In Arizona, Marshal Landry and captured outlaw Girard find three survivors of a wagon train massacre but, later, Girard escapes custody and robs stagecoaches with his gang, prompting Landry and his posse to give chase.
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Short filmTranscript
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00:01:41Hi, Mr. Landry,
00:01:44United States Marshal.
00:01:45Hey?
00:01:46He's the United States Marshal.
00:01:49Oh.
00:01:51Hiya, Mr. Marshal.
00:01:52Hi.
00:01:53My partner here's kind of deep in the ears.
00:01:57How's things over around Tombstone, Marshal?
00:01:59Like usual when I left three days ago.
00:02:03Happen to see a lone man riding a rangy black?
00:02:06Yeah.
00:02:07Yeah.
00:02:07He was a couple of three miles down the trail.
00:02:09He was angling off towards Healer Rocks.
00:02:12You after him?
00:02:13Yeah.
00:02:14You know, I thought it was kind of funny he didn't come over a little closer,
00:02:16at least past the time of day.
00:02:19He a horse thief?
00:02:20Gun runner.
00:02:21Sold 200 rifles and a barrel of whiskey to a bunch of Apaches.
00:02:25Cavalry's looking for them.
00:02:26I'm after Frank Girard.
00:02:29Get out!
00:02:31Don't get out of the lid and a big hole!
00:02:37Shhh...
00:02:38...
00:02:38Oh, my God.
00:03:21Oh, my God.
00:04:00Oh, my God.
00:04:03Drop it.
00:04:09I said, drop it.
00:04:14Now the gun belt.
00:04:17Easy with those hands.
00:04:19There's a bullet looking right down your throat.
00:04:22Bullet or hanging?
00:04:25You make it hard for me to decide.
00:04:27It's your choice, Mr. Gerard.
00:04:45Well, I told you a thousand times to follow the wagon ahead of you.
00:04:50Now, what are you trying to come through here for?
00:04:52Well, I didn't do it on purpose.
00:04:54I'm not a professional teamster.
00:04:56You couldn't have done it better if you'd have done it on purpose.
00:04:59Of all the miserable luck.
00:05:01Luck.
00:05:03Unhook your team and unload that wagon.
00:05:07All right, you teamsters.
00:05:08Unhook your teams where you are.
00:05:09Mr. Kimber has picked our cap and placed for the night.
00:05:12First, if you'll unhitch the horses, I'll unload our things.
00:05:35Here, I'll take that, Murray.
00:05:42Vern, Vern, look!
00:05:51Patrol, hold!
00:05:54Just mount.
00:05:55Rest your horses.
00:05:58Hiya.
00:05:59You in charge of this party?
00:06:00Well, kind of yeah and kind of no.
00:06:03Me and my partner's freighting through here
00:06:05and these folks joined on with us to get to Tombstone.
00:06:08It's been reported that some armed Apaches may be in these mountains.
00:06:11I wouldn't advise you to camp here.
00:06:12Apaches?
00:06:13Are there Indians near here?
00:06:15Well, we're not sure.
00:06:16They were circling toward the north.
00:06:18We're cutting across to intercept them.
00:06:20Do you kind of reckon we ought to just leave that old broken down wagon
00:06:23and get out of these mountains?
00:06:26Traveling at night's dangerous, too.
00:06:27You might be safer here.
00:06:29But you better bunch in and keep someone on guard.
00:06:31Well, good day, gentlemen.
00:06:32Good day.
00:06:34Just a minute.
00:06:35You're not going to ride off and leave us here without protection.
00:06:38Sorry, I have my orders.
00:06:39But we're citizens.
00:06:40You have to protect us.
00:06:42They're citizens all over the territory.
00:06:44We owe them some protection, too.
00:06:45But there are women and children here.
00:06:51All right, I'll leave you two men and a Gatling gun.
00:06:54Caxton, Wayne, fall out with the Gatling.
00:06:55Stay with these people until they reach Tombstone.
00:06:58You.
00:06:59All right, driver.
00:07:00Bunch these wagons around that broken down one.
00:07:04To pole.
00:07:14Got one ready?
00:07:18Not ready.
00:07:19Let me have it.
00:07:20That's all right.
00:07:21But I'm trying.
00:07:23All right.
00:07:29Nine o'clock.
00:07:30It'll be midnight before they're through.
00:07:32Fern, can't you help the men with the wheel?
00:07:34Oh, I offered to.
00:07:36They said they could do it better without me.
00:07:38Well, after all, I'm a telegrapher, not a wheelwright.
00:07:46I wonder what our home and tombstone will be like.
00:07:49Probably a Dolby Shack, the way my luck's been running.
00:07:54Oh, we can do better than that.
00:07:58Mr. Dalton told me Tombstone's getting to be quite a town.
00:08:01A place for the real future.
00:08:02Oh, sure.
00:08:03Go west and grow up with the country.
00:08:05Hunched over a telegraph key at $30 a month.
00:08:09In San Francisco, men are getting rich overnight.
00:08:12That's enough, Fern.
00:08:13More than enough.
00:08:15Just because I want to amount to something?
00:08:17No, but it's about time you settle down to doing the one thing you can do.
00:08:21But, Mary, there are fortunes to be made in Frisco, the fur trade, shipping.
00:08:24There are fortunes to be made in Chicago, too, until we move there.
00:08:28And in St. Louis, and in Kansas City.
00:08:32Mary, I can't help it if my luck's turned against me.
00:08:35Luck?
00:08:37The luckiest day we've known was when the company offered you the Tombstone Station.
00:08:42Oh, I'm sorry, Fern.
00:08:45But you promised to settle down.
00:08:47Quit these dreams about getting rich overnight.
00:08:52Maybe when we find our own home.
00:08:57Like I was telling you, big fella, red-haired, had a bayonet scar right on his chest.
00:09:02Ever run across him, sergeant?
00:09:12What's the matter?
00:09:18The crickets...
00:09:20Stop chirping.
00:09:24Well, that might not mean anything.
00:09:26Might not.
00:09:28We'll let up here like a torchlight parade.
00:09:31Move easy.
00:09:34Well, I guess that one's about...
00:09:48Take it easy and get back to your gun.
00:09:50Are the Indians...
00:09:51Don't look around.
00:09:52Might be looking right down the back of your neck.
00:09:56Slower.
00:10:08Julie.
00:10:09It'd be a good idea if you and Dave and the little one got down in back of the things.
00:10:16Come on, darlings.
00:10:17Daddy wants us around here.
00:10:27What's the matter, Mommy?
00:10:47Let's get the water.
00:10:56You look around.
00:11:04Let's go!
00:11:06What?
00:11:07What?
00:11:16Here, Mommy, we're back.
00:11:24Let's go.
00:11:55The rifle, Vern. Use it. You've got to help me. Hurry, Vern. Hurry.
00:12:04Miss Skipper! Miss Skipper!
