- 5 hours ago
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00:00I'm sorry.
00:14I've lost you.
00:14What's your friend?
00:15You're right.
00:16I'm sorry.
00:18I need you to ask a comment.
00:20I'm sorry.
00:22I'm sorry.
00:25I'm sorry.
00:26I'm sorry.
00:26I'm sorry.
00:27I'm sorry.
00:28I'm sorry.
00:29I'm sorry.
00:32The sun is 3D.
00:35I'm sorry.
00:36What did you see?
00:37What did you see?
00:40You should listen to me.
00:41You're right.
00:42You're right.
00:44I'm sorry.
00:49You're right.
00:49But after you listen to me,
00:53I'm sorry.
00:53I'm sorry.
00:55I'm sorry.
00:55You're right.
00:57You're right.
00:57You're right.
01:00You're right.
01:05I'm sorry,
01:06I'm sorry.
01:09You're right.
01:10I'm sorry...
01:12I'm sorry...
01:15I'm sorry.
01:22it's the same, it's the same.
01:24How are you going to go?
01:25Why are you looking for this system
01:25even if you haven't come back?
01:28I'm trying to help you.
01:29No, I'm going to help you.
01:30Is it 5,000 dollars?
01:33Why, how do you feel, Karamal?
01:35Karamal is happy.
01:38Why, I?
01:45Why, Karamal,
01:46Why?
01:46No.
01:47But if you go to the hospital and send me money,
01:49no, it's true.
01:51No, it's not a lot.
01:52I spoke to my husband and my heart,
01:54I didn't know how to sleep all the time.
01:55Then I was with you and I was able to sleep.
01:57And you know how to sleep all the time?
01:59I have to be happy and say,
02:00alhamdulillah, the baby is still alive.
02:02If you don't want to,
02:03I don't want to go into my own life.
02:05I'm going to tell you.
02:07I want you to tell me.
02:08I want you to think you're a friend.
02:11And you're better.
02:12I mean,
02:12you're better than me,
02:14you're better than me,
02:15I can't believe you.
02:27You know how?
02:28Hi, Shams.
02:28How are you?
02:29Do you need me?
02:31It's not a reason.
02:33I think I'm going to tell you and I'll reply to you.
02:35From there, I'll tell you.
02:41Do you know what I'm coming to you?
02:44I'm coming to you.
02:49I'm calling you a phone.
02:51Marwan, if you want one, let's talk.
02:53I'm calling you a phone.
02:55Are you listening?
02:56Marwan, you're doing wrong.
02:58You're not going to fix things.
02:58I'm calling you a phone.
03:00Marwan, you're going to destroy your life.
03:01I'm calling you a phone.
03:02I'm calling you a phone.
03:03I'm calling you a phone.
03:08I'm calling you a phone.
03:09What kind of phone didn't you know?
03:11.
03:11.
03:11.
03:13.
03:14.
03:15.
03:15.
03:17.
03:18.
03:18You're the best in your life. Where did you go from the time?
03:25You're going to send me a message.
03:27You're going to tell me that you want to see your life.
03:30What do you think?
03:31And that you're going to love and from tomorrow you want to go.
03:34Send me a message.
03:38Send me a message.
03:40You're listening.
03:42Send me a message.
03:44You're going to send me a message.
03:45What do you understand?
03:47Let me�.
03:48Let me pray.
04:00Come and eat well.
04:04Why is the child alive Justin?
04:06He said they aren't filing for meeting.
04:08He answered my house or not.
04:10They sent them something news or a anyrieben person.
04:14And they sent up nothing.
04:15This is the beginning, I mean?
04:18I mean?
04:18I mean, the sun is like this.
04:20I'm talking about you.
04:22I'm not going to ask you about it.
04:25And I'm going to sleep.
04:53I'm going to sleep.
04:55Come on!
04:56Let's go.
04:57You don't have to walk away from your backs.
