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Transcript
00:00Yes. Hello ma'am. Myself, Aryan Puri.
00:04He saw the board outside of the acting academy, so I had to inquire about that.
00:08Yes, yes.
00:09Are you Smita ma'am?
00:10Yes, I am. Come inside, let's talk.
00:15Aryan, have you ever done acting classes before this?
00:20I mean, did you have any formal training or something like that?
00:23Ma'am, I didn't have any formal training for acting classes.
00:28Actually, I didn't have any opportunities for them.
00:31But ma'am, I performed a little bit on stage.
00:34So, now I just want to make a career in acting.
00:39Good.
00:41But, acting is all about observation.
00:44I mean, acting is all about observation, feeling and execution.
00:51Anyways, when I will do classes, I will teach them all.
00:55I will teach them all.
00:56Ma'am, when will the classes start?
00:58We will start early.
01:00If there are other students, then we will open an institute type.
01:03But yes, we will talk later at 4 o'clock.
01:07Your class will start tomorrow.
01:09When there are other students, then we will start another class.
01:14If it is not a problem for you.
01:16No ma'am, okay.
01:17So, I will come tomorrow at 4 o'clock?
01:19Yes.
01:20Come tomorrow.
01:21Okay ma'am, thank you.
01:47I hope so.
01:51Thank you very much.
01:52I hope so.
01:54So what happens if I just said to you for a drink?
01:57So what happens if...
02:02I'm going to forget the dialogue.
02:08Aryan, acting is not just a dialogue.
02:12I'm saying this from yesterday.
02:14Acting is all about observation.
02:18First, observe.
02:22Then imagine. Then you feel it.
02:26After that, execute.
02:29Every day, every time you're in this script,
02:33you'll see the soul of his soul,
02:36you'll see the character of his character,
02:38and then you'll never need to speak dialogue.
02:41You'll speak your own dialogue.
02:43All your dialogues will come out of your own.
02:46Okay, I understand.
02:48I'll try again.
02:52So what happens if I just said to you for a drink?
02:58I'm not going to drink.
02:59You're not going to drink.
03:00You're not going to drink.
03:02You have to feel it.
03:05Okay.
03:08Let's do it like this.
03:09Imagine that your girlfriend is standing in front of you.
03:13Okay?
03:14And then you'll put all these dialogues.
03:17But ma'am,
03:18I'm not going to have a girlfriend.
03:21I'm not going to have a girlfriend.
03:22I'm not going to have a girlfriend.
03:23But this is the character.
03:24It's a girlfriend, right?
03:27It's a girlfriend, right?
03:28Now you're talking to the lines of the characters.
03:31So you have to feel it.
03:32You have to enjoy your soul.
03:34You have to live your soul.
03:37You have to suffer your soul.
03:38Then you have to feel like you're your girlfriend.
03:41Okay.
03:42Let's do it in this way.
03:44I'm standing in front of you.
03:47Basically, you really want to be your girlfriend.
03:51And you get to your lines.
03:54Let's try it.
03:58What happened if I had told you for killing me?
04:02What happened if I had told you for killing me?
04:08What happened if...
04:09That happened to me.
04:12What happened if I had told you for killing me?
04:16I'll tell you what happened if I can hear you,
04:25then what happened if I can hear you,
04:35So what is it?
04:40If I love you, I love you
04:49Everything is not happening
04:53Everything is happening
05:25That's right, Pia
05:29It's going to be an acting session nicely.
05:32Are you coming soon?
05:34The job is done soon.
05:35It's coming soon.
05:38By the way, this is Aryan.
05:40My acting student.
05:41Hello sir.
05:43Very beautiful name.
05:44Thank you sir.
05:47I'm going to go.
05:49Why are you going?
05:50You can continue.
05:51I'll do some work in the office.
05:53No, Aryan was so much for today.
05:54You'll come back tomorrow.
05:57Okay?
05:58Okay.
05:59Bye sir.
06:14Smita, make your sound sound.
06:16One phone.
06:20Good evening sir.
06:22Yes.
06:24Thank you so much sir.
