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Dekh Zara Pyar Se - Episode 12 - [ Yumna Zaidi & Hamza Sohail ]

Dekh Zara Pyar Se is a heartfelt love story about two guarded souls shaped by loss and distance.

Romaila, raised away from her parents after their separation, grows up valuing independence over emotional dependence. Zoraiz Ali Khan, an ambitious advertising professional who lost his parents young, believes in discipline, dignity, and meaningful relationships. As family expectations and life-altering decisions surround them, fate slowly draws their worlds together.

Will love become their strength or their greatest test?

Writer: Saima Akram Chaudhry
Director: Ali Hassan
Producer: Momina Duraid Productions

Starring: Yumna Zaidi, Hamza Sohail, Arshad Mehmood, Bushra Ansari, Saleem Sheikh, Romaisa Khan, Zain Sajid, Mustafa Rehman, Ramesha Nawal, Momina Munir & others.

Directed By Ali Hassan
Written By Saima Akram Chaudhry
A Momina Duraid Productions Presentation

#DekhZaraPyarSeep12
#yumnazaidi
#hamzasohail

Category

📺
TV
Transcript
00:00P.I.A.R.
00:03P.I.A.R.
00:08P.I.A.R.
00:09P.I.A.R.
00:09P.I.A.R.
00:11P.I.A.R.
00:11P.I.A.R.
00:15P.I.A.R.
00:16P.I.A.R.
00:17Now you can go to the police station.
00:19Everything will go there.
00:21A.J.A.R.
00:24It happened all because of me.
00:26It happened all because of me.
00:27I mean...
00:30You came to base camp. What is the thing for your photoshoot?
00:49Bro, this is the picture of the fashion magazine.
00:53It's not found anything.
00:54How? It's perfect.
00:57It's just about the pad.
01:00It's just about the touchings.
01:01What do you want to do?
01:03I'll go to Heterabad for the shoot.
01:06The team will be able to reach.
01:10I had to do something.
01:13I'll give a pen and a pen to the house.
01:16What?
01:18You've been there for ten minutes.
01:19Four hours of hours.
01:20Yes, only the camera will be able to reach home.
01:23God, you'll be able to reach home.
01:26It's difficult to reach you.
01:27Let me talk to A.D.
01:30I don't have a problem.
01:33I don't have a problem.
01:34I don't have a problem.
01:35Okay.
01:37I'll leave you below.
01:39Alright.
01:47Hello Hanh Ji.
01:48Shiba Khala was sleeping on the call.
01:53Khala?
01:55You drop me a message.
02:01I'm leaving.
02:02I'm leaving.
02:03I'm leaving.
02:04Okay.
02:08Dad, why don't you open marriage bureau?
02:11Tell me about the girl.
02:12Did you like it or not?
02:13I didn't understand.
02:14Why?
02:14Is there a question of algebra?
02:16Why did you study Rumi behind me?
02:19Rumi and her mother-in-law.
02:20I'm leaving.
02:20You and her mother-in-law.
02:22I'm leaving.
02:26I'm leaving.
02:28I'm leaving.
02:30I'm leaving.
02:48I'm leaving.
02:55I'm leaving.
02:57I'm leaving.
02:59I'm leaving.
03:00I'm leaving.
03:04I'm leaving.
03:05I'm leaving.
03:06Your mother-in-law.
03:07God, God.
03:09They're bad at me.
03:11They're bad at me.
03:11They're bad at me.
03:12They will tell me they'll take me to Hyderabad.
03:14They'll tell me to leave.
03:16They're bad at home.
03:16Rumi, but they're bad at home.
03:18Let's go.
03:19I'll take my car and go.
03:20You're alone.
03:21You're alone.
03:21They're bad at home.
03:22They're bad at home.
03:23I'm leaving.
03:25I'm leaving.
03:25I have a foot-shooter in Hyderabad.
03:27And you're still standing here?
03:29Okay.
03:30Let's go.
03:30Okay.
03:31There's no problem.
03:33You go with that.
03:34Yes, Rumi.
03:34Go.
03:35I'll go too, Dad.
03:36You sit calm and change.
03:38I've called the girl to lunch.
03:39You can't leave.
03:40Rumi, please.
03:41You can't leave.
03:42I don't want to eat anything.
03:43I don't want to eat anything.
03:44Why are you calling me?
04:06Rumi?
04:08What are you doing?
04:16Inflation, I'm going to go.
04:17You're even getting inflation.
04:20Oh, I'm getting out of here.
04:21If there's nothing in front of you...
04:22You're definitely not in front of me.
04:24Okay, let's think.
04:41Hello?
04:42It's just a bit of tension.
04:45It's strange. Let me open the door.
04:57Let's go.
05:03Who are you?