04:59Why did you do this,
05:00why did you say goodbye to me?
05:02You're gonna try to enter the security?
05:04Where is it?
05:05Where is it?
05:06Who is it?
05:08Why is it?
05:09No, whatever.
05:10Why did you get down here?
05:11Why did you go to the baby?
05:12Say, before I get a job, let me forget your name.
05:15I'm not living with you anymore.
05:17No, no.
05:18Are you talking about you?
05:18Or are you going to let the police come to the police?
05:20And you're talking about your way.
05:22Say, where are you?
05:24I don't know anyone's name.
05:26I'm not leaving you.
05:27You're the one who left me.
05:28I want you to destroy my life.
05:30After that, I left you the sun.
05:32I left you the sun.
05:32I left you the sun.
05:32I left you the sun.
05:33I left you the sun when I live.
05:37No.
05:39You don't understand your mind.
05:41You堅, Snow, you left me on the corner.
05:44Anastasia, where are you?
05:46Where are you from?
05:47Where are you going to get your daughter my son, your father?
05:49Where are you, ya Wati?
05:50Because if you're not, I'm not going to make it easy.
05:53Don't let me do it for you and give you it to your eyes.
05:56What's your name?
05:57I don't know anyone's name Anastasia.
05:58I'm not looking for it for my day.
06:00They're cursed and they're not allowed to live in a country.
06:02So you're a beautiful friend and you're a good one.
06:04If you're an idiot, if you're a good one, you're a good one.
06:06You're right, you're right.
06:07I know the life.
06:08They're gonna let's leave him the war.
06:10Don't give him a lot to the sub-pump.
06:12Oh, give him a big picture!
06:15floors my wife, and my daughter my son...
06:18I'm not alone.
06:19I'm not alone.
06:19That's my fault!
06:22Oh, your boy, your sister, you're the dándole!
06:26This is how you let me let you come up.
06:27If you let me see, because of your daughter, you are sitting there.
06:30Stowe?
06:34Reita, you're going to call me!
06:36Reita, you're going to call me what is his image?
06:38You're gonna look at the children who are living around him.
06:41You're going to go.
06:42I'm going to go.
06:43What did you say?
06:44What about you?
06:44You're a shemme.
06:45Do you see her?
06:47She's going to go.
06:48She's going to go.
06:50She's going to go.
06:51She's going to go.
06:52She's going to go.
06:53Oh my God.
06:55What?
06:56I'm going to go.
06:57Why are you going to go?
06:58My name is Anastasia.
07:00What?
07:00They say that she's one of the best members of the Arab world.
07:04I'm a sweet guy.
07:05But she doesn't have to go.
07:06So, you're agreeing to me with Anastasia.
07:07How does a large amount of milk trekking from the otalia?
07:12I'm not sure if I start to die.
07:14There's no difference in the story.
07:15You're aware of it.
07:17What do you think, dear dear?
07:18I'm not sure the amount of milk peepers or therés were in theying.
07:20So, turn around.
07:23This is the sun.
07:25This is the sun.
07:27You're going to wear the sun, Anastasia, Anastasia!
07:30Anastasia!
07:31Anastasia, Anastasia!
07:32What happened?
07:33The wife had got married from behind her.
07:36Who is your father?
07:37My daughter, my mother, my daughter!
07:39She's got my face!
07:41I was a little sad, I was a little sad.
07:43I'm a little sad!
07:46You're like the girl, you're a good kid.
07:50You're a child, and you're a good kid!
07:52You're a good kid!
07:53You're a good kid!
07:55You're a good kid!
07:58Your daughter is a beautiful friend.
07:59The beautiful friend is the sun with the sun.
08:02It's a beautiful friend.
08:03and you're saying the people of the world are noba.
08:06Your daughter is here, you're saying the people of the world are noba.
08:09You're not talking about it, or you're saying that I'm in the middle of it.
08:11You're not with me, you're saying that.
