- 2 hours ago
Tum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full EpisodeTum se Tum Tak 09 March 2026 Today Full Episode Tum se Tum Tak Today Full Episode
Category
🎥
Short filmTranscript
00:01I have to pay my FD next month.
00:03Yes, you can pay a little money.
00:06Yes, okay.
00:07Rajni?
00:14This FD was paid for the school fees, right?
00:17Why did you pay for the school fees?
00:18I didn't pay for the school fees.
00:20I didn't pay for my money, so Gopal had to pay for it.
00:23The next month I have married Annu,
00:24so they can pay for it too.
00:27I'm not a kid.
00:28Mopal and Pushpa are not.
00:32You don't have to pay for the school fees.
00:34Your daughter, Annu, is taking a divorce with her.
00:38Rajni, you have to pay for the school fees.
00:41You should pay for the school fees.
00:45You should pay for the school fees.
00:45But you are paying for your money and paying for the school fees.
00:50My daughter, Annu is her daughter.
00:52She's a good, good, bad.
00:54You know all of them, right?
00:56You know all of them, Rajni.
00:58If this happened in the whole house,
01:01how do you talk about it?
01:02They will be getting hurt.
01:04And the biggest thing is,
01:06you think about your daughter Simran.
01:12Where did Simran come from here?
01:14Well, Rajni,
01:16how do you understand?
01:18You see her,
01:19she also changes her.
01:20And at the moment,
01:22she's also became her daughter.
01:23But with her,
01:24she's so nice to see her name.
01:25She's a good girl.
01:28She's so nice.
01:29If she has a great girl,
01:32she's got her love.
01:34She's got her love,
01:34and she's got her love.
01:34And tomorrow,
01:34if she's hurt her,
01:36she's got her anger,
01:36then what will she's got her?
01:37She will get her eyes to everyone.
01:41Today, if you stay quiet, you will come to your house tomorrow.
01:48Think about it.
02:00Mother Rani, I'm in the truth of the truth.
02:05Some of you are the truth.
02:08This is not the truth.
02:09People are not aware of it.
02:10We are all happy.
02:11But when the truth is open, it will be very difficult.
02:16People are not sitting in this country.
02:18I have to talk to you with a push-push.
02:27Go ahead and take the blow of the shakun.
02:28Please take the blow of the shakun.
02:33What are you doing, Mom?
02:38Are you going to take all of the shakun?
02:40Yes, I'm going to Anu's house.
02:42I'm going to take the blow of the shakun.
02:43I'm going to take the blow of the shakun.
02:43But why are you taking all of the shakun?
02:46Mansi, what is the shakun's house?
02:53This is the shakun's house, Mansi.
03:01What is the shakun's house?
03:11I'm going to take the blow of the shakun's house.
03:13What?
03:14Yes, such.
03:16Yes, Mom, such.
03:17Gopal Ji is the drama of the shakun's house.
03:20But they also have to go out of the middle-class status.
03:22They were acting as values.
03:24But the value of the money is very good.
03:28And if the typical middle-class
03:31will come back to the millenials of the millenials,
03:33then they will do the drama, right?
03:35Not to do it.
03:38Eventually, they would do it.
03:39They would do it.
03:40So, do it?
03:42Look, Mansi.
03:44I'm going to take the shakun's house.
03:45That's why don't do this.
03:46Don't do this.
03:47What's shakun, Mom?
03:49I'm going to talk about Anu's house,
03:51Arya and Anu's婦.
03:57Mom, are you serious?
04:00Sorry for my tone,
04:01but you know where the girl belongs from?
04:03The girl living in a cheap,
04:05cheap, cheap,
04:06the girl living in a salesman.
04:08You want to make her very good, Mom.
04:11So, what's the problem?
04:12How many times have you told me, Mom?
04:15There are thousands of problems.
04:16And the biggest problem is her class.
04:18Her status,
04:19which is much lower than our status.
04:21It's the difference between her and our capacity, Mom.
04:24Why do you say that?
04:26We are sitting in high society,
04:29high-class people,
04:30and they deal with business.
04:32And tell them,
04:33cheap, down-market people.
04:35There's no match for them, Mom.
04:39If they know people tomorrow,
04:41they'll laugh at us.
04:43They'll say,
04:43how do you want to be a rich man,
04:45a young girl,
04:47a young girl,
05:00and they'll say,
05:02that's the best of your life.
05:07Are you serious, Mom?
05:08What do you want to say?
05:10What do you want to say in this position?
05:12What do you want to say in this position, Mom?
05:15What do you want to say in this position, Mom?
05:17What do you want to say in this position, Mom?
05:18Do not compare.
