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00:00:07You
00:00:44Hey everyone, it's Wes Wheatley here and we're on location at Sarah and Ian's residence
00:00:48where evidently, nightly, Sarah has been rising out of bed and wandering around the house
00:00:54with no knowledge of having done it and Ian is afraid that his wife might be possessed
00:00:58by a demon. We're here at the house right now to investigate to find out if Ian's concerns
00:01:04are valid. Let's go meet the couple. Come on. This is Ian and Sarah. Ian, hi. Hey. Ah, Wes. Wes.
00:01:18Good to meet you. Yeah man, glad you're here. Alright, let's go. You ready? Yeah, yeah. We're here in Ian
00:01:24and Sarah's
00:01:25living room where Sarah has agreed to allow us to perform a deliverance, otherwise known as an exorcism.
00:01:30I have a book of demonology here, just in case, depending on the spirit that has possessed Sarah
00:01:38when it comes forward. We'll see if we need this book. Sarah, the way that an exorcism works is not
00:01:46like you might be accustomed to seeing in the movies. I don't know if you watch horror movies, but it's
00:01:50nothing like that. Usually, it's actually very subtle. Release in the shoulders, a tingling
00:01:55on the back of the neck. So what I want you to do is I want you to pay close
00:01:58attention to how you're
00:01:59feeling in your body. Demon, in the name of Jesus Christ, I command you, surface now.
00:02:09Shhh. Look at me. Demon, in the name of Jesus, I command you to show yourself now. I'm trying
00:02:18to like Sarah. Demon, I am talking to you. In the name of God, I command you to show yourself
00:02:29now.
00:02:30Now. Demon, in Jesus name. Do you want to kill like you killed the other one? Is that what
00:02:41you want? Do you want to kill like you killed the other one? Is that what you want? Is that
00:02:45what you want? Demon, I command you to leave this vessel now? Huh? Huh? What? There's
00:02:49like you want? Is that what you want? There's like that you want?
00:02:56Demon, in the name of God, I command you to leave this vessel now!
00:03:04Demon, in the name of God, I command you to leave this vessel now!
00:03:12Demon, in the name of God, I command you to leave this vessel now!
00:03:31Back up, back up, back up.
00:03:33What the fuck?
00:03:34Is she okay?
00:03:35Shh!
00:03:36God, come on, Sarah.
00:03:48It's okay.
00:03:49You did great.
00:03:51Okay?
00:03:52Okay.
00:03:53You're gonna stop having those bad dreams.
00:04:12How you doing?
00:04:13Good, good.
00:04:14Hey, hey, guys.
00:04:16What you just saw was a successful deliverance,
00:04:18what most people refer to as exorcisms.
00:04:22That was Sarah and her husband, Ian.
00:04:24Sarah was possessed by a demon,
00:04:28but we successfully exorcised the demon,
00:04:31and I think that she's gonna be sleeping well from now on.
00:04:36So, great job, everybody.
00:05:08Oh, God.
00:05:10Jane?
00:05:11Yeah, Jeff?
00:05:12Yeah.
00:05:12Hi.
00:05:13Here you go.
00:05:13Back door's open.
00:05:14Just meet anybody.
00:05:16Don't tell them you got the keys for me.
00:05:17Just you're on a night walk, okay?
00:05:19Okay.
00:05:19Keep it quick.
00:05:20Be back here in an hour.
00:05:21Got it.
00:05:22See you in an hour.
00:05:22Okay, Jane.
00:05:23Thanks, Jeff.
00:05:31All right, everybody, we are here, finally.
00:05:36I think a lot of you know that I've been trying to get access to this building for a really
00:05:41long time.
00:05:42So, it's a pretty big deal.
00:05:47All right, we are here.
00:05:49We have the keys, and we are entering in through the side of the school.
00:05:56Here we go.
00:05:59We are in.
00:06:05It's chilly in here.
00:06:06Got the second floor.
00:06:09Amazing to finally see what this looks like on the inside.
00:06:13Okay, we are inside on the first floor.
00:06:16My goal is to plant a camera on this floor, and then another one upstairs, and I'll come back and
00:06:22get them later.
00:06:28Okay, so now we are going to find a spot to plant this first camera.
00:06:34Hmm.
00:06:36This looks like, let's see.
00:06:41Oh, this looks like the front door.
00:06:43So, I bet if we place the camera somewhere in view, that little spot might work, actually.
00:06:56Let's see.
00:07:05Okay.
00:07:22Okay, there is our first hidden camera.
00:07:27We are now just heading into the old admin office.
00:07:52Oh, here's the names of some of the teachers that used to work here.
00:08:04Oh, there's a little tiny door over here.
00:08:07It's a really messed up carpet.
00:08:10Okay.
00:08:23This looks like a 3-minute window.
00:08:23It looks like a 4-minute window.
00:08:24Okay, here's the other side.
00:08:24Let's see.
00:08:25Yeah, I'm going to want to see.
00:08:30I'm going to see the other side here.
00:08:31Oh, here's the other side.
00:08:32Let's see.
00:08:32It's here?
00:08:33You've got an eye control of this situation here.
00:08:36Okay, let's see that.
00:08:43just fucking with you so we will go up here to what I've been really excited to
00:08:50do check out the second floor all right so now we will find a place to put the
00:08:59camera the second camera we have two stairwells so 50-50 shot of where we
00:09:06want to aim it hmm I don't think putting it under the water fountain will work
00:09:10very well up here this will actually probably work fine
00:09:19turn it on
00:09:36yeah looks pretty good
00:09:45whoa
00:10:00it looks like everyone in Sacramento is asleep hopefully if anyone's looking in right now they
00:10:06don't think I'm a ghost okay now we'll go check out the basement I think it's just a bunch of
00:10:12dirt and
00:10:12chairs but let's see what we can find Jeff
00:10:48this door was open when I was in here last
00:10:56Jeff
00:11:01hello
00:11:08I think there's somebody in here right now
00:11:13I think I'm going to be a little more
00:11:13I think there's somebody in here
00:11:15I think anything
00:11:16that's good
00:11:16that's you know
00:11:16yeah
00:11:19yeah
00:11:20yeah
00:11:20yeah
00:11:22yeah
00:11:23yeah
00:11:24yeah
00:11:24yeah
00:11:24yeah
00:11:24yeah
00:12:21So, not exactly sure what that sound was, but I think I need to get the fuck out of here
00:12:26because...
00:12:31Hello?
00:12:32Hello?
00:12:32Hello?
00:12:42Hello?
00:12:53Hello?
00:12:58Hello?
00:13:11Hello?
00:13:16Yeah.
00:13:18Randy?
00:13:19Yeah.
00:13:19Nice to meet you.
00:13:21So, like I mentioned before, we have a camera crew.
00:13:24Oh.
00:13:24Oh.
00:13:26Come on.
00:13:26Hi.
00:13:27Hello?
00:13:27Hello?
00:13:29Are we filming?
00:13:30We are.
00:13:31Oh.
00:13:32Okay.
00:13:33Come on in.
00:13:39There.
00:13:40You're all set.
00:13:40Okay.
00:13:41I don't normally deal with demons or kind of the darker side of things.
00:13:48It's more, you know, I help people reconnect with their loved ones who have passed on, stuff
00:13:54like that.
00:13:55I do believe in the kind of darker side and that there are darker spirits, but not to
00:14:03the level that Wes seems to be involved.
00:14:08I think you have to tread lightly, especially with, you know, if you're working on darker
00:14:15stuff.
00:14:16And I think that, that's all I'll say about that.
00:14:24Okay.
00:14:24You seem a bit, I don't want to be rude.
00:14:27Obviously, we're not going to put this in the film or wherever he wants to do it.
00:14:32You seem a bit reserved.
00:14:33I just, you know, obviously I know I'm being recorded and I know that you're doing this
00:14:41with Wes, so I'm just trying to be a little bit more judicious about what I'm saying.
00:14:49Are you going to show him all of the stuff that I'm saying?
00:14:52Probably not.
00:14:55I think Wes has a different style than I do and I think it can be misused.
00:15:04So Wes doesn't know you're here?
00:15:06No.
00:15:11Don't worry.
00:15:12He's not going to know that we're filming this.
00:15:14As I said, this is just for us.
00:15:17We're just curious.
00:15:18So you're not going to use this in the show?
00:15:19No.
00:15:22Well then why are you filming it?
00:15:25For research.
00:15:28Because as a producer I need to know more about him as a person because you know these
00:15:33kind of shows they have a personality and we're trying to humanize him more because
00:15:36he just seems very, you know, over the top.
00:15:40And there's a lot of stuff like that out there so we want to bring more to his character
00:15:44and if we know more about him that's going to help.
00:15:47Do you talk to him still?
00:15:48When was the last time you talked to him?
00:15:53It was a couple of years ago.
00:15:56A couple of years ago I had to call him about a health thing relating to our mom but other
00:16:03than that I mean we kind of had a little falling out and so we haven't really talked.
00:16:09Do you do exorcisms?
00:16:13No.
00:16:15Does he?
00:16:20He has been known to do exorcisms.
00:16:23That was actually part of the contributing factor to our falling out.
00:16:31When was this?
00:16:34Three days ago.
00:16:39Did it?
00:16:41What happened?
00:16:44I mean I don't want to go into any details but that, you know, the reason we're not talking
00:16:51is all of this stuff.
00:16:53So this is some footage that somebody sent to me.
00:16:56This is the typical kind of thing I get where somebody wants me to analyze some.
00:17:00This is some security footage.
00:17:02You can see the door closing by itself.
00:17:04My job when I'm reviewing something like this is to see, first of all, if there is a practical
00:17:12explanation for this.
00:17:13Most people, you know, something spooks them and their mind immediately zips to something
00:17:17paranormal.
00:17:18And I know that most of the time, you can see actually here, there's a spirit orb and the
00:17:25stool gets knocked over.
00:17:26But I have to look at this and go, okay, are there open windows around?
00:17:30Is there a reason that the door would have closed by itself?
00:17:32Like, is there an AC unit that comes on in the night?
00:17:35And then after I look at the video and I can see, oh, actually there's legit reason to
00:17:42think that maybe there's something spiritual happening here.
00:17:45That's when I go and investigate.
00:17:46Did you see the orb?
00:17:50This is my, I call it the spirit satchel.
