- 17 hours ago
Category
🎥
Short filmTranscript
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00:02:30Excuse me, miss.
00:02:31You can't stay here.
00:02:32You have to move.
00:02:33I'm sorry.
00:02:33She's just a little fussy.
00:02:35Carlos, get your hands off that lady.
00:02:40My boys, they have no manners.
00:03:09Alonzo says hello.
00:03:11I'm sorry.
00:04:34Know your limitations.
00:04:35That's my motto.
00:04:36And besides, no miss.
00:04:39I'd love to stay and chit-chat about the pros and cons of takeout versus home cooking.
00:04:44But I do have a semblance of a life, you know.
00:04:47Ah, leave that.
00:04:48Where are you off to?
00:04:50Nowhere.
00:04:52Nowhere.
00:04:53Why do I get the distinct feeling you're not telling me everything?
00:04:58Because I'm not.
00:05:02Good night, Luke.
00:05:03Don't wait up, okay?
00:05:06Good night, sweetheart.
00:05:07Have fun.
00:05:07Today, Senator Harmon, former director of the CIA, announced his intentions to run for the
00:05:11leadership of the Republican Party.
00:05:13Harmon, a Vietnam veteran and renowned hardliner, surprised insiders by making his announcement
00:05:18on the steps of the Senate building.
00:05:19It is expected the Senator will hold a formal press conference later this week.
00:05:23It's time to stop talking and start acting.
00:05:28How's your family, Jimmy?
00:05:29I'm ready.
00:05:30Let's go.
00:05:30Let's go.
00:05:32Let's go.
00:05:33Let's go.
00:05:33Let's go.
00:05:34Let's go.
00:05:34Let's go.
00:05:55Hey, how are you?
00:05:57Hi, how are you?
00:05:58I'm good.
00:05:59Good.
00:06:00Good to see you.
00:06:01You too.
00:06:02What are you doing here?
00:06:02Good to see you.
00:06:03That's nice.
00:06:04And have a sneak preview.
00:06:05Sneak preview?
00:06:06All right.
00:06:07Well, I'll show you this room.
00:06:08It's finished.
00:06:10Are you going to be ready for tomorrow?
00:06:12Yeah.
00:06:12You know, I was really, really nervous about this show, but...
00:06:15Well, you know what?
00:06:16I'll just take it in and you can see for yourself.
00:06:21Wow, James.
00:06:23This is incredible.
00:06:25These pieces are excellent.
00:06:29I'm so proud of you.
00:06:31It's all coming together.
00:06:33Slowly but surely.
00:06:34Yeah.
00:06:34I've got so much work to still do, though.
00:06:37I mean, you saw the front gallery.
00:06:39I've still got to get that all dressed.
00:06:40I mean, half of these paintings arrived before you got here, you know?
00:06:43Oh, yeah.
00:06:43I mean, trying to get an artist to meet a deadline is like pulling teeth sometimes, you know?
00:06:49Yeah, this one's beautiful.
00:06:51Oh, I love this one.
00:06:51This kid is 23 years old.
00:06:54He's already painting at this level.
00:06:55I mean, it blows my mind.
00:06:57He's going to be huge.
00:06:59And that's all thanks to you.
00:07:02You know?
00:07:03And I'm going to be there front and center tomorrow.
00:07:05Mm-hmm.
00:07:08Why aren't your paintings up there?
00:07:11Well, I don't know.
00:07:12The market's really fallen through for the dogs playing poker.
00:07:14Now I'm stuck with all this velveteen.
00:07:16Stop.
00:07:17Not everything has to be a masterpiece, though, James.
00:07:19Mm-hmm.
00:07:20You know?
00:07:21I think, um...
00:07:23I think you need to be inspired a little bit.
00:07:26Inspired?
00:07:26Yes, I do.
00:07:28I'm not sure I'm following you.
00:07:29Well, let me show you.
00:07:34No, I'm not getting anything there.
00:07:37Nothing.
00:07:37No.
00:07:38Well, how about...
00:07:43I think I like this inspiration.
00:07:44That's true.
00:07:45That's true.
00:07:46Than what it took you to prove.
00:07:50I guess that I loved you.
00:07:53It's not me.
00:08:02The ones that can hurt you.
00:08:04The ones that can heal.
00:08:06I don't need your second-hand love
00:08:09to come and dry these tears.
00:08:13Maybe it's nothing you wanna hear.
00:08:18But for me, it's nothing I wanna keep on feeling.
00:08:25And I'm not the one who's with you tonight.
00:08:31I'm not the one...
00:08:33Well, I'm gonna say goodnight.
00:08:34All right.
00:08:35Got a lot of work ahead of you.
00:08:36Mm-hmm.
00:08:39They're gonna love it, you know.
00:08:41The collection.
00:08:43You did a great job, James.
00:08:45Thanks.
00:08:46So we'll see you tomorrow at the grand opening.
00:08:48Yeah, yeah.
00:08:50Finally a chance for me to meet the mysterious Luke.
00:08:56You weren't gonna introduce me, were you?
00:08:57Look, James.
00:08:58When the time is right, you'll meet him.
00:09:00I promise.
00:09:03He's gonna love you.
00:09:07Goodnight.
00:09:07Goodnight.
00:09:33Having trouble sleeping?
00:09:36How was your evening?
00:09:38Fine.
00:09:40You weren't waiting up for me now, were you?
00:09:43No, just gassing up once I'm reading.
00:09:46At 2 a.m., huh?
00:09:48Is it that late?
00:09:52Phil, what are you reading?
00:09:57Luke.
00:09:59No offense, but you need a woman.
00:10:02Ha, ha, ha.
00:10:09Or at least a hobby.
00:10:14Beep.
00:10:20Beep.
00:10:20Beep.
00:10:21Beep.
00:10:21Beep.
00:10:22Beep.
00:10:23Beep.
00:10:26Beep.
00:10:31What the hell's that?
00:10:35Nothing.
00:10:36I'm just checking on our next job.
00:10:44Hi.
00:10:46You've reached Candace's web page.
00:10:49I'm so very, very hot for you.