00:12:30It's all yours. Thanks.
00:12:36The rest of your troop, is there any chance they'll hear this shooting?
00:12:39They're halfway to Gatto mess up by now.
00:12:40What if we don't get help?
00:12:41Keep firing.
00:12:44Time for you to get out of here, ma'am.
00:12:46No, I'm staying with my husband.
00:12:48That'll only buy you a few minutes.
00:12:50Keep the kids. Crawl down the gully, or we keep up a covering fire.
00:12:53You might have a chance.
00:12:59All right. Come on.
00:13:01Stay down. Stay down.
00:13:11Where do you think you're going?
00:13:13With my wife.
00:13:13No, you're not.
00:13:14If you want to save her life, you stay here and keep shooting, understand?
00:13:22No, you're not.
00:13:34No, no, no.
00:13:37All right.
00:13:42Bear!
00:13:46Take it in there, quick!
00:14:21Let's get out of here. Some of them may still be hanging around.
00:14:25Will the guns you and your friends sold them?
00:14:31Can't leave these bodies for the buzzards. Come on.
00:14:43Marshal, I'd feel a lot safer if you take these off.
00:14:46I'd feel a lot safer with them on. Let's start digging.
00:15:19Hello, sonny. Wait a minute!
00:15:29What's your name? David Billings, sir.
00:15:32I was... my family was in one of those wagons.
00:15:36Stay right where I can see you, Frank.
00:15:40Anybody else get away?
00:15:41Just one lady, me and Jess.
00:15:44We hid out in the hills all night.
00:15:46Guess these horses were scared away before the Indians could get them.
00:15:49I found them way up in the gully.
00:15:52I'll handle the horses for you now.
00:15:54You run as fast as you can to get the others.
00:15:56Yes, sir.
00:15:58All right, Frank. Let's get on with it.
00:16:15I told you those saddle horses wouldn't like that harness.
00:16:17They'll have to like it.
00:16:40Don't try it, Frank.
00:16:49We'd better get started, Mrs. Kimber.
00:16:52I'm ready.
00:16:57Come on, Davey.
00:16:58Come on, Davey.
00:17:00Frank, you're driving. Get up there.
00:17:19Come on, sir.
00:17:20Alright, that's me.
00:17:23How's that hurt?
00:17:28Attention!
00:17:40Baby!
00:17:42Frank, get in the back.
00:17:43Here, keep these horses running.
00:17:47Baby, you used to whipping those horses?
00:18:00I guess we're on the same side now, Frank.
00:18:50Frank, we beat him, eh? Quick!
00:18:52Frank, we beat him. Quick!
00:18:55We're not on the same side anymore, Marshal.
00:18:59Give me this gun.
00:19:02I'm sorry, folks, but this is where we part company.
00:19:05You better sit down and rest your feet. You've got a long walk.
00:19:08Frank, you can't let Mrs. Kimber and the children face a walk like that.
00:19:12Tombstone's over 50 miles.
00:19:13That's about as close as I want to get to it.
00:19:15All right. Leave me here, but take Mrs. Kimber and the children closer to Tombstone.
00:19:22Maybe you've got an idea there.
00:19:25All right, I'll take Mrs. Kimber.
00:19:30No!
00:19:32Not the children, honey.
00:19:34Just you and me.
00:19:38In that case, I'll stay with Marshal Landry.
00:19:42All right.
00:19:44Probably better if I travel light anyway.
00:19:50Yeah!
00:19:51Yeah!
00:20:22Wait!
00:20:36No, no, no, no, no.
00:20:41He's like, I've found you, Mrs. Kimber.
00:20:42No, no!
00:20:42Oh!
00:20:43Mr. Kimber.
00:20:43It looks like a
00:20:44light changer where we超.
00:20:44Miles!
00:20:44Oh, yes!
00:20:46Oh.
00:20:53The handcuffs, they're in the wagon.
00:20:58Should have killed you when I had the chance.
00:21:01Next time, I will.
00:21:04Nice work, Marshall.
00:21:05The order's true to look.
00:21:06You got it, Marshall?
00:21:08Never thought they'd get trained to your own.
00:21:11It's too good for him.
00:21:12I'll tell you, I got him long time.
00:21:14Nice!
00:21:16Please, just don't look.
00:21:24Hello, Frank.
00:21:34Congratulations, Marshall.
00:21:37Where'd you pick him up?
00:21:40Heeler Rock.
00:21:41I'll give you the details in the morning, Nathan.
00:21:42But I'm putting out a special edition tonight.
00:21:44All right. Now, what's the story on that Apache attack?
00:21:47The all in the handshake were killed.
00:21:49Freighters?
00:21:49Yes. Children's parents' name of Billings from Illinois.
00:21:52Two cavalry troopers and Mrs. Kimber's husband.
00:21:56Thanks.
00:21:58Nice work, Matt.
00:21:59Put up much of a fight?
00:22:02Here's the last one.
00:22:03I'm Nathan Burlack of the Tombstone Epitaph.
00:22:05Is there anything my paper can do to help you, Mrs. Kimber?
00:22:08Do you have a place to stay?
00:22:09Yes.
00:22:10Marshall Landry's been kind enough to let me stay with his family temporarily.
00:22:14Better double your night watch, Jim.
00:22:15I'll be around the morning.
00:22:16Can I speak to him a minute, Sheriff?
00:22:18Alone?
00:22:20Please, Marshall, just a few minutes.
00:22:22What harm can I do?
00:22:24Show I have with me, Jim.
00:22:26All right. Come on.
00:22:30And your last residence was in...
00:22:32That's enough for now, Nate.
00:22:34The lady's tired.
00:22:34Oh, of course. I'm sorry.
00:22:41Here.
00:22:44Just five minutes, Della.
00:22:50I knew you'd come.
00:22:53Did you do it?
00:22:54Did I do what?
00:22:56What they say you did.
00:22:57Of course not. Landry's flaming me.
00:22:59Don't lie to me, Frank.
00:23:01Landry wouldn't frame anyone.
00:23:03All right.
00:23:03Turn against me like all the rest.
00:23:06Frank, you gave me a promise that we'd leave the territory together.
00:23:10And now selling guns to Apaches.
00:23:13Shh.
00:23:15I only did it to get money for us.
00:23:17You heard that crowd out there.
00:23:18You know what they want to do to me.
00:23:20Della, you've got to help me.
00:23:22You're the only one I can turn to.
00:23:24Della, if you love me now, you'll help me.
00:23:30I'll get a lawyer.
00:23:33If you'll turn in evidence and tell her who worked with you.
00:23:37What I know is worth more than that.
00:23:39You're going to go see my brothers.
00:23:42You're going to tell them I will talk unless...
00:23:47Well, here we are, folks.
00:23:48Look, Davey.
00:23:50Let the light burning for us.
00:23:51Welcome home, Mr. Landry.
00:23:53Welcome home.