00:17:53Take this with me.
00:17:55I've got a book of demonology here.
00:17:59All demons are spirits.
00:18:01Not all spirits are demons.
00:18:02These are the devices that I've, this is my haunting kit.
00:18:09We've got an EMF meter here.
00:18:11This is a spirit box that scans through radio frequencies.
00:18:15This is a recorder that anybody could pick up.
00:18:18Although I've modified it a little bit to hear higher frequencies.
00:18:23And this is a, just a regular camera.
00:18:28Although this does have an infrared setting, which is very important because that allows
00:18:31you to see in the dark.
00:18:33Does your camera have an infrared setting by the way?
00:18:36Yeah, it does.
00:18:37It does.
00:18:38Do you want to see it?
00:18:38Yeah, yeah.
00:18:40So it's the green type.
00:18:41It doesn't have the white type.
00:18:42Yeah.
00:18:43Hey Randy.
00:18:44I know it doesn't look red.
00:18:45It looks green, but that is infrared.
00:18:48Allows you to see in the dark.
00:18:50A lot of ghost hunters use these, which they should.
00:18:54However, what I think that they get wrong is most ghost hunters get excited just when they
00:18:59get a hit.
00:19:00But the reality is that there are lots of things that emit electromagnetic frequency.
00:19:06So getting a hit itself isn't the thing that's exciting.
00:19:10To me, what you're looking for is something that is disrupting the electromagnetic field
00:19:16that is present.
00:19:18This is a transmitter, right?
00:19:20Yeah.
00:19:20Does this?
00:19:21Yeah, let's see.
00:19:23So you can see right there that a lot of people would go, oh my God, there's a
00:19:29ghost in your sound pack.
00:19:30Obviously that's not the case.
00:19:32What this does is this just picks up radio frequencies.
00:19:39So what you do is you let it cycle through the radio frequencies and you'll notice you'll
00:19:46pick up legit radio stations, things that are DJs playing music, talk shows.
00:19:52But to me, this is an opportunity for spirits to actually try to make contact with us through
00:20:00this device.
00:20:01Hey everyone, Wes Wheatley here.
00:20:03Welcome to the first episode of Infrared.
00:20:05This is a paranormal investigation show.
00:20:08And right now we are on our way to investigate the paranormal activities that are taking place
00:20:12at Jay and Nicole's residence.
00:20:14They've been experiencing what sounds to me like an average haunt.
00:20:18I think that the spirits don't mean them any harm, but they themselves are feeling very,
00:20:22very frightened right now.
00:20:24And we're going to do a spiritual cleansing so that we can release the spirits from their
00:20:27residence and let them get back to feeling safe and secure.
00:20:34Okay, here we are.
00:20:36We are at Jay and Nicole's residence right now.
00:20:38We're going to be going in.
00:20:39We're going to do a spiritual cleansing of the space, release the haunt and let them get
00:20:44on with their lives.
00:20:44So let's do it.
00:20:47They know we're filming.
00:20:51Uh, yeah, of course.
00:20:53Um, so I'm just going to go in there and have a quick little powwow with them to let them
00:20:59know
00:20:59what to expect.
00:21:00And then we can all go in and film this, uh, film this, this first haunt.
00:21:06I'll come with you.
00:21:06No, no, no, that's okay.
00:21:07It's all right.
00:21:08I'll just be right back.
00:21:16Hey, how's it going?
00:21:17Jay.
00:21:18Hey, man.
00:21:19Good to meet you, Wes.
00:21:20Um, all right.
00:21:22Let's get this place cleansed.
00:21:24Uh, we'll get you and your wife, uh, feeling good.
00:21:26Uh, I've got a camera crew here with me actually that's going to be, um, filming, uh, the-
00:21:32No.
00:21:32The cleansing.
00:21:33No, no, no.
00:21:34We're not doing, we're not doing cameras.
00:21:36Uh, it's just-
00:21:39Little miscommunication.
00:21:41Um, so, uh, when I spoke to them earlier, uh, they thought it was next week.
00:21:50Are you guys familiar with this?
00:21:52This is, uh, Lincoln School.
00:21:56Uh, this place gets talked about a lot.
00:21:58Um, a lot of people who have tried to get into the space.
00:22:01Um, a lot of people who have tried to sneak onto the grounds.
00:22:05Um, uh, and cops are called and they're usually taken out.
00:22:09Nobody's really been able to, that I know of anyway, really infiltrate.
00:22:16Is this good?
00:22:18What do you think?
00:22:20Okay.
00:22:21Do you actually believe in this kind of stuff?
00:22:23Yeah.
00:22:24I do very much.
00:22:25Really?
00:22:26Yeah.
00:22:27Do you always?
00:22:28Um, I didn't when I was a kid.
00:22:30I didn't when I was a kid.
00:22:31Actually, it's funny.
00:22:31When I was a kid, I grew up in a very religious house.
00:22:33Uh, I believed the idea of, um, like something, I believed in God and I believed in something
00:22:43different.
00:22:44Is your sister religious as well?
00:22:46Uh, yeah.
00:22:47I, I don't really want to talk about my sister in this though.
00:22:51Why not?
00:22:52Um, she's not a part of it.
00:22:54Uh, we don't really have, you know, we don't work together anymore.
00:22:57So, she's not a part of this show.
00:22:59I'd rather just not have her be included.
00:23:02So, there's a lot of different rumors about, you know, like why the school closed down
00:23:08in the first place.
00:23:09You can imagine 12 years, uh, having been shut down, you hear a lot of different stuff.
00:23:15Um, I think the most popular, uh, rumor is that a teacher, I think it was a 7th grade
00:23:24teacher, um, went crazy.
00:23:28Uh, nobody really defined what crazy meant, but went crazy.
00:23:32And, like, murdered a classroom of students.
00:23:35An infestation of demon rats.
00:23:37This was something I read on Facebook, I think like, three years ago.
00:23:42So, do you know why it actually closed?
00:23:44I do, yeah.
00:23:45It's not quite as exciting as demonic rats, but what actually happened is that there was
00:23:49a gas leak in a classroom and a teacher and five students died.
00:23:52Since then, it's been totally shut down.
00:23:55Nobody's been allowed on the premises.
00:23:57Uh, and as far as I know, nobody's actually been able to go in and, uh, there's no reports
00:24:02of any kind of hauntings or anything of that nature.
00:24:05But, I think, how can there not be?
00:24:10With a tragedy like that, the abandoned building, it is the perfect atmosphere for paranormal activity
00:24:18to be taking place.
00:24:22Yeah, and now it was like maybe, I don't know, five or six years ago.
00:24:27So.
00:24:27I still remember.
00:24:29Mm-hmm.
00:24:29Yeah.
00:24:31So, do you want to tell us about what's going to happen here?
00:24:35Uh, yes.
00:24:36We're doing a cleansing today.
00:24:38So, um, this woman, Judy, has contacted me because she has a spirit in the house.
00:24:46And so, um, I'm here to send the spirit so that it can be at peace.
00:24:53So.
00:25:00Hello, Isabelle.
00:25:01Hi, Judy Perry.
00:25:02Hi, Judy.
00:25:02Nice to meet you.
00:25:03Hi, fellas.
00:25:04Um, yeah, we have this camera crew with us today.
00:25:06Yes, you mentioned that.
00:25:07That's okay.
00:25:11I'm just gonna, I don't remember exactly what I told you about the circumstances around here,
00:25:14so I'll just tell you everything.
00:25:15Okay.
00:25:16Um, my husband, Skip, passed away six months, three weeks, and two days ago.
00:25:22Okay.
00:25:23And since that happened, I've had several things that have been disconcerting to me.
00:25:28I mean, I think probably most people.
00:25:30One thing that happened, and this has happened a couple of times, uh, Skip used to get my coffee every
00:25:35morning.
00:25:36Mm-hmm.
00:25:37One morning, I had had coffee.
00:25:38I took, let me go in here and show you.
00:25:40I had, uh, taken my empty coffee cup, set it right here, went into the bedroom to, uh, try and,
00:25:49you know, to get dressed for the day.
00:25:50And when I came back out, I was gonna put it into the dishwasher.
00:25:54It was full.
00:25:55And it was hot.
00:25:56It was steaming.
00:25:57Mm-hmm.
00:25:59I mean, that's a little hello, right?
00:26:01Mm-hmm.
00:26:02We used to have a little deal.
00:26:05I would do the sorting of the laundry, and I would put it in the machine and wash it.
00:26:11And then he would take it out of the machine, put it into the dryer, dry it, and fold it,
00:26:16put it away.
00:26:17Mm-hmm.
00:26:17He kind of got the raw deal.
00:26:19That's me.
00:26:19Um, so I had put the laundry in the washer, and it was late at night, and I thought, I'm
00:26:25just gonna go to sleep.
00:26:26I'll put it in the dryer in the morning.
00:26:28And I came in here, and it was folded.
00:26:32Mm-hmm.
00:26:32It was folded.
00:26:33Oh.
00:26:34I feel something in this corner.
00:26:36You do.
00:26:36Mm-hmm.
00:26:37Yeah.
00:26:38That's typical with kind of hot spots like this.
00:26:40Do you feel him?
00:26:41Do you feel a...
00:26:42I don't know what it is, but...
00:26:43Does it feel angry or sad?
00:26:45I'm not sure yet, but it's kind of confirming what you're saying, so...
00:26:49Yeah.
00:26:50Wow.
00:26:50That's very exciting.
00:26:52Mm-hmm.
00:26:52I mean, I just love the idea that it is him, and yet I don't want him to be unhappy.
00:26:57Right.
00:26:58Yeah.
00:26:58There's this little voice.
00:27:01Very high-pitched, like a little baby, little baby voice.
00:27:04Mm-hmm.
00:27:05Under a pile of blankets.
00:27:06It's very muffled.
00:27:08It's like...
00:27:09Let's see.
00:27:11Help.
00:27:14Help.
00:27:16Is that weird?
00:27:17It's like, it's like Baby Skip.
00:27:20Mm-hmm.
00:27:21I, you know...
00:27:23Judy, I totally understand why you would...
00:27:25You do.
00:27:25I mean, this is not...
00:27:28I wouldn't say it's normal for me, but it's...
00:27:31This is within the realm of standard.
00:27:33Oh.