08:13Your daughter has been with noba.
08:18What happened?
08:20My mother!
08:21My mother!
08:22My mother!
08:24What happened to you, my mother?
08:25What happened to you, my mother?
08:26What happened to you?
08:28I have a small piece of bread
08:35and I have a large piece of bread
08:40and I gotkeeper ora,
08:42you're going to mow her dough
08:44and I will do it for
08:45.
08:46I need to don't take off my teeth and when you know that what you have left.
08:57Are you knowing everything behind you?
08:58.
08:58Oh, God.
09:31Suzan, what are you going to give to Tala or why?
09:37Tala, what are you going to give to Tala?
09:41Is it clear?
09:45It's clear.
09:46Yes.
10:04What are you going to give to Tala?
10:09I'm not going to give to Tala.
10:10I'm only going to give to Tala.
10:12If you don't give to Tala, you're going to give to Tala.
10:16You're going to give to Tala.
10:18Mariam.
10:19Did you know that your sister has been given to Tala?
10:23No.
10:24I'm not going to know.
10:25Now she's going to tell us about Tala.
10:27Tala.
10:28I'm going to give to Tala.
10:29If I want you, you'll give me a little.
10:32And you're going to give to your sister, and you're going to give her a little.
10:36I'm going to give her a little.
10:37Thank you, Tala.
10:38Let me give you a little.
10:42Mother, are you good?
10:44Yes, mother.
10:45Yes, it's good.
10:46Yes, I'm good.
10:47Because I have to give to Yosif for dinner.
10:49I have to give up.
10:50Where did you give to Yosif's care of today's care?
10:53What did you give to Yosif's care of today's care?
10:55You're not a bad thing.
10:56You have to give up your mother to his parents.
10:58Your mother and her son are not good.
10:59What do you give to you?
11:00You're good.
11:01You're good.
11:02You're good.
11:05You're good.
11:06You're good.
11:08You're good.
11:15You're good.
11:19You're good.
11:24You're good.
11:24Yes, sir.
11:25Hey...
11:28...Shames...
11:30...Rahat...
11:35Hello?
11:36Sir Ressom...
11:38...Hadritchanaebel, the great manager.
11:39Are you going to give me the beautiful one or what?
11:43Who are you? Why are you here?
11:45I'm one of you on your own and on your own, and on your own.
11:48And the name of the hotel.
11:50The hotel is the Ressom.
11:52You're a man-bun.
11:53It's one of the other two-städtees.
11:55You're one of the most famous one-bunnelers.
11:56My dear friend, I gotta give you a second.
11:59You're a man-bun.
12:00You want to give them.
12:01I think that's well, and I'll talk to you again.
12:03And tell you how much you were going to be able to get to them.
12:12Vabdal!
12:13You're in the middle of the house, you're in the car.
12:16What?
12:17You're wrong?
12:18Is it a man-bun?
12:20You're in the house?
12:21What's up?
12:23Why?
12:23What's up?
12:24I'm saying I'm not a hero.
12:26I mean, I'm not a hero.
12:28What's up?
12:29What's up?
12:30There's nothing else to do.
12:32Why don't you do that?
12:34What's your fault?
12:35You're a daughter.
12:36I'm a daughter.
12:37I don't know how to do that.
12:39I have to do that.
12:40I'm talking to her.
12:41You're a member of the company.
12:43I don't know what's up with her.
12:44I'm talking to her.
12:45I'm talking to her.
12:46You're a little bit.
12:47I'm talking to her.
12:58You're a little bit.
13:00I'm talking to her.
13:00What?
13:02What's up?
13:13No, the issue?
13:14How are you, spaceships?
13:14How are you, Shahrour?
13:15What's up, Shahrour?
13:17I've said a first question.
13:18I'm the one who saw me in the house.
13:22Where am I?
13:23Who are you?
13:24Oh, the modeler's the one.
13:26And I'm from where I'm going to know.
