00:00There are some hype that starts with cinema.
00:02For example, Hashtag Thirblaski, after long years,
00:05they started a great cinema in the world.
00:08Then the hype started.
00:09Then actors and our mindspace are all about.
00:11Now the audience is all about our names.
00:14They are all about our new name.
00:16They are all about our new name.
00:17Now actors and characters are all about our performance.
00:20They are all about our new input.
00:21They are all about our new discussions.
00:24What is it?
00:24If you have a genji, you will be accepted to me.
00:32I am with genjis.
00:34I am with genjis in society, I am with genjis in my home.
00:39I have no costume in my house.
00:42But there is a genji.
00:44I have no costume in my house.
00:46I am the same person.
00:48I will play a character.
00:51I will show you how to play.
00:54Suppose, Spillberg, the vice-choose,
00:59that I don't think that the cinema is going to be a film.
01:02That's right.
01:04If you want to go to Japan, you can't go to Japan.
01:08But that's not the case.
01:11We are going to go to Japan.
01:14You have to accept nature.
01:18So, if you want to go to Japan,
01:19This is a marketing strategy for a generation.
01:28This is nature.
01:30That is Genji, Alpha, Beta, Gamma, Y2K.
01:35This is a marketing strategy for Western media.
01:40In Bhartiya, Kutumba Vyavastalo,
01:44this is my name.
01:45This is not my name.
01:46We are available in TLS.
01:48They are available in theater,
01:50and in the first day are available in youth.
01:52We are similar to that.
01:55That's good to see general,
01:56nobody needs to see age limit.
02:01We don't have a problem.
02:01Yes sir.
02:02That's not the only point we have.
02:05So, there is an ape.
02:07We get to get to film.
02:08I didn't want to entertain them.
02:09That's why I am not.
02:11I want to be on the video I'm not doing my things.
02:15This is ebenso.
02:17I don't know, I'm so aware of it.
02:19That's why I aren't doing this.
02:22I want to go through that,
02:23take a look at the audience,
02:25never go up, never go up, never go up.
02:28I am not sure.
02:30I don't think I am gonna do it anymore.
02:32So I understand.
02:34I won't do this.
02:36I'm decía.
02:36I'm not sure what you're doing.
02:37You're telling me.
02:39We're going to preview the screen.
02:41We're going to preview the screen.
02:43We're going to show you how to do it.
02:45So, we're going to show you how to do it.
02:49It's a marketing thing.
02:51Marketing is a matter of all.
02:54In Bombay.
02:55In Bombay, Hollywood, Western countries.
02:59We start the same trading as a bomb.
03:01We're going to teach them how to reach.
03:06But now, we know how to get it.
03:09You know, by my age,
03:09just the age,
03:10from Alpha,
03:11or from Alpha,
03:12and from Alpha,
03:12everybody,
03:12all of them,
03:13just to stand up.
03:15Everybody can't stand up.
03:18I'll transmit it.
03:21I'm happy.
03:22Now, technology is going to burn.
03:24The technology is changing.
03:28The cream is changing.
03:32The other thing is that we all have to do.
03:35We all have to do entertainment in regular fashion.
03:41We all have to do the same answer.
03:43So, we all have to do the same thing.
03:46We all have to do the same thing.
03:48Now, Radhika Gharji is doing the same character.
03:51You can talk about that.
03:52That's right.
03:53That's right.
03:54That's right.
03:55That's right.
03:56That's right.
03:57That's right.
03:59That's right.
04:00That's right.
04:01You can't do that marketing strategy.
04:03Why do you do that?
04:05It's not entertainment as well.
04:06We also have cinema.
04:08We also have cinema.
04:08We also have cinema in Hyderabad.
04:11We also have a tourist family.
04:14Yes.
04:16Why?
04:17I've chosen one of the female characters.
04:18I have a daughter of Simran Garu.
04:20I know.
04:25I'm surprised.
04:26Not my first adaptation.
04:26I'll show you in the movie.
04:27Yes.
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