00:27:34You know?
00:27:34That's so reassuring.
00:27:36So, what you're saying is that this...
00:27:38You're not necessarily feeling distressed.
00:27:41No.
00:27:41I mean, I do think it's Skip, so it doesn't distress me.
00:27:45Yeah.
00:27:45I love him.
00:27:46But I don't want him to be unhappy.
00:27:49We want to...
00:27:50We want...
00:27:50Set him at peace.
00:27:51Yes.
00:27:52Mm-hmm.
00:27:52Go.
00:27:53Go with God, honey.
00:27:54Yep.
00:27:55My method...
00:27:56It'll probably take about 20 to 30 minutes.
00:27:58Oh, that's fast.
00:27:59Mm-hmm.
00:28:01It is best if the loved one is not in the room.
00:28:03Oh, you don't want me here.
00:28:04It just allows the spirit to let go more easily.
00:28:07Of course.
00:28:07So I'll just ask you to be in another room for the 20, 30 minutes.
00:28:11Okay.
00:28:11And then I'll just let you know when it's done.
00:28:14So I'm going to go to my car and get some equipment.
00:28:16So if you just want to...
00:28:17I don't know if there are any kind of things you want to say to Skip.
00:28:19I've got some waiting to do.
00:28:19To let him go.
00:28:21Oh, absolutely.
00:28:21In peace.
00:28:22And then you can just go to the other room.
00:28:23I'll come back and I'll set him free.
00:28:26I'm so relieved.
00:28:27Okay.
00:28:27I'm so relieved.
00:28:28I didn't know what happened today, but thank you so much.
00:28:30Yeah, so I'll just run to my car and grab some of my equipment.
00:28:34Bye-bye.
00:28:35Bye.
00:28:47So is this the only thing you do when you come to these cleansings?
00:28:54Not to the clients.
00:28:57I mean, what's nice about smudging is that it leaves a physical, like a smell, you know,
00:29:06that something's happened.
00:29:07So it's like, it represents the spirit passing on.
00:29:11Smells good.
00:29:12Yeah.
00:29:16I mean, I get a lot of calls from, especially, it seems like a lot of widows.
00:29:21So I don't know what's going on there, if it's like, you know, women having trouble letting
00:29:27go or something.
00:29:28But, but you know, this does actually, I mean, it seems to help because, you know, they, I
00:29:37haven't gotten any complaints.
00:29:40We'll just hit in here.
00:29:42This is a nice touch because now her laundry will smell like sage and I'll be like, but
00:29:4720 to 30 minutes is still fast, but a reasonable amount of time to.
00:29:52To set a spirit free.
00:29:55Hey, Robert, I'll take this as well.
00:30:04Judy.
00:30:05Yes.
00:30:08Yes.
00:30:09Hi, Isabel.
00:30:10How did it go?
00:30:11Are you done?
00:30:12Yeah.
00:30:12Okay.
00:30:13All done.
00:30:13Well.
00:30:14So you can come out.
00:30:15That was pretty quick, wasn't it?
00:30:17Mm-hmm.
00:30:18Well, that was, that was easy.
00:30:20Huh?
00:30:20Yeah.
00:30:20Yeah.
00:30:21So I will invoice you.
00:30:22Okay.
00:30:23Okay.
00:30:23Great.
00:30:23I was going to ask.
00:30:25Yep.
00:30:26So I got your contact info and so you'll get that.
00:30:30Okay.
00:30:30In the email.
00:30:31Okay.
00:30:31All right.
00:30:32Okay.
00:30:33Isabel.
00:30:33Thank you so much.
00:30:34All right.
00:30:34Thanks Judy.
00:30:39Yeah.
00:30:40Okay.
00:30:41All right.
00:30:42You have a good day.
00:30:43Thanks.
00:30:44You too.
00:30:44Bye-bye.
00:30:45Thank you Judy.
00:30:47We got what we need, right?
00:30:48Yeah.
00:30:49Um.
00:30:50Wes said he has some news for us.
00:30:53Uh.
00:30:54Something to do with our school.
00:30:56Good.
00:30:58Good.
00:30:59I think.
00:30:59I mean, he'd only call when he got it, right?
00:31:01Yeah.
00:31:02That's what he says.
00:31:03So I have this idea.
00:31:05I think I can convince him, but if...
00:31:09Would you be open to joining the show?
00:31:14I think I can win him over.
00:31:17First of all, I don't think he's going to want that.
00:31:20I think he will.
00:31:21I think he will.
00:31:21But I also don't know.
00:31:22Like, what would I be contributing?
00:31:27You know, like...
00:31:27Just like keep him grounded.
00:31:28Some sort of human element.
00:31:31There's...
00:31:31I don't think I'm going to keep him grounded.
00:31:35I think you can.
00:31:37I don't think he's going to listen to me.
00:31:41I think it's worth a shot.
00:31:43Like, the worst thing you can do is tell you to leave.
00:31:46I mean, you've been trying to fix that relationship with him.
00:31:50Yeah.
00:31:52I mean, I don't...
00:31:53So it's the point...
00:31:54The point of this show is...
00:31:56To help us.
00:31:57Which is what he will do.
00:31:58But is it to, like...
00:31:59Is it to help him?
00:32:00Like, is it going to end up helping him?
00:32:02I think it will help him.
00:32:03And helping people.
00:32:04I think he wants to help people.
00:32:06Honestly.
00:32:06I don't know if he's doing it the right way.
00:32:11But I think truly that's what he wants to do.
00:32:14It's just been a long time since I've talked to him.
00:32:17You know?
00:32:19I did not think that this is how this day was going to go.
00:32:23Alright.
00:32:23Very exciting news, everybody.
00:32:25We have gotten permission to go to Lincoln School.
00:32:26It is an enormous abandoned building.
00:32:28Been abandoned for years.
00:32:30And I've always wanted to go and do a spiritual investigation there.
00:32:33And we got permission to go to that school.
00:32:36It took some aggressively charismatic emails.
00:32:38But we did it.
00:32:40And we're going.
00:32:41And that's our next haunt.
00:32:43Super excited.
00:32:45We're good.
00:32:46Good?
00:32:46Alright.
00:32:48Great job.
00:32:49So, the other day when you were doing your exorcism or deliverance or whatever it was,
00:32:55she mentioned that you killed someone.
00:33:00What was that about?
00:33:03During exorcisms, actually, demons will say a lot of things to try to...
00:33:07provoke everybody.
00:33:09So, it was nothing.
00:33:12It seemed like you knew what she was talking about.
00:33:18What I...
00:33:20If you saw recognition, it was that I recognized that this possession was legit.
00:33:27And it needed to be expedited.
00:33:31So...
00:33:32Yeah.
00:33:34Not gonna give us anything else?
00:33:36I'd give you something if there was more to give you.
00:33:40Jeff!
00:33:41Wes!
00:33:42Hey, welcome.
00:33:42So great to meet you.
00:33:43Thank you so much.
00:33:44Yes, I'm Jeff.
00:33:45I'm also known as the owner's manual.
00:33:48The owner's manual.
00:33:49Hey, I'm so...
00:33:49That's great.
00:33:50Come on in, guys.
00:33:51Oh, yeah, I'm so sorry.
00:33:52This is the crew.
00:33:53This is my producer, Randy.
00:33:55Producer.
00:33:55Never met a producer before.
00:33:57Here he is.
00:33:57This is great.
00:33:58This is Austin.
00:33:59He's our sound guy.
00:34:00Hey, Austin. How are you?
00:34:00Behind the camera, that's Rob.
00:34:02You know what?
00:34:02I'm so excited for you guys to meet her.
00:34:05Meet her.
00:34:05Yeah.
00:34:05You know, this place, it does need a facelift, but to me, it's the happiest place on earth.
00:34:10She?
00:34:10Oh, the building.
00:34:11It's her.
00:34:11Yeah, of course.
00:34:12Great.
00:34:12So anyway, let's get rolling.
00:34:14I have a few other engagements today, but I'm very happy to give you a tour and show
00:34:19you all the things we have to offer here.
00:34:21So...
00:34:22Um...
00:34:22Oh, I'm sorry.
00:34:23This is a closed...
00:34:25Is this...
00:34:26This is my sister, Isabelle.
00:34:28It's your sister, Isabelle.
00:34:29Okay.
00:34:30This is Jeff.
00:34:31Who else is gonna show up?
00:34:32That's a great...
00:34:33That's a great question.
00:34:35I'm the owner's manual.
00:34:35I'm the owner.
00:34:37And we have a beautiful tour.
00:34:39I'm ready to show you guys, but we gotta get moving.
00:34:42Yeah, yeah, yeah, of course.
00:34:43Believe it or not, I own more than one property.
00:34:45So, um...
00:34:46There's a lot of history to this place.
00:34:49Great, great.
00:34:50Um...
00:34:51Randy, let me talk to you for a second.
00:34:52No, let's keep going later, because he has to be busy.
00:34:54Uh...
00:34:55I understand that he's busy, but I just wanna have a quick word with you.
00:34:58It's really fast.
00:35:00So...
00:35:00You can cut.
00:35:01Uh...
00:35:01I'm sorry.
00:35:02Just a show thing.
00:35:03Is everything okay?
00:35:04I don't...
00:35:04We gotta talk about the framing here for a second.
00:35:06We are in view.
00:35:08Um...
00:35:08Did you do this?
00:35:09This building is the show.
00:35:09I'm trying to be as leany as I can here.
00:35:11This is my show.
00:35:12There's a time issue.
00:35:14Absolutely.
00:35:15Yeah.
00:35:15I just don't wanna cut your tour short.
00:35:17You know, so...
00:35:19Um...
00:35:19It's...
00:35:20Yep.
00:35:20No, no.
00:35:20Everything's great.
00:35:21Everything's great.
00:35:22Yeah, I'd rather spend time inside than out here.
00:35:25Yeah, me too.
00:35:25Even though the whole place is beautiful.
00:35:27But after you.
00:35:27Yeah.
00:35:29You're still recording.
00:35:30Great.
00:35:30Yeah, I can turn the light on.
00:35:31There.
00:35:32There we go.
00:35:34This...
00:35:35I think that looks better.
00:35:36Alright.
00:35:36Let's do it that way.
00:35:38So...
00:35:39Basically, he's just gonna do an intro to the episode.