00:23:54Thank you, Jefferson.
00:23:55Good to have you home again, sir.
00:23:57I brought along some guests.
00:23:58Mrs. Kimber, Jesse and Davey Billings.
00:24:00This is Jefferson.
00:24:01My honor, ma'am.
00:24:02Hello.
00:24:02Mr. Davey and Miss Jesse.
00:24:04There's a wagon team outside.
00:24:06Would you take it around back for me?
00:24:07Yes, sir.
00:24:08Daddy!
00:24:09Johnny!
00:24:10You hear us come in?
00:24:11Yes, but I was already up anyway.
00:24:15Johnny Hanlock said you went after Frank Gerard.
00:24:18Of course, I didn't let on to Maddie.
00:24:19I told him you were away on a business trip.
00:24:22It was a business trip, dear, but it's all over and there's nothing to worry about.
00:24:25Joan, this is Mrs. Kimber.
00:24:27Jess and Davey Billings.
00:24:28They'll be staying with us for a while.
00:24:30Daddy!
00:24:30Daddy!
00:24:31You're back!
00:24:32You're back!
00:24:32Maddie, you go right back to bed!
00:24:34Shame on you.
00:24:35You're supposed to be asleep.
00:24:36What are you doing down here?
00:24:38I'll take care of him, dear.
00:24:40You show Mrs. Kimber to her room.
00:24:41But, Daddy, you're just spoiling him.
00:24:44Hear what she said?
00:24:45This way, if you please, Mrs. Kimber.
00:24:48Well, Deputy, have you been behaving yourself while I was gone?
00:24:50Sure, Daddy, sure.
00:24:51I've been good.
00:24:53Did you bring me something?
00:24:55I brought you a real surprise.
00:24:56This is Jess and Davey.
00:24:57They're going to live with us.
00:24:59Are they the surprise?
00:25:01Yes.
00:25:02Won't it be fun having somebody to play with right in the house?
00:25:04I'd rather have a pony.
00:25:07There's only one answer for that, young man.
00:25:09Bedtime for everybody.
00:25:10Come on.
00:25:15This is my room, Mrs. Kimber.
00:25:17You're very kind to share it with me, Joan.
00:25:20It won't be for long.
00:25:21Oh, that's all right.
00:25:26That's my mother.
00:25:34Mother's dead, Mrs. Kimber.
00:25:36Oh, I'm sorry.
00:25:37I didn't know.
00:25:43Oh, that's Maddie.
00:25:45Whenever Father's home, he just won't go to sleep without a song.
00:25:49And Daddy must be dead tired, too.
00:25:52Lift up your long head, and bay at the moon, hound dog, bay at the moon.
00:26:03My crops are all ruined, amitators have rocked.
00:26:07No corn in the bin, and no beans in the pot.
00:26:12Ain't no kind of trouble that I haven't got.
00:26:19Hound dog, bay at the moon.
00:26:23Got holes in my sock just as big as a barn.
00:26:28Can't sew them up, cause the darn things won't dawn.
00:26:33Can't sew them up, the darn things won't dawn.
00:26:39Hound dog, bay at the moon.
00:26:44My hound dog is weary, his coat has turned gray.
00:26:48Now all he's good for is to scratch, fleas, and bay.
00:26:54Now all he's good for is to scratch, fleas, and bay.
00:27:00Hound dog, bay at the moon.
00:27:04Lift up your long head, and sing you said to.
00:27:09Lay back your long ears, and bay at the moon.
00:27:16Hound dog, bay at the moon.
00:27:22Hound dog, bay at the moon.
00:27:43Hound dog, bay at the moon.
00:28:00Want something?
00:28:02Is there a stagecoach coming through here today?
00:28:05Which way are you headin'?
00:28:06West, to San Francisco.
00:28:09Come on about this, Jim.
00:28:09Back on I was going to therizcar.
00:28:09Take the down stage, coach.
00:28:11Leaves this afternoon.
00:28:14The fare is six bucks to Tucson.
00:28:26Listen, could you stake me to the fare and a meal?
00:28:28I'll pay you back with interest.
00:28:30When?
00:28:31The next time I happen to be in Frisco?
00:28:33No, I'll send it to you.
00:28:35Get out.
00:28:35I mean it, I'm not a tramp, I'm a telegrapher.
00:28:37I was held up by the Apaches.
00:28:41They took every cent I had.
00:28:43Well, well, how polite the Apaches are getting to be.
00:28:46Now they just take your money and leave you your scalp.
00:28:50But it's the truth that...
00:28:51Don't take me for a fool.
00:28:53If you really want your stage fare, you gotta work for it here.
00:28:56Sweep up the place, polish the glassware, wash the kitchen dishes.
00:29:00When the room's done, you can have coffee and flapjacks.
00:29:05Stagecoach coming.
00:29:07Go.
00:29:29A woman, alone.