05:07You're Mrs. Shabkat Munir's daughter, Barisha?
05:10Yes, I am.
05:13Let me tell her. Mrs. Bajwa is here with her son.
05:17Okay, Shani, you go. The movie plan is done at 7 o'clock in the evening.
05:20Okay? And you know what the father knows.
05:23Okay? And you meet her. This is Mrs. Bajwa.
05:25And this is her son.
05:28Hi.
05:29Are you coming for your family?
05:31Yes, they are.
05:35Wishy.
05:37Are you ready now?
05:38Okay.
05:38Okay?
05:38Okay.
05:39You will also go for 20-7 days.
05:45Who is this?
05:46He is my best friend.
05:48And you are also a lawyer.
05:49Come inside. Come inside.
05:51Come inside.
05:52Come inside.
05:59Yes, father.
06:01Yes, father.
06:02Found me on his wife's treatment.
06:05What is my life?
06:07Yes, father.
06:09I am leaving.
06:11I will get to the hospital.
06:13Yes.
06:14I am very nervous.
06:15Okay.
06:16A lot.
06:18Why are you getting attention?
06:24My wife is a bad person.
06:27Did you say that?
06:29I mean, the nature of her life has been bad for many years.
06:32But recently, there was a situation.
06:35Just understand. She has been very upset in my heart.
06:40What's the situation?
06:41What's up?
06:44I'm sorry.
06:49What are you talking about?
06:55What are you talking about?
07:11What are you talking about?
07:29Sushi, how are you?
07:32What are you talking about?
07:35I think she's a mother.
07:39Why?
07:40What happened?
07:41She's like a ghost.
07:45Will you take me a lemon?
07:48That's it.
07:50I'll take it on top.
07:51No.
07:53I'm going to take it.
07:54Take a note.
08:09Why did you stop the car?
08:12I don't want to eat anything.
08:13No, I'm hungry.
08:15I didn't eat anything from you.
08:38I don't want to eat anything.
08:39I'll need a sip.
08:39No, I don't know.
10:26Yes, yes.
10:26But in the morning at 6 o'clock, you've never met Dad's dad.
10:31It's a very cruel world.
10:32You can't see it from your eyes.
10:39Yes, yes.
10:39Where are you?
10:41Where are you?
10:42What?
10:42Bromaila is with you?
10:45What happened?
10:50That's so sad.
10:52Yeah.
10:53Yeah.
10:56Okay.
11:00Yeah.
11:04Yeah.
11:04Yeah.
11:06Yeah.
11:08Yeah.
11:08Yeah.
11:10Yeah.
11:19Yeah.
11:22Yeah.
11:24Yeah.
11:27Yeah.
11:30Yeah.
11:31Yeah.
11:33Yeah.
11:37Yeah.
11:39Yeah.
11:40Yeah.
11:41Yeah.
11:42Yeah.
11:43Yeah.
11:43Yeah.
11:44Yeah.
11:45Yeah.
11:45Yeah.
11:46Yeah.
11:46Yeah.
11:52Yeah.
11:52Yeah.
11:53Yeah.
11:54Good.
11:54Yeah.
11:54Anyway, I thought it was aดle, but now we've prepared!
12:25Why do you love your karma?
12:31Why do you love your heart?
12:41Why do you love your soul?
12:45Tell me, Vanishabhaji.
12:48How did you bring the party to the party?
12:50I will listen to my brother.
12:53Yes, they came, but they were very arrogant.
12:56My son was sitting here.
12:57She didn't talk to me.
12:59She didn't eat food or tea.
13:00It felt like she had to keep the party in her face.
13:04Please don't give me such a sample.
13:07I don't have to find anyone in the pool.
13:14I don't like a girl.
13:17Okay, she's running away.
13:19So, I'll give her.
13:23I'm sorry.
13:25You're right.
13:25I'm sorry.
13:25You're right.
13:26You're right.
13:27I'm sorry.
13:29You're right.
13:30I'm sorry.
13:31Don't be quiet.
13:32Don't be quiet.
13:58Don't be quiet.
14:00I will reach you for a long time.
14:04Yes, just keep your strength and I will come.
14:13Allah!
14:57Do you understand what you think about?
15:21Oh, you?
15:24I again.
15:29Do you think it's been a work?
15:32Yes, yes, now the work has been done.
15:35And my name?
15:36In which one?
15:37In which one?
15:38In which one of these cupcakes you brought.
15:41So this is your name?
15:44I will not leave so easily.
15:47Okay. Bye.
15:51Bye.
16:19Bye.
16:20Bye.
16:21Bye.
16:23What is the problem?
16:25Do you have a job?
16:27My name is Sushila and your wife's wife.
16:32What happened?
16:33No, you love me.
16:34You have to do this job.
16:36Bye.
16:37Don't be jealous.
16:39Stop it.
16:40You have to take Islamabad.
16:42You have to be there.
16:43You didn't give Islamabad a special speech.
16:46You have to treat a child like a member.