00:10:52So what's it gonna be, big boy?
00:10:58So what have we got?
00:11:04Peter Wellington.
00:11:09Seems simple enough.
00:11:11Yeah.
00:11:13That's exactly what's got me worried.
00:11:15Look, we can do this one in our sleep.
00:11:18Not this one.
00:11:20What are you doing?
00:11:21Trust me, this shit just isn't right.
00:11:24Luke, that was a lot of money.
00:11:26Doesn't that say anything to you?
00:11:29Now, who pays a lot for easy contracts?
00:11:32They cover it.
00:11:34Nothing in the contract is as easy as it seems.
00:11:37You don't think I can do this?
00:11:38Hannah, we don't do government jobs.
00:11:40It's that simple.
00:11:43Look, it's late, I'm tired, and I have no time for this.
00:12:11We're coming down.
00:12:12Get the elevator.
00:12:13The car's on its way.
00:12:37Whoa!
00:12:38Whoa, whoa, whoa.
00:12:39I'm sorry, this is on service.
00:12:41You have to take another.
00:12:48Damn it, my day timer
00:12:52Alita
00:12:53I'm on it
00:12:56Sir
00:13:01Oh, come on
00:13:02I'm only going to the fourth floor
00:13:04It'll be our little secret
00:13:11I know I'm going to regret this
00:14:04Oh, damn
00:14:06This is Alita
00:14:11They got Wellington
00:14:12A woman south stairs
00:14:13Move
00:15:08Are you all right?
00:15:11Hannah
00:15:13Yeah, yeah
00:15:17Get the car
00:15:19We'll take care of things here
00:15:21Hannah, move
00:15:23We're running out of time
00:15:53We're running out of time
00:16:01Got room for two more?
00:16:17Who sent you?
00:16:20The big bad wolf.
00:16:27Ah!
00:16:30Ah!
00:16:33Ah!
00:16:34Ah!
00:16:36Ah!
00:16:37Ah!
00:16:38Ah!
00:16:40I don't know.
00:17:24I don't know.
00:17:27No.
00:17:28No, no.
00:17:31No.
00:17:34No.
00:17:37No.
00:17:38No.
00:17:39No.
00:17:40No.
00:17:42No.
00:17:42You're going to make it.
00:17:43You're going to make it.
00:17:44No.
00:17:45Please don't.
00:17:47No.
00:17:49No.
00:17:50No.
00:17:50Please.
00:17:52It's not my fault.
00:17:57No.
00:17:58No.
00:17:59No.
00:18:01No.
00:18:01No.
00:18:04No.
00:18:13No.
00:18:14No.
00:18:15No.
00:18:15No.
00:18:16No.
00:18:17No.
00:18:18No.
00:18:19No.
00:19:20That's the kind of thing that gets you a rep.
00:19:22And when you get a killer rep, you get respect.
00:19:24Am I right?
00:19:27One problem.
00:19:30What?
00:19:32The guy's dead.
00:19:34So?
00:19:40Let me ask you this, Einstein.
00:19:42How can it be your calling card if there's no one around to tell the story?
00:19:48Let's go.
00:19:51You got work to do.
00:20:01Name's Angel.
00:20:02And that's the last word you're ever going to hear.
00:20:08Nah, that sucks.
00:20:33Hey.
00:20:35Hey.
00:21:00So how was the opening?
00:21:04The opening was fine, Hannah.
00:21:06The opening was great.
00:21:08Thank you very much for being there.
00:21:11James...
00:21:11No, no.
00:21:11This is the same thing over and over again.
00:21:13I mean, it's getting absolutely ridiculous.
00:21:19Hannah, what's wrong?
00:21:24Why don't you sit down?
00:21:38Hannah, what's wrong with you?
00:21:42Luke is dead, James.
00:21:45Oh, Hannah, I'm sorry.
00:21:47He's dead.
00:21:50I'm sorry.
00:21:52I didn't know.
00:21:53I was just at the cemetery.
00:21:55No.
00:21:58How did this happen?
00:21:59No, I...
00:22:00I...
00:22:01I don't...
00:22:02Okay.
00:22:03All right.
00:22:03We don't have to talk about it.
00:22:09Why don't I, uh...
00:22:11Why don't I go get us some food and, uh...
00:22:14You just...
00:22:16Just...
00:22:16Just sit and relax for a minute, okay?
00:22:19Okay.
00:22:24I could go get us a movie or something.
00:22:26Say, um...
00:22:28The Princess Bride.
00:22:30With, uh...
00:22:31Billy Crystal, Robin Wright,
00:22:33Andre the Giant.
00:22:36James?
00:22:38Hurry back, okay?
00:22:41As you wish.
00:22:48Still feeling strange somehow
00:22:51If you really wanna know
00:22:57It's been hard
00:23:04Never been the creature
00:23:07Never been the crowd
00:23:08Never been the receiver
00:23:10Of miracles
00:23:12When they're around
00:23:13Just the curiosity of feelers
00:23:17I've been touched
00:23:18I've been bled
00:23:22And it's still hard
00:23:26So hard
00:23:44Back up.
00:24:04No!
00:24:07No!
00:24:24Ah!
00:24:38No!
00:24:40No!
00:24:45Ah!
00:24:46No!
00:24:55Oh!
00:24:58No!
00:24:59Ah!
00:25:00Oh!
00:25:00Ah!
00:25:03Ah!
00:25:03Ah!
00:25:03Ah!
00:25:04Ahh!
00:25:48Hannah?
00:26:36No way, Hannah.
00:26:37He ain't seen anyone.
00:26:38Not now.
00:26:39Come on.
00:27:04Jesus Christ!
00:27:34What the hell are you?
00:27:36Why'd you kill Luke?
00:27:38Who?
00:27:38It's a simple question, Alonzo.
00:27:40I want a simple answer.
00:27:42Who gave you my name?
00:27:45Your boy Angel, for starters.
00:27:48Angel?
00:27:48That moron.
00:27:49I haven't used him for months.
00:27:53He's freelance now.
00:27:55But are you crazy or are you serious?
00:27:58Yes, I'm crazy.
