00:03C'è un male oscuro dentro di noi
00:08Che sale come la bile
00:09E ci lascia l'amaro in fondo alla gola
00:14E lì in ciascuno di voi seduti intorno al tavolo
00:19Solo quando sappiamo cosa ci affligge
00:21Possiamo sperare di trovare la cura
00:28The thing about Gore as a director and a storyteller
00:31Is that he has the whole thing in his head before you start
00:34Some people have a photographic memory
00:36I feel like Gore has a cinematic memory
00:38The scope of what he's able to envision and see
00:42It's really quite incredible
00:43He shows up and he knows exactly what he's doing
00:46Exactly what shots he's doing
00:48And exactly where he's going to be using those shots in the movie
00:54Are you here for the cure?
00:55No, to tell you I was going to go away
00:57No, no one goes away
01:04Welcome back, Mr. Lockhart
01:06Working with Gore and coming to set every day
01:09It almost feels like you're tapping into your inner five-year-old
01:13You know, it never feels like work
01:15It always feels like playtime with Gore
01:17And he comes to the set with a giant whiteboard
01:19With drawings on them
01:21Storyboards that only he can interpret
01:36I'm not sure I've ever met anybody
01:38Who has the entire film and all of the edit in their head
01:42Before they start, like Gore does
01:44And he knows exactly what he wants
01:46And it almost becomes my job
01:48Just to bring what he wants to life
01:50If you have some ideas of how to do things differently
01:53Or change things in a different direction
01:54He's always open to listen
01:59He just was able to bring it to life to me
02:01On the telephone we talked originally
02:03And I wanted to see it
02:05In fact, I wanted to be there
02:06To be one of the first people to see it
02:07So I wanted to be here
02:10It's magnificent here
02:13To be one of the first people to meet
02:18In this country
02:19Grazie a tutti.
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