00:00I dragged us to this dive karaoke bar and then I was like, what am I doing?
00:05And then we all went to nightclub Astro.
00:07But the karaoke was fun.
00:09It was fun.
00:09It was in a tiny room, it was like 30 people.
00:12Yeah.
00:12But you're having a good time.
00:13Yeah, it was a great time.
00:14You're having a great time.
00:21Sono qui per il torneo.
00:22Il torneo è solo per i cavalieri.
00:25Sei un cavaliere?
00:26Non sono un bifolco.
00:27Però ti vesti da bifolco.
00:28This series is a series about characters, based on characters.
00:33So how did you work in building the dynamics between you and Egg and you two together, between the characters?
00:43Well, I think that our dynamic together really works because it's the first introduction of them meeting each other.
00:53So it was okay for it to be a little bit not polished and a little bit messy, a little
00:59bit uncomfortable.
01:00And then, of course, I mean, I feel like we got along pretty well right away.
01:05And when you meet someone and you just kind of have like a good energy together, it definitely makes it
01:11easier.
01:11But then, of course, as you spend more weeks together, it builds your connection and then it can like morph
01:17into something a little more playful or a little more sassy, I guess.
01:24You know, it doesn't have to be, you don't always have to be on your best behaviour with someone after
01:29a couple of weeks.
01:30So you can let loose a little bit more, and I think that kind of played into the scenes as
01:35the episodes go on.
01:37I think my birthday, because remember I dragged us to this dive karaoke bar and then I was like, what
01:43am I doing?
01:44And then we all went to nightclub after.
01:46But the karaoke was fun.
01:48It was fun.
01:48It was in a tiny room, it was like 30 people.
01:51Yeah.
01:51But you're having a good time.
01:53Yeah, it was a great time.
01:53You're having a great time.
01:55Yeah.
01:55For you, with Ego, with your younger colleague?
01:59Yeah.
02:00Oh, it's just, I mean, I've been talking about it so much this week.
02:04He's just, we met for the first time in our chemistry read, which was the last audition that we had
02:10to do before we got the roles.
02:12And you get such a lovely shock and surprise at how mature and how much of an impressive actor he
02:24is.
02:24And he feels like, it feels like he's been, he's been on stage for, yeah, he's like telling you how
02:31to navigate stuff and everything.
02:33But yeah, it just, it kind of, it just felt quite easy to fall into that thing.
02:37And I've become quite close to him and his family now, and he's quite close with my partner's little daughter
02:44as well.
02:44So we spend a lot of time together.
02:46And that's really what it is, it's just spending time outside of, like, off screen on set and then outside
02:53of set.
02:54And you just build a rapport with someone.
02:55And it's so easy then to feel quite comfortable to sort of explore different themes and things on camera once
03:04you have that sort of rapport.
03:23Your characters are both unique in the world of Westeros because Dunk is a knight that tries to be human
03:29in a world of, in a brutal world.
03:31While your characters is an artist in a world of warriors.
03:36How did you work to, to put on screen this uniqueness?
03:41Oh, that's a great question.
03:43I thought you were going to say she's unique because she's a tall woman.
03:46I thought it was going to be about tall, yeah.
03:48Yeah, but I like where this question went.
03:50Um, I mean, I think, like, honestly, I had quite an easy job because Tenzo was quite separated from all
03:59of the violence and fighting.
04:02And so it wasn't hard to kind of craft my own little world and section away in the puppet tent
04:09and feel like the creativity was her whole world.
04:13And, I mean, she didn't just know any different until later on.
04:17So it didn't feel like a reach that it was like a small section of creativity.
04:22For me, it was like the entire role.
04:24So I just kind of, uh, like, lent on that.
04:28I, I, uh, started doing oil, oil painting.
04:31Really?
04:31Yeah, because I just thought, well, if I have something to do on set, that makes me feel kind of
04:35more creative.
04:37Yeah.
04:37When I step in there, I'll feel like I've done some, like, behind the scenes public work before I get
04:42on set, you know.
04:43So it was, like, not, not difficult to feel like I was in my own little creative bubble.
04:48I'm obsessed with puppets as well, for sure.
04:50You, you need to do, like, Sesame Street or something.
04:53Yes, I would love.
04:54It's so good.
04:55Um, and, and, to be fair, it's like, I feel like for Dunk and also for sort of the world
05:04is like,
05:04Tanzel sort of represents a kind of, he's so, um, sort of anxious and obsessive about the, the violence of
05:15the Joust.
05:15And he's just buried his, his, his old master and, and, and the, the kind of brutality and the ruthlessness
05:22of the people.
05:23And every time he steps in the puppet tent as well, it's just kind of a grounding sort of reminder
05:29of the sort of beauty and peace and art of, of, of the world that's still there in such a
05:36ruthless, awful world.
05:37Um, and then for Dunk, it's just, I, I suppose, yeah, building the character is just dwelling on the kind
05:45of, the, not knowing what the future brings.
05:52Um, which is quite easy to do nowadays as well.
05:54I mean, we're in such a kind of anxious point of the world for sure that it's quite easy to
06:00be sort of dwelling on how we're going to be here in like a month's time or not.
06:05So, um, yeah, it, it was, I'm quite an anxious person anyway, so it's just easy to sort of put
06:12that in.
06:12Like if he was a really calm, centered, charismatic individual, I would have had a lot harder of a job,
06:19we'll say.
06:21Thank you.
06:22Thank you.
06:23Thank you.
06:23Non c'è un vero cavaliere tra tutti voi!
06:28L'ho gestita male, vero?
06:31Ecco...
06:32Appunto.
06:53C'è un vero cavaliere tra tutti voi!
06:53C'è un vero cavaliere tra tutti voi!
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