00:28:01Him and Franco have been working together for a while.
00:28:04We haven't seen those boys in a long time.
00:28:07Franco's a dead man.
00:28:09His life ain't worth the cost of a bullet.
00:28:12If anyone's using that joker for jobs, it's because they don't know him.
00:28:16So where do I find Franco?
00:28:19You can try the girls on the east side.
00:28:22Low class.
00:28:23That's more his spirit.
00:28:26I guarantee you, if he's making money, he'll be down there pissing it away.
00:28:31Hey, baby.
00:28:33You look a little eyestrung.
00:28:35Why don't you let me loosen you up a little?
00:28:36Come over here.
00:28:42Sorry about your notes.
00:29:32You look a little eyestrung.
00:29:37Let's go.
00:29:38Come over here.
00:29:41Come over here.
00:29:43Let's go.
00:30:16It's the truth.
00:30:17I'll tell you, it's the truth.
00:30:23Good evening, Franco.
00:30:25Fellas, you guys looking for a little action?
00:30:28A little action?
00:30:29You know, a little advice.
00:30:32I'd lose the suits next time.
00:30:35Kind of makes you look like cops.
00:30:37Real joker, eh?
00:30:45It's time for a little chirp, Franco.
00:30:47Yeah.
00:30:58Oh, Jesus.
00:31:28So you kids want a drink?
00:31:29Hold it.
00:31:37I'll tell you, boys, music's since the king died, man.
00:31:40It's crap.
00:31:41Now, I'm not talking about when he was in Vegas
00:31:44taking pot shots at TVs and stuff.
00:31:48I'm talking about the man.
00:31:51Oh, hey.
00:31:52In his prime.
00:31:54You two, uh, Elvis men?
00:31:58Sit up, Franco.
00:32:00Hey!
00:32:02Relax.
00:32:04Now is it done?
00:32:05Where's my money?
00:32:07Jackson, cash.
00:32:11I don't know what you guys are so worked up about.
00:32:14It's like fishing a barrel.
00:32:15Yeah, you've always been clueless, Franco.
00:32:22I didn't know this was going to be an official visit.
00:32:25Well, I just wanted to shake the hand of the man
00:32:26who killed two of the greatest assassins
00:32:28since Lee Harvey Oswald.
00:32:31Yeah, well, you want a job done right.
00:32:33You get the best.
00:32:35You just let me know if any more of your, uh,
00:32:36boys get out of line.
00:32:39So?
00:32:40So what?
00:32:43Are you going to make me a happy man, Franco?
00:32:45I told you I could handle it.
00:32:47Luke's dead.
00:32:49The girl?
00:32:51Uh, we missed the, uh, opportunity.
00:32:54Uh, look, it's no big deal.
00:32:55I sent Angel to take care of it.
00:32:57He should be back any time.
00:32:58You just relax, have a drink.
00:33:01Don't worry.
00:33:04Anyway, she's a throw-in.
00:33:06My gift to you, no charge.
00:33:10Hey, gee, that fella's a girl is a gift to us.
00:33:15Listen, I don't know what to say.
00:33:16You shouldn't have.
00:33:17And Moses, is he a gift as well?
00:33:20Well, no, I mean,
00:33:22guys gotta make a living, right?
00:33:24You guys understand that.
00:33:26Nice try, though.
00:33:29You ever ask yourself, Franco,
00:33:31how, uh,
00:33:32a screw-up like you
00:33:36could get two of my best men?
00:33:39No.
00:33:40Because they were set up, Franco.
00:33:43They were sent there.
00:33:44I sent them there.
00:33:45You want to know why, Franco?
00:33:47I have a feeling you're gonna tell me.
00:33:49Because they were loose ends, Franco.
00:33:53And you,
00:33:56you
00:33:58are
00:34:00my last.
00:34:16You know, it's almost criminal
00:34:18that this scumbag nailed Luke and Moses.
00:34:22Now all we have to do
00:34:23is find his little friend.
00:34:25Prep the place,
00:34:26let's get out of here.
00:34:27This punk is already starting to stink.
00:34:42Ah!
00:34:44Ah!
00:35:13What was that?
00:35:14It's a girl, sir.
00:35:47Hey!
00:35:48What the hell are you doing here?
00:35:50What the hell am I doing here?
00:35:51I'm not the one sneaking into the back of my apartment.
00:35:53What the hell happened?
00:35:53I mean, I come back.
00:35:54My place is trashed.
00:35:55You're gone.
00:35:56What am I supposed to think?
00:35:57James, not now.
00:35:58What do you mean, not now?
00:36:00Jesus Christ, Hannah.
00:36:01Would you talk to me?
00:36:02Freeze!
00:36:03Hands up against the wall, right now!
00:36:05Guys, it's not what you think.
00:36:06It's just a little disagreement, Hannah.
00:36:07You can tell them.
00:36:08You guys are good.
00:36:09Where'd you come from?
00:36:10Hey, Jesus.
00:36:11Hey, would you relax there, Serpica?
00:36:12Oh!
00:36:14Ah!
00:36:25Uh!
00:36:29Oh!
00:36:32Ah.
00:36:35Ah!
00:36:37Ah!
00:36:38Ah!
00:36:57James, are you okay?
00:37:19We've got to go.
00:37:48I don't feel well.
00:37:50We've got to go.
00:38:20Vote for me.
00:38:21I guarantee you, of course, vote for me.
00:38:25Thank you very much, ladies and gentlemen.
00:38:26Martin, you are looking just exquisite.
00:38:29Thank you very much, ladies and gentlemen.
00:38:30That'll be all the questions for today.
00:38:32Bye.
00:38:33Bye.
00:38:34Bye.
00:38:43Where is the girl?
00:38:44We're working on it, sir.
00:38:47What did you say?
00:38:49Sir?
00:38:51I dare you to say that again.
00:38:56I don't need to remind you what it would mean if that girl were to see the light of day.
00:39:02You find her and you finish her.
00:39:06Bye.
00:39:17Bye.
00:39:30Bye.
00:39:48Are you going to kill me now, too?
00:39:51James, take a look at this gun.