13:28I'm like the old man.
13:29We're doing the job in the kitchen.
13:33Did you get to see me?
13:35What's your relationship with your aunt?
13:37What's your relationship with your aunt Faiz?
13:39He's my relationship with me?
13:40I didn't think he was getting hurt.
13:41I was the one who introduced me from his own.
13:44I didn't ask him, when he got hurt.
13:46I'm sorry if he got hurt.
13:49Mr. Reston, he's the one who always told me
13:51if he had hurt something, he told me.
13:53And he always gave me something.
13:55What's your relationship?
13:56What's your relationship with your aunt Faiz?
13:58What do I want to take from someone like you?
14:01This is what I'm doing.
14:03It's like Abou Sleyman.
14:04God's giving you peace.
14:06This is what I gave to my aunt Faiz.
14:09When I got hurt, I asked my aunt Faiz.
14:12But I didn't know that the problem is going to take me.
14:15I'm sorry.
14:17He didn't ask you anything.
14:20You're not willing to take me out.
14:31You're not like this.
14:36You're not willing to take me out.
14:41I'm sorry.
14:45I'm going to take you out.
14:46in the kitchen, there's a lot of training.
14:48I'm with you.
14:52My friend, I'm aware of you.
14:55It's a half of my heart.
14:56What's wrong with you?
14:58I don't know how many years you've done it.
15:00But I'm going to come back to you
15:02and I'm going to come back to you.
15:05But you don't want to see the fire
15:06that doesn't hurt you?
15:09I don't want anything to do with you.
15:11How are you doing?
15:13Hello.
15:13Hello, my friend.
15:16What's your name?
15:17Where's your name?
15:19She's under my mother.
15:21Listen, what's going on?
15:22You're going to tell me that he's missing his face.
15:24He's missing his face.
15:25If you want to go to the house,
15:27he's going to do something like that.
15:28You're not going to leave her,
15:29but you're going to leave her for her?
15:31You're not going to leave her for her?
15:32Oh, she's going to leave her.
15:34You're going to leave me.
15:35You're going to leave me a hundred dollars for the last month.
15:37I'm not going to leave my mother.
15:39I'm going to leave you.
15:40You're going to leave me 50?
15:42No, I haven't.
15:44Five, twenty-eight.
15:45I haven't got bread.
15:46What are you doing with me,
15:47$5 million or $5 million?
15:48$6 million and $25 million.
15:50No, this is not Jeg
15:51Hey, Mr. Spirit!
16:08what are you doing?
16:09You are coming from your house.
16:10I don't want to do anything again.
16:13You are not a little girl, but you are a little girl.
16:14What are you doing?
16:15Yes, yes.
16:16You are the little girl who took you.
16:18I have to live in your life.
16:20You were thinking of me.
16:21I have to give you a lot.
16:23I'm not going to do anything wrong.
16:25I'm a dreamer.
16:26I'm not going to try to survive.
16:27But you don't want to go to my son.
16:29I know you are a dreamer.
16:31And I'm going to get you to my daughter.
16:33Oh, my son, I'm a dreamer.
16:35I've never learned from it.
16:37But why did you come out of the men and women and all will protect him?
16:41If you're a son, you're a servant, a man, a man.
16:43You're a man, I'm a man.
16:44What a man who's alive?
16:46He's alive!
16:47I'm a man, I'm a man."
16:48I want you to curse my son.
16:50I'm not right, I'm sorry.
16:51I'm on your side because of your life.
16:52I came back, you're not right, you're not right.
16:56I'm going to take you to your side.
16:57I'm going to take you to my side.
16:58No?
17:00You're not going to hear you?
17:02Your son is a man who is bad at you.
17:04I'm on my side.
17:05I'm going to play you.
17:06I don't know what you're talking about.
17:10Magid! Magid!
17:12Magid, honey!
17:14Mama!
17:14Come back, honey!
