00:00Huh
00:15Oh
00:15Jayla ghe ghar mein polis?
00:17Abhi to chalye aap log polis star station
00:19Sab kush moha patah chal jae gha
00:21Ajay?
00:24Ye sab kush mere vajah se ho ho hai
00:25Meeri la parwaahi ke vajah se ho ho hai
00:28I mean
00:30You've come to base camp.
00:32What is the thing for your photoshoot?
00:34I'm asking for my friends,
00:37I'm asking for my friends.
00:39Why?
00:49Bro, this picture was like a fashion magazine.
00:53It's not found anything.
00:54How? It's perfect.
00:56It's just about the fact.
01:00I'm going to touch you.
01:01Don't do it.
01:03I'll get out of the shoot for the heat.
01:06The team will also be able to reach.
01:10I had to do something.
01:13I'll give a pen to the water,
01:15until I get delivered.
01:17What?
01:18You've been gone for a while.
01:194 hours later.
01:20Yes, only the camera will be able to get out of the house.
01:23I'll get out of the house for the house.
01:26It's so difficult.
01:27What happened to you?
01:28Let me talk to you.
01:30I don't have a problem.
01:33I'm not doing it.
01:34I'm sorry.
01:35Okay.
01:37I'll leave you below.
01:39Alright.
01:47Hello Hanh Ji.
01:48As-a-am-a-lay-kum.
01:49Sheeba Khala was sleeping on the call.
01:53Khala?
01:55You can drop me a message.
02:01I'm leaving.
02:02I'm leaving.
02:03I'm leaving.
02:04Okay.
02:08Dad, why don't you open marriage bureau?
02:11Tell me about the girl.
02:12Did you like it or not?
02:13I didn't understand.
02:14Why?
02:14Is there a question of algebra?
02:16Why did you study Rumi behind me?
02:19Rumi and her mother-in-law.
02:20You and her mother-in-law.
02:21You and her mother-in-law.
02:22Just think about me.
02:24I don't want to marry me.
02:26Take it back.
02:27Hello.
02:28Waalaikum.
02:28Waalaikum.
02:30I'm leaving.
02:31Please continue.
02:32Where are you, son?
02:33I'm leaving.
02:34I'm going to a photo shoot for it.
02:36Hyderabad.
02:39I'm leaving for Hyderabad.
02:55I'm leaving for Hyderabad.
02:56You're going to take a photo shoot.
02:59Why would she go?
03:00She's saying that, Dad.
03:02You can call it Prashid Chajah.
03:03Can you leave the car now?
03:04I'll leave Hyderabad now.
03:06Why?
03:06Your mother-
03:06Your mother-
03:07Don't do it.
03:09Don't do it.
03:09She's wrong with her first.
03:11They're calling me.
03:12If you say that,
03:13they'll take me to Hyderabad.
03:14You can call it Prashid Chajah.
03:15I'll leave the car.
03:16Rumi, but they're also wrong with her.
03:18Let's go.
03:19I'll take the car myself.
03:20You?
03:21I'll take Hyderabad alone.
03:22It's not always wrong.
03:23I'm going to take it.
03:25I have a foot shoot in Hyderabad.
03:27Why are you still standing here?
03:29Okay, let's go.
03:30Okay.
03:31It's not a problem.
03:33You go with her.
03:34Yes, Rumi.
03:34Go, go.
03:35I'll go too, Dad.
03:36You sit alone.
03:37Go and change.
03:38I've called the girl to lunch.
03:39You can't go, Rumi.
03:41Please, don't go.
03:42Dad, I don't want to eat anything.
03:43I don't want to eat anything.
03:44I don't want to eat anything.
04:05I can't go.
04:06Rumi?
04:08What the hell?
04:16What the hell is that she's dead at home?
04:20He won't get out of the house.
04:22I hope he won't do anything.
04:24Right, right.
04:25Think.
04:41Hello?
04:43Hello?
04:43I've got some tension.
04:45It's a little weird. Let me open the door.
04:46Let me open the door.
04:59Let me go.
05:04Who are you?
05:08Mrs. Shepkat Munir's daughter, Varisha?
05:11Yes, I am.
05:13Let me tell them. Mrs. Bajwa is here with her son.
05:17Okay, Shani, you go to 7 o'clock. The movie plan is done.
