00:05Perché quando io ero l'ambastanza dell'UNICEF,
00:11io ero all'Azionale, io ero in Cambodia in Angkor Wat,
00:16e quando io ero l'angkor Wat, il puto, il face è morto,
00:20ma in un museo.
00:22Perché?
00:23Quando ero in Egypte,
00:25io ero i una cosa che vedo i un museo,
00:33perché non lo so, perché non ci riusciano?
00:34Ora stiamo parlando di un uomo,
00:39il tutto il mondo.
00:45Assume la Great Walla fosse un'azionale treasure,
00:48e che in Egypte fosse un'azionale treasure,
00:52International, so it belongs to the human, it belongs to me too, it belongs to you too.
00:58So it don't belong to anybody's museum, we should give back.
01:02The old days probably because the war, because of something, misunderstand.
01:06These days, we should give back, everybody should respect everybody's culture.
01:18C'è un po' di più.
01:41Perché ho lavorato molto molto, quindi ho diventato una stunt coronatoria.
01:46Da una stunt coronatoria, poi diventato un actor, poi un writer, un director.
01:50E non ho pensato che sia come Bruce Lee.
01:54I credo che Bruce Lee è un god.
01:56Ma io solo faccio il meglio di ogni film, io faccio il meglio che posso.
02:01E poi, slowly, slowly, il mondo riconosce,
02:05«Wow, Jackie movie è così popolare!»
02:08E tutti i miei coppiti.
02:10Quando ho cercato a andare in America markete,
02:13I stayed in America one and a half years,
02:14one year and nine months.
02:17Noi like my action.
02:20I said, «Jackie, what are you doing?»
02:23Double kick, triple kick, the guy's still standing there.
02:26Look at John Wayne, Bruce Lee, one kick, one punch.
02:28I said, «That's easy, I can do it.
02:30My kind of action, more difficult.
02:34One shot.
02:35No, no, no, we don't like these kind of things».
02:38Then I gave up American market, back to Asia,
02:41do my own thing.
02:42Still follow my own things, do the ba-ba-ba-ba-ba-ba.
02:45But this day, look, the whole world, ba-ba-ba-ba-ba-ba-ba.
02:50Then everybody, we like Jackie Chan's style.
02:52So, when you concentrate something, never give up.
02:56One day you will succeed.
03:04In the old days, why is Hong Kong film so popular?
03:07because we just make our own film, Hong Kong film.
03:13Hong Kong film, like Police Story.
03:15Police Story 1, 2, 3, 4, and Project 8.
03:19And there's some, a lot of comedy, just low,
03:22kind, sort of local film, sort of local film.
03:26And because 1997, coming in, a lot of, they, they scared about the Hong Kong return to China.
03:32They send a lot of children to American, Australia, Canada, to school.
03:36Ten years later, they find out nothing happened.
03:38Wow, Hong Kong's better than before, so good, so they send the children back.
03:44But the children are ready, 15 years, 10 years, they educate the Western style.
03:49They're not used to Hong Kong film anymore.
03:52They like to American style, and Australia style, Canada, and Japan, you know, these kind of things.
03:58So, slowly, slowly, Hong Kong local film becoming, going down, going down, going down.
04:04Because they're talking about coffee, drinking a coffee, the hamburger, McDonald's, Starbucks.
04:12It's a cool thing, so this is why all the young generation, they're learning English.
04:18They, they, so this is why, slowly, slowly, Hong Kong film getting stuck in one corner.
04:25So, we have to find something else.
04:28So, this is why we're collaborating with China market,
04:30collaboration with Korea, collaboration with Japanese,
04:32collaboration with America right now.
04:34So, like me, I'm making a movie.
04:37I just finished a movie with John Couser, with, and also, Andrew Burdi.
04:41We think about the script, it's not only police anymore.
04:45I'm thinking about the script, it's more, bigger, and national.
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