00:35:42He's gonna talk to you about the building.
00:35:44Just give us a tour.
00:35:45Okay.
00:35:45Is this gonna be at the beginning of the movie or at the end of the movie?
00:35:48Uh...
00:35:48This is the opening to the show.
00:35:52Yeah.
00:35:52Show.
00:35:53Okay.
00:35:53Yeah.
00:35:54We're gonna give him a show.
00:35:56We're gonna give him a show.
00:35:58Let's do it.
00:35:59Hey, everybody.
00:36:00It's Wes Wheely here.
00:36:01Uh...
00:36:01Welcome to another episode of Infrared.
00:36:03I'm here with Jeff, the owner of the Lincoln School.
00:36:06Uh...
00:36:06Which you've seen or heard so much about.
00:36:10Um...
00:36:10Oh.
00:36:11This is adorable.
00:36:12Is this, uh...
00:36:13You know...
00:36:13An original...
00:36:14This supposedly, after midnight, serves fruit punch.
00:36:19Well, then, uh, we're in luck.
00:36:21Just fruit punch.
00:36:21Great.
00:36:22Nothing but fruit punch here.
00:36:23And water.
00:36:24Freshly brewed.
00:36:25Yeah.
00:36:25Water.
00:36:25Cool.
00:36:26All original.
00:36:26All authentic.
00:36:27Great.
00:36:28Just like this whole building.
00:36:29Terrific.
00:36:30We'll get a sponsorship from fruit punch.
00:36:32So the classrooms, they all kind of have their own story.
00:36:35This used to be the vice principal spot, but then it was taken over by Miss Schultz.
00:36:39Miss Schultz was a fascinating English teacher.
00:36:41She shared a lot of stories.
00:36:42Of course.
00:36:43Oh, thank you.
00:36:44Miss Schultz was, it was not the vice principal, but took over from the vice principal?
00:36:49Yeah.
00:36:49She was an English teacher.
00:36:50She would share stories of Germany and her time there.
00:36:54These quotes are scattered and written throughout.
00:36:57I always wondered what some of these things meant, but you might be able to detect more.
00:37:01But when were these written?
00:37:04They've come from all different times.
00:37:06I mean, hey, time is a big question mark, right?
00:37:08I want to kind of give you guys a basic feel.
00:37:11Now there was, the security guard did talk about this corridor here.
00:37:16When he would do his night watch, there was, he'd hear laughter.
00:37:19In this corridor?
00:37:20In this corridor.
00:37:21And a lot of times that would come from either bringing in, there was like a puppy in here,
00:37:25you would hear laughter.
00:37:26There was a child, you would hear laughter.
00:37:28So, just patterns of sound that pass through here.
00:37:32But this was a spot he would talk about that he would hear things.
00:37:35Just for the, so we have it, can you just show us upstairs as well, maybe more of the building?
00:37:40Hey, you gotta love a producer.
00:37:41He's always thinking up, right?
00:37:43He sure is always.
00:37:44This is gonna be a great movie.
00:37:45I have a great feeling.
00:37:47Yeah, yeah.
00:37:47He's worth every penny.
00:37:50The higher up we go, the more interesting it gets.
00:37:53Interest rises, right?
00:37:55Look at this.
00:37:56This is the happiest day of his life.
00:37:59That's what I do.
00:38:00I make people happy.
00:38:01So, there was an art class in here.
00:38:04A painter from Spain would come through.
00:38:06The light comes in at very interesting angles.
00:38:09He used to say that the sun burned was starting to kind of fry that part of the ceiling,
00:38:13so the ceiling's starting to come down.
00:38:15Interesting.
00:38:16He said this was, that was burned.
00:38:18That's why.
00:38:18I mean, the stories people come up with, we all kind of make up our own reality.
00:38:23That thing is bizarre.
00:38:25Apparently, it's turned on on its own.
00:38:27Oh, interesting.
00:38:28And even though that outlet doesn't work.
00:38:30It does.
00:38:30So, I don't know.
00:38:31Yeah.
00:38:31Is there electricity in the building at all?
00:38:33No, not right now.
00:38:35So, the exit sign must be on a backup kind of service.
00:38:39Uh, hey.
00:38:41Or on a generator.
00:38:42Maybe it's just a spirit.
00:38:44You're haunted.
00:38:45Right.
00:38:45Dr. Kenneth, when he was here, he would teach psychology, and he would walk into his classroom
00:38:54early in the morning.
00:38:55Nobody had been in here, and he would just smell like traces of smoke, cigarette smoke.
00:38:59I don't think the doctor did these.
00:39:01He's not really into ballerinas, but it's helped, you know.
00:39:06You never know.
00:39:07Again, there's just, there's codes here.
00:39:08It's almost like you're, you know, you go to one of those things called escape rooms or something.
00:39:12Yeah.
00:39:12It's like, that might be a code word, that might be nothing.
00:39:16Um, you know, hell, you could, you know, grab this here and write Mr. Jeff versus Wes the Hero.
00:39:28Wes the Hero.
00:39:29You see what he's doing?
00:39:30He's scoping everything out.
00:39:31You know, that's, that's the kind of person you need in your life.
00:39:34Yeah, that's why I've got him.
00:39:35He sees the big picture.
00:39:36That's where things happen.
00:39:37That's, that's right.
00:39:38He knows how to sculpt a narrative.
00:39:42It may not be Hearst Castle, but it's got character.
00:39:45One time this guy came in and he's like, wait, I feel really dizzy when I walked in.
00:39:49It's like, well, no shit.
00:39:50You had like two drinks before you came here, you know.
00:39:52So I always like to just see through the nonsense, but again, I'm open minded.
00:39:57I just haven't seen anything that's convinced me.
00:39:59Sure.
00:40:00In these, you know, not to, not to diminish your efforts, but, um, hopefully you find something that's concrete.
00:40:06Yeah, yeah.
00:40:06For maybe the camera.
00:40:08I want this movie to be good.
00:40:09Yeah.
00:40:09The show, the show is going to be a hit.
00:40:12Okay.
00:40:13Uh, but, uh, before you go, um, if you could, for the camera, there's been a lot of rumors,
00:40:19right?
00:40:19I've read about why the place closed down.
00:40:22And I would love to get you telling the camera the real story of...
00:40:27You want me to be the movie star?
00:40:28Okay.
00:40:29Yeah, yeah.
00:40:30You're going to be the star of this episode.
00:40:32Let's get all get closer.
00:40:33Yeah.
00:40:33Let's get a quick snap.
00:40:36Yep.
00:40:37Uh, so the school, again, it's a...
00:40:39Oh, wait, wait, wait, wait.
00:40:40I'm sorry.
00:40:40So I'm going to intro it and then I'll throw it to you.
00:40:43Hey, everyone.
00:40:44Wes Wheatley here.
00:40:46Welcome back to Infrared.
00:40:47We're here with Jeff, the owner's manual.
00:40:49Um, of Lincoln's school.
00:40:52And he's about to put those rumors to sleep.
00:40:55Uh, anyone who's been on the Facebook group page, we've all heard a lot of crazy things.
00:40:59So, Jeff.
00:41:00I'm a little nervous.
00:41:01Hey, I don't do this often, but yeah.
00:41:02Why did you get a baby?
00:41:02I'm not into the whole, like, whatever it's called, the Facebook.
00:41:05I just like to tell the cool hard truth.
00:41:07Uh, this is an amazing place.
00:41:09It's an inspiring place.
00:41:10A lot of great stuff has happened here.
00:41:12Uh, unfortunately, the school, um, closed down.
00:41:15There was a terrible, terrible tragedy, and it happened, um, in the lower level classrooms.
00:41:21There's a teacher, five students, and there was a gas leak, and they were like, they were trapped.
00:41:27And I just, it's, you know, it's hard for me to, it's hard for me to talk about it.
00:41:33I, I don't know.
00:41:34But, but...
00:41:35So, it was like the, did you say the lower level classrooms?
00:41:38What I, I had read that it took place in the, in the basement.
00:41:41Well, you, there's all kinds of, you know, stories that people tell, but it was the lower level.
00:41:46And it was a horrible tragedy, and I still try to...
00:41:50Jeff, would you be able to say it one more time, and just say that it was the basement?
00:41:53Say that it happened in the basement?
00:41:56The, so, yeah, the basement, it closed the school down.
00:41:59And my wife, she's an amazing teacher as well, but we, we try to, we want this place to come
00:42:03back to life.
00:42:04Because we can't live in the past, we want to live in the future.
00:42:06And we go to these groups, and we talk about moving forward.
00:42:10And, and one of the theories is, you know, you gotta forge ahead, and you gotta kick ass, and you
00:42:14gotta move forward.
00:42:14And that's, we're trying to come back bigger and better, and, and that's, uh...
00:42:17Did your wife work here also?
00:42:19She taught here, yeah, she taught here.
00:42:21She did, she was a teacher here.
00:42:22She was a teacher here.
00:42:23Well, not, like, right there, but...
00:42:26What's, uh, what did she teach?
00:42:27Oh, she's a...
00:42:28Oh, my God.
00:42:29She's just the most amazing music teacher.
00:42:31Wow!
00:42:32I mean...
00:42:33Does she still teach?
00:42:34She's so great, she almost taught me how to play one note of guitar.
00:42:37I guess she got me to play the Twilight Zone, but dude, that's all I could learn how to play.
00:42:41Oh, wow.
00:42:41She's, yeah, she's a, she's a very passionate music teacher.
00:42:43Did she teach, like, all different levels of music?
00:42:46I mean, like, kindergarten to all that?
00:42:48She can do, she can do everything, yeah.
00:42:50She's just, she's brilliant.
00:42:51But anyway, I'm, I'm, I'm taking, I'm kind of taking over your show here.
00:42:54No, no, no.
00:42:55You're doing such an awesome job.
00:42:57In fact, if we could, um, what would be terrific would be if we could actually get access to
00:43:03the basement, um, because I'm not sure if you know this, but for the show, it's true
00:43:09that the, um, the point of a trauma or a tragedy, uh, fosters the most vulnerable space for spiritual
00:43:19activity.
00:43:20Um, so.
00:43:21Well, it's, you know, last I know, it's, it's a storage unit.
00:43:23It's got a bunch of junk in there from when the school closed.
00:43:25Sure.
