't matter.
22:24It doesn't matter.
22:25People can know.
22:27People can know.
22:29Good.
22:30Good.
22:32Good.
22:43Good.
22:51Good.
23:03Good.
23:09Good.
23:10Good.
23:11Good.
23:15Good.
23:18Good.
23:19Good.
23:21Good.
23:24Good.
23:30Good.
23:42Good.
23:44Good.
23:46Good.
23:46Good.
23:46Good.
23:47Good.
23:49Good.
23:49Good.
23:50Good.
23:50Good.
23:50Good.
23:52Good.
23:53Good.
23:54a cheater with his own life,
23:57it's so big,
23:59it's so big,
23:59it's so big,
24:00This is my fault.
24:05This is my villain.
24:07And you're a tragedy queen.
24:12Khudaafis.
24:26This is my fault.
24:28This is my fault.
24:30This is my fault.
24:31This is my fault.
24:32Excuse me.
24:33I'm here.
24:34Take it away.
24:35Take it away.
24:42Stop.
24:44Why are you overlapping?
24:46How many times are you?
24:47My wife is so fun.
24:50And you have to start a song.
24:54Look, I'll tell you,
24:55I'll tell you,
24:55I'll tell you.
24:57When your wife has done it,
24:59and how she's doing it,
25:00and how she's doing it,
25:00your mood is bad.
25:03I know.
25:05My brother,
25:05it's a little irritating.
25:08Just try to make it
25:10for the next time.
25:12We want to work quickly.
25:14You're late.
25:15You're late.
25:16You're late.
25:16You're on the screen.
25:19Listen.
25:20Listen.
25:20The short shots of the drama
25:23are very interesting.
25:25Like you're cutting something,
25:27then they're
25:29cut off their fingers
25:29or their hands.
25:32Yes.
25:33But,
25:33the problem is,
25:34we're not shooting a show.
25:35We're shooting a show.
25:48We're shooting a show.
25:51I'm not shooting a show.
25:55I'm not shooting a show.
25:57I'm not shooting a show.
26:19I'm not shooting a show.
26:20Continue?
26:23Let's go.
26:26Let's go.
26:27Ready?
26:30Okay.
26:31Okay.
26:32Hurl?
26:33And
26:33Action!
26:34So, our wedding segment has already been done, and the gossip segment gives us a little bit more.
26:56My auntie, I'll give you my makeup.
26:58Oh no, thank you, I'll give you my makeup.
27:01I'll give you my makeup.
27:03I'll give you my makeup.
27:04I'm so hungry.
27:06I'm so hungry.
27:07I'm so hungry.
27:07What am I going to get to do?
27:08I'm going to do your job with you.
27:09I'll give you some fun.
27:11I'll give you some fun.
27:12I think I'll give you some good, good beer.
27:16I'll give you some fun.
27:17I'm really hungry today.
27:18I want to get drunk too much.
27:20I don't want to find you.
27:20Absolutely!
27:24When did you make me?
27:26I thought you all have been hungry.
27:27Especially when you've done so much.
27:29I was going to go to my kitchen.
27:30Oh my God! How many of you are living in this place?
27:35And you come to our house and see.
27:36In coffee, in coffee, in coffee.
27:38In coffee, in coffee.
27:39Suji.
27:40You've never had a gift in your house.
27:43If you look at your mother, you'll drink tea and make it.
27:46How many times have you drank tea?
27:48You don't forget.
27:49Oh, you're joking.
27:50It's like that.
27:52Zoyan, I've made a lot of tea. Good job.
27:55Oh, Zoyan?
27:56This is so green.
27:57You didn't put it in water.
28:01Hmmmm.
28:02What?
28:02It's like water, bro.
28:04It's like a strong tea.
28:05It's like milk.
28:07Listen, Zoyan.
28:10Put it again.
28:11And put it in oil.
28:13Let's go.
28:13Me too.
28:15Yes, sir.
28:16Make milk, bro.
28:21You're right.
28:22No, it's not right.
28:23You're right.
28:24Go.
28:26Open.
28:32You're right.
28:33I don't think it's the best of milk.
28:34What?
28:35No.
28:37Come on to the tea.
28:41It's the best, you're right.
28:45Here you go.
28:46Likes, okay.
28:49Now, you're going to get to the coffee,
28:52I'm going to get to the coffee,
28:54you're going to get coffee.
28:55I'm going to take this coffee.
28:57I'm going to get et cetera.
29:07Do you want me to take a look at the frame of mind?
29:09No.
29:10My frame of mind is to listen to you.
29:12Please, go here.
29:13Why are you talking about it?
29:14Please, go here.
29:15I'm calling you security now.
29:17How did you give me an agenda for coming to this building?
29:33Do you want to watch the TV?
29:35Let's go, go here.
29:36This TV is a lot of fun to watch the drama.
29:39How clear results are you?
29:41I know, I know.
29:43Just go here.
30:09I'm going to go here.
30:11I'm not going to think about it.
30:12What do you think?
30:13What do you think?
30:21What did you think?
30:50To be continued...
30:56आमिर आमिर आमिर आओ चलो चल के मेरी बहुएं की नए किस्ते खटा बैट के देखते हैं
31:02तुम तो यू डालरों की महबत में इतनी अंधी होई हो कि कोई तुम्हारे मूप और तुम्हारे शोहर को जलील
31:09करता रहा और तुम यू लातालो कर अजनवी खड़ी थी
31:13जैसे कि मुझे जानती नहीं हो अरे इससे ज्यादा तो अपराहियत के मुझारा तुम सब्जी वाले और दूद वाले के
31:19साथ दिखाय करती हो
31:20क्या पुक्वास करे जा रहे हो आमिर तुम तो जानते हो मेरी तबियत को मैं तो हर किसी से अतनी
31:24आजजी मिलन सारी से मिलती हूँ
31:27किस कदर बत्तमीज और लंबी जबान वाली लड़की
31:30है ये तु मुझे कह रहे हो
31:33अरे कानो से मैल साफ करो
31:35मैं उस लड़की की बात कर रहा हू樹
31:36क्या नाम है उसका
31:39तउफरका बद्रक
31:40बदर
31:41बदर
31:42बदरका
31:43बदरका अ
31:45इरेक्टर पर भी फिर नीए जडेले का काम नहीं आता है
31:48अरे देखो भाई
31:50platform youtube
31:51is his platform
31:53he's making a show for me
31:55all his money will come to his account
31:57like that, I don't want to take any money
32:00now you can see how many people are sitting here
32:02you can see all the time
32:03because of all of us
32:04we will all have to go
32:07I have to note one thing
32:12when you talk to me
32:14you will be aware of
32:15every second and third sentence
32:16you will be aware of
32:18Oh my god, that's not my brother!
32:25Look at the dictionary, my brother has a lot of meaning.
32:29And if I have a friend's brother's wrong,
32:33then my brother has a job.
32:36That's why my marriage has no effect.
32:39Why don't you do it?
32:41Because I have a conviction that I have to tell you,
32:44I have to tell you,
32:53Let's see my parents' eyes.
32:55Yes, let's see.
33:30Let's see.
34:15Let's see.
34:24Let's see.
34:58Let's see.
35:04Let's see.
35:04Let's see.
35:05Let's see.
35:08Let's see.
35:09Let's see.
35:11Let's see.
35:12Let's see.
35:12Let's see.
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