17:15I love you a lot!
17:17Mama!
17:17Come back!
17:18Magid!
17:20Magid!
17:24One day.
17:26One day, girl.
17:28One day we didn't do anything.
17:29Now I'll tell you, but I'll tell you.
17:33Come back, girl.
17:35You're coming to me.
17:37You're coming to me.
17:37And you're coming to me and say,
17:38why don't you talk to me after that?
17:40I'm going to tell you, Shams!
17:41Let's wait for her!
17:45It's my, it's my, it's my picture.
17:48It's my picture and my picture.
17:49Oh, my life!
17:51So who is coming back with a little bit of a bitch?
17:54Somebody said I'm gonna be a bully.
17:57I'm not going to lie in the background.
17:59I'm going to go to the podium and say,
18:01I'm going to go to the podium and say,
18:02I'm going to go to the podium and say,
18:02I'm going to go to the podium.
18:03I'm not going to lie.
18:07But they're not always a good guy.
18:11The collection is really nice,
18:14but it's a beautiful one,
18:15but it's a beautiful one,
18:15God bless her.
18:16There are more than you.
18:23Here you are.
18:24.
18:25.
18:25.
18:25.
18:25.
18:26.
18:28What do you want to say?
18:30You have a baby of the baby.
18:36What's the lemon?
18:38You're right, darling.
18:39You're right, darling.
18:40But the truth is, the truth is, the truth is.
18:42The truth is, the truth is, and the truth is, or the truth is.
18:46It's all right, it's all right.
18:48It's all right, it's all right.
18:49I'm going to see you.
18:52You're right!
18:52I'm going to tell you how you have done this?
18:55I'm going to eat meat!
18:56You're right this way.
18:58You're right!
18:58Join me!
19:01Join me!
19:02Join me!
19:03Join me, join me!
19:14Thank you, Lord.
19:15Thank you so much.
19:16You can't answer me a question?
19:20What are you doing?
19:21Are you happy to see your picture?
19:23What's your picture?
19:26Listen.
19:27Listen to the news that you've got.
19:29It's a strange feeling that you've got a hotel.
19:32You have a hotel.
19:34You have a hotel.
19:35I mean,
19:36I have a relationship with an anesthesia
19:39Anastasia Zifit
19:40who was arrested while
19:42the global anesthesia
19:45Nobassermay
19:46What's your opinion?
19:48What's your opinion?
19:50Where are you?
19:52Where are you?
19:52What's your opinion?
19:55Here's the conversation
19:58with a thousand words on their wives
19:59I'm going to find a new house
20:03and we're going to make a meeting
20:04and we're going to make a meeting
20:06and we're going to do everything
20:06and God will love the people
20:09But you're going to be a good one
20:11But the baby is sad
20:12Sad
20:13Sad
20:13Sad
20:14Sad
20:15Sad
20:15Sad
20:15Sad
20:15Sad
20:15Sad
20:16Sad
20:17Sad
20:17Sad
20:17Sad
20:17And
20:21Spend
20:23Just
20:24Our
20:27You can see
20:48What is your name?
20:49How are you?
20:50How are you?
20:51I know that you have to tell me about it.
20:53I have to talk to you.
20:54I'm going to tell you about it.
20:55I'm going to tell you the things I have to go.
20:57I'm going to...
20:59I'm going to...
21:02Good boy, baby.
21:03Good boy.
21:11Good boy.
21:21Come here, baby.
21:23Hey, baby.
21:24Hey.
21:25Hey, baby, I told you about putting money on my phone.
21:27Hey, baby.
21:31Hey, baby.
21:32Hey, baby.
21:32Hey, baby.
21:33What about you?
21:33I'm going to do more than what you did.
21:37God let me eat.
21:40Resto.
21:43You're the son who didn't leave me.
21:45My brother, my brother.
21:47No, no, no.
21:49No, no.
21:51I'm not going to take my brother's mother to you.