00:43:26So it's not, it's, you know, it's not like anything like this, you know, but, uh.
00:43:29No, no, no.
00:43:30And this is great.
00:43:30I cannot wait to, I mean, trust me, we're gonna, every inch of this place, we're gonna,
00:43:34we're gonna get to it, but.
00:43:36You know, I gotta run.
00:43:37If, if you really want to, if, uh, you know, one of these, I think, gets, will get you in
00:43:41there.
00:43:42Into the basement?
00:43:42Uh, yeah, I can't make any promises, I don't, it's.
00:43:45But, uh, anyway, I, I gotta run.
00:43:47Yeah, yeah.
00:43:48Tay, I wish you guys all the success in the world.
00:43:50Thank you so much, really, really appreciate this.
00:43:53I'll be, uh, I'll be around.
00:43:56So, make yourselves at home.
00:43:58Okay.
00:43:58And, uh, you know, let me know if you need anything.
00:44:01Great.
00:44:01Be safe.
00:44:02Yeah, thank you so much.
00:44:07Did, did you know she was gonna be here?
00:44:10You did?
00:44:11Yeah.
00:44:13Did he tell you?
00:44:14I mean, how did you know?
00:44:17He, we, I mean, you gotta find out.
00:44:20We shot with her the other day.
00:44:22Randy thought that.
00:44:24You shot with her the other day.
00:44:28Randy didn't feel the show was as dynamic as it could be.
00:44:32And, uh, so.
00:44:34Is he recording all this?
00:44:35To use an old saying, kind of, get the band back together.
00:44:40Uh-huh.
00:44:40I mean, like, would it not be nice to hang out with your sister again?
00:44:45No.
00:44:45No, it would not be nice.
00:44:47Otherwise, I'd have her here.
00:44:49She is here.
00:44:51I would have invited her here, I mean.
00:44:54I'm gonna go get some B-roll.
00:44:57Okay.
00:44:58Sure.
00:44:58Make some good music with the old band.
00:45:02All right.
00:45:03All right.
00:45:06So.
00:45:07Can I really help if you stay here?
00:45:09How is it?
00:45:24All right.
00:45:25All right.
00:45:26Yeah.
00:45:28So can you tell us about what you're doing right now?
00:45:32Right now I'm setting up a camera that has infrared capacity to film this hallway.
00:45:39Cool.
00:45:39Okay.
00:45:39So what we're gonna do, we're gonna do an intro with you and Isabel.
00:45:43Um, so we're gonna go get her now.
00:45:46Wait.
00:45:47What are you talking about?
00:45:48We're gonna do an intro with me and Isabel?
00:45:50This is my show.
00:45:52This is my show.
00:45:52You want a good show?
00:45:53This is what I do.
00:45:54We're gonna do a good show with the building right now.
00:45:56I don't need her.
00:45:56We can do the intro.
00:45:57You two in the building.
00:46:00What the fuck?
00:46:00Double the breakers.
00:46:04Let's do this.
00:46:05You're gonna love it.
00:46:07Trust me.
00:46:08Trust me.
00:46:08I do this for a living.
00:46:12I got you off fucking Craigslist you do this for a living.
00:46:15Sure, bring her up.
00:46:19Take it away Wes.
00:46:21Give me an action.
00:46:24Action.
00:46:25Hey everybody, it's Wes Wheatley here.
00:46:28And...
00:46:28Izzy Wheatley.
00:46:30And, uh, we're here at the Lincoln School, um, where we are looking to...
00:46:39That sucks.
00:46:40Hey everybody, it's Wes Wheatley here.
00:46:43I'll just fucking do it.
00:46:44Just let me roll into it.
00:46:45Hey everybody.
00:46:46Hey everyone.
00:46:48Hey everyone, Wes Wheatley here.
00:46:50Uh, and...
00:46:51Izzy Wheatley.
00:46:52And we're here at Lincoln School.
00:46:54Uh, which has been such a dream come true.
00:46:57Being able to get into this facility.
00:46:59I wanted to get in here for the last 10 years.
00:47:01And here we are.
00:47:03What about if you two do together?
00:47:04If you, Izzy, you start and you...
00:47:07Just explain the camera together.
00:47:10And this is an infrared camera...
00:47:15...that Wes set up.
00:47:19Ah.
00:47:21So...
00:47:21Wes, do you wanna say some more about it?
00:47:23That's what it is.
00:47:24It's an infrared camera that I set up.
00:47:31Oh, man.
00:47:41Randy, did you talk to him?
00:47:42Uh, I'm not at the chance yet, but I'm gonna talk to him.
00:47:46We go.
00:47:47This isn't working.
00:47:49This...
00:47:50Randy, it's not helping.
00:47:51I'm not helping.
00:47:52You said I was coming to help.
00:47:53How is this helping?
00:47:55Make it work.
00:47:57How?
00:47:58He needs more confidence.
00:48:00I think you can give him that confidence.
00:48:03It's not...
00:48:03I can't do that.
00:48:05I'm not...
00:48:05How am I gonna give him confidence?
00:48:07He needs your acceptance.
00:48:10I think he's just lacking something.
00:48:12I think...
00:48:14I think you can help.
00:48:15I mean, if...
00:48:19He doesn't wanna talk to me.
00:48:20He hasn't wanted to talk to me for two years.
00:48:22You wanna help him, right?
00:48:24Yeah.
00:48:27Do you have to do that now?
00:48:29What will help him is if the show will work.
00:48:32Because it's not working at the moment.
00:48:34Right.
00:48:36We want it to work as well.
00:48:37Let's work together.
00:48:38Let's make this happen.
00:48:42I mean, I'll try talking to him.
00:48:44I don't think he'll talk to me, but...
00:49:04Why did you decide to come, by the way?
00:49:08Because Randy said that it would...
00:49:10That I would help.
00:49:11He said that you would help?
00:49:13With the show?
00:49:14Yeah.
00:49:15Like a crew member?
00:49:16Like a crew member?
00:49:17I would help.
00:49:18Help doing what?
00:49:20I don't know.
00:49:21I mean, that's why I told him I was gonna leave.
00:49:23Are you gonna leave?
00:49:26I mean, I will if you want me to.
00:49:33You might as well leave.
00:49:35Because...
00:49:37Uh, this show is a sinking ship.
00:49:41You're trying to be fucking crazy.
00:49:44But...
00:49:46But you were really good at this stuff.
00:49:49No.
00:49:50You do not think that.
00:49:53I do.
00:49:53I do.
00:49:53You never thought that.
00:49:55I do.
00:49:55You've been doing this since we were like...
00:49:57I mean, you were like six years old.
00:50:00And you were like,
00:50:01The Wes Wheatley Show, this has been your dream forever.
00:50:03And now we're finally here.
00:50:06You made it to the Lincoln School,
00:50:08which nobody has been able to get into.
00:50:10And you did that.
00:50:11You're here for a reason.
00:50:14But the show is going terribly.
00:50:18I was the first one to get in here,
00:50:20and now I can fuck it up.
00:50:22But it's your first show.
00:50:24You've never done this before.
00:50:27So, of course, you're not gonna be like...
00:50:29You gotta figure it out.
00:50:30But...
00:50:31But you were made to do this, Wes.
00:50:35And you might...
00:50:39Drive me crazy, but...
00:50:41That's true.
00:50:43I thought the camera would be on,
00:50:45and it'd be like,
00:50:45Boom, boom, boom, boom, boom.
00:50:47Like when I was a kid.
00:50:50Do you remember your...
00:50:51Your motto?
00:50:54I'm Wes Wheatley, and I can't lose.
00:50:58Well, it hasn't felt like that.
00:51:01Well...
00:51:04Let's get back in there.
00:51:09You're gonna...
00:51:10You wanna stick around?
00:51:12You wanna be part of the Wes Wheatley Can't Lose Show?
00:51:17Let's just get in there and do the show.
00:51:20I'll do that.
00:51:25If you admit...
00:51:27You feel something in here.
00:51:31Isabelle, don't fuck around with me.
00:51:33It's drafty.
00:51:38It's an old drafty school, that's true.
00:51:40Well, let's get down to the fucking drafty basement.
00:51:43And find some goddamn ghosts.
00:51:46Hey everybody, welcome back to Infrared.
00:51:47I'm Wes Wheatley, and I'm here with...
00:51:49Izzy Wheatley.
00:51:50Izzy?
00:51:51Wheatley?
00:51:53How about some pep?
00:51:55One more time.
00:51:56Excellent.
00:51:57Hey everybody, welcome back to Infrared.
00:51:58I'm Wes Wheatley, and I'm here with...
00:52:00Izzy Wheatley!
00:52:01And we are here at the basement door.
00:52:03So let's go inside.
00:52:05You might recall,
00:52:06but this is the location where the gas leak took place,
00:52:10that actually saw the building condemned,
00:52:13where a teacher and five students were killed,
00:52:16making this the most vulnerable place in the building
00:52:18for spiritual activities.
00:52:20These keys don't work.
00:52:21I need you to call Jeff and tell him that the basement key
00:52:24isn't here.
00:52:26Just tell him to bring all of the building keys down,
00:52:29so that one of the keys will...
00:52:31Can you do that?
00:52:34Okay.
00:52:35Okay.
00:52:36Okay.
00:52:37Back upstairs.
00:52:38Flash lights up.
00:52:41Alright, ready?
00:52:42Welcome back...
00:52:45to Infrared.
00:52:46Infrared.
00:52:47Say it with me.
00:52:48Welcome back...
00:52:49to Infrared.
00:52:50to Infrared.
00:52:51We'll work on that.
00:52:53I've got my EMF meter,
00:52:54and what we're doing currently
00:52:57is we're gonna be roaming the dark hallways
00:53:01of Lincoln School here,
00:53:04and we're gonna be using this EMF meter
00:53:09as our trusty guide
00:53:10to see where we can start to pick up
00:53:14on some electromagnetic frequencies.
00:53:32It smells, isn't it?
00:53:34Yeah.
00:53:36Is that quite a common thing?
00:53:38It is.
00:53:40It's a common thing in an old abandoned location.
00:53:55I think this is the location,
00:53:57the room where you mentioned
00:53:59that there's a security guard
00:54:01that comes around
00:54:02that sometimes smells cigarette smoke.
00:54:05Yeah.