05:19You're right.
05:21Actually, you're right.
05:24You can't give any comparison to her
05:27because of her to say bad people,
05:31to say bad people,
05:32to say bad people.
05:32Where do you come from?
05:34There's no time to talk with you.
05:39Come on.
05:40Put it in the car.
05:41Where do I go from here?
05:43Where do I go from here?
05:44Put it in the car.
05:44Put it in my foot, Mom.
05:46I also see how you go to her house.
05:48Don't do it.
05:50Put it in front of her.
05:50I won't.
05:51Put it in front of her.
05:52Put it in front of her.
05:52No, Mom.
05:53You won't go.
05:54Put it in front of me.
05:55Put it in front of me.
05:55Put it in front of me.
06:18Put it in front of me.
06:20Put it in front of me.
06:22I should have done it.
06:24I should have come from here.
06:24Put it in front of me.
06:25Well, I will say that I am聞 of the house.
06:28I will say that I will go from here.
06:33I will say that I can go from here.
06:37And show it that I am going from here.
06:38Put it in front of me.
06:40So it is Marco,
06:41I don't know.
06:42It's hard to get her into the wrongs,
06:44into the wrongs,
06:44into the wrongs.
06:45Rannu's father and mother have a good advice.
06:48They are good advice.
06:49They are learning to give others.
06:50They are learning to make their own interests.
06:53What do you mean?
06:55Your pride has been so much
06:56that you have forgotten
06:57that you are talking about.
07:00Today, I am not talking about my mother
07:01and talking about this way.
07:06I remember,
07:07what is this house?
07:08In this world,
07:08there is no right to my mother
07:09and there is no right to me.
07:10And you...
07:13Don't do this wrong with me.
07:16And what you are saying about Anu,
07:18you don't have to say anything about you.
07:21And you?
07:22You have tried to see Anu and his family
07:24and his family.
07:28You talk about it.
07:30Class,
07:31status,
07:32money.
07:32You don't have to say anything.
07:34You don't have to say anything.
07:36You have to say anything.
07:38The mother is doing it.
07:40She is doing it.
07:41She is doing it.
07:41I told her
07:42to go and talk about my family and Anu.
07:47And now,
07:48I am not going to discuss this topic.
07:49but no discussion.
07:50I am not going to discuss this topic.
07:58I am not going to discuss this topic.
08:01I am not going to discuss this topic.
08:33It is not going to discuss the topic.
08:36I am not going to discuss this topic.
08:36But I am not going to discuss it.
08:38I am not going to discuss this topic.
08:41You are going to discuss the topic of the matter.
08:44Okay.
08:45Pushpa, I haven't come to take the vegetables.
08:47I've come to talk to you.
08:48Tell me what the story is.
08:51Idhra.
08:53What happened?
08:54Look, I was talking to you and Anu,
08:58but I feel like I should not get married to Anu and Arya Vardhan.
09:04Oh, Sharma Ji.
09:06What are you talking about?
09:07Your brother is saying.
09:09Why are you saying that?
09:10Pushpa, I'm doing anything.
09:12I'm doing something for you and Gopal-bhaiya.
09:14I'm doing something for you and Gopal-bhaiya.
09:16As soon as you come to the wedding,
09:18you will be very lazy.
09:22People will kill you and Gopal-bhaiya,
09:24and they will kill you.
09:26Oh, Rajneen.
09:27I'm understanding your thoughts.
09:29What do they have to ask?
09:30Where do they have to ask them?
09:31If they're talking about that,
09:33then they'll say something else.
09:35Rajneen, look.
09:36A wedding is making a decision between two people.
09:37It's hard for them to take.
09:39It's hard for them to take.
09:40You don't have to tell them all you have to speak.
09:43So listen to the four people out of the window,
09:45and listen to the four people out of the window,
09:48and listen to the four people out of the window,
09:49how do you feel about it?
09:52How many people in the world are like,
09:54who are looking out from the window.
09:56But in the house,
09:57there are still stakes for everyone.
09:59I will not give anything with Anu.
10:00I will not give you anything with me.
10:02I will listen to people from outside and listen to me.
10:05I will give you anu.
10:07I will give you a life full of me and I will not forgive myself.
10:12My pleasure is in Aria Sar.
10:15And the bride will be gone with Aria Sar.
10:19Let's go.
10:39Aria Sar.
10:40That's what I feel like.
10:41As I rise up, I have excited from my heart.
10:45That I will see Aria Sar.
10:46I will talk a little bit about Aria Sar.
10:52Aria Sar.
10:53You have the phone.
10:55My pleasure is the most important to my life.
11:09I know I'm going to the office
11:11first to see you too.