00:29:36morning miss welcome to gailyville you want a room i'm looking for a man named george ryan
00:29:43works here you're talking to her miss i was told you could give me some information
00:29:49such as where i might find steve or jerry hello dela she's okay george bring us some coffee
00:29:59hey you get some coffee it's on the stove heat it up hello dela
00:30:09you heard about frank yeah a mule skinner came through yesterday said matt landry picked him up
00:30:15you seen him he sent me here to find you two he's got to have help oh we know that
00:30:21tombstone jail
00:30:22it'll take a regiment to bust a man out of there they won't keep him there they'll take him to
00:30:26prescott for his trial he said tell them that one chance their only chance will be on the road yeah
00:30:35except for one thing how do we know when they're going to move him does he think they'd be crazy
00:30:39enough to print it you've got to be a tombstone waiting us frank's brothers we'd be spotted in
00:30:46five minutes hold it mine too philip
00:31:04hey watch it get out of here but that's my wife your wife i thought she was dead
00:31:17young widow rescues two orphaned children mrs mary kimber and the billings children were the sole
00:31:22survivors of the attack among those who heroically sacrificed their lives to cover the escape was mr
00:31:29verne kimber telegrapher that you yes in route to this town to take a position in our telegraph office
00:31:41i thought you said the apaches held you up and robbed you yeah why didn't you tell us they killed
00:31:46you killed who what are you talking about this ghost here he looks like a tramp but he ain't he's
00:31:52a dead
00:31:52hero he breathed in here about 10 minutes ago claiming the indians robbed him now it turns out he's a
00:31:58little tin saint wait a minute stay here drink your coffee here you are fella you can have it now
00:32:12thanks
00:32:15i'll read it later no
00:32:19read it now
00:32:25looks like all tombstone figures you for being a hero huh even your wife come on now
00:32:33what's the real story do you hide under a bush or just run like a scared rabbit
00:32:42you've had your laugh why don't you let me go
00:32:47where do you figure to go tombstone no you know what they think of you there
00:32:53i was in dallas once when they caught up with a fella like you
00:32:57after he was tired and feathered they rode him out of town on the rail
00:33:04no sir you know what i'd do if i was you i'd stay dead till i got to frisco
00:33:12then i'd send for my wife sorta quiet like have a cigar
00:33:22thanks
00:33:25how'd you like to be on your way west in a couple of weeks with two hundred dollars in your
00:33:29jeans
00:33:31you're not joking
00:33:34not me i just happen to have a job for a telegrapher
00:33:40oh
00:33:45young man the object is to get the pie into the mouth not smear it all over the face
00:33:49maddie i'm surprised at you wasting all this pie on the outside of your face
00:33:54jefferson you all did yourself i'm going to recommend you for a medal
00:33:57i'm afraid i don't deserve it mrs kimber baked this pie
00:34:02are you gonna give her a medal daddy
00:34:05two medals if she'll teach jefferson her secret pie recipe
00:34:08oh it's no secret really as a matter of fact where i come from new england pie like this wouldn't
00:34:14even
00:34:20win honorable mention
00:34:20seems to me to be bedtime particularly for two of us
00:34:24i'll take care of the mrs kimber father she's been with these children all day long
00:34:29it's not fair for company right joey let's you and i march our guest right into the parlor easy
00:34:35chair for the rest of the evening the guest would be delighted after she helps davy with
00:34:38the balance of his homework you ready davy yes i guess so come on deputy time to meet the sandman
00:34:44i'll do it half to daddy marshal's orders jefferson yes ma'am you can clear the table away now yes
00:34:51ma'am
00:34:53up you go
00:34:54good night daddy good night good night need any help darling of course not you go sit down and rest
00:34:59hurry now first we make it time
00:35:06oh
00:35:07oh evening jim come in thanks matt guess i will
00:35:11what am i saying guests for i came over here to come in
00:35:16how's the children fine millings youngins fine miss kimber oh very good
00:35:22sit down yep she sure is it's a fine young lady real fine kind of people we need around here
00:35:31but to switch this subject to the sort of critters we don't need
00:35:35how soon you figured on moving gerard up the capital as soon as i get instructions from prescott
00:35:42of course if you want to hold him a little longer hold him i want rid of him there's talk
00:35:47around
00:35:48town that a rope around his neck might sort of shake his tongue loose not that it's come to a
00:35:52boiling point but it does somebody might get hurt i see the sooner he's out of here the better
00:35:58suppose i send a wire to prescott tonight amen you write it and i'll send it i go right past
00:36:04the
00:36:04telegraph office make it good and strong man leave it to me
00:36:17this should take care of it they make a nice home-like picture don't they they sure do
00:36:26well i'd better get this on its way sooner we hear from them the better i'll like it
00:36:32good night man good night jim buchanan lincoln yes johnson grant
00:36:47hayes and garfield there it's not fair to have to memorize all those
00:36:5419 presidents in 38 states that's exactly what i said davy when i went to school only there weren't
00:37:00as many of either then i'll put the books away davy you better get ready for bed yes sir thanks
00:37:05for
00:37:05helping me you're welcome good night night good night davy good night sir
00:37:12too much work for you the children oh they're not work at all really well then why
00:37:20yes i met mrs finley today in the street she said you were taking a room at her boarding house
00:37:25yes i am and mr burlack's offered me a job on his newspaper a job oh he promised it would
00:37:32be very
00:37:33easy writing church notes and helping keep the file you've been very kind marshall i do appreciate it but
00:37:41i can't live on your hospitality forever you've only been here three days having you here has been good
00:37:47good for joan good for good for all the children i'm going to start working monday i'd best move
00:37:56over to mrs finley's tomorrow we'll miss you i'll miss the landry's
00:38:09what's going on here daddy you gotta sing us a song or we won't go to bed
00:38:14hmm well i'll sing a song if mrs kimber will play the piano won't you mrs kimber please sure she
00:38:20will
00:38:20sure she will looks like you're trapped mrs kimber i guess we both are come on come on daddy sing
00:38:26the
00:38:27awesome the horse song well i will if mrs kimber knows it i'll try way out in kansas city i
00:38:36met a girl
00:38:37so pretty she looked a lady in her gingham gown she said i love you honey but how she loved
00:38:44my money
00:38:45she took it all then blew right out of town oh a man's best friend is his horse but of
00:38:54course
00:38:55but of course oh a girl's nice to hold but they just want your gold so a man's best friend
00:39:03is his
00:39:03horse the sheriff's got aroma as dry as oklahoma her eyes were crossed her knees were bowed and frayed
00:39:12her pa said son don't tarry unless you want to marry as quick as lightning i just hit the trail
00:39:19oh a man's best friend is his horse but of course but of course as the guns blazed the way
00:39:30i heard the
00:39:31sheriff say oh a man's best friend is his horse a bar in old montana a broken down piano a
00:39:40back room where
00:39:41the boys all played blackjack while dealing cards one night there i had a two gun fight there
00:39:47because they found five aces in my pack oh a man's best friend is his horse
00:39:55but of course but of course if you're quick on the draw then you learn all the more
00:40:04that a man's best friend is his horse
00:40:12i'm on your way to bed now young
00:40:26regular samuel morris
00:40:30builds that telegraph clicker out of spittin balen wire
00:40:33think it'll work it better it will until some lineman spots that connection any pole hoppers show up
00:40:39we'll yank it loose hook it up again after they've gone
00:40:46what's it saying this beat of tucson somebody named lydia cooper died yesterday funerals next tuesday
00:40:54you interested you know what we're interested in when frank gets moved from tombstone
00:41:00where he gets turned over to the men in prescott so you just keep listening till you hear it
00:41:05come on let's get some breakfast
00:41:24marshall did i see you a minute
00:41:27excuse me sheriff figured you should have this right away
00:41:41the sheriff i'll be right over
00:41:46would you mind taking the children to church without me
00:41:49no of course not is it anything serious no just usual routine i'll be back by supper time
00:41:54all right uh if it isn't asking too much would you stay with the children till i get back
00:42:00i can't think of a nicer way to spend the sunday thank you
00:42:05oh mrs kimber yes uh if it isn't imposing too much could you experiment with another pie
00:42:12i think i can find the time now i'll guarantee to be back promptly fine
00:42:23take that little trip frank let's get started yeah where are we going to prescott get your clothes on
00:42:34i'll see who it is
00:42:37matt landon sheridan
00:42:38nate burleigh let him in
00:42:43mr in church this morning marshall you and the sheriff also thought i might have missed a story for the
00:42:48epitaph
00:42:49well i'll give you two stories nate one to talk about and one to print good fire away you can
00:42:54tell
00:42:54the folks today that they were planning on taking gerard to prescott at the end of the week
00:42:58fresh daddy in your next edition you can print that we slipped him out of town on sunday to avoid
00:43:02trouble well the way this town feels that's going to take some handling how do you figure on doing it
00:43:07well we might say that's a dead secret come on frank on with these
00:43:17well all set jim come on see you later nate all right
00:43:44inside frank in there
00:43:47in as popular as you are that's the safest place for you get in there
00:44:05okay
00:44:05get away
00:44:34All right, wrap on that box and tell the marshal we got you covered.