00:54:11I think that this is probably nothing,
00:54:15but let's bear the name Hannah in mind.
00:54:18So Izzy, do you know how to use an EMF meter?
00:54:22You just hold it.
00:54:25That's true.
00:54:26Right?
00:54:27Yeah.
00:54:28Although Izzy's job
00:54:29is not using the EMF meter
00:54:32because anyone can do that.
00:54:33Izzy's job is to trust her intuition
00:54:39because Izzy is intuitively
00:54:42far more sensitive to the spirit realm
00:54:45than any of the instruments that I have.
00:54:48Izzy, in fact, is the reason...
00:54:49I'm just going upstairs.
00:54:51Izzy is the reason
00:54:52that I started doing this in the first place.
00:54:54Okay.
00:55:11Okay.
00:55:16Whoa, whoa, whoa, whoa.
00:55:19All right.
00:55:21We're getting some interesting activity up here.
00:55:26Okay, let's see if it gets stronger as we move up, okay, some very interesting fluctuations
00:55:36right now, whoa, whoa, whoa, 20, getting really high numbers right now.
00:55:59Okay, come on.
00:56:40Okay, okay, oh my god.
00:57:02That sounded like a locker.
00:57:05Okay.
00:57:05Okay.
00:57:06Okay.
00:57:06Okay.
00:57:07Okay.
00:57:07Okay.
00:57:07Okay.
00:57:16Okay.
00:57:42Okay.
00:57:45This is the most fractured signal I've ever seen.
00:57:55Okay.
00:57:55Okay.
00:58:16Look at that.
00:58:20Look at those fucking numbers.
00:58:23Holy shit.
00:58:29Holy shit.
00:58:31Holy shit.
00:58:33Okay.
00:58:35Good.
00:58:37Is he?
00:58:38Is he?
00:58:44Okay.
00:58:45Okay.
00:58:46Okay.
00:58:46Let me turn this off.
00:58:47Okay.
00:58:48Talk to me.
00:58:50What are you feeling?
00:58:54Is he?
00:58:55What are you feeling?
00:58:56Is he?
00:58:58Huh?
00:59:01Where?
00:59:02Where?
00:59:02Where?
00:59:03Where?
00:59:03Show me.
00:59:08Is he staying with it?
00:59:10Show me.
00:59:11I don't know.
00:59:12I don't know.
00:59:13I don't know.
00:59:14I don't know.
00:59:14Come on.
00:59:14It's okay.
00:59:15It's okay.
00:59:16You're okay.
00:59:16I don't know.
00:59:17Stay open.
00:59:19Okay.
00:59:20Uh...
00:59:20It's okay.
00:59:23Where's the spot?
00:59:28Show me where it is.
00:59:36It's right here.
00:59:38It's right here.
00:59:39It's right here.
00:59:40Right here?
00:59:41Yeah?
00:59:43Okay.
00:59:44Uh...
00:59:45Okay, so...
00:59:47It's right here.
00:59:49We can come, we're gonna get set up here.
00:59:51We're gonna get set up here.
01:00:02Are there any spirits present in this room?
01:00:07We invite you to communicate with us.
01:00:21Is there any spirits in this room now?
01:00:23We invite you to communicate with us.
01:00:30Izzy.
01:00:34I can't hear it.
01:00:36Huh?
01:00:37I can't hear it.
01:00:39What are you talking about?
01:00:40I can't hear it.
01:00:42Hey.
01:00:46Izzy.
01:00:52Are you getting something?
01:01:00Can we stop please?
01:01:03Izzy.
01:01:03No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:01:06I want to stop please!
01:01:08Izzy.
01:01:09Please, please, please!
01:01:11Hey, hey.
01:01:12I'm so mad.
01:01:15Stop it.
01:01:15Stop it.
01:01:15Stop it.
01:01:16What?
01:01:17What?
01:01:17What?
01:01:33I'm not going back in there, that was so dark, you don't know, you didn't feel it, that's true, I
01:01:43know, listen, I know, I understand,
01:01:47you're the one with the gift, okay, and it is a gift, which is why I need you, no, this
01:01:57is what you do, you like using other people for your entertainment, that's not true, that's what you did with
01:02:02that guy, that's why he died, what happened with that guy, I felt fucking terrible about, alright, I was naive,
01:02:08I didn't know what I was doing, no, this is exactly what you like to do, you like to stir
01:02:12shit up, you stir up all the stars, that's exactly what your show is all about, it's not,
01:02:17listen, you completely misunderstand my interest, okay, the show is not about trying to stir any darkness out, my interest
01:02:25has always been, always been, trying to find out how to be able to set that dark realm free,
01:02:35that's true, that's true, and from what I have seen, the way that you do that is by acknowledging them,
01:02:41let them be seen,
01:02:48But I cannot do that on my own, I need you, so, can we please, Izzy, please, please, you please
01:03:02go back in there with me, and help me find a way to give this place some peace,
01:03:08please, you, you felt it, okay, come on, come on, just give me a second, okay, alright, hey guys, break's
01:03:32over, we're gonna go back in, okay,
01:03:34okay, can we ask you a few questions, if you're okay with it, what happened up here,
01:03:55sometimes, um, sometimes I'm able to feel spirits, so, the dark ones are, uh,
01:04:14it's really hard, they're really, um,
01:04:25there's just a lot of pain, and fear, and it's, uh, it's just overwhelming,
01:04:36What's the one up there, bad?
01:04:41And you didn't feel anything, please?
01:04:45Not like that, I mean, I've, sometimes there's a little something, but it's, it's nothing like, um, Izzy's got a
01:04:52gift.
01:04:55That was the biggest reaction I've seen.
01:04:57I've seen a react.
01:04:58When we were young, it was, yeah.
01:05:03We didn't know what was going on, but that was a big one.
01:05:13I think this is a troubled space.
01:05:19What happened two years ago?
01:05:20Was it something like this?
01:05:22I didn't want to talk about that.
01:05:24Okay.
01:05:25If you feel uncomfortable, that's fine.
01:05:30Thank you, Izzy, for talking to us.
01:05:34Okay.
01:05:37Okay.
01:05:40Okay.
01:05:41Hey, Austin, is your sound equipment okay?
01:05:44Yeah, we're good.
01:05:44You said it got fucked up or something?
01:05:47Yeah, we had some interference, but I checked it out loud.
01:05:49We're good to go.
01:05:50Okay.
01:05:50Great, great, great.
01:05:51Are you recording?
01:05:52Go ahead.
01:05:52Okay.
01:05:53So here we are at the camera that I set up in the hallway.
01:05:58The battery is dead, so I'm just going to do a quick battery change here.
01:06:08And once I get it on, I'm going to scrub through some of the footage to see if anything occurred
01:06:14during the time that we were in there.
01:06:16All right.
01:06:17So I'm just going to jump to the approximate time that we had that activity in the other room.
01:06:24Uh, I'm looking for...
01:06:25Holy shit.
01:06:26Holy shit.
01:06:27Izzy, come here.
01:06:28Look, look, look, look.
01:06:33Did you see that orb?
01:06:36Did you see that?
01:06:37Yeah.
01:06:38Rob, did you see that orb?
01:06:39Yeah.
01:06:43Oh.
01:06:45Holy shit.
01:06:47Oh my God.
01:06:50That was this door.
01:06:51We were in that room and a door slammed, right?
01:06:54But that slammed in that.
01:06:55This is a different door.
01:06:57Izzy, Izzy, come here, come here.
01:06:58Is your infrared on?
01:07:00I can turn it on.
01:07:00Turn on the infrared.
01:07:01All right.
01:07:02Okay.
01:07:02Rob, I need you, um, while you're looking at it, right, you're also scanning for orbs.
01:07:08You saw that orb on the, on the camera, right?
01:07:11Yeah.
01:07:11That's the kind of thing that you're looking for.
01:07:13Izzy, how you feeling?
01:07:15Rob, scan this room.
01:07:16See if you can see anything.
01:07:25Okay.
01:07:28Izzy, do you feel anything?
01:07:37No?
01:07:38Fuck.
01:07:39What the fuck?
01:07:40Okay.
01:07:41Rob, with your infrared, I need you scanning, looking for, um, obviously, anything out of
01:07:48the ordinary, but the, but there's, there's kinds of orbs.
01:07:51That's really what you're looking for here.
01:07:52Izzy?
01:07:53Here.
01:07:54Let's also walk around.
01:07:55Okay.
01:07:56You're our barometer.
01:07:59What do we do if we find a orb?
01:08:01If you find a orb, you let me know exactly where you saw it.
01:08:14Izzy, are you getting anything?
01:08:17I don't know.
01:08:21Relax into it.
01:08:23Can you, wait a minute.
01:08:25Can you relax?
01:08:26I don't think I'm getting anything.
01:08:29Wes?
01:08:30Oh.
01:08:32What is it?
01:08:35I don't know.
01:08:38It looks like a camera.
01:08:40Is this one of ours?
01:08:41Oh.
01:08:42It's not one of mine.
01:08:44Does it have a card in it?
01:08:45Yeah.
01:08:47What the fuck is it doing here?
01:08:50Right.
01:08:50What would have done?
01:08:51It must be Jeff's, right?
01:08:53He's the only one who's in here.
01:08:55How would Jeff put a camera there?
01:09:00I think he's watching us.
01:09:02Where was it?
01:09:03Up here?
01:09:03Yeah, it was right here.
01:09:05It was right here.
01:09:05It was pointing right over there.
01:09:10It was pointing right here where all of the main activity happened, right?
01:09:17Can we do a quick, um, let's do a quick scan.
01:09:20Let's use your camera light here and just do a quick scan to see if we can find any more
01:09:24of these cameras.
01:09:26Because, uh, if Jeff isn't watching us, I want to know why.
01:09:34Hey, everybody.
01:09:35We're downstairs now.
01:09:36And, um, we found another one of these cameras sitting here, uh, hidden down on this outlet.
01:09:44And it's pointing at the entrance of the building.
01:09:47We're gonna pop the card reader out and we're gonna take a look at what's on this and the other
01:09:51camera and see if there's anything, um, interesting.
01:09:55A woman turned on, uh, this little camera and she set it up.
01:09:59She positioned it on that ledge and this is what the camera's filming.
01:10:03What it is that she's doing, why she set up the camera, uh, where she is in the building.
