00:01Tell me something boy
00:09Aren't you tired trying to fill that void
00:15One of the first things that Mark said to me
00:18Okay, I know you can write a pop song
00:19But what do you absolutely have to write about?
00:22We were writing shallow from the point of view of Ally
00:26Yeah, I had no idea it was going to become part of the narrative
00:29And then you start like singing the opening lines
00:32I really did get chills
00:34It becomes part of the reason that they fall in love
00:36Or do you need more
00:44Ain't it hard keeping it so hardcore
00:50Is that me?
00:52That's you
00:54You just read that now?
00:56Yeah
00:57It's pretty good
01:09There's no point in the movie where any lyric is sung
01:12That isn't directly related to exactly what their fear is
01:16Their hope
01:18Their dream
01:42When I was writing music for the film I had to think about Ally as if she wasn't me
01:48Yeah
01:48You know
01:48But that's the beauty of you
01:50You have so many sides
01:51And it was evolving as the film was evolving and the shooting of it
01:55Yes
01:55So I went with a sound for her even in the pop realm
01:59That's unlike anything I've ever put out before
02:01I know
02:03Maybe I could justgua
02:04But that was dangerous
02:07If I hadlinear
02:09Forquise
02:09I know
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