00:39:57Look at it.
00:39:59It doesn't have a serial number on it.
00:40:02James, they weren't cops.
00:40:05Jesus Christ, is that supposed to make it easier?
00:40:09James, I...
00:40:10You're what?
00:40:11You're sorry that I just killed somebody?
00:40:16What the hell happened back there?
00:40:17You're like...
00:40:18You're like Jackie Chan or something.
00:40:20I mean...
00:40:22Who are you?
00:40:27I don't even know.
00:40:33James.
00:40:37Look was an assassin.
00:40:41A paid killer.
00:40:45And...
00:40:45So am I.
00:40:49I never knew my mother because she died in a car crash when I was really young.
00:40:55Luke was my father's best friend in the war.
00:40:59And before he died, he made him promise to take care of me.
00:41:04You know what?
00:41:05I don't want to hear it.
00:41:07James.
00:41:23Hey.
00:41:24You two okay?
00:41:25Yes, sir.
00:41:26I was just, uh, feeling a little carsick.
00:41:29Is that so?
00:41:31Where are you two kids from?
00:41:33The city.
00:41:34You don't say.
00:41:36What might be your business in these parts?
00:41:40Just passing through.
00:41:43Just passing through, huh?
00:41:45How about some ID?
00:41:47You all have that in the big city, don't you?
00:41:51It's, uh, in the car.
00:41:56It's, uh, in the car.
00:41:59Now, if I were to punch up your license plate here, I wouldn't find out.
00:42:04Your names are Bonnie and Clyde.
00:42:06Something like that now, would I?
00:42:09What the?
00:42:12Whoa, whoa, wait a second, officer.
00:42:13It's not what you think.
00:42:14No, no, you tell me just what am I thinking.
00:42:16Hannah, hold on here.
00:42:18Drop it, lady.
00:42:22Put it down.
00:42:23Put it down.
00:42:24I said put it down.
00:42:24Everybody just chill, okay?
00:42:25Take a moment here.
00:42:28Put it down.
00:42:29No, wait later.
00:42:30Not gonna happen.
00:42:32Look, uh, Officer Wiley.
00:42:34Listen, Officer Wiley.
00:42:35Clarence.
00:42:36What?
00:42:39Everybody calls me Clarence.
00:42:40No one calls me Officer Wiley.
00:42:42Okay.
00:42:44Look, Clarence.
00:42:46You don't want to get shot, do you?
00:42:50How do I?
00:42:53So please put the gun down.
00:42:55How come you're not asking her to put the gun down?
00:42:58Because.
00:43:00I got a pretty good feeling about you, Clarence.
00:43:02You seem like a pretty sensible guy to me.
00:43:05Her?
00:43:09Jesus.
00:43:14Look, Clarence.
00:43:16Do you have any kids?
00:43:19Look at me.
00:43:21I asked if you had any kids.
00:43:25Yeah.
00:43:26Two.
00:43:28Just think about your kids, Clarence.
00:43:30Okay?
00:43:31They deserve to have their father around.
00:43:37Take it easy, man.
00:43:40I'm just gonna take this.
00:43:42Everything's gonna be cool, okay?
00:43:47I promise you, Clarence.
00:43:49No one's gonna get hurt.
00:43:53It's okay.
00:43:54It's okay.
00:44:02It's okay.
00:44:04See, we're all friends here.
00:44:09What are you gonna do with me?
00:44:20Okay now, Clarence.
00:44:21I'm just gonna leave your keys by the front tire.
00:44:23All right?
00:44:24You okay?
00:44:24You're not too cold, are you?
00:44:28Okay.
00:44:28Roger, thank you.
00:44:31What about the radio?
00:44:34What's that?
00:44:35Can I listen to the radio?
00:44:38Sure, Clarence.
00:44:43You take it easy.
00:44:50You make a pretty good team, huh?
00:44:54Look, James.
00:44:56I know this is a lot to swallow.
00:45:00Christ, I know how twisted this all sounds, but...
00:45:02You don't understand.
00:45:04You have to find them before they find us.
00:45:07And then what?
00:45:08And then that's it.
00:45:10It's over.
00:45:13It's just...
00:45:19Look, I understand if you want to leave.
00:45:22Where to?
00:45:25What?
00:45:27Where to next?
00:45:30Oh.
00:45:32Oh.
00:45:41Oh.
00:45:45Oh.
00:45:45Oh.
00:45:45Oh.
00:45:47Oh.
00:45:48Oh.
00:45:49Oh.
00:45:50Oh.
00:45:50Oh.
00:45:50Oh.
00:45:50Oh.
00:45:51Oh.
00:45:52Oh.
00:45:52Oh.
00:45:52Oh.
00:45:52Oh.
00:45:53Oh.
00:45:53Oh.
00:45:54Lonesome train, lonesome train
00:46:01Ozzy! Ozzy!
00:46:03Hello, beautiful!
00:46:07Who's Ozzy?
00:46:08He's like family.
00:46:11I've known him since I was a little girl.
00:46:14He's taking care of the boat here for the winter.
00:46:19Are you a sight for sore eyes?
00:46:21Oh, it's good to see you.
00:46:22All right.
00:46:25This is James.
00:46:27Hey, Ozzy.
00:46:28What brings you to this lovely corner of the world?
00:46:33Oz, we're in trouble.
00:46:34Yeah, what else is new?
00:46:38Oh, baby.
00:46:40What you got here, girl?
00:46:43I think they're feds.
00:46:46Oz, I don't know what the hell's going on here.
00:46:50Are you okay?
00:46:55Oz.
00:46:58Luke's dead.
00:47:01What happened?
00:47:04The last hit, we were set up.
00:47:10Look, Oz, do you think we can go in and clean up?
00:47:14It's been a really long day.
00:47:15Of course.
00:47:21But let me borrow the kid here.
00:47:23I can use some help with your friends in the trunk.
00:47:32Hannah.
00:47:34I'm sorry.
00:47:36Thanks, Oz.
00:47:40What are you going to do with me?
00:47:48So, kid, what's your story?
00:47:51It's not much to tell, really.
