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Intervista a Michel Hazanavicius e Bérénice Bejo, regista e protagonista di Cut! Zombi contro zombi, commedia horror in sala per Halloween il 31 ottobre, 1 e 2 novembre.
Trascrizione
00:00Se mi chiede il mio figlio, mi chiede il mio figlio di più, ma...
00:08CUT!
00:09Il film di Giappone ha fatto in Giappone ed è stato un vero successo.
00:12Il film verrà girato e trasmesso in diretta.
00:14Come in diretta?
00:17Il film di Giappone è una metafora per molti, importanti social temi.
00:28In il tuo film, che rappresenta il film?
00:32Penso che è solo un cliché del cinema,
00:35o una figura del cinema.
00:42Questo non è un film di zombie.
00:44È un film di film di film.
00:48E un del film, l'attore,
00:54lo scopo,
00:56lo scopo,
00:57lo scopo,
00:59lo scopo,
01:00lo scopo,
01:01lo scopo.
01:05Ma qui è,
01:07lo scopo,
01:10lo scopo.
01:20lo scopo,
01:21lo scopo,
01:22lo scopo,
01:38lo scopo.
01:39le scopo,
01:41lo scopo.
01:42Lo scopo,
01:43lo scopo.
01:44E anche,
01:45perché è stato un film di una volta,
01:48un film di una volta,
01:50È stato molto preciso,
01:52e molto complessante.
01:53Perché ho avuto fare tantissime cose.
01:56Quando ho fatto un film di una,
02:08del cinema,
02:09il amore del cinema,
02:09è quasi come un virus
02:11che è contagioso.
02:14Oh,
02:15sì.
02:16Non ho mai detto in questo termine,
02:18ma,
02:19sì,
02:20lo scopo,
02:20lo scopo,
02:21lo scopo.
02:22Lo scopo,
02:23lo scopo,
02:24lo scopo.
02:28Il film in cui si piacerebbe
02:29il film,
02:29lo scopo,
02:30ma,
02:30ti ci fa dire una persona che è qualcosa che è una cosa vera,
02:34è molto più luminoso,
02:35e inoltre,
02:36si diventa una pandemia,
02:40e tutti vai al cinema,
02:41e il cinema è保cione.
02:43È保cione?
02:44È保cione?
02:45È保cione.
02:47È保cione?
02:48È anche un'amore della famiglia
02:51di una famiglia che davvero愛va il cinema.
02:53Do you believe that art, cinema, movies can bring people together, especially a family?
02:59I think that's exactly the point of cinema and every kind of stories.
03:03It's a way to tell people, to connect people and to recognize yourself in a common destiny
03:13and say that we all are going through the same things and we all live in the same world.
03:20And so, yeah, I think stories are exactly that point.
03:24Yeah, actually, I mean, we have kids and we read stories every night to the kids.
03:30But going to the cinema is the same.
03:32It's going together to listen to a story, go out of the cinema, share something, talk about it.
03:37And yeah, sharing something together, not like I'm with my computer in my room,
03:43you're in your computer in your room, you're watching Disney, I'm watching Netflix.
03:47It's really going together and spending time together.
03:52Yeah, but even when you watch movies on your computer just by yourself,
03:56I think it's your connecting to kind of a universal story.
04:03That's the point of telling stories.
04:04And so, of course, it's better when you are with unknown people in the same room
04:11and you really feel the same at the same moment.
04:16So there's kind of a communion together.
04:18But I think it works even when you look, I shouldn't say that because I prefer people in theaters,
04:25but stories are made to connect people.
04:30In the beginning of the movie, the director struggles with budget
04:34and he has to be more creative.
04:38Do you believe that it's true, sometimes having less money makes you more creative
04:44or it's always better to have big money?
04:47If you ask my son, he's going to say more money.
04:50No, I mean, when you have limits, it forces you to find solutions.
05:03The solutions are always way more personal than when you have all the money.
05:08You have an inclination when you have all the money,
05:12you want to do the way that things should be done.
05:16And when you have to find your own way to...
05:20So, till a certain point, limits are good.
05:26At a certain point, it's really...
05:29It's impossible.
05:30It's impossible.
05:32So, I can't say that the lower is the budget, the better is the movie.
05:38That's not true.
05:40Okay.
05:41Do you believe that horror is the genre that right now describes better today's world?
05:50Unfortunately, no.
05:52I don't think it describes the world the best way.
05:57But I think it fits with a certain feeling of people
06:01that believe that the world is an awful place to live.
06:05And we, I mean, in Europe, I'm not sure it's such a bad world.
06:17I think we...
06:19We are lucky.
06:20Yeah.
06:21Compared to other countries.
06:23Countries or eras.
06:24And I think I prefer to live in France or Italy now
06:31than live in the same France.
06:34Sorry.
06:35No.
06:35No.
06:36I mean, no.
06:38I think we are very lucky.
06:39But people are always forced or pushed
06:44to believe that everything goes bad
06:48and everything is ugly and, but this is not true.
06:53And talking with Italian people, they always think Italy is the worst place to live.
07:00This is not true.
07:02I mean, you always want to go to Italy.
07:03In the holidays.
07:05Sure.
07:05No, no.
07:06But it's a wonderful country.
07:08Thank you so much.
07:12Ma era il copione?
07:13Sì, non proprio alla lettera, ma il senso era quello.
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