00:02in vanda
00:03when the phone rang
00:04and it was the director
00:07of photography of Vida's film
00:09Lippmann whom I knew
00:11and told me that Andrzej
00:13wants me for his film
00:16that he's about to start
00:18his first debut
00:19a miracle
00:22and then my
00:23father comes in the evening
00:25I'm telling him this that they called me
00:27here because they didn't know where to find
00:29me and of course father says
00:31that this is a monumental lie
00:33you know so I just
00:35shut the door and left
00:37and just get on the first train
00:39and went to Orso
00:41and starts the most fabulous
00:43moment for me
00:45there was to be in a real movie
00:47to work with real people
00:49but that was the summer
00:51and now the school year
00:53was coming and I
00:55did not know what to do with myself
00:58I met with
00:59Bogdjevic again
01:00and he said it's clear that you want to
01:03be a director why don't you go to the
01:05film school
01:06I said what chances do I have
01:08that which film school is such an exclusive institution
01:11he says you have definitely no chance if you don't try
01:15and I was accepted
01:21very quickly you felt that this in fact was the career that you wanted all the time
01:26I knew that that's all I wanted but how to get there you know it seemed so
01:30inimaginable but I pushed in that direction nevertheless
01:34what I did well was
01:36making movies
01:38the school gave you opportunity
01:40to make films from very early
01:43and I wasentin
01:46it was going to be a good movie
01:47you
01:47and
01:49it was going to be a good movie
01:49it was going to be a good movie
01:50you
01:50Grazie a tutti.
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