00:47:53It's a frustrated artist, tired of being told he'll never make it, wakes up one morning and
00:47:58finally believes it.
00:47:59So he takes a job in a small but funky gallery downtown and spends his days hanging other people's
00:48:03dreams on the walls.
00:48:05It's not much if I had one.
00:48:07So, what the hell are we doing now, Oz?
00:48:10I don't think it'd be in my best interest to be driving around town in a stolen vehicle with two
00:48:15bodies in the trunk.
00:48:17So we gotta move bodies now.
00:48:19Great.
00:48:20Just great.
00:48:38So, James, what are your intentions with Hannah?
00:48:43Don't worry, I'll have her home by midnight.
00:48:46How long have you two known each other?
00:48:48All her life.
00:48:50God, it seems just like yesterday.
00:48:53She was just a little girl.
00:48:56She was brought up by her grandparents and then Luke.
00:48:59What was he like?
00:49:01Who, Luke?
00:49:01Yeah.
00:49:02He was one of the best friends a guy could have.
00:49:05I met him in Nam.
00:49:07We were in the same unit for a while before he joined the team of Special Ops.
00:49:12The thing was, when they asked him to join, they didn't mention what he had to give up.
00:49:18You see, what these guys were doing was secret.
00:49:22I mean, I could tell you, but then I'd have to kill you secret.
00:49:27Nobody could know where he was or what he was doing.
00:49:31So they reported him MIA.
00:49:35Intercepted all his mail going both ways.
00:49:38He never even knew he had a baby girl waiting for him when he came back.
00:49:45He never even knew his sweetheart had been killed in a car accident.
00:49:50Jesus.
00:49:51So Luke was...
00:49:54Man, why are you telling me all this?
00:49:56Because you're all she's got.
00:49:59Her family life hasn't exactly been a bed of roses.
00:50:03I'm not trying to make excuses for her.
00:50:06I'm just trying to give you a little insight.
00:50:11We better get this car back. Come on, kid.
00:50:24The legend goes that the blues is the devil's music.
00:50:29And the crossroads, that's where you're supposed to meet the devil, get the 12th tune.
00:50:34Is this some sort of bonding thing?
00:50:36It seems our friend here had never heard of Robert Johnson.
00:50:41Probably thought the blues began and ended with Stevie Ray Vaughan.
00:50:45Ozzy gets a little testy when it comes to the blues.
00:50:47Thinks he knows everything under the sun.
00:50:49How many albums you got now, Oz?
00:50:512,000 and counting.
00:50:54On vinyl like they were meant to be.
00:50:56None of this compact crap.
00:50:59Yeah, I gotta agree with you there, Oz.
00:51:01I mean, you ever seen the compact version of Sticky Fingers?
00:51:04Kinda defeats the purpose.
00:51:06Andy Warhol did nothing to cover it.
00:51:08I'm aware.
00:51:10Hey, Oz, what's this?
00:51:15Goddamn!
00:51:16I am a handsome man.
00:51:19Is that Luke?
00:51:20No.
00:51:21Bob Rio, that's Luke.
00:51:24This guy here is Keith Gertz.
00:51:27We used to call him Moses on account of him being so religious.
00:51:29We started with Holy Moses.
00:51:32Yeah, Moses.
00:51:34The guy was a real Bible thumper.
00:51:37Tell me more about Moses.
00:51:40That's him there.
00:51:41He joined our platoon about two...
00:51:44What's wrong, honey?
00:51:45Moses.
00:51:47The guy who killed Luke mentioned him Moses.
00:51:54What was that first guy's name again?
00:51:56Bob Rio?
00:51:58Bob Rio.
00:51:59No, I don't remember that name.
00:52:02You know, I remember this.
00:52:04You were saying goodbye.
00:52:08These three, Rio, Luke and Moses, were being transferred.
00:52:13It's the last time I saw them in country.
00:52:16Why them?
00:52:18They were the snipers in our battalion.
00:52:20Black ops.
00:52:22What?
00:52:23It's what Ozzy told me.
00:52:25Special unit in Vietnam.
00:52:28Jesus.
00:52:30Guns with no serial numbers.
00:52:32Black operations.
00:52:34Ozzy, what the hell have we gotten ourselves into here?
00:52:40Is anyone else hungry? I'm starved.
00:52:43There's a burger place just a few miles down on the right.
00:52:46Take my car, the keys are in it.
00:52:48Alright, I'm on it.
00:52:54What did you tell him?
00:52:57What he needs to know.
00:52:59He's a good kid.
00:53:00Yeah.
00:53:01He is.
00:53:03He's a big boy.
00:53:05He can take care of himself.
00:53:08Oz, I'm really tired.
00:53:10It's been a hell of a day.
00:53:11I'm gonna go lie down.
00:53:13Okay, baby.
00:53:15Get your rest.
00:53:16Thanks, Oz.
00:53:31Sir.
00:53:36Sir, we have no word for Reynolds and Jackson.
00:53:39We've been trying to trace them, but we've come up empty handed.
00:53:42And what about the girl? Have you been able to track her down?
00:53:46She seems to have disappeared as well.
00:53:50Let me get this straight.
00:53:51You have access to state-of-the-art tracking devices, satellites, computers, and you can't even find two of your
00:54:02own field agents.
00:54:05Yes, sir.
00:54:09Okay.
00:54:11There you are.
00:54:13Why don't you get the hell out of here?
00:54:17And if you value your life, even a little bit, you'll find that girl.
00:54:27Oh.
00:54:29Yes, sir.
00:54:42So, Van Gogh cut his ear off and then he mailed it to her.
00:54:45Why?
00:54:46He was a tortured artist. He was deeply in love.
00:54:50Yeah.
00:54:51And he was quite insane.
00:54:53That's besides the point.
00:54:54Hey, Sunshine.
00:54:55What time is it?
00:54:56How long have I been out?
00:54:58A couple hours.
00:54:59Feels like a couple days, though.
00:55:01The kid here's been talking my ear off.
00:55:04You like that one? Talking my ear off.
00:55:07Yeah, that's a good one.
00:55:09You okay, darling?