01:10:09Oh, here she is.
01:10:15So this is the area where those lockers are?
01:10:21So this is the space where everything happened when, when we were up there.
01:10:28Okay, looks like she's coming down.
01:10:33She is.
01:10:36Oh, God.
01:10:36Oh, God.
01:10:37Oh, what the fuck?
01:10:39Holy shit.
01:10:42That was it.
01:10:44What?
01:10:45That was it.
01:10:46That was it.
01:10:47Yeah.
01:10:51That had to be it.
01:10:52That had to be what I felt.
01:10:54That's Jeff.
01:10:56Is that Jeff?
01:11:00Oh, shit.
01:11:01Okay.
01:11:02I'm gonna put on the other card.
01:11:04Well, we're the only ones allowed in here, right?
01:11:08I mean, he...
01:11:10Yeah, that's right.
01:11:11Jeff said nobody else is, nobody else comes in here, right?
01:11:15He said nobody else is coming in here.
01:11:18We're scrubbing through.
01:11:20Is it the lower level?
01:11:22But why was she setting up cameras?
01:11:24I don't know.
01:11:25That's, I mean, that's the question.
01:11:27Is she trying to...
01:11:28Is she looking for ghosts?
01:11:30Is she looking for him?
01:11:33Fuck.
01:11:37Oh, God.
01:11:39Jeff, what the fuck are you goddamn doing?
01:11:45Wes, we have to call the police.
01:11:46No, no, no, please.
01:11:48No, please.
01:11:49Call the police, Dana.
01:11:50We have to call the police.
01:11:50We're gonna lose the show.
01:11:51What?
01:11:52Call the police.
01:11:53We're gonna lose the show.
01:11:54Who gives that shit about the show?
01:11:55Whoa, whoa, whoa, whoa.
01:11:56Randy, she's right.
01:11:58The...
01:11:58We are absolutely going to be calling the police,
01:12:01and we're gonna be turning over this.
01:12:02We're gonna be turning over all of the footage that we have.
01:12:05This is a fucking crime scene, man.
01:12:07Okay?
01:12:09But Izzy...
01:12:13It's also true that if we call the police right now,
01:12:16they're gonna come, they're gonna lock up the building,
01:12:18and all of the darkness that exists in here right now...
01:12:23is gonna stay.
01:12:27Whatever happened 12 years ago,
01:12:29whatever bad shit happened just now,
01:12:31is gonna keep on happening.
01:12:34Wes, I have never felt anything this strong.
01:12:37Like, not even two years ago.
01:12:39That was, like, nothing compared to this.
01:12:43I think we need to just call the police.
01:12:49Izzy,
01:12:51I'm afraid that if we don't do something now...
01:12:57nobody's going to.
01:12:59Nobody's done anything for the last 12 years.
01:13:04And once the police find out
01:13:07about whatever it is that's been happening in here...
01:13:09We don't even know where it is.
01:13:12We know where it is.
01:13:17It's in the fucking basement.
01:13:18That's why he didn't want us down there.
01:13:20Did you get a hold of Jeff?
01:13:22With the key?
01:13:23Yeah, I don't think we want to be talking to Jeff.
01:13:25I was just curious if he came by with it.
01:13:29I could just pick the lock if you guys want.
01:13:32I don't know.
01:13:32You can pick locks?
01:13:34Yeah.
01:13:35You can pick that lock?
01:13:38I think so.
01:13:44Okay.
01:13:44Then, uh, we pick the lock.
01:13:47We film it.
01:13:49And we cleanse this space.
01:13:52And then we turn everything over to the cops.
01:14:10Got it.
01:14:13Okay.
01:14:16Okay.
01:14:28Okay.
01:14:51Can you feel it?
01:14:53No.
01:14:54Yeah?
01:14:55It's here.
01:14:57OK.
01:15:04Open it!
01:15:06Come on, come on, fuck it.
01:15:09Come on.
01:15:12Come on.
01:15:12Come on.
01:15:12Come on.
01:15:13Shit.
01:15:36It's this way.
01:15:38It's OK.
01:15:42It's OK.
01:15:47OK.
01:16:02Oh, God.
01:16:09It's here.
01:16:11It's here.
01:16:15It's here.
01:16:18Can you shine your light in there?
01:16:21I have to go in there.
01:16:23You have to go in there?
01:16:24Yeah.
01:16:25OK.
01:16:30OK.
01:16:30OK, OK.
01:16:31Izzy, you're doing great.
01:16:31You're doing great.
01:16:34OK.
01:16:35Find the spot.
01:16:40It's right here.
01:16:40Is this it?
01:16:41Yeah.
01:16:42OK.
01:16:43Go, go, go.
01:16:44OK.
01:16:45Spirit, we summon you to commune with us in this space.
01:16:49OK.
01:16:49Oh, God.
01:16:51Spirit, we invite you.
01:16:55We invite you to communicate with us in this space.
01:17:00OK.
01:17:02OK.
01:17:03OK.
01:17:05OK.
01:17:06OK.
01:17:09OK.
01:17:09Easy.
01:17:11Easy.
01:17:12Turn it off.
01:17:13You've got to turn it off.
01:17:16Turn it off.
01:17:17Are you okay?
01:17:18Yes.
01:17:18Okay?
01:17:19Are you okay?
01:17:20Yes.
01:17:20All right, let's go.
01:17:21I'm okay.
01:17:22Who's Randy?
01:17:22Hold on, hold on, hold on.
01:17:24Randy!
01:17:24Randy!
01:17:25Randy!
01:17:25Come on, we gotta go!
01:17:27Where is he?
01:17:28Randy!
01:17:30Randy!
01:17:31We gotta go!
01:17:33Fuck!
01:17:34Rob, come on!
01:17:35Randy!
01:17:36Fuck!
01:17:37He's a hell of it, come on.
01:17:38Randy!
01:17:39We gotta go!
01:17:40We gotta go!
01:17:41Randy!
01:17:42Fuck.
01:17:42Okay.
01:17:43Hey!
01:17:43Give me some of them.
01:17:47Oh, Jesus Christ!
01:17:49Get off!
01:17:50Get off!
01:17:52Get off!
01:17:52Get off!
01:17:56Get off!
01:17:57Get off!
01:17:58Get off!
01:17:58Get off!
01:17:58Oh, my gosh!
01:18:00I gotta go just in here.
01:18:01I gotta go just now.
01:18:07Come back!
01:18:08Come back, come back!
01:18:09Get some shit!
01:18:13This thing is on.
01:18:19Stop working.
01:18:21Let me try, let me try.
01:18:25Where are you going?
01:18:28There's nothing here.
01:18:32Guys.
01:18:34What are you getting out of here?
01:18:36Rob!
01:18:36Shit!
01:18:37Get away!
01:18:38Oh my god!
01:18:40Go!
01:18:41Go!
01:18:42Oh my god!
01:18:42Let's go!
01:18:43Let's go!
01:18:44What did you see?
01:18:45He's lying!
01:18:46Let's go!
01:18:47Rob, what did you see?
01:18:58Hold the door!
01:18:59Get the door!
01:19:00Get the door!
01:19:01Hold the door!
01:19:04Okay, okay, okay!
01:19:06What's this?
01:19:07Light, rise!
01:19:08Out of darkness!
01:19:09Let light rise!
01:19:11Let light rise!
01:19:12Out of darkness!
01:19:14Let light rise!
01:19:16Let light rise!
01:19:16Out of darkness!
01:19:17And we not banish you!
01:19:19Let light rise!
01:19:21Let light rise!
01:19:22Let light rise!
01:19:23And we not banish you!
01:19:25Let light rise!
01:19:27Come on!
01:19:28Come on!
01:19:30Okay, let's go.
01:19:31Let's go!
01:19:32Let's go!
01:19:33Oh!
01:19:34God.
01:19:35Shut up!
01:19:36Oh shit!
01:19:38Jeff, what the fuck?
01:19:40What did I tell? Hey, don't play games.
01:19:43I'm not playing games.
01:19:44Don't play games with me.
01:19:45What did I tell you?
01:19:46I swear to God, I'm not playing games with you.
01:19:48What did I tell you?
01:19:48There was nothing down here.
01:19:51What did you do?
01:19:52You disrespected me on the owner's manual.
01:19:54I let you in here.
01:19:55Jeff, I'm so sorry.
01:19:56I did not mean to disrespect you.
01:19:57What were you doing in there?
01:19:59You know what?
01:20:00You made a mockery of me.
01:20:02You wanted a show.
01:20:03You brought these clowns in here to make a fucking show.
01:20:06You better fucking keep recording because we got a show coming.
01:20:10You wanted a show.
01:20:11You got it.
01:20:11But I'm the fucking producer this time.
01:20:14All right?
01:20:14I'm the producer.
01:20:15It's my show.
01:20:16You're the producer.
01:20:17I'm the producer.
01:20:18Why are you fucking recording me?
01:20:20You're the producer.
01:20:20You fucking asshole.
01:20:21I saw your attitude when you walked in here.
01:20:23You were making fun of me.
01:20:25Jeff, Jeff.
01:20:26I own you guys now.
01:20:27Jeff, just tell us what you need, man.
01:20:29Just tell us what you need.
01:20:31We'll do whatever you want.
01:20:32You wanted a show.
01:20:33That's what we're going to do.
01:20:34Get fucking moving.
01:20:35Right now.
01:20:36Okay.
01:20:37Get moving.
01:20:37Okay.
01:20:38All right?
01:20:3915 minutes of shame starts right now.
01:20:41You're the producer.
01:20:42Yeah, I'm ready for my close-up.
01:20:43I've been ready for my close-up.
01:20:45Let's go.
01:20:47Wes, you're no hero.
01:20:48You're a fucking coward.
01:20:49You're a fake hero.
01:20:51You're a false idol.
01:20:52You're right, man.
01:20:53You're just one big Facebook group.
01:20:55That's what I fucking hate about Facebook.
01:20:57You're right, man.
01:20:58I'm so sorry.
01:20:59I'm sorry.
01:21:00Oh, hey!
01:21:03In here.
01:21:04Where do you think you're going?
01:21:04You're just driving.
01:21:06You're driving around my place.
01:21:07You're acting like you own the place.
01:21:09What am I?
01:21:10You're right.
01:21:11You're right.