06:25Thanks a lot.
06:27Yes.
06:29I'll come back tomorrow.
06:31Yes sir.
06:32Sir, good night.
06:34Smita.
06:36What a great news, man.
06:37What?
06:38Vijay Sahasar has done my project.
06:40You know.
06:40I'm going to be a big builder.
06:42My dreams are going to be complete, Smita.
06:45Congratulations.
06:48Smita.
06:50You're not happy.
06:53You're not happy.
06:55In my life, there are things and things.
06:59There are things.
07:00There are things.
07:01You'll never understand.
07:06Aryan, today, we work on reactions.
07:10Okay?
07:11Okay.
07:12Because, reaction is very important part of acting.
07:17Reaction is that, think I have acted.
07:20You're not happy.
07:22You're not happy.
07:24I mean, I'm acting.
07:26I'm acting.
07:28And you're reacting.
07:29So, the mood.
07:32The character knows.
07:34The relationship knows.
07:36The relation knows.
07:36So, the reaction is very important to portray a character.
07:41You know and to play any role from your heart.
07:47Just say,
07:49I have said to you,
07:54Aryan, I am sorry, I have to wait for you.
07:58Your answer is,
08:00It's okay ma'am, no problem.
08:05Right?
08:06Your reaction seems like
08:08I think that the relationship between us is very formal.
08:14But,
08:15but think,
08:16if you are my friend,
08:21if we are getting open,
08:28then what is your answer?
08:30I mean, my reaction,
08:32what is your reaction?
08:35It's not.
08:35It doesn't happen.
08:37That's why today we will work on this.
08:40Okay ma'am.
08:41Today we will make a plot like this,
08:42that
08:44I
08:46think that I am your girlfriend.
08:50Okay?
08:51And you
08:53leave me.
08:56Okay?
08:57Okay?
08:57Okay.
09:00Why don't you leave me in front of me?
09:04Now,
09:05I will speak a dialogue.
09:06I mean,
09:07I will act.
09:09And you will react to my actions.
09:12Ready?
09:13Yes ma'am.
09:20You are.
09:20How can you be so tired?
09:26You...
09:27You have no one thing about me.
09:29I didn't know anything else.
09:35I didn't know anything else.
09:41I don't know anything else.
09:42I can't believe you're doing nothing else.
09:45I can't believe you're coming back now.
09:50I can't believe you're going to leave me alone.
09:55Today I want to leave you alone.
09:59No.
10:02When I come, I won't know you.
10:05I won't know you.
10:08I won't know you.
10:09I won't know you.
10:12Look at my eyes.
10:15I don't look like you.
10:17Look at me.
10:19I won't keep you good.
10:21Look at me.
10:23What are you doing now?
10:24I can't say that.
10:29I need time.
10:35See, listen.
10:37It's okay, Aryan.
10:39You take your time.
10:42But, see, you have to remember one thing.
10:46If you want to become a good actor,
10:48you can't say that I can't do this,
10:50I can't do that.
10:52You can't say that, Aryan.
10:55How can I do romance with you?
10:59You're a teacher.
11:00You're bigger than my age.
11:04Aryan, I want to explain you once again.
11:07Don't forget that I'm your teacher.
11:10Please.
11:12Don't feel that I'm your girlfriend.
11:15I'm your friend.
11:17You're the only person.
11:19Come on, Aryan.
11:22Here, stand.
11:23.
11:27Please.
11:28One, open your eyes.
11:33Feel me.
11:37muted.
12:01I say that you love me.
12:07Hello?
12:10Yes, ma'am.
12:12Yes, I'm in the acting class.
12:15Will you come out now?
12:18Okay, then I'll come.
12:24I'm sorry ma'am, I have to go.
12:26She has to take the doctor's hand.
12:29Okay.
12:45Hey Arya, how are you?
12:47Fine, sir.
12:48And how are you doing your acting classes?
12:50I'm doing great, sir.
12:52Good, good.
12:52See you.
12:53Bye.
12:54Bye, sir.
12:54All the best.
13:02Why didn't you close the door?
