00:00Musica
00:34Ciao a tutti, sono Valentina. Dopo il Festival di Cannes vi accompagnerò quest'anno anche al Festival di Venezia.
00:42Ecco qui, qui dietro di me c'è il red carpet, qui dentro sono state appena presentate tutte le giurie,
00:47c'è anche il premio Oscar Alfonso Cuaron.
00:51E Festival che si è aperto oggi, allora appunto c'è stata la presentazione delle giurie e la presentazione del
00:58film di apertura, Everest.
01:00Per l'occasione probabilmente hanno deciso di sparare l'aria condizionata a mille sia nella sala d'arsena che in
01:08sala stampa,
01:08infatti sono ancora mezza congelata, se non riesco a parlare bene e a muovermi di conseguenza è perché la circolazione
01:15non si è ancora riattivata.
01:17Everest, dicevamo, film che ha fatto discutere perché era stato già giudicato non meritevole, non all'altezza di film come
01:24Gravity e Birdman
01:26che appunto sono stati presentati negli scorsi anni e che hanno fatto incetta di premio Oscar, stampa un po' prevenuta
01:32che, non so, forse la temperatura, forse il tema, forse non so,
01:36è rimasta completamente muta, gelata, niente fischi, niente applausi, un film che è stato recepito, diciamo, in nome a me
01:42era un po' freddina, scusate la battuta.
01:45Vediamo invece cosa hanno detto in conferenza stampa i protagonisti, Jack Hill, Josh Brolin e Jason Clarke
01:52e vediamo qualche immagine al red carpet dalla prima giornata del festival.
02:18Buongiorno, siamo qua per la conferenza stampa del nostro film d'apertura Everest
02:22e presento i nostri ospiti a partire in fondo alla mia destra.
02:28La produttrice Nikki Hantishvarn
02:32La produttora Premiere
02:34Josh Brolin
02:37Jake Gillenhall
02:39Poi
02:42Leticia del Fimbe alle Sakter Macur
02:48Luca Albeca, Luca Albeca, Luca Albeca, Luca Albeca, e Luca Tim Bevan.
03:00Tremendous responsabilità quando stai cercando di ricreare qualcosa che ci sono veramente accaduto.
03:07I wasn't even fully aware
03:10when I took on the role
03:13how the story had impacted
03:15Scott Fisher's family
03:16and particularly his children
03:18who contacted me directly
03:20and were a bit worried
03:22about how their father might be portrayed
03:26and it was actually a beautiful thing
03:29to sit down with the two of them
03:30and to hear
03:32who their father was to them
03:35and to feel him through them
03:39and I think that ended up being
03:43I think my responsibility
03:45to try and find the aspects of him
03:48an energy
03:50and put that through character
03:53not the specifics
03:54not the idiosyncrasies per se
03:56but we did try and collect them
03:58through listening to tapes
04:00and watching video
04:02but ultimately it was the essence
04:05that was most important
04:06and that was what Paul always talked about
04:08we were in Vasanales
04:11a little village that we couldn't leave
04:14so we had to live
04:15the dramas every day
04:17of each other's
04:19little personalities
04:20and sometimes you didn't want
04:21you know, Jason and I
04:22wouldn't want to be around each other
04:23it would be Jason
04:24it would be Mike
04:25it would be John
04:27and everybody's going through
04:28whatever they're going through
04:29because it's an isolated experience
04:32okay, but not little personalities
04:34big personalities
04:38thanks
04:39and you know
04:41I think ultimately
04:44when we went to
04:45and I won't tell you where that is
04:46in the film
04:47but when we went to London
04:49something happened
04:50something broke
04:51and it perfectly paralleled
04:53where we were in the film
04:54and you can see it in the film
04:56you guys don't know where it is
04:57but we know where it is
04:58where there was
05:00once we came to London
05:02we weren't in the mountains
05:04ourselves
05:04with nobody else
05:06having to deal with each other
05:07day in and day out
05:08and we really missed it
05:10and there was something
05:11that happened during the film
05:13at that point
05:13where we all wanted
05:14to kind of be done with it
05:15the whole romance
05:16of doing the film
05:17the idea of doing the film
05:19had worn off
05:19and it was like
05:20okay, we want to go back
05:21to Los Angeles now
05:23thank you very much
05:24and that's when it got very real
05:26and that's when I think
05:27the film gets very good
05:29see I just put a lot of food
05:30into the bridge there
05:31and then when Bolt
05:32and I shot it
05:33with John
05:35he shot it
05:36you know
05:36very intensely
05:37very hard
05:38you know
05:39a number of times
05:40and you just hope
05:40that it comes out right
05:44because
05:46you know
05:46at that point
05:47you know
05:48on a number of levels
05:49I think Rob
05:50must have believed
05:51that he could get
05:51dug up and down safely
05:55and
05:57and
05:57you know
06:01yeah
06:01you just want
06:02you want to abuse it
06:03with
06:05with
06:05you know
06:06compassion
06:07and intelligence
06:09and strength
06:12I was very interested
06:14by the character
06:15of Hannah
06:16because
06:17she
06:17came from a very different
06:19place
06:19from the rest
06:20she wasn't
06:21by her training
06:22and her background
06:23in Mantenere
06:25and she's
06:26to me
06:27I love the idea
06:29of playing somebody
06:30who's a witness
06:31and a bystander
06:32and a
06:33sort of
06:35an emotional
06:36conduit
06:37in a way
06:39and I think
06:40she's
06:41she's a person
06:42of very natural
06:42wolf
06:44and that was
06:45just a really
06:46lovely place
06:47to be
06:48for a while
06:48and this
06:50was all
06:50for the first
06:51day of the festival
06:51I'm
06:52Valentina
06:52continue
06:53to
06:53continue
06:53to
06:54movie player
06:55for the
06:55announcements
06:56from the festival
06:57of the cinema
06:57of venezia
06:58and that's
06:59the
07:04you
07:04you
07:04you
07:06you
07:06you
07:06you
07:06Grazie a tutti
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