00:00www.mesmerism.info
00:04Westworld è un film di genre,
00:05ma penso che quando stiamo guardando le caratteristiche,
00:10soprattutto le donne,
00:11siamo naturalistici e reali,
00:12e cercando di affrontare le cose che le donne face
00:15per l'opportunità ,
00:17per l'opportunità che ti oppure.
00:18Come si tratta di passare
00:20quello che ti ha fatto,
00:22e ancora non essere definito?
00:28Per l'opportunità ,
00:29We've mette confederaltos in the first season.
00:31Dolores has unfinished business with them.
00:34The only way she's going to survive
00:35is to build herself an army.
00:38Quite the welcome.
00:39And you are?
00:40Call me Wyatt.
00:41You're Wyatt.
00:43The tensions that you feel as a human,
00:45having to present yourself in a certain way
00:47in order to be construed as a leader,
00:49there's a certain level of persona
00:51that you have to craft for that,
00:52especially as a woman.
00:54And Dolores has to do that.
00:55I think I thought
00:56I would really be playing this character
00:58that had this soul of a man,
01:00this maniac of a man.
01:02And then I realized
01:03that Wyatt can also be a girl's name.
01:07And it completely changed
01:08my perspective on the character.
01:11Just promise me you're men.
01:12I need them forever to survive this threat.
01:15I think that episode
01:17was the most difficult for me character-wise
01:19because I've never been given a role
01:21where I'm commanding an army
01:23or talking like a general.
01:26Who is he?
01:27We've spent three episodes
01:29seeing this host
01:30who is a war general
01:32and a vengeful goddess.
01:34Suddenly she sees her father
01:36and she becomes a daughter again.
01:39I'm here.
01:40And you realize
01:41she's still the same person
01:42with vulnerabilities,
01:43with feelings,
01:44with insecurities,
01:45with doubts.
01:46Dolores?
01:47Daddy.
01:47You can't express all the things you are
01:50at every given moment.
01:51But the totality of those moments,
01:53if you string them together,
01:55is what creates a true portrait
01:56of who you really are.
02:00Three!
02:02Eight!
02:03Four!
02:05Derelicts of an older conflict.
02:07These soldiers carrying on the mythos
02:09of the post-Civil War moment
02:11in which some of these soldiers fled
02:13south of the border
02:14and elected to keep fighting.
02:16So we knew that their environment
02:18had to be a fort.
02:19The challenge was to feel the power
02:22and history of the place.
02:25Howard Cummings built an amazing set.
02:28They wanted kind of an apocalypse
02:30now quality to it.
02:31So I pushed it into that Adobe Fort style.
02:34It's not the Alamo.
02:35It's not Western.
02:36It's actually sort of more Midwestern.
02:37The place had to look bombed out
02:39and totally disrepair.
02:41There's sections of it missing.
02:42We built ramparts with cannons
02:45and barricades.
02:46These big spiky barricades that they used
02:48and bunker kind of things.
02:50I wanted evidence of their people being amputees.
02:53So there's a big infirmary.
02:56The hardest thing there was just the scale.
02:59It's a massive set for us.
03:01When you're in a setting,
03:03that is very realistic.
03:04It's so much easier to let yourself go
03:07and become the character.
03:09Sir!
03:11Sir, we saw him.
03:13You're coming up from the ground.
03:15One of the biggest challenges on Season 2
03:17was the big battle at Fort Forlorn.
03:20We fight this battle head on, we lose.
03:23Fight it my way, we all win in the end.
03:25It was big.
03:26It involved a week's worth of prep.
03:28We had a couple hundred extras
03:30and stunt people and horses.
03:32To your post!
03:34It was just one big choreographed,
03:37stunt effects sequence
03:39that had to be timed and planned
03:41and executed perfectly.
03:43They were trying to create a wall
03:46that separated the people in the fort
03:49from the marauding horde.
03:52Basically what they're trying to sell
03:53is that she's shooting the ammo
03:55and explosive depot,
03:56which is all buried underground.
03:59We had high explosives.
04:01We wanted to create explosions
04:04almost cylindrical in shape, taller,
04:06and then in between layouts
04:08some more that was more of a cloud,
04:10but violent.
04:12Then you have the challenge
04:13of having all the stunt people
04:14and all the people in the middle
04:15of this battle
04:16and sorting out how we're going
04:18to do things safely.
04:20There's a lot of different ways
04:21to do shootouts.
04:22On our show,
04:23we just rehearse it,
04:24filming it,
04:25as many times as possible
04:26and then we only have the squibs
04:28on our actors
04:28or our stunt performers once.
04:30We then blow the squib
04:31and then move on.
04:33We rehearsed the battle sequences
04:35for about a day prior to shooting.
04:39Power away!
04:43How people died
04:44was very important to us.
04:45We're always looking to push the envelope
04:47and use the most effective,
04:48startling effects.
04:50They had kegs sitting here.
04:52We simulated that.
04:53The bullet got in there
04:54and it took out two confederados.
04:57The squibs that we use,
04:59the blood hits that we use,
05:00we fire the charges by radio,
05:02timed to the guns going off.
05:06It was unreal.
05:07The production value was enormous.
05:11Watching them collide was, to me,
05:13the perfect image for the show.
05:15It was like the past and the present.
05:18that we have to do this.
05:21It's impossible to sue.
05:24It's time to do this.
05:30You must see her living
05:30If you see some Österreichs,
05:33you can assume that increÃble
05:34that she did not have
05:34famous words,
05:35you could say
05:35you could say
05:35you could say
05:39the service winning
05:39has vos Betards.
Commenti