13:06Arya was 5 minutes ago, right?
13:07That's why it was open.
13:09Yes.
13:10It was good.
13:10Okay.
13:11A big sheriff.
13:13Listen.
13:14I have to leave the office in early morning.
13:17So take a little bit early.
13:19When did you close the door?
13:21I can't say anything.
13:22It may happen at 8 o'clock at night.
13:24If there's traffic in Kassaraghat,
13:26I can spend a lot of time.
13:28Okay?
13:29I'm going to listen.
13:30Yes.
13:31I'm going to stop.
13:56I'm going to do it already.
13:58You know, I'm going to do it.
14:00I'm going to do it again.
14:00I am going to get into it.
14:02Why is that I am going to be a romance?
14:07Is this right?
14:09Is this right?
14:11Or is this right?
14:11Or is this only my destiny?
14:14I am going to be 6 years old.
14:17But I can't become my mother.
14:20My friends are in Sanjay.
14:22And my friends are in my life.
14:24Is this why I am going to be a problem?
14:26If I am going to be a problem,
14:28Why am I going to be a problem?
14:31I am going to be a relationship with my friends.
14:37And I am going to be a problem.
14:39That my friends and my friends can be alive.
14:44And my children can be a full of water.
14:50And my needs can be a full of water.
14:55This is a trick where a wrong decision, a wrong thought is going to go ahead and go in the
15:02way.
15:05Smita's life was a good idea.
15:08But Smita, this thing is going to be connected to his wrong decision.
15:14Let's see that Smita's wrong thought is going to go to the same mode.
15:20It's going to go to the store.
15:22Don't go to the store.
15:34Aryan, do you know today
15:36why did I wear all these clothes?
15:39Why did I wear so much?
15:42Why, ma'am?
15:44For you.
15:50Today, we will do an act
15:52that is a little bit mature.
15:55In which you will play the role of husband
15:59and I will play the wife.
16:02You mean, understand.
16:05Our newๅฉš was married
16:07and this is our first night.
16:10I know it's mature, but...
16:13But ma'am, how can I play the role of husband?
16:17How many times do you say Aryan?
16:20For a actor, age doesn't matter for a actor.
16:24Just remember the role, feel it.
16:29Look, I know that you can do it.
16:31And who is it?
16:34I will help you, right?
16:43I will call a dialogue.
16:45You will react.
16:58You are my friends.
17:02You are my friend.
17:04I will call you.
17:05I will call you.
17:08I will call you.
17:13This is my friend.
17:16You are my friend.
17:17This is my friend.
17:19That you are like a friend of mine?
17:27This is my husband.
17:43I just want to go in my eyes.
17:49I can understand myself in your eyes.
17:56In my heart,
18:01just let me.
18:11Just let me.
18:12Oh, my God.
18:17Take me to my arms.
18:26Take me to my arms.
18:34Ma'am?
18:35No, ma'am.
18:37I'm not your teacher.
18:42I'm not your teacher.
18:45But...
18:46I haven't done it properly.
18:56There's nothing wrong with you.
19:03Okay, I'll tell you.
19:06Did you feel good?
19:07I feel good, ma'am.
19:10Ma'am?
19:11Where are you?
19:13I'm not your teacher.
19:16Smita.
19:20Can you call Simi?
19:25Okay.
19:26What okay?
19:28Okay, Simi?
19:35I'm not your teacher.
19:44I'm not your teacher.
19:45Take care of me, your host.
19:55The way I have to get the work.
19:55That's how I need you.
19:58I'm not my teacher.
19:58You can't get them.
19:59I am not my teacher.
19:59I have to get you.
20:01We were 5 am.
20:03What?
20:065 am?
20:08Yes.
20:11But you know, how much has changed my life in my life?
20:17I mean...
20:18I mean...
20:19I was back, so I thought I'd meet Dr. Rautula with the road.
20:24Oh!
20:30What did Dr. Rautula say?
20:32What did he say?
20:33I can get my doctor.
20:35I can become a father.
20:36My wife can come back again.
20:38I'm so happy today.
