00:00Maybe they hold hands and jump off a cliff together.
00:02Yeah.
00:03Yeah.
00:08Bye, Kodo!
00:12Voglio toglierli la maschera e vedere la vita lasciare i suoi occhi.
00:20Do you believe that we are all Lori or all Michael?
00:25I think we're all both.
00:28I think Lori's got a little Michael, Michael's got a little Lori, we've all got both.
00:32In this movie one character says we'll never succumb to fear, but it's not easy.
00:37Well, Tommy Doyle has a very specific reaction to fear where he is confrontational and he
00:43is aggressive and he wants to, more than just about anyone, he wants to get in there and
00:50take care of business and kill Michael.
00:52So it's interesting to see him lead that charge of not succumbing to fear.
00:56where other people do succumb to fear and they don't want to get the hell out of there.
01:00But Tommy's character is there and he kind of inspires and ignites further collective
01:07to make it so that Michael can meet the mob.
01:11How did you come up with Big John and Little John couple?
01:15I really enjoyed them, so what was the idea?
01:19Big John and Little John?
01:20Well, we were trying to think of the evolution of the Myers house.
01:25Like if John Carpenter introduced the Myers house in the 1978 film, what would that be
01:31like if we looked at it today?
01:32And so then just thinking about what the house would look like and who would inhabit that
01:37house and me and my co-writer Scott Teams and Danny McBride and we kind of created these
01:43side characters that existed within the world of Haddonfield and Big John, Little John were
01:48very exciting characters to play with.
01:50How did you work on the mask aging because it ages with him?
01:56Well, it's tricky because Christopher Nelson, who does our mask design and special effects
02:00makeup, we talk about what the reality would be like of a latex mask in the Inferno where
02:07we last met Michael at the end of Halloween 2018.
02:11And, you know, you don't want it so disfigured that it's unrecognizable and you don't want
02:14it to cross over and look like Freddy Krueger with the burns, so it was just about, and the
02:19mask is kind of perfection anyway.
02:22There's no expression and it says very little, so I didn't want to exaggerate it too greatly.
02:26And Christopher came up with a great texture that acknowledged the fact that he'd been in
02:30a burning basement and confronted the fires of the previous film, but then left the nothingness
02:38of that mask intact.
02:40In this movie, Laurie says that maybe the only way to kill him is if I die too.
02:46Do you believe there's a next movie, Halloween Ends, so maybe he will die?
02:51Maybe they hold hands and jump off a cliff together.
02:54Yeah, yeah.
02:55But if Michael will die, in your opinion, is because he changed or women changed since the 70s?
03:05Well, that's interesting.
03:07I'm trying to think of that.
03:09I don't think Michael changes.
03:10I don't think Michael has motive.
03:12I don't think Michael has evolution in terms of character.
03:14He's kind of like the shark in Jaws.
03:17So I don't know that he has an evolution.
03:20Laurie and her character does change, and from the 78 film to the 2018, then she's the same
03:27in Kills, and then now we're going to, in Halloween Ends, we're going to meet her four
03:30years after the events of Halloween Kills. So that arc, yet to be revealed, which I'm
03:36sculpting with Jamie now, is really fun to play with, so then there's three different
03:41Laurie's that we'll meet, and how those mindsets, when she's confronting her bogeyman,
03:47affect our narrative. So I'm excited to share that movie a year from now. Maybe we'll be back
03:53here at a room talking about Halloween Ends. I hope so. Thank you so much.
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