00:44:40Marshal? I don't know what you mean.
00:44:42Come on, come on, I'm in a hurry.
00:44:44You got just ten seconds to cooperate.
00:44:47Otherwise, you'll be riding in that box instead of on it.
00:44:59Move along.
00:45:02Open the doors and tell them to throw his irons out.
00:45:05Your ten seconds start now.
00:45:09One, two...
00:45:09Mr. Landry, can you hear me?
00:45:12I gotta open up.
00:45:13They want you to throw your guns out.
00:45:19Please, Mr. Landry, there are four of them.
00:45:21Throw your guns out, marshal.
00:45:24You've just got a couple of seconds to save the life of this undertaker.
00:45:36Okay, Frank.
00:45:37All right, get out, marshal.
00:45:41Hold your fire, Steve.
00:45:44All right, come on, snap it up.
00:45:45Get these things off of me.
00:45:52All right, Landry, now it's your funeral.
00:45:55Get inside.
00:46:01You too.
00:46:01Me?
00:46:08Give me the gun.
00:46:13Beep.
00:46:32I need to kill you.
00:46:33Come on.
00:46:33Come on.
00:46:36Barbara, you free.
00:46:36Don't do it.
00:46:49Frank! Frank!
00:47:11Frank!
00:47:28This is Kimber.
00:47:29Yes?
00:47:30I just wanted to say goodnight. Will you be coming up pretty soon?
00:47:34Not right away, dear.
00:47:35I thought I'd go out for a short walk.
00:47:37Down past the sheriff's office?
00:47:41Well, I...
00:47:42Dad's been ate like this before. Lots of times.
00:47:45He says it's just part of his business and we have to understand it.
00:47:49You run up to bed now, Joan.
00:47:51Goodnight.
00:47:54You like him a lot, don't you?
00:47:58Well, I...
00:48:00Of course I do.
00:48:02He's been very kind and generous.
00:48:05It's only natural that I'd like him.
00:48:07Goodnight, Mrs. Kimber.
00:48:11Goodnight.
00:48:17Sheriff!
00:48:19Hey, Sheriff!
00:48:26You hurt bad, Matt?
00:48:28Come on.
00:48:29Not sure.
00:48:30Here, let's get him down.
00:48:35Easy, boy. Easy.
00:48:40Matt!
00:48:44You hurt pretty bad.
00:48:48Somebody get a doctor!
00:48:50You hear? Get a doctor! Quick!
00:49:06Don't cry, Johnny.
00:49:08Your daddy's gonna be alright.
00:49:10Really is.
00:49:11You wouldn't want him to see you crying, would you?
00:49:14But if there was only something we could do.
00:49:18There is something you can do now.
00:49:21You know, my luggage is still downstairs.
00:49:23Would you bring it up for me?
00:49:25To my room?
00:49:26If you don't mind sharing it with me again.
00:49:37Well, his pulse is steady.
00:49:39Breathing good.
00:49:40He's lost a lot of blood.
00:49:41But he's resting quiet now.
00:49:43Are you sure you can carry out my instructions?
00:49:45Of course, Doctor.
00:49:47Rest is what he needs, Mrs. Kimber.
00:49:49I think you could do with a little of that yourself.
00:49:51I'm not a bit tired.
00:49:53Goodnight.
00:49:54Goodnight, and thank you, Doctor.
00:50:40Well, hello.
00:50:43Who's this?
00:50:44New girl George hired. She's okay.
00:50:46You can say that again.
00:50:49What's your name, honey?
00:50:54What's your name?
00:50:55George calls her Senorita.
00:50:58Buenos dias, Senorita.
00:51:00You can save your Spanish.
00:51:02She don't savvy it.
00:51:03She's half-breed Apache.
00:51:05Apache, huh?
00:51:06She's a big improvement over the last one I saw.
00:51:09Yeah?
00:51:11Tell her to Russell something to eat.
00:51:12I'm starved.
00:51:14Food, Senorita.
00:51:15Grub.
00:51:16Sledum adnum. Savvy.
00:51:33This our private telegraph operator?
00:51:35That's him.
00:51:39This thing's the, uh...
00:51:41Watch him, I call him?
00:51:41Yep.
00:51:44Yeah, don't look like much, but, uh, did the job.
00:51:48You know, I can say the same thing for you.
00:51:51Don't let his looks throw you.
00:51:52He's really the dead hero of an Indian massacre.
00:51:55I know, I know, I buried him.
00:51:59Well, Mr. Gerard.
00:52:01Yeah?
00:52:01Now that you're here, free, my job's finished, isn't it?
00:52:05As far as I'm concerned.
00:52:06Well, then, I'd like to have my money.
00:52:09Money?
00:52:10Well, he promised me $200 for making the receiver
00:52:13and getting the message.
00:52:15What's up to you, Steve? You made the deal.
00:52:17Pay the man.
00:52:18Sure.
00:52:19Right after we...
00:52:25Is that about me?
00:52:26It's the tombstone operator clearing through to Tucson.
00:52:31Here's the message from the Monterey Mining Company.
00:52:35Routine stuff.
00:52:36Details of the monthly shipment.
00:52:3878,000 ounces.
00:52:4078,000 ounces?
00:52:42That's better than $80,000 worth.
00:52:45Where's the shipment?
00:52:47About 10 days by stagecoach.
00:52:51Stagecoach?
00:52:53The three of us could handle a stagecoach.
00:52:55$80,000 split three ways.
00:52:57Split four ways.
00:52:59You're talking pretty big, aren't you?
00:53:01Not unless you got somebody else who can read code.
00:53:04Then you haven't.
00:53:06You've already told us all we need to know.
00:53:08Not quite.
00:53:09I said in about 10 days.
00:53:11The exact day on the route will come through later.
00:53:13He's lying.
00:53:16You already got that stuff.
00:53:17No, I haven't.
00:53:18They never send it till the last minute.
00:53:20That makes sense, Steve.
00:53:22Mining companies ain't stupid.
00:53:25Tell you what I'll do.
00:53:27I'll give you $1,000 in silver for that next message.
00:53:30The price is one-fourth of the haul.
00:53:32$20,000.
00:53:35It's a deal.
00:53:36Huh?
00:53:36Job's worth it, Steve.
00:53:45Come in.
00:53:50There's nothing to be afraid of.
00:53:51Come on in.
00:53:53You speak up for yourself, Steve?
00:53:58I bring grove.
00:54:01Much good.
00:54:02You've got more than that, senorita.
00:54:04About a lot of things a man misses when he's behind bars.
00:54:17Am I interrupting something?