21:54I'm going to leave you with me.
21:57My brother, my brother, didn't have a father's father.
22:00He was a father's father.
22:02Listen to me, my brother.
22:03My brother, if you think you're wrong...
22:06You're not going to take him, but I'll leave him alone.
22:08If you don't have a father's father's father, my brother,
22:09you know what he's talking about?
22:10You're talking about the company and the owner of the company.
22:14You're talking about the company.
22:14I'll remove them.
22:15If you don't have a father,
22:17then I will do it.
22:18I'm happy to talk about you.
22:20If you're a father, what's going on?
22:23If you ask him, you're going to die.
22:26So, I say I'm proud to them.
22:26Mm-hmm.
22:28No.
22:29No.
22:31Allay khlili yaaki.
22:32Mm-hmm.
22:55Sallim dayatik mama.
22:57Mama mien habibin?
22:59Nel awwal.
23:00Tant maha.
23:02Okay?
23:03Sallim dayatik tant maha.
23:05Riehht l'aakel betshahek.
23:07She's like, she's a catapetlac,
23:09she's a catapetlac.
23:10She's a catapetlac.
23:10She's a catapetlac,
23:11and she's not a catapetlac.
23:13She's a catapetlac.
23:20I'm a catapetlac.
23:21Bamia and rizza,
23:22tfadl.
23:22I'm dying in bamia.
23:24I'm dying in bamia.
23:25And everyone who loves bamia.
23:26Binti don't get a bamia.
23:28And don't get a catapetlac.
23:29Mm-hmm.
23:29Mm-hmm.
23:30Mm-hmm.
23:30So you're better to get a catapetlac.
23:38Mm-hmm.
23:41Where are you going?
23:42Where are you going?
23:42Where are you going?
23:42I'm going to see a lot of you.
23:44I'm going to see a lot of you.
23:47I'm going to see a lot of you.
23:47Rostum?
23:48Mm-hmm.
23:49Rostum?
23:50Rostum, I'm sorry.
23:50You're a catapetlac.
23:51Tant maha, he's a catapetlac.
23:53He's a catapetlac.
23:57Mm-hmm.
23:59Mm-hmm.
24:00Do you think it's a lot of pressure on the hotel?
24:03No, it's not. It's a lot of pressure on the hotel.
24:08It's a lot of pressure on the hotel?
24:12It's a thousand people.
24:14Oh, good!
24:15Is it a fish?
24:16A fish, a fish, a fish.
24:18Oh, good!
24:19You're not going to die.
24:20How many of you eat?
24:22You don't have to worry about it.
24:24Tell me about your husband and Shams.
24:27There are a lot of friends.
24:28Of course, not friends.
24:30It's like this.
24:32But now there's a lot of pressure on him.
24:34There's a lot of pressure on him.
24:36Yes.
24:37If you don't, I don't think you're going to die.
24:39I don't think you're going to die.
24:41What do you want to do with you?
24:43Focus with me.
24:44I'm now going to understand everything from the dog to the kiss of your woman.
24:48Okay?
24:48You eat, it's not that bad.
24:50I'm sorry for you, Tan.
24:51No, I'm not.
24:54My mom.
24:55My mom.
24:58.
24:58.
24:58.
24:58.
24:58.
24:58.
24:58.
25:06.
25:06.
25:10.
25:28.
25:28.
25:29.
25:31.
25:32.
25:34What are you doing?
25:35I'm sorry I'm going to tell you. I know that I'm not too close.
25:39But I don't know if I'm going to hurt you.
25:41I'm going to tell you that I'm not going to hurt you.
25:44Is he good?
25:46No, I don't understand.
25:47Is this a mess or a mess or a mess?
25:50I'm going to tell you, I'm going to tell you,
25:51because you've been with your life with me,
25:53and there's a lot of life in my life.
25:55But do you feel like I'm going to hurt you a little bit?