20:40What are you talking about?
20:42Very good news.
20:45What are you talking about?
20:47You were crying every day.
20:49Especially, I should be very happy.
20:51Yes.
20:53I'm very happy.
20:54I'm very happy.
20:55I'm very happy.
20:56But I was just thinking that...
21:00...
21:00...
21:00...
21:00...
21:00...
21:01...
21:01...
21:01...
21:02...
21:02...
21:02...
21:03...
21:03...
21:03...
21:04...
21:04...
21:05Can you tell me, Smita?
21:06When you have a chance,
21:08when you have a chance,
21:08you have a chance.
21:10Okay, listen.
21:11I'm hungry very quickly.
21:13Let's close the work.
21:14I'll eat it quickly.
21:15I'll eat it quickly.
21:16I'll eat it and eat it.
21:17Yes, you get it.
21:35I'll eat it quickly.
21:41Smita?
21:42Huh?
21:44Who's this tree?
21:45Huh?
21:47I don't remember when I bought it.
21:50You know that I don't wear a tree.
21:51No, no.
21:53He's my cousin, Vinod.
21:55Last year.
21:56That's what it will happen.
21:57I've done a bag today,
21:59so you're out of it.
22:05Okay.
22:08Okay,
22:09that's your student.
22:10What's her name?
22:11Aryan.
22:12What did you get?
22:16No, no.
22:18Did you get it?
22:20Why did you get this?
22:26Something was stuck in my head.
22:28I was stuck in my head.
22:34Don't be careful.
22:36What are you wearing?
22:37What are you wearing?
22:41What are you wearing?
22:41Sanjay's hand was stuck.
22:43I don't know how I managed it.
22:46Okay, Baba.
22:47Sorry.
22:47But now,
22:49you're coming.
22:51When are you waiting for me?
22:52Do you know?
22:55What are you wearing?
22:57What are you wearing?
22:58Yes.
22:58I'll keep going.
23:00I'll keep going.
23:01Oh,
23:03so quickly?
23:05Yes.
23:06I remember you very much.
23:08Anything.
23:09You think,
23:09we'll finish the work quickly.
23:11And you'll have to come.
23:13Anything.
23:14What's your story, Smeetha?
23:16You look very sweet.
23:17I don't think sweet to you.
23:19Yes, sweet always.
23:21But,
23:21I don't know how much you look today.
23:24Your eyes fell in my head.
23:26Okay.
23:27It's more than your eyes.
23:28Let's close your eyes.
23:30Why?
23:31Why?
23:31You're asking a lot of questions.
23:33Let's close your eyes.
23:34Okay, Baba.
23:38What's that?
23:39Wait now.
23:42Tell me quickly.
23:46What are you doing?
23:49What are you doing?
23:50Wow!
23:53It's beautiful!
23:55Yeah.
23:56You like it, right?
23:57Very nice.
24:00What are you doing?
24:18What are you doing?
24:19What are you doing?
24:20What are you doing?
24:20What are you doing?
24:21Let's do it.
24:23Tell me.
24:24It's great,
24:24Arian.
24:27To listen to me,
24:28I'm hearing you.
24:30I have made a relationship with you with yourself.
24:35I am your duty.
24:44See, we forget everything that has happened.
24:48Today, I am only your acting teacher.
24:51And you are only a student. That's all.
24:53But Simi...
24:54Simi, no!
24:55Please, ma'am say it.
24:57Okay, ma'am...
25:00What's wrong with me that you are upset with me?
25:03There's no wrong with you.
25:05Or I'm not upset with you.
25:06I'm upset with you.
25:08I'm upset with you in my life.
25:10I'm upset with you, Aryan.
25:19Your relationship will be the same as you had to meet me.
25:26I'm upset with you.
25:27I'm a teacher for you.
25:28And you're a student for me.
25:31That's all.
25:38Concentrate on your script and dialogues.
26:06You are a friend of mine.
26:07Your friend.
26:10I've been to my friend.
26:11Please come together.
26:13I've been to my friend.
26:13And you and he are.