00:54:19Della, are you crazy?
00:54:20What'd you come here for?
00:54:21To see you.
00:54:24Maybe I am crazy.
00:54:25Better outside, Frank.
00:54:26Getting off the stage.
00:54:27You should've used your brains.
00:54:29Landry and that marshal.
00:54:30How do you know they didn't have someone trail you here?
00:54:32Because I had sense enough to leave Tombstone while you were still in jail.
00:54:36How long's that been going on?
00:54:39You're jealous?
00:54:41Is that so funny?
00:54:43Sure it is.
00:54:44I was teasing her just for a laugh.
00:54:46Just like you do with half the men in Tombstone.
00:54:49Don't tell me you've been jealous.
00:54:52You know how I feel about you.
00:54:55Oh, Frank.
00:54:58Darling, why are we quarreling when you're free?
00:55:01Can't we leave now?
00:55:03Tonight?
00:55:04No, honey, not right now.
00:55:05But you promised that...
00:55:07I know and I will, but it takes time, planning.
00:55:09You understand how these things work?
00:55:11But darling, you said that when we're free, we'll leave the territory together.
00:55:16We will.
00:55:17Steve's making arrangements for the freighter now.
00:55:19Gonna have him fix up a trick load of boxes I can hide in.
00:55:22What's the freighter's name?
00:55:25Uh, Robinson.
00:55:27Dusty Robinson.
00:55:28You know, if it was anybody but you, I'd be sore at them for taking Frank out of circulation.
00:55:31Can you think of a better reason for quitting?
00:55:32If I ever find one that's good, I'll shuck these parts too.
00:55:38Uh, Della.
00:55:40Honey.
00:55:41There's a late stage down at Tombstone tonight.
00:55:44Why don't you, uh...
00:55:45Why don't you let me get you something to eat now, before it rolls in here?
00:55:50As soon as I'm afraid it gets set, I'll send word for you where to meet me.
00:56:08Whoa! Whoa!
00:56:11Whoa!
00:56:20Steve! Jerry! Get those horses!
00:56:41Look out!
00:56:53Look out!
00:57:02Look out!
00:57:17Boys, we just struck silver.
00:57:32Go to be with me.
00:57:34Go, go, go.
00:57:40Let's go, go.
00:57:40Get those horses.
00:57:40Go, go.
00:57:41Go.
00:57:41Go, go.
00:57:44Go, go, go!
00:57:49Go, go, go, go.
00:58:00Go, go!
00:58:02If you love a woman, a man can love the sea, or a man can just love living dangerously, he
00:58:15can laugh his foolish head off at the great unknown, but the man don't live who can die alone.
00:58:27He can roll an eight when his point is eight, shoot his way to freedom at the prison gate, he
00:58:41can draw three cards to an inside straight, and he might escape the peril of a crooked gambler's fate.
00:58:50A man can suffer bondage, a man can flourish free, or a man can just exist, living carelessly.
00:58:59A man can live by honor, by the good book or the knife, or a man can live in exile
00:59:06on the outer edge of life.
00:59:08His blood will turn to water, and his heart will turn to stone, cause a man don't live who can
00:59:17die alone.
00:59:19A man can learn forgiveness, a man can swallow pride, or a man can shrivel up, get awful sick inside.
00:59:28A man without compassion is a shipwrecked on a reef, when it's time for him to settle up and to
00:59:35come to terms with grief.
00:59:37His blood will turn to water, and his heart will turn to stone, cause a man don't live who can
00:59:49die alone.
00:59:58Mr. Landry, I brought your clothes.
01:00:04Come here.
01:00:06Where are you going?
01:00:08Never mind. Help me put these on, will you?
01:00:19Now can I go outside?
01:00:21Yes you may, you've been a very good girl.
01:00:37Matt Landry.
01:00:40Hello.
01:00:41Hello indeed. Where do you think you're going with those boots on?
01:00:44Well, I didn't think the doctor would want me walking outside without them.
01:00:48I heard what the doctor said, he didn't say anything about outdoors, he said indoors and in easy stages.
01:00:54Now you sit right down and trade those boots for your slippers.
01:00:56But I'm tired of sitting down. I'm going out in the yard and...
01:00:59Oh, no you're not.
01:01:00Inside, outside, what difference does it make?
01:01:02In here I can keep an eye on you.
01:01:05But I can't sit around here like an old squaw while Jim Hadlock does all the work.
01:01:09He's been out with a posse night and day.
01:01:11Oh, so now you want to join a posse?
01:01:13Well, no, not exactly. I thought I might sort of stroll down to the office and send a wire or
01:01:19two.
01:01:20Maybe saddle up a horse and round up a few criminals.
01:01:24Are you a grown man or a small boy?
01:01:27Are you a nurse or a warden?
01:01:29Apparently I have to be both.
01:01:31A typical nagging wife.
01:01:35I'm sorry.
01:01:35No. No, I'm sorry. I didn't mean anything by that.
01:01:38You've been anything but nagging.
01:01:41I don't know what I would have done without you and I don't want to find out.
01:01:45Please, Matt, I'd better get on with my work.
01:01:48Mary, listen.
01:01:49I've held back from saying something because of...
01:01:52Well, because of custom.
01:01:54Respect for your husband's memory.
01:01:56But this is Arizona territory, Mary, not New England.
01:02:00People live differently, think differently back east.
01:02:04Back there, you'd wear mourning for a year.
01:02:07Just let your life stand still.
01:02:09I know, I'm from Virginia myself.
01:02:12Back there, I couldn't tell you that I love you.
01:02:14I want to marry you so we can start our lives over again together.
01:02:18But here I can.
01:02:20Here people think differently.
01:02:21They wouldn't think any of the less of you if your answer were yes.
01:02:28Is that your answer, Mary?
01:02:32I don't know.
01:02:34I wish I did.
01:02:36I'm sorry, I shouldn't have spoken so soon.
01:02:39I understand how you must feel because I lost somebody I love very much too.
01:02:45Oh, it isn't that.
01:02:48May I be completely honest with you?
01:02:51I hope we always will be with each other.
01:02:55The reason I can't give you the answer is...
01:02:58I think it's because I'm not sure whether I really love Vern or not.
01:03:03I was the one that forced him to accept this job here when it was offered to him.
01:03:08I wanted a home, family, security.
01:03:11He didn't want to come to Tombstone.
01:03:14He had his heart set on San Francisco.
01:03:17If I'd only listened to him, he wouldn't be dead today.
01:03:20My last words to him were harsh, angry words.
01:03:26And then he gave his life to save mine.
01:03:31I can't think beyond that.
01:03:33Not yet, Matt.
01:03:35Not yet.
01:03:57Howdy, Matt.
01:04:00Who let you out of the corral?
01:04:02Looks like about time I got out.
01:04:05Raymond, try me in Pocataua. Pronto.
01:04:11Heard about the silver steel, eh?