16:48You don't have to be a mother.
16:49You don't have to do a job in our house.
16:53I go wherever I go.
16:54I always say this.
16:55That my mother told me that my mother told me.
16:57But my father told me that my mother told me.
17:00Stay with me.
17:01After reading, you don't have to do it.
17:03You have to enter D grade from D grade.
17:04You have to do it with your heart.
17:06You have to do it with your heart.
17:08Why did you study it behind me?
17:10Just go and see.
17:11I got to go to Hyderabad.
17:13So it doesn't mean that a person can tell you.
17:16You don't have to do it with your heart.
17:18You have to do it with your heart.
17:20Why did you do it with your heart?
17:21Why did you do it with your heart?
17:21And you also stopped the drama.
17:23It was a good idea.
17:23I got to go.
17:24Let's go.
17:24It was a good idea.
17:49It was a bad idea.
17:51To be continued...
18:21Oh, my God.
18:23Okay, you call Mr. Nadhawa.
18:26I'll take my driver to Hyderabad.
18:29Will you go?
18:30Yes, I'll go.
18:31I don't need to go.
18:33I'll leave my clothes.
18:35I'll leave.
18:37Oh, my God.
18:40Oh, my God.
18:43How much you are in Rome.
18:55I'll leave your car.
19:12What's all gone?
19:14Yes, sir.
19:16What's his mother's house?
19:18Yes, it is a mistake of Rumi Paji's daughter's daughter.
19:21Everything is gone. Do you want anything?
19:26Yes, she doesn't have water. Motor on.
19:30Yes, I'll drive the motor.
19:32Yes, thank you.
19:48Do you eat anything, little brother?
19:54No, no, no.
20:09You've done your big brother.
20:13Where are you?
20:16I got it, I got it.
20:19Then you can trust someone from the youth.
20:19Your brother will be like a new drink.
20:23You don't have to be interested in your health.
20:25I've got a new drink in my house.
20:31How am I living?
20:34Your home are living in your life.
20:40How about you?
20:42How many people are living?
20:43What do you think?
20:47You just understood 50% of your work.
20:49That's right.
20:51If your work is 100% successful,
20:56then you can tell me.
20:57I'll tell you about it.
20:59I'll tell you about it.
21:03Do you want to go to Kirači?
21:06Yes, that's right.
21:14How are you?
21:15Don't do this again.
21:17The shoot in the morning took me all the time.
21:20Don't leave the shoot.
21:23Do you know?
21:25What?
21:27Rumi's grandfather has died.
21:32Who told you?
21:34The watchman was telling.
21:36He was saying that all are going to Hyderabad.
21:41What's that?
21:43I'll close the phone and call me to Rumi.
21:46I don't think it will be suitable for me.
21:49Who will do it in the morning?
21:53You're right.
21:56I was afraid of it.
21:58I don't know how it will be.
22:14Rumi?
22:30Rumi?
22:39Rumi?
22:42I don't know how it will be.
22:43No, Dad.
22:46He's been asleep to Humi.
22:52He's asleep to Humi.
22:54He's asleep to Humi.
22:56He's asleep to Humi.
23:03He's asleep to Humi.
23:06He's asleep to Humi.
23:22He's asleep to Humi.
23:34All my life has been given to my father in tears.
23:37First, I had a divorce.
23:41Then, I became a slave.
23:43And now, I am a slave.
23:48The joy of my life is going through my life.
23:52He was born in many years.
23:54Let's sit, let's go.
23:57Father, just now you think that Allah has failed their feelings.
24:02Just now Allah is the future of their destination.
24:06Yes, yes, yes.
24:11Look at the face of your face.
24:13Look at the face of your face.
24:15How do you relax?
24:24The phone is off today.
24:25I don't have to sleep all night.
24:27Do you have to go to Varisha's house.
24:29I'm going to go to their house.
24:31Why?
24:33I'm so sorry.
24:34I can't give you an address.
24:37Okay, let's stop.
24:39I'll talk about Varisha's house.
24:41Okay.
24:45I'm so sorry.
24:46I can't give you an address.
24:48You understand?
24:49It's a little odd for us.
24:51I'll take a break.
24:52I'll take a break.
24:53I'll take a break.
24:53You'll have to go to the house.
24:54Okay?
24:56Okay.
25:01I'm so sorry.
25:31I'll take a break.
25:32I'll take a break.
32:06Oh
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