00:55:12Yeah, I'm fine.
00:55:14So, tell me more about the black ops.
00:55:17There's nothing to tell, really. Just rumors. Assassination type stuff. They were real cloak and dagger.
00:55:24Had their own agenda. And they didn't discriminate, if you know what I mean.
00:55:29Charming.
00:55:31So, who would want them dead? And why?
00:55:34I think the question you should be asking is not why, but why now?
00:55:40Luke knew he was living on bore of time. They all did.
00:55:46So, how do I find out more about the black ops?
00:55:50Maybe they've got a website.
00:55:59Newman.
00:56:01Yeah, this is, uh, George Henderson from the, um, Leiden County Police Department.
00:56:05What is it?
00:56:06Hey, are you driving right now? You know you're not supposed to talk on the phone and drive, right? You
00:56:10better pull over if you want to continue this conversation.
00:56:12What the hell do you want?
00:56:13Hey, there's no need to get testy with me, sir. We got that information you requested. You were looking for
00:56:17two men at all.
00:56:18Get on with it!
00:56:20Well, it seems one of our boys found that car a few hours ago. And, well, I hope you're sitting
00:56:26down.
00:56:35I think I can get Luke's email from here.
00:56:42Bingo. Here it comes.
00:56:44What are we looking for?
00:56:49This.
00:56:51This was sent to live the same day we were set up.
00:56:54It's a friggin' nursery rhyme.
00:56:58The answer's gotta be here somewhere.
00:57:05Wait a second. Go back. That's not how it goes.
00:57:08What?
00:57:09The rhyme. It's been changed.
00:57:13This isn't a message. This is a warning.
00:57:17Someone was trying to warn Luke.
00:57:20Damn it. I gotta find out who sent this.
00:57:23You can check the code. The computer code. Just here.
00:57:33You can trace the, uh, the email using the graphic code.
00:57:38Voila.
00:57:39Uh-huh.
00:57:45This could take some time.
00:57:48Look, James, I'm gonna get our room ready.
00:57:50You let me know the second anything comes up, okay?
00:57:52I'm gonna do it, okay?
00:57:53Bye.
00:57:55I'm gonna do it.
00:57:58Good to see you.
00:58:09Good to see you.
00:58:10I'll do it.
00:58:10The other day.
00:58:10I'm gonna do it.
00:58:19Good to see you.
00:58:20Good to see you.
00:58:21I'm gonna do it.
00:58:22I'm gonna do it.
00:58:22Sorry?
00:58:23The message. It came from Kensington Public School.
00:58:26It's in a little town about an hour north of here.
00:58:30Well, at least we have a destination, huh?
00:58:32I don't suppose there's any merit in telling you how insane this is?
00:58:37I mean, you have considered the possibility that this is, you know, another set-up, right?
00:58:44I'm just tired of running.
00:58:47I mean, you're not used to running.
00:58:52Yeah, I took the liberty of drawing us a map.
00:58:56Look, James, when this is over...
00:58:58When this is over, I'm gonna take you out of this two-bit, one-horse town.
00:59:04See the world firsthand.
00:59:07Sistine Chapel, Lisa.
00:59:09The statue of David?
00:59:10Of course she wants to see the naked man.
00:59:13James, I don't deserve you.
00:59:15That is true.
00:59:20Come on, talk dirty too.
00:59:35Come on, talk dirty too.
00:59:57Looking for these?
00:59:59Busted.
01:00:02So, what do you want me to tell him?
01:00:04Tell him I'll be home soon.
01:00:07You be careful.
01:00:09Always.
01:00:25I'll check with the chain.
01:00:27Hold on for a second, dear.
01:00:28What is it?
01:00:29We just got word from a sheriff that ID'd the girl.
01:00:32Where?
01:00:32She and her companion overpowered him at the junction of I-5 and Highway 89.
01:00:36I've got to go, honey.
01:00:37I'll talk to you later, okay?
01:00:39Bye.
01:00:41Sir, there's still no word from Reynolds and Jacks.
01:00:44Jane, did you get my dry cleaning?
01:00:45Yes, sir.
01:00:46Picked it up on Thursday.
01:00:47Okay.
01:00:48Send out two teams.
01:00:49I'm sure they couldn't have gotten far.
01:00:51Yes, sir.
01:00:54Sir?
01:00:58We'll take my car.
01:01:35Hey, Oz.
01:01:36Smells good, man.
01:01:37What are you cooking?
01:01:38Eggs, bacon, and a little blues.
01:01:43It's the breakfast of champions.
01:01:45That's right.
01:01:46So, where's Hannah?
01:01:51Oh, come on.
01:01:52She didn't.
01:01:52She can take care of herself.
01:01:56Are you insane?
01:01:58I've got to go after her.
01:01:59What you've got to do is sit your ass down and eat these goddamn eggs.
01:02:03Now sit down.
01:02:04Sit.
01:02:16Besides, she took the car.
01:02:18All right.
01:02:21Son, I'm going to introduce you to my special recipe.
01:02:27Ozzie's Eggs Tequila.
01:02:49Susan.
01:02:49Gonna be with you.
01:03:02I'm gonna stay here.
01:03:03Let us see there.
01:03:03Do we have food?
01:03:09I'm going to be with you.
01:03:09I'm gonna stay here right now.
01:03:09All right.
01:03:09Cheers, too.
01:03:10Bye.
01:03:12Cheers, too.
01:03:13Bye.
01:03:18Cheers, too.
01:03:18Cheers, too.
01:03:18To be with you,
01:03:40You don't recognize me, do you, Hannah?
01:03:43We can't talk here.
01:03:58Who are you?
01:04:01How did you find me?
01:04:03Answer the question.
01:04:05I knew Luke.
01:04:07Name's Bob.
01:04:09Bob Rio.
01:04:10You sent the email, didn't you?
01:04:13Three little pigs.
01:04:15I remember.
01:04:16One got away.
01:04:19They'll find you, Bob.
01:04:20I did.
01:04:22They can't find what they're not looking for.
01:04:24Fifteen years ago, a chopper went down over Nicaragua.