01:21:11We're trying to follow you in the direction.
01:21:12We're in here.
01:21:13This is just ridiculous.
01:21:14Okay.
01:21:16Hey, right through there.
01:21:17Come on.
01:21:18It's beautiful.
01:21:19It's a beautiful sound.
01:21:20Yeah.
01:21:20Come on.
01:21:21It's a great sound stage.
01:21:22Let's go.
01:21:24It's the scene of the crime.
01:21:25Hey, Isabelle.
01:21:26Come on.
01:21:27You wanted a show.
01:21:27What's your...
01:21:29Come on, Isabelle.
01:21:30Hey, come on.
01:21:31Come on.
01:21:31Let's move the light out here.
01:21:33Let's help the sound guy.
01:21:34Hey, is the sound okay?
01:21:35Yeah, it's fine.
01:21:35Okay, great.
01:21:36So let's...
01:21:37Isabelle, come on.
01:21:38Come on.
01:21:38Let's save this for the show.
01:21:40You're giving away all your emotion.
01:21:42Like, you gotta teach these guys everything.
01:21:45Come on.
01:21:45Cameron, come on.
01:21:46You don't have to do this.
01:21:46This is going way too slow.
01:21:48Way too fucking slow.
01:21:49You don't have to do this, okay?
01:21:50Whatever you...
01:21:51Whatever you...
01:21:52No.
01:21:52We got a show to do.
01:21:54Okay.
01:21:54Okay.
01:21:54Enough bullshitting.
01:21:56It's slight.
01:21:57Come on.
01:21:58Stop stuttering.
01:21:58What the fuck's your problem?
01:21:59You're up there.
01:22:00You're asking about the basement.
01:22:01Oh, my God.
01:22:02You're a big show off.
01:22:03When the camera's on, you don't know how to shine.
01:22:05That's the problem.
01:22:06Jeff, I'm ready.
01:22:07I'll do the show, man.
01:22:08Okay.
01:22:08Okay.
01:22:08Ready?
01:22:09Yes.
01:22:09Yes.
01:22:10Action.
01:22:11Okay.
01:22:12Hey, everyone.
01:22:13It's Wes Wheatley here.
01:22:14Welcome back to Infrared.
01:22:16We're here.
01:22:17We're here.
01:22:17What did you see?
01:22:18What did you find?
01:22:19What are you doing here?
01:22:20All right.
01:22:20We're here.
01:22:21We're here at the Lincoln School.
01:22:23And with Jeff.
01:22:24Who introduced you here?
01:22:25We're here with Jeff who introduced us.
01:22:27Yeah.
01:22:27To the school.
01:22:28He brought us down here for the show.
01:22:30And so now we're down here.
01:22:32We're doing the show.
01:22:33And Jeff is...
01:22:35Oh, man.
01:22:36Jeff is here with us.
01:22:38Jeff is here with us.
01:22:39Yeah, man.
01:22:40Jeff is here with us.
01:22:41Stop moving around.
01:22:42You're like a ballerina.
01:22:43I'm so sorry.
01:22:44I'm so sorry.
01:22:45Okay.
01:22:46Hey, everyone.
01:22:47It's Wes Wheatley.
01:22:48We're here with a very special episode of Infrared.
01:22:51We're here with Jeff.
01:22:52And he's let us down into this really amazing space.
01:22:56Did you hear that?
01:22:56Did you hear that?
01:22:57Oh, my God.
01:23:01That melody is so beautiful.
01:23:02Isabel, come in.
01:23:04Come into the light.
01:23:05Come into the light.
01:23:05Come in.
01:23:06You gotta hear this.
01:23:07You gotta hear this.
01:23:11Oh, my God.
01:23:11They're marinating, baby.
01:23:12Okay.
01:23:13They're gonna be ready for you.
01:23:16They're gonna be ready for you.
01:23:17It's gonna be ready for you.
01:23:19Okay.
01:23:19Okay.
01:23:19Okay.
01:23:20Yeah, yeah.
01:23:21Okay.
01:23:22Come in here.
01:23:23Come in here.
01:23:23Do you know why we're here?
01:23:23Do you know why we're in this space?
01:23:25I don't know why we're in this space.
01:23:26Remember that story that I told you?
01:23:29Remember?
01:23:29You kept asking the basement.
01:23:31What happened?
01:23:31You were so interested.
01:23:32Yeah, yeah, yeah.
01:23:33This tragedy and my wife.
01:23:34You know what?
01:23:35You know what?
01:23:35This is where it happened.
01:23:38This is where the gas leak happened.
01:23:40Can we kill her?
01:23:41You see, that's the sign of a great show.
01:23:44Is you start with the emotion.
01:23:46You end with it.
01:23:46You book it.
01:23:47You fucking book it.
01:23:49You get the set up and the payoff.
01:23:50That's right.
01:23:51Yes.
01:23:52Yes, Jeff.
01:23:52Now, you are gonna be part of the most beautiful finale you've ever seen.
01:23:58No.
01:24:00Infrared is a fucking joke compared to what this is gonna be.
01:24:04You're right.
01:24:05Okay?
01:24:05Yeah.
01:24:06You're right.
01:24:06Why do you keep fucking moving?
01:24:08What are you shooting?
01:24:09Dirt?
01:24:09Let's get this over here.
01:24:11Let's get us in a three shot.
01:24:12Come on.
01:24:13The movie stars.
01:24:15Right?
01:24:15Yeah, man.
01:24:17One final frame.
01:24:20This is it.
01:24:20This is gonna be incredible.
01:24:23This is kind of tight.
01:24:24I see why you didn't like it.
01:24:25Come here.
01:24:26Come on.
01:24:26Come on.
01:24:27Guys, you can trust me.
01:24:29I'm the owner's manual.
01:24:31I gave you everything you wanted.
01:24:33You wanted the basement?
01:24:34You got the basement.
01:24:35Now, just come on.
01:24:36Come on.
01:24:36Okay.
01:24:37We gotta move.
01:24:37This is slow.
01:24:39We got run time here.
01:24:40Come on.
01:24:41Let's go.
01:24:41What are you shooting?
01:24:43That looks like shit.
01:24:44That's all green.
01:24:45It's infrared.
01:24:46You fucking idiot.
01:24:46We're not gonna get on a big show with this.
01:24:49This isn't a movie.
01:24:51Good lord.
01:24:52Now, keep the fucking camera on.
01:24:54Come on, guys.
01:24:57Come on, you guys.
01:24:58This is gonna be fun.
01:24:59You guys got your show.
01:25:01This is the show.
01:25:03You guys look so scared.
01:25:04You guys don't take any creative risks.
01:25:06That's the problem.
01:25:07That's why this show hasn't worked.
01:25:09Jeff, Jeff, just please man.
01:25:10Yeah, we're going.
01:25:11We're going.
01:25:12Please what?
01:25:14This is gonna be the best show of your life.
01:25:17Come on.
01:25:17We're going in here.
01:25:18Just relax.
01:25:20Sometimes what people want the most, you give it to them and then they realize they don't
01:25:25want it.
01:25:28Jeff, Jeff, you do not have to do this.
01:25:31You know what?
01:25:31You okay?
01:25:32You should be calling me the producer.
01:25:35Okay.
01:25:36I'm not Jeff anymore.
01:25:37I'm the producer.
01:25:38Okay.
01:25:39You're the producer, man.
01:25:40Oh, this is-
01:25:41You don't have to do whatever you have-
01:25:44Whatever you-
01:25:45Yes, I do.
01:25:46I gotta give you a show.
01:25:47I give people what they want.
01:25:51Wes-
01:25:51Wes the hero.
01:25:53I believed in you.
01:25:54I trusted you.
01:25:56And I'm loyal to you.
01:25:58Now go.
01:25:58This is-
01:25:59This is gonna be the greatest moment of your life, man.
01:26:01Yes, man.
01:26:02Man, people are gonna be wondering-
01:26:04Let's go.
01:26:04People are gonna be wondering-
01:26:05Nobody's gonna ever fucking wonder.
01:26:07No, no, no.
01:26:07Please, please.
01:26:08Please.
01:26:09Okay?
01:26:10You do not have to do this.
01:26:11You're gonna take a nap.
01:26:12You're upset.
01:26:13I swear to God.
01:26:14You're gonna need to relax.
01:26:15I swear to God.
01:26:16You do not have to-
01:26:17Whatever you-
01:26:18You know what?
01:26:18You're gonna have to-
01:26:19I wanna tell you a story, okay?
01:26:22I'm gonna tell your story.
01:26:23Now sneak under here.
01:26:25We're gonna get this camera ready.
01:26:26We're gonna do a little prep session.
01:26:28You're gonna go wait in here.
01:26:28This is your dressing room.
01:26:30Jeff.
01:26:30This is a real fucking show.
01:26:32Jeff.
01:26:32Okay?
01:26:33Please, man.
01:26:34We do not have to go.
01:26:35I wanted to make a movie.
01:26:36You wanted to make a show.
01:26:37Now you got a show and you're not happy.
01:26:39Get in there.
01:26:39It's your dressing room.
01:26:41Please, man.
01:26:42There's some-
01:26:43There's even some good food waiting for you.
01:26:44There's filet mignon.
01:26:46Tell him to get in there!
01:26:47Just go!
01:26:50Please, go!
01:26:52Isabelle, this is-
01:26:53This is the greatest moment of your life!
01:26:57This is your moment.
01:26:58Mr. DeMille, I'm ready for my close-up.
01:27:01This is gonna be a great movie.
01:27:03Okay, guys.
01:27:04I will be back.
01:27:05Okay?
01:27:06Give me five minutes.
01:27:11No!
01:27:14Please!
01:27:15Knock, knock.
01:27:17Jeff!
01:27:18Say hi to my wife for me.
01:27:22Jeff!
01:27:23He's gone.
01:27:24He's fucking gone.
01:27:25Open.
01:27:30There's gotta be a way to open the fucking door.
01:27:46What the fuck are you?
01:27:47thinking about this is mine?
01:27:51This is mine.
01:27:52стен of an hour is where it is.
01:27:54Yes
01:27:54They're so close-up.
01:27:55Hello, King of Junker.
01:28:15Maybe there'saaaant running.
01:28:16I'm so close.
01:28:16I'm so jealous of you.
01:28:17Where are we—
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