00:01I saw Moon first and you know I just thought it was stunning from the from the first frame to
00:10the last you know I thought the thing about filmmakers in the the when you watch a movie I think
00:17you can kind of know within a few minutes whether or not somebody is is talented and has some sort
00:21of sense of vision and it was so clear that Duncan was like fluent in the language of film and
00:28was
00:30was just kind of his ability was so he was so agile and in the story he was telling that
00:37I just immediately wanted to work with him from watching literally two to three minutes into the movie moon I
00:44thought this guy I want to work with this guy
00:49the sense of somebody who's in a situation that at first they're they're very lost and they have to find
00:55their way through it and discover you know why they're
00:59they're there what they're there for who put them there and ultimately um there's a little bit of an act
01:06of of of not I wouldn't say revenge but I think there's a little payback for the people who may
01:11have put somebody in a position where they were powerless they kind of get their power back by the end
01:15and that character and is my character in this movie and I guess in in Moon you know Sam Rockwell's
01:20character in a way does the same thing
01:26day in and day out it's just like it's brain work personally it's brain work for me at the beginning
01:31of the day and then you kind of have to let it go
01:33and tell this emotional story which consists of there's no consistency in that it's like this guy who's lost
01:39all the time um and in a way when someone's lost emotions kind of hit you from all different sides
01:47you don't know
01:49what they're going to be and then and that actually lends itself to like a really great
01:56um great fun for an actor because you can react or respond to any situation however you want to
02:05I'm fascinated by time I'm fascinated by the order of time and if there is any order in time
02:12um I love the idea conceptually of all those things and and kind of mining that stuff so yeah it's
02:20harder
02:20in a way but at the same time I kind of get off on that so it's fun too I
02:25mean and working with someone
02:26like Duncan who has put so much brain work into it that I feel confident when I decide to kind
02:32of do
02:33a take that's a little bit more off the rails you know it's just it's it's a great thing it's
02:38a great
02:38thing to have so much confidence in the filmmaker that you can you know you go like I'm gonna try
02:45this because okay go for it you know even if it's totally odd and strange
02:55I play captain culture Stevens who is a flies blackhawk helicopters for the army and who finds
03:01himself on a train one morning waking up on a train not knowing where he is sitting across from
03:07this woman and Christina who is acting and talking to him as if she knows him but he doesn't know
03:13who
03:13she is and he's pretty disoriented he doesn't know how he's got to where he's gotten to and he
03:20another at the at the time where he's trying to explain to this woman that he doesn't know who
03:24she is a train a freight train passes by in the opposite direction in the reflection of the window
03:29he can see that when he looks at his face it it's not his face or he thinks maybe it
03:35wasn't his face or
03:36he saw something so he goes into the bathroom to confirm it and he realizes that it's not him it's
03:42somebody else
03:46across the street
03:47Collier Stevens keeps getting put back into the body of this guy named Sean Fentress and over
03:53and over again over eight minutes he has to put together the pieces of this puzzle every time
03:57he gets put back in and figure out who set this bomb up and and at the same time he
04:05also
04:06has to figure out how to get the girl so you know he's got his hands full
04:14all the other actors who are working on the train
04:16because they're doing the same thing kind of over and over again
04:18I get to vary it, I come in and I change the scenario
04:21so each time we come in
04:23I know there's going to be a different outcome
04:26so for me it's a little less maddening
04:28because what do they say, insanity is trying to do the same thing
04:30over and over again expecting the same result
04:32and Coulter-Stevens is doing the same thing over and over again
04:35and trying to expect a different result
04:36so it's sanity at its finest
04:39for Coulter-Stevens
04:45The wonderful thing about Michelle is her humility
04:48I have to say she's like
04:50she is, everyone says that
04:52whatever that really cheesy quote about acting
04:56but I do believe it to be true
04:58that acting is reacting
05:00you know, her role is a primary
05:04is reactive
05:05so
05:08her humility and her kindness
05:10and her, as a human being
05:12every day
05:13you know, I throw things at her
05:15and I can be pretty aggressive sometimes
05:17and she's like
05:19she's wonderful
05:20she's just wonderful
05:21she's a wonderful person
05:22she's wonderful to act with
05:23and she'll just
05:24she'll pick
05:24you know, she'll throw something at you
05:26but if you throw something at her
05:27she's right there with you all the time
05:28and I couldn't ask for anything more
05:30as a fellow actor
05:35in the day and age
05:36when like visuals
05:37and the visual work
05:38is the absolutely most important thing
05:40to a lot of people
05:41I think he's just still obsessed
05:43with storytelling
05:43and like watching human moments
05:45and
05:46that is rare
05:48for someone
05:49that is his age
05:49doing what he's doing
05:50you know
05:51particularly doing it
05:52as visually
05:53as cool
05:53as he does it
05:58you know what's great about this movie
06:00is that it's like
06:00it's really fun
06:02and it actually has
06:03we've found that it's incredibly funny
06:05and a lot of the moments that
06:07you know
06:07when you read the script
06:08seem like these kind of serious moments
06:10have turned out to be really awkward and funny
06:12and like
06:13we find ourselves laughing all the time
06:15which I think
06:16whenever you're making a movie
06:17that kind of energy on set
06:18definitely goes into the final product
06:20so
06:21it's incredibly
06:22it's not just this like
06:23brain
06:23actually the difference
06:24I think in a lot of ways
06:25between Moon and this movie
06:27is that
06:28there is a real sense of humor
06:30along the way
06:31and
06:32particularly because
06:33it's so outlandish
06:34a lot of times
06:35what Coulter finds himself in
06:36that sometimes the only way out
06:38or the only respite
06:39for him
06:40and for the audience
06:41is a sense of humor
06:46my standard is always pretty high
06:48for movies that I make
06:49and he was
06:49I was like
06:50you gotta swing
06:50you know
06:51for the fences
06:52so I hope that they take away
06:54something that is
06:55classically
06:56something like
06:57one of those great Hitchcock movies
06:59where paranoia is rampant
07:00and always there
07:01and you're questioning
07:02every person and everything
07:03and at the same time
07:04you're having a great time
07:05and being entertained
07:06by the action
07:06and the effects
07:07and
07:08and
07:08and
07:10you fall in love
07:11with these two characters
07:11that you keep running into
07:12and
07:13and
07:14and
07:14Grazie a tutti
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