11:14You also want to see me.
11:16But today I have to go to an urgent meeting.
11:19I'm not saying.
11:21Just like I said yesterday,
11:23I'm going to go to my cabin.
11:25I'm going to go to my cabin.
11:26Go and see you.
11:28I'm probably going to love you.
11:30Surprise.
12:10I'm going to love you.
12:15that you are very important to me.
12:28You are the love of your love.
12:30You are the same as you are in your life.
12:33I am going very far away from you.
12:44You are the one who is ready for us.
12:50The love of your desire is no explanation of the death.
12:51You are the one who will not reach us.
12:51The bond that you cannot reach for ever.
13:19Headphone lagau.
13:34Take the bomb
13:41Mano
13:41Dad, our love story was a moment like that
13:45When we thought that we will be divorced for our lives
13:49foreign
14:26In any moment, I want you to dedicate a song to our love.
15:02In any moment, I want you to dedicate a song to our love.
15:37In any moment, I want you to dedicate a song to our love.
15:58In any moment, I want you to dedicate a song to our love.
16:19I want you to do a job.
16:21You have a big music system.
16:23You call the whole office.
16:25You will all dance with me.
16:27You do a club.
16:31Members.
16:32What?
16:33You come to work in this office or dance with me.
16:36How careless you are.
16:39You have to do a lot of work.
16:42I have done a lot of work here.
16:43I have done a lot of work here.
16:45I have done a lot of work here.
16:45But now I will not tolerate it.
16:46I will do anything.
16:47Mira?
17:04What are you doing, Mira?
17:06Is everything all right?
17:10What are you doing?
17:14What are you doing?
17:18No, sir, it's actually...
17:21My hands, you know,
17:22I lost my hands,
17:23so I just heard her voice
17:24and heard my mother's voice.
17:27You didn't have to stop?
17:32No, sir, I'm fine.
17:36What are you doing in my office?
17:37Okay.
17:39It's better than that, sir.
17:42The boss of this office,
17:43means that you,
17:44you are fine.
17:46Is it?
17:47I mean,
17:48since I joined this office,
17:50I've never seen you play a holly
17:52until today.
17:56But I knew that you played a holly.
18:02You've changed a lot, sir.
18:04Huh?
18:06I wanted to change very early,
18:09but I couldn't change.
18:13I've come to life
18:14and it's easy to change.
18:25Now,
18:25I don't know why
18:26you are feeling like...
18:28This is just the beginning.
18:30You're going to change a lot.
18:32Before,
18:32I'm going to change a lot.
18:33I'm going to change a lot.
18:39I'm going to change a lot.
18:47I...
18:48I'm going to die.
19:17I never thought that I would never see R.A. Sir.
19:22That's the R.A. Sir, who I love in life.
19:27That's the R.A. Sir, who I want to make myself.
19:29I never thought that R.A. Sir will never see R.A. Sir.
19:36Why are you taking it? I'll take an FM.
19:40It's okay, sir. I'm...
19:41I don't know anything.
19:43This hand is not to take this hand.
19:46It's another job.
19:48What job?
19:50This hand is to put a hand.
19:52To put a hand.
19:53To give orders.
19:56But you know, I want to do something with these hands.
20:00What?
20:02After marriage, when you wake up in the morning,
20:05you want to make tea with your hands.
20:07You want to make tea with your hands.
20:09You want to make a party with your hand.
20:09It's like her.
20:11Just like your hands.
20:13That includes River,
20:13You want to cook all your favorite dishes.
20:15You want to eat your hands.
20:17And when you go out and do things,
20:22You want to turn things off.
20:24You want to smoke it out.
20:25And then,
20:27You want to see anything with tea.
20:29I want to see you.
20:34What's going on, sir? Why are you watching this?
20:36You don't know that I'll make tea for your hands
20:39or make food for your hands?
20:41No, sir.
20:42No, sir, I won't make it.
20:44I know my cooking skills are not good.
20:46No, no, no.
20:50You gave me so many things, right?
20:53I can't understand how I react.
20:56I'm very happy today.
20:59I'm very, very, very, very happy.
21:08You've come to meet with me
21:12Your dreams are gone
21:16Your dreams are gone
21:20Your dreams are gone
21:22Shukta
21:24Sajday
21:26Mekir
21:28Harpal
21:29Hai میira
21:31Helak
21:31Meeri
21:32Sanse oan kaya
21:35Safar
21:35Mas hai
21:37Tum se tum tk
21:39Oh, oh, oh, oh, oh, oh, I've got to be great
21:46Um, I, I, I, I
21:51I, I, I, I, I, I, I, I, I, I, I, I
Comments