01:04:28All hands, bodies were never recovered.
01:04:33Never appeared in the news because it never officially happened.
01:04:37You were on that flight, weren't you?
01:04:39Really, they?
01:04:40I killed me before they could.
01:04:44How did you know that they were going to kill Luke?
01:04:51You were so glad I saw that.
01:04:56Boy, if I have learned anything in my 55 years on God's green earth, it is not to try to
01:05:06understand
01:05:06the mind of a woman.
01:05:08Amen.
01:05:10You can't live with them.
01:05:11And you can't shoot them.
01:05:13I beg to differ.
01:05:17They got Luke?
01:05:19What about Moses?
01:05:21They get him, too?
01:05:23Dead?
01:05:26Prince of lies.
01:05:29El Diablo.
01:05:31The devil himself.
01:05:34Senator Harmon.
01:05:36After what we did, Luke should have known Harmon was going to come knocking.
01:05:41Bob, what did you do?
01:05:46Tell me.
01:05:48I'm not going to ask you again.
01:05:53Only the most notorious assassination of all time.
01:06:02Hey, Sherlock.
01:06:04Next time, park a car in the back.
01:06:10Okay, that's it.
01:06:11I'm definitely not voting Republican now.
01:06:18I'm not voting for you.
01:06:19I'm not voting for you.
01:06:20I'm not voting for you.
01:06:21I'm not voting for you.
01:06:24I'm not voting for you.
01:06:27I'm not voting for you.
01:06:30I'm not voting for you.
01:06:31I'm voting for you.
01:06:32I'm voting for you.
01:06:33I'm voting for you.
01:06:33I'm voting for you.
01:06:34I'm voting for you.
01:06:34I'm voting for you.
01:06:34I'm voting for you.
01:06:34I'm voting for you.
01:06:36I'm voting for you.
01:06:36I'm voting for you.
01:06:36I'm voting for you.
01:06:37I'm voting for you.
01:06:39I'm voting for you.
01:06:41I'm voting for you.
01:06:49Gentlemen, I'm a busy man.
01:06:53I have a dinner engagement with the Speaker of the House
01:06:56and a late night interview with City Line
01:06:58and my little baby girl can't get to sleep without me reading her a bedtime story.
01:07:01So as you can see, I'm a little pressed for time.
01:07:05Where does she go?
01:07:10Come on, Bob. We're going on a little trip.
01:07:12No way, lady. I ain't going anywhere.
01:07:15Bob, this is bigger than the both of us. People need to know.
01:07:18Now that's crap.
01:07:21Nobody's going to believe us. That's what keeps them safe.
01:07:25Look, Bob.
01:07:27Why did you try and get in touch with Luke?
01:07:29I told you, to warn him.
01:07:33He doesn't need warning.
01:07:35Tell me the real reason, Bob.
01:07:39It's because you can't stay out of the game, right?
01:07:42Here you are, in the middle of nowhere.
01:07:47Harmon thinks you're dead.
01:07:49You've won.
01:07:52But you risk everything to warn somebody who doesn't need it.
01:07:57Am I right?
01:08:00Helping Luke was just one last little screw you to get to Harmon.
01:08:06Come on, Bob.
01:08:08Let's get personal.
01:08:11You know Harmon will.
01:08:13What's that supposed to mean?
01:08:15Once he finds out you're alive,
01:08:16he will travel to the ends of the earth to find you.
01:08:20The way I see it, we got one chance.
01:08:23We find him first.
01:08:25Where did she go?
01:08:30Well, then, um, when is she coming back?
01:08:45Now do I have your attention?
01:08:49What are you protecting her for?
01:08:51What did she ever do for you except get you mixed up in all of this?
01:08:54I didn't kill Ozzy.
01:08:55Your girlfriend did.
01:08:59That's how you gotta look at it.
01:09:01Yeah, my girlfriend's gonna kick your ass.
01:09:03Oh, thank you for telling me what I need to know.
01:09:09Newman, go rig the ship.
01:09:13We can't afford to take any chances
01:09:15since his girlfriend's coming back to kick my ass.
01:09:19Yes, sir.
01:09:39I know, I know.
01:09:41Isn't that insane?
01:09:42It's not the phone company.
01:09:43That's way too obvious.
01:09:45Who invented the internet?
01:09:47I'll tell you who it was.
01:09:48The government.
01:09:50Why?
01:09:51Global village?
01:09:52Information sharing?
01:09:54I think not.
01:09:56I'll tell you who you're sharing information with.
01:09:58And you invited them into your home.
01:10:02What is it?
01:10:02What's wrong?
01:10:04A ladder to the boat club.
01:10:05So?
01:10:08Something's not right here, Bob.
01:10:11Harmon.
01:10:15You're okay, kid.
01:10:16Too bad you're not batting on the winning team.
01:10:18But then, uh, you're not a player, are you?
01:10:20You're an artist.
01:10:27I'm a bit of an artist myself.
01:10:31You know what I like to do.
01:10:36I like to finger paint.
01:10:40When is she coming back?
01:10:51Well, have faith, kid.
01:10:54Didn't Matisse paint with his mouth at the end of his career when he could no longer use his hands?
01:11:08Sir, you're not going to believe this.
01:11:13Target has returned.
01:11:16Want me to take her out?
01:11:18Oh.
01:11:21Oh.
01:11:21Hold your fire.
01:11:25You gave your girlfriend too much credit.
01:11:27She's coming straight to us.
01:11:29Williams, get the girl.
01:11:31Phillips, you hold your position.
01:11:32Roger that.
01:11:40It's going to be interesting.
01:11:43Let's go, Picasso.
01:11:45It's game time.
01:11:46It's game time.
01:12:20She's clean.
01:12:23Thanks for making it so easy.
01:12:26James, you okay?
01:12:27I'm okay.
01:12:29Let him go, Harmon.
01:12:31He has nothing to do with this.
01:12:33Oh, no, no, no.
01:12:34Your artist friend is a featured player.
01:12:36Thanks to you.
01:12:37Why, Harmon?
01:12:39Why now?
01:12:40Well, that's a million dollar question, isn't it?
