00:04www.mesmerism.info
00:30You set the tone as a director, you try to create the magic, but then the vision of the film
00:36as you set it, you know, the location you choose, the casting you do, and how you work with the
00:40actor suddenly overtakes you and becomes alive, and you almost flow within that.
00:46His real ability is storytelling. Having somebody at the helm who's controlling how we emotionally enjoy the movie is a
00:53big weight off my mind.
00:56Working with Mark has just been brilliant. He lets you do what you do as an actor, which makes you
01:02feel kind of confident, and you can really put your own little mark on things.
01:07We have teachers on sabbatical. This fits our cover.
01:09No, it doesn't get it.
01:10It's a James Bond film, but it's a Mark Forster film also. Anything can happen. You know, this sort of,
01:16the work is alive and fresh.
01:19Please don't talk like if I'm stupid.
01:22He just has, you know, I can imagine how much pressure he has because he's the director, and he is
01:27just, he's always been so calm.
01:30Mark is a type of director who likes to get it out of the studio, go to real locations to
01:36capture the atmosphere there and work at the real locations.
01:48You have this enormity of different locations, of action, of all these things to do and to achieve in a
01:54certain amount of time, and you just have to take it step by step.
01:58I'm not really thinking about the end. I'm thinking about the moment I'm shooting today.
02:17I'm incredibly excited about what we've done. I look at the trailer which we've just finished.
02:26I think we've got something really special.
02:32I think we've got something really special.
02:36I think we've got something really special.