26:15I've been children today.
26:16And you're just alone.
26:16How are you, maternal, maternal, maternal, maternal, maternal, maternal.
26:19Your mother.
26:19How do you marry her?
26:20You're early in your life.
26:20I'm going to study your mother.
26:20You are young.
26:20How are you?
26:22I'm a girl.
26:23I'm a girl.
26:23And I'm a girl.
26:24Your mother.
26:43Smita are you ok?
26:45Yes?
26:46When did I turn the door?
26:48Why?
26:49I was making tea in the kitchen.
26:53My tea?
26:57You could open the door too.
27:04But when I was in the kitchen, then how did the tea shine?
27:08That flame is burning.
27:12Okay, okay.
27:13No matter what.
27:14Take care of next time.
27:16Otherwise, our good house will come.
27:19Listen, I'm going to go fresh.
27:21I'm going to make a very sweet tea for me.
27:24Okay?
27:25Take care of next time.
27:31Otherwise, our good house will come.
27:43You'll have to be right off the floor.
27:48Take care of next Sunday.
27:58Okay, wait for me!
28:12It says to leaked and katia,
28:19What the hell is that?
28:22You came so quickly, you made breakfast and ate it.
28:27I also made breakfast in the kitchen.
28:31Your favorite is the masala omelette.
28:33Eat it quickly, it will be good.
28:36Why are you so happy?
28:39Guess it.
28:42What?
28:42Did you get a new contract?
28:44Yes, 7 years ago, I had a contract with someone.
28:49Let me guess.
28:52Oh God!
28:54I am so sorry.
28:56Happy anniversary.
28:59Same to you.
29:01Okay, there is another good news.
29:03What else?
29:03My treatment started today.
29:05And the people wanted it.
29:07Yeah.
29:08So next anniversary, you will give me a love gift.
29:14Really?
29:15No.
29:21No.
29:26No.
29:28No.
29:28No.
29:36You?
29:38No.
29:41No.
29:42You weren't pregnant with me since.
29:44No.
29:45No.
29:47No.
29:56You?
29:57You did not last time as an adult.
30:20I can't live without you. I love you, ma'am!
30:33I love you.
30:36I love you.
30:37I love you.
30:37I love you.
30:37I don't understand.
30:39You don't care about me without me.
30:44Please, go.
30:45I love you.
30:48How many times have you said to me to me?
30:50Leave me!
30:51I don't understand.
30:53You have to make your career, N.R.N.
30:55Don't you like any girl in your life.
30:58Don't you marry me.
30:59But leave me behind me.
31:01Please.
31:02But where am I talking about marriage?
31:05I'm just talking about the relationship between you.
31:08And the people are watching.
31:09And the people are watching.
31:09And the people are watching.
31:10And the people are watching.
31:14You have to hug me.
31:16Don't talk to me.
31:18If you have watched me,
31:20I will go to the police immediately.
31:22And you are against.
31:24Harassment.
31:25Or molestation.
31:28I am.
31:29I am.
31:30I am student.
31:31So?
31:32You have taught me to love me.
31:34I will do the police.
31:36Yes, I will.
31:38What are you doing?
31:40I will also see how to go to the police.
31:43Leave me.
31:45Leave me!
31:46Leave me!
31:48I will go to the police.
31:49I won't.
31:52Leave me.
31:59Love you.
32:08evaluation.
32:11Love you.
32:11I won't do the police.
32:12I will pass that ali in the police uhm in the belt.
32:18Good๏ฟฝ๏ฟฝ...รฐ
32:46This was the end of the day.
32:49Smita mature she, so she felt wrong. She was trying to explain to him to him. But first Smita had
32:58a job, and then R&N.
33:01Smita had a wrong idea with R&N. And the idea of R&N was just physical.
33:09The idea of R&N was just physical relation.
33:10In this way, people will meet and meet, and remain in the future.
33:14But we will think about how to move our relationships.
33:20Now I want you to give up.
33:21Then you will be in the next episode of GUNAH.
33:27Namaskar.
33:48See you next time.
34:09.
34:39.
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