01:04:14I read about it in the paper.
01:04:15I've been going over these reports.
01:04:18I was going to send word to you, but I've been a mite busy.
01:04:22Ramos!
01:04:23Try me that dang doll or I'll put you in solitaire.
01:04:26Si, senor sheriff.
01:04:28Inmediatamente.
01:04:31This could be Steve Gerard's doing.
01:04:34More than could be, Matt.
01:04:36Why?
01:04:39Hola, aquÃ.
01:04:42Vamos.
01:04:46Frank, Steve and Jerry.
01:04:48You're sure?
01:04:50That stage driver got a good look at all three of them.
01:04:54I know the paper says he's dead, but he ain't quite.
01:04:58I gave out that story, so they wouldn't know how much we know.
01:05:03Not that we know very dang much.
01:05:07The Gerard's.
01:05:10Jim.
01:05:13You know I love this territory.
01:05:15All except the way it tastes.
01:05:18Yeah?
01:05:19When did the mine fix the time of the route of that last shipment?
01:05:22About 10 o'clock last night.
01:05:25And the Gerard's were staked out waiting for it this morning.
01:05:28I figure there's either a leak in the mining company or them Gerard's are sure shot with luck.
01:05:34They were waiting for the hearse, too.
01:05:37Yeah.
01:05:39Yeah.
01:05:41You suppose they've got somebody planted here in town?
01:05:44Someone who gets word to them fast.
01:05:47Real fast.
01:05:50I wonder what might turn up.
01:05:52If we look through the file copies of the telegrams that were sent just before the silver shipment left.
01:05:57And right after you started that hearse ride.
01:06:00Let's you and me get nosy.
01:06:07It isn't as though Mrs. Finley's was at the other end of the earth.
01:06:10We'll still be seeing each other.
01:06:12Until you go back east?
01:06:15Well, that won't be for a long time.
01:06:17When you save enough fare?
01:06:20Yes.
01:06:21Dear, my apron is downstairs.
01:06:23Will you get it for me?
01:06:24Yes.
01:06:25Thanks.
01:06:31Hello.
01:06:33Hello.
01:06:35You going away?
01:06:36Well, not far.
01:06:38I wish you wouldn't.
01:06:42You don't want to, do you?
01:06:44Davey, we don't get to do everything we want to.
01:06:48I know.
01:06:49Ever since that night that Mom and Dad were...
01:06:53Since that night, I've been wanting to cry.
01:06:57Sort of give up inside.
01:06:59But I know they wouldn't want me to do that.
01:07:02Like the minister said in church.
01:07:05Folks don't really die.
01:07:08Maybe they can see us from heaven.
01:07:10Jess and me.
01:07:12That's right, Davey.
01:07:13They loved us, Jess and me.
01:07:16And when we were, well, smiling and feeling good, they felt good too.
01:07:22So I figured if they can see us now, they wouldn't want to see us crying.
01:07:28You know, sort of giving up.
01:07:31I'm sure they wouldn't.
01:07:34Thank you, Davey.
01:07:40Mr. F. Jerome Stevens, Overland Hotel, Phoenix.
01:07:43When do you start and where shall I meet you?
01:07:45You fly at once.
01:07:47Urgent, anxious and worried.
01:07:49Signed, Ella.
01:07:52And this Mr. Stevens is sort of a manager for singers and dancers, huh?
01:07:57Not exactly.
01:07:57He's an agent.
01:07:59A booking agent.
01:08:00Promised to find me a spot where I could make double what I make here.
01:08:03I see.
01:08:04It's just that we have to run down anything that hints of suspicion.
01:08:07You understand.
01:08:08That's your job, isn't it?
01:08:10Part of it.
01:08:11You left Tombstone the day Gerard escaped from the hearse, didn't you?
01:08:14The day before.
01:08:15You mind telling us where you went?
01:08:17To Benson.
01:08:19To meet Mr. Stevens?
01:08:21As a matter of fact, yes.
01:08:23That's when he sent me the wire from Phoenix.
01:08:26Are you sure F. Jerome Stevens isn't Frank Gerard?
01:08:29If you think Frank would be crazy enough to show his face in Phoenix, why don't you go there and
01:08:34look around?
01:08:35Because I know what I'd find.
01:08:36That the telegram still held at the hotel and no one's claimed it.
01:08:40Maybe he's moved on.
01:08:41Frisco, Los Angeles.
01:08:43He travels a lot.
01:08:44Too late, Della.
01:08:46Jim and I sent a few wires ourself.
01:08:48And there's no F. Jerome Stevens and there never has been one.
01:08:51You didn't meet anybody in Benson.
01:08:53You just changed stages and doubled back to Gaileyville.
01:08:56Twice you went there.
01:08:57First to set up Frank's escape and the next time to see him.
01:09:00It's his hiding place.
01:09:01That's his base, isn't it?
01:09:04Well, maybe he was there, but he isn't now.
01:09:06He's left the territory, gone east.
01:09:09I don't know where he is, but...
01:09:10We do.
01:09:11We know where he was this morning.
01:09:13Not east, Della.
01:09:14West at Coneo Ford.
01:09:16Killing the guard of the mining company coach and stealing 80,000 in silver.
01:09:19You're lying.
01:09:21You're making it up because he could have been.
01:09:24You think we invented this?
01:09:26Frank did that.
01:09:27Steve and Jerry were with him.
01:09:29The driver recognized him beyond a doubt.
01:09:34But Frank promised.
01:09:37Swore he was leaving the west.
01:09:39When?
01:09:39After you sent that code telegram?
01:09:41Wasn't it code.
01:09:43It meant just what it said.
01:09:44Well, who relayed it?
01:09:45Some clerk from the hotel?
01:09:46No.
01:09:47Who's the man in Phoenix?
01:09:48Where's Gerard?
01:09:50You want to go to jail for aiding a murderer?
01:09:52A man who lied to you?
01:09:53A man who's run out on you?
01:09:55We're gonna break that code.
01:09:56And if we find out you relayed that tip off...
01:09:59It's not code!
01:10:00Frank's had the wires tapped.
01:10:04So that's it.
01:10:06Got it from the mining company's wires and ours to Prescott.
01:10:09No, she's still lying.
01:10:11Where did the Gerards learn to read code?
01:10:13They're the man who does it for them.
01:10:15Who is that man?
01:10:17You ought to know.
01:10:18His wife is living at your house.
01:10:23Kimber?
01:10:24He's dead.
01:10:26Frank and I buried his body.
01:10:27Not his body.
01:10:29He figures you buried some Apache who burned with the wagons.
01:10:33Go on, right out to Galeyville and see.
01:10:37You can go now, Della.
01:10:43Don't leave town.
01:10:44Stay away from that telegraph office.
01:11:01I'll get my gun.
01:11:05What'll you tell Mary?
01:11:10I don't know.
01:11:31Matt, I'm glad you're back.