01:12:43You see, Hannah?
01:12:44Hannah, the world is not black and white.
01:12:47There are no more walls, no more clear enemies.
01:12:49Me, I'm just changing with the times.
01:12:52Adapting, if you will.
01:12:54For that, I need a...
01:12:55Clean slate.
01:12:57Give the girl a prize.
01:12:59You see, I'm the new enemy.
01:13:03The one you can't find, even though he's standing right in front of you.
01:13:07I have power, Hannah.
01:13:08But not the kind of power that comes with the backing of the American public.
01:13:12I've started wars.
01:13:14But like my daddy used to say, don't start things you can't finish.
01:13:18One day when I'm president, I'll have the power to finish them.
01:13:24You're insane.
01:13:25No, no, no, no, no, no, no, no, no.
01:13:27I'm opportunistic.
01:13:28The ship's rigged a blow, Hannah.
01:13:31Well, that's too bad.
01:13:33Just when things were getting interesting, too.
01:13:36Cut the crap, Harmon.
01:13:37Time to lay the cards on the table.
01:13:40I've got Bob.
01:13:42Bob Rio.
01:13:44Ha, ha, ha.
01:13:45Bob Rio is...
01:13:47I know.
01:13:48Died in a helicopter crash in Nicaragua.
01:13:51You just gotta ask yourself how I know.
01:13:55What's the matter, Harmon?
01:13:56You don't look too good.
01:13:59One man who can bring your house of cards crashing down?
01:14:03Loose on the town.
01:14:05How do I know you have Bob Rio?
01:14:07That's a question on everyone's mind.
01:14:11Oh!
01:14:13Oh!
01:14:15Oh!
01:14:15Oh!
01:14:16Oh!
01:14:17Oh!
01:14:17Oh!
01:14:19Oh!
01:14:19Oh!
01:14:20Oh!
01:14:24Oh!
01:14:34Oh!
01:14:41Oh!
01:14:43Oh!
01:14:43Oh!
01:14:44Oh!
01:14:45Oh!
01:14:46Oh!
01:14:47Oh!
01:14:48Oh!
01:14:48Oh!
01:14:48Oh!
01:14:51Oh!
01:14:51Oh!
01:14:52Oh!
01:14:52Oh!
01:14:52Oh!
01:14:52Oh!
01:15:19Two down, three to go.
01:15:23Sorry, honey. My day's done.
01:15:27Dammit.
01:15:30I'm gonna need some cover. Can you manage?
01:15:32I ain't dead yet.
01:15:36On three, ready?
01:15:39One, two, three.
01:16:01Looks like you're stuck with me.
01:16:03No, you're stuck with me.
01:16:06Fifteen in the mag, one in the pipe.
01:16:08You take him, I'm going now.
01:16:10One, two, three.
01:16:15One, two.
01:16:25One, two, three.
01:16:27One, two, three.
01:16:53One, two, three.
01:16:57One, two, three.
01:17:04I'm not going to do this.
01:17:06Oh, I'm not going to do this.
01:17:16I'm not going to do this.
01:19:16Come on, Senator.
01:19:19Stick your head out just a little.
01:19:23I guess it's time to show who's in charge, huh?
01:19:27You know, raise the stakes a little.
01:19:40Come on, kid.
01:19:41What are your options?
01:19:43Let's examine them together, shall we?
01:19:46We can stand here and chat all day while your friend here bleeds to death.
01:19:50I mean, I'm no expert, but it looks pretty bad.
01:19:54Or you can take your shot.
01:19:58Kill him quick, and then I'm yours.
01:20:04What's it gonna be, little girl?
01:20:07Clock is ticking.
01:20:10Come on, do it, kid.
01:20:11Take your shot.
01:20:12Come on.
01:20:12Do it.
01:20:13Come on.
01:20:13Come on.
01:20:14Go for it.
01:20:15Shoot him now.
01:20:16Do it.
01:20:32See now, surrendering was never an option.
01:20:51Damn it.
01:20:54You okay?
01:20:55I'm okay.
01:20:56You okay?
01:20:57I wasn't kidding about the ship being wired, Hannah.
01:21:00They might want to get it in gear.
01:21:18Damn it.
01:21:50Hannah.
01:21:53Hannah, he's up.
01:21:56It's over.
01:22:04Remind me never to piss you off.
01:22:33Gosh, you know, I miss him already.
01:22:50So where to?
01:22:53Anywhere.
01:22:54It's a clean slate.
01:22:56No more secrets?
01:22:58No more secrets.
01:23:01I got just one.
01:23:04I collect comic books.
01:23:06No, I think I want to draw them.
01:23:08I'm not kidding.
01:23:09I got this one idea for this character.
01:23:11See?
01:23:12She's an assassin.
01:23:13Oh, no.
01:23:14Yeah, no.
01:23:14She works undercover.
01:23:15And her boyfriend, he's this kick-ass kung fu expert.
01:23:18The comic's really more about him.
01:23:20I don't know.
01:23:20I remember summer's day.
01:23:24I went to ride an airplane.
01:23:26Well, it's me, my brother.
01:23:28Pilots is what we wanted to be.
01:23:32And my mom took the time and paid attention to our dreams.
01:23:45And my mom took the time and paid attention to our dreams.
01:24:06Oh.
01:24:07The moonlight shining.
01:24:09At keeping point, you're smiling for my wonder.
01:24:13If I'd be there, there comes me, cause I won't let you go
01:24:42Ways are breaking, sales are full
01:24:46And growing up Canadian, well it makes you stronger
01:24:49A band on the ship, eight hands in the cooler
01:24:54We're keeping with tradition, but it feels for fuel
01:25:05Tempted by glamour, dead by flesh
01:25:09Foundation keeps it growing, so we keep it solid
01:25:12Cause candy coatings crack and lose the flavour
01:25:16Like 60s architecture, nothing must disable
01:25:27If the sun had shining
01:25:30It makes it more you're smiling for that one
01:25:35I'm feeling that constantly I won't let you go
01:25:44guitar solo
01:26:01I'm feeling that constantly I won't let you go
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