25:58I'm going to understand you.
26:00And the story is not like you understand me.
26:03I'm not able to explain why you were with your wife.
26:06This is the only thing for the patient.
26:08But I told you that you're being with me and I'm going to tell you
26:10that between me and my wife is all right.
26:13From the point of view, we are both.
26:15You're not going to tell me anything.
26:17You're not going to tell me anything.
26:19I've seen you every time.
26:20You're going to tell me everything.
26:22You're asking me.
26:23I'm not a mess, you have to make sure to get back.
26:28What are you doing?
26:31What are you doing?
26:31What are you doing?
26:31What are you doing?
26:32My friend, he's not a mess.
26:34He's not a mess.
26:35I'm not a mess.
26:35God, he's not a mess.
26:39Why are you doing it with me?
26:42Is there anything?
26:44No, little boy.
26:46There's nothing.
26:46The truth is that they're not ashamed of me.
26:49And I'm not ashamed of them.
26:50I'm going to go.
26:51Bye.
26:57It's a mask.
27:00It's a mask.
27:02It's a mask.
27:02It's a mask.
27:03It's a mask.
27:04It's a mask.
27:04It's a mask.
27:06I want to understand you.
27:08What do you feel?
27:10It's a mask.
27:11When you see the chest and the chest,
27:13you feel like there's a skin in your eyes.
27:15You feel like there's a skin.
27:18You're like a human being.
27:19I want you to go.
27:21I'm coming.
27:27What are you doing here?
27:30I don't want to see anyone from this.
27:33The cat.
27:37The cat.
27:39The cat.
27:40The cat.
27:40The cat.
27:41The cat.
27:41The cat.
27:41The cat.
28:01The cat.
28:02The cat.
28:04The cat.
28:05The cat.
28:05The cat.
28:07The cat.
28:07The cat.
28:09The cat.
28:10The cat.
28:11The cat.
28:16The cat.
28:19What? What?
28:21Is it not a mess of water?
28:31She's trying to be telling me.
28:34The sun!
28:36The sun!
28:37The sun!
28:39The sun!
28:40What did we do here?
28:42What did we do here?
28:43I'm sorry.
28:44I'm sorry.
28:44We must look at you.
28:46I'm going to try to get you back.
28:48I'm going to try to get you back.
28:49I'm going to try to get you back.
28:51Tell me the truth.
28:53Is there anything you can do?
28:55I'm going to try to get you back.
28:57She came to me from Marwan.
28:59She came to me from the place.
29:01Marwan was going to try to kill me.
29:03What?
29:04It's like you did.
29:08Oh, God.
29:09I'm going to get you back.
29:12Don't worry.
29:12You know, you might do anything else.
29:14You can't do it.
29:16How am I going to do it?
29:18I'm going to see you back.
29:20I'm going to think about this and the love we can be.
29:22You mean you got me right here?
29:25I'm sorry.
29:28I'm from that.
29:29You think it's the best and I've been in a place to have it.
29:32You're right, you're wrong?
29:34You're right?
29:35You're wrong.
29:36You're correct with me.
29:38I'm too wrong.
29:39I'm too wrong.
29:40and understand her and understand her.
29:42Do you speak with her?
29:43We'll speak with her and with you.
29:44Don't let her go back to her.
29:46No, no, don't let her go back to her.
29:47Yes.
29:50Fadal.
29:54We're from the family,
29:55and a member of the company of the Agatha.
29:56Yes, let's go.
29:58I'm going to go.
29:59No, no, no, let's go.
30:00It's right, I have a lot of work,
30:01but it's not a lot.
30:02Let's go.
30:03Okay.
30:05Good morning and good evening.
30:07It's good.
30:07Good morning.
30:07Good morning.
30:08What's going on in the morning?
30:12This is him.
30:14I'm sure he's a man.
30:15No?
30:16No, no, no, no.
30:17No, no, no.
30:18No, no, no, no.