01:11:33I have to go out again.
01:11:34But you can't.
01:11:36You're not well enough.
01:11:36You're not well enough.
01:11:37I'll be riding it.
01:11:38It won't hurt my leg.
01:11:39Frank Gerard?
01:11:41We think so.
01:11:42We're not sure.
01:11:45Matt.
01:11:46I've changed my mind about moving over to Mrs. Finley's.
01:11:54Take care of yourself, Matt.
01:12:16How does it feel to wake up rich?
01:12:18Better than waking up in jail.
01:12:20Did you get the silver up the cave?
01:12:22What?
01:12:22A night like this?
01:12:23It's safe enough in the feed box.
01:12:25Let's see.
01:12:26As near as I can figure, we made us 27,000 a piece.
01:12:29Well, let's have a drink on it.
01:12:30Yeah, but not up here.
01:12:32Come on.
01:12:39Yeah?
01:12:40I just came up to see if you fellas wanted me for anything.
01:12:44Yeah?
01:12:46Come on in.
01:12:49Why, you got something on your mind?
01:12:51Well, yeah, in a way I wondered if you were ready to divide up the stuff.
01:12:55What's the ghost talking about?
01:12:57Well, all I want is what you promised.
01:13:00The deal you agreed to.
01:13:01One fourth to me.
01:13:03One fourth of what?
01:13:05The silver, of course.
01:13:06What silver?
01:13:07I don't remember any such agreement.
01:13:08What kind of stuff you been drinking?
01:13:11Boy, I kept you from hanging it.
01:13:13Shut up.
01:13:14You're not gonna get away with it.
01:13:15Shut up.
01:13:19But Frank, I saved your life.
01:13:22Fair enough.
01:13:23I'll let you keep yours.
01:13:26Put my share.
01:13:27The money you promised me.
01:13:29Oh, yeah.
01:13:30Here.
01:13:32Come on, drinks downstairs.
01:13:33Come on, drinks downstairs.
01:14:23Hello.
01:14:24Anyone in here?
01:14:28Oh, no.
01:14:33No, no, no.
01:14:33Hey, there's a bald-faced bave with a white stocking.
01:14:36Fits that stage driver description.
01:14:38There's a swirl that kind of fits it, too.
01:14:48Don't shoot! I'm not armed.
01:14:53Who are you?
01:14:55My name's Kimber. Vern Kimber.
01:15:01You've been working with a Gerard.
01:15:03Where are they?
01:15:04They're at the Gaileyville house.
01:15:06I just escaped from them.
01:15:08They held me captive, threatened to kill me.
01:15:10I had to do what they said.
01:15:12Well, you're safe now. We'll protect you.
01:15:15How many others are with them?
01:15:17Nobody.
01:15:18But there's a lot of men in the bar.
01:15:20Could you go back and tell the Gerards that you got word in that telegraph of yours
01:15:24that a posse's on his way?
01:15:25No. No, I couldn't.
01:15:27We'll do it the way we planned. Get Hornby started.
01:15:31Don't take any chances with them.
01:15:33Shoot them on sight. They're killers.
01:15:36All right, Hornby. Get going.
01:15:40David, better bring those horses inside.
01:15:58Yes, sir?
01:15:59Whiskey.
01:16:11Not that I got any personal reasons for asking,
01:16:14but ain't that the Gerard brothers over there?
01:16:18Wouldn't know.
01:16:19I've got no personal reasons either.
01:16:22I'm a saloon keeper.
01:16:28That's all I got.
01:16:29I could use a few more.
01:16:33If those are the Gerards,
01:16:36do you think they might give a double eagle for some information
01:16:38about a girl named Della
01:16:40in Tombstone
01:16:42and a necktie party I've seen farming there?
01:16:51Stick around.
01:16:51No.
01:16:52No.
01:16:52No.
01:17:13Hi.
01:17:15I hear you saw a posse building up in Tombstone.
01:17:19when were they fixing to leave i might remember better if i was a little richer
01:17:29let's hear what you remember first they was going through town getting men about two o'clock
01:17:35how come they didn't get you i feel sort of uncomfortable around marshall so i
01:17:40sort of eased out the back door they was talking about leaving around three o'clock
01:17:46that put them about an hour behind me take it it's yours just a minute
01:17:56seems to me i saw you around tombstone sure i just told you i've been there i know but i
01:18:02was in jail
01:18:03most of the men i saw were in the sheriff's office i've been there too but they couldn't prove nothing
01:18:11what do you think i don't know we're getting out of here and we're taking him with us get his
01:18:17gun
01:18:30can't see nothing in this rain because there's nothing to see i told you that jerry stay back
01:18:35and tail us just in case three men are headed this way oh man they're coming get under cover
01:18:58how many all three of them
01:19:19get your hands up
01:19:25now turn around
01:19:35marshall behind you
01:20:01how'd you get here i was leaving getting out of town
01:20:07why'd you get involved with the others
01:20:10what am i going on
01:20:11how'd you do
01:20:17how'd you do
01:20:17what am i going on
01:20:18me
01:20:21how'd you
01:20:29how'd you
01:20:31me
01:20:42Come on.
01:21:10I'm sorry.
01:21:12I'm sorry.
01:21:13I won't let him go.
01:21:14I won't let him go.
01:21:17I won't let him go.
01:21:18I won't let him go.
01:21:24Oh, sorry, no.
01:21:26Oh!
01:21:27Oh!
01:21:35Jim, think that's it?
01:21:36Not yet, I'm lost track of frame.
01:22:02You all right, Kimber?
01:22:03I'm all right.
01:22:05Just you and me and Kimber left, man.
01:22:31Here.
01:22:40Come on up, Kimber.
01:22:54No, don't kill me.
01:22:55I'm not armed.
01:22:56I haven't got a chance.
01:22:57You can't shoot an unarmed man.
01:23:05Come on.
01:23:32Come on, George.
01:23:40Are you sure you won't change your mind?
01:23:42Oh, I can't.
01:23:43He's asked to see me.
01:23:45But your being there won't save him.
01:23:48Then why not spare yourself the trouble?
01:23:50There's no one else to stand by him now.
01:23:53It isn't that I love him, Matt.
01:23:56I doubt if he's ever loved me.
01:23:59But he's asked for me and he's alone.
01:24:04And afterwards?
01:24:06Please, Matt, I...
01:24:08Port!
01:24:11Goodbye, Davey.
01:24:14Be a good boy now.
01:24:16Goodbye, dear.
01:24:18Take care of everything.
01:24:22Goodbye, Matt.
01:24:24Goodbye.
01:24:43Guess you're gonna be the lady at the house now, Joan.
01:24:45Not for long.
01:24:46She'll be back.
01:24:48All right, kids, listen.
01:24:50What did you say?
01:24:52She'll be back.
01:24:55Did she tell you that?
01:24:57Really, Daddy?
01:24:59You men.
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