30:18No, no, no, no.
30:21Hello?
30:22What's going on in the morning?
30:24Did you get the money?
30:26We're ready to go.
30:2750,000 dollars for cash.
30:29I'll put them in a silver bag and put them in a silver bag
30:32and put them in a silver bag
30:33which I'm going to bring to you.
30:34I'll keep them in a silver bag.
30:3510.
30:37If you're a silver bag,
30:38if you're a silver bag,
30:39the white bag will be in your bag.
30:41How are you going to sell us?
30:43When you're going to pay us,
30:44you'll know.
30:46When you're getting the bills,
30:46I'm sorry.
30:47How's the matter?
30:49We're not making sure that we're going to permit you.
30:50He's going to be released.
30:51No, no, no.
30:52Don't take your money.
30:52Don't take your money.
30:53Don't take your money and kill you.
30:55No, no.
30:56Don't take your money.
30:57Don't take your money.
30:58I have a phobia.
31:00What do you think?
31:01What do you think you're paying for the money?
31:03What? I didn't understand it.
31:05Oh! I didn't understand why you're paying for the money.
31:08Do you remember your opinion?
31:09I'm not ready to pay for the money.
31:12If you're 50, you're better than your own.
31:15Sorry.
31:16My dear, I'm not going to play for two.
31:19In my account, don't play with me.
31:20Three to three.
31:22I'm paying for three.
31:23Are you paying for three?
31:25God bless you.
31:26Let's go for three.
31:27But we're not police.
31:28We're not police.
31:31But we're not police.
31:32We're not police.
31:32We're not police.
31:33You're not police.
31:33I'm not police.
31:35I'm going to go for a third of the money.
31:37I'm sorry.
31:38Let's leave a conversation.
31:39Don't do it.
31:42This is a mess.
31:43I'll get out of my pocket.
31:45I'll get out of my pocket.
31:47You're a mess.
31:50You're a mess.
31:52I'm sorry.
31:52I'm sorry.
31:52I'm sorry.
31:53You're a mess.
31:54No.
31:56You're a mess.
31:57Welcome, Sosanna.
31:58And I'll just say to you.
32:00You're a mess.
32:00My mother.
32:01You're a mess.
32:02I'm sorry.
32:03My mother.
32:04My mother.
32:05You're so notrope.
32:06She's saying all you need.
32:08It's my house.
32:10My mother.
32:12I'm sorry.
32:15A mess.
32:16Look at me.
32:20The museum appeared in a newspaper
32:21after its departure from the announcement of the announcement.
32:25It was a surprise to the Lord Wassim.
32:28He was a member of the museum,
32:31and he said that he did not stop
32:33from trying to eliminate it,
32:35but that he was afraid of himself
32:36and he was able to defend it.
32:38Yes.
32:39He's the king of the king.
32:42Go, go, go, go, go.
32:43But there's something very original.
32:47Good.
32:48This is when she asked one of the newspapers if there was a marriage between her and Rustom.
32:54She replied that...
32:57She replied that Rustom is a great man and she wishes any woman,
33:01but she is currently focused on the most important things in her life.
33:06She is focused on what she wants.
33:08She is focused on she wishes any woman.
33:11It means not to know whether she was sick!
33:14He is sick of getting murdered!
33:15She is the victim of the thief and he is still being taken as an accident,
33:18but I don't know how you should know how her life is.
33:20Yes!
33:21What do you see here after testing me?
33:22I didn't put a master in this chapter in my story.
33:24But everything is wrong.
33:25Oh, you're welcome, are you?
33:27Now, you say the thief is an innocent and he wants her to sell my wife?
33:31Or is there someone's behind you?
33:33Can you hear that?
33:35Who is wrong?
33:39Come or not?
33:41If you come back to me, I'm going to be afraid of him.
33:43If you come back, I'm going to be afraid of him.
33:46I'm going to be afraid of him.
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