05:20Okay, and you know what your father knows.
05:23Okay?
05:23And get them. This is Mrs. Bajwa.
05:25And this is her son.
05:28Hi.
05:29Are you coming for your family?
05:31Yes, they are.
05:35Wishy.
05:37Are you ready for 7 o'clock?
05:38Okay.
05:39You will go to 27 o'clock.
05:45Who is this?
05:46He is my best friend.
05:48And now he is also a lawyer.
05:49Come inside. Come inside.
05:51Come inside.
05:52Come inside.
05:52Come inside.
05:52Come inside.
05:52Come inside.
05:53Come inside.
05:55Come inside.
05:59Yes, uncle.
06:01Yes, uncle tell me how to tell her.
06:03How do you feel?
06:05How do you feel?
06:06I am leaving.
06:06I will reach.
06:08Yes, uncle.
06:09Yes, uncle.
06:09My heart is burning.
06:11He will tell me.
06:13Yes.
06:14Yes.
06:15Yes.
06:15Okay.
06:16Allah.
06:18What is the problem?
06:19Why are you getting attention?
06:24Why are you getting attention?
06:24In my opinion, Nana is very bad.
06:27What did you do?
06:29I mean, the nature is bad for a long time.
06:31This is bad for a long time.
06:32But recently, there was a situation.
06:35There was a situation in my opinion.
06:39Someone told me that it was very bad for a long time.
06:40What's the situation?
06:41What's up?
06:44I'm sorry.
06:49I'm sorry.
06:51I'm sorry.
06:56I'm sorry.
07:28I'm sorry.
07:29Sushi, how are you?
07:33Varishabhaji,
07:35I feel that her mother was so happy.
07:39Why?
07:40What happened?
07:41She's like a girl.
07:45Will you take me a lemon?
07:48That's just so good.
07:50I'll take it on top.
07:51No.
07:53I'm going to go and take it.
07:54You can take it.
08:10Why did you stop the car?
08:12I don't want to eat anything.
08:13No, I don't want to eat anything.
08:15I don't want to eat anything at night.
08:16I don't want to eat anything at night.
08:35I'm sorry.
09:00I jump in.
09:01I think I had the nightmare.
09:01Okay.
09:27That's me.
09:27By the way, I've used a big, big method that you've used.
09:30Is it for this mission?
09:32You? Wow.
09:35Of course.
09:36We are best friends, right?
09:39Partners in crime.
09:40So, do you think how will the next mission be complete?
09:46If you have heard what you say,
09:48then what you will say,
09:51it won't be good for you.
09:55Why don't you get clean girls?
09:56Why don't you get clean girls?
09:59Because our parents don't understand clean girls,
10:02so you have to make a tree for a tree.
10:07Let's go, is there another reason for this tree?
10:11Yes, I need lemons.
10:12For people's sins.
10:15Does anyone have any sins?
10:16I have made a salad.
10:18I think it's probably my fault.
10:20I'll take it.
10:22Do you have a plan for the movie in the evening?
10:25Yes, yes.
10:26But at 6 o'clock,
10:27I've never met Dad's dad.
10:31It's a very cruel world.
10:32I don't think I can see it from my eyes.
10:39Yes, see.
10:40Where did you go?
10:42What?
10:42Bromaila is with you?
10:46What happened?
10:48Oh.
10:49Oh.
10:50That's so sad.
10:52Dude.
10:53Do you want to ask him about his grandfather?
10:56Yes.
10:57Okay.
11:19Please tell me a lot.
11:21You love very much.
11:23Your grandmother's father.
11:25But that's my life of life.
11:28I've always spent many memories on my life.
11:30I think I've always put a lot of memories on your family.
11:37I've put a lot of memories with her friends.
11:38What's happened?
11:39That's great.
11:41It's such an age.
11:43That's great.
11:44And I'm just getting no new report from the forex.
11:46I'm not coming.
11:52And who was in Hyderabad in Hyderabad?
11:54I was a kid, but now he's a kid.
12:16I'm not coming.
12:18I'm not coming from a world,
12:20I am leaving you.
12:24Deep-tongue is my mind.
12:29I'm not coming from a heart.
12:31I'm not coming from a heart.
12:45Can you tell me the truth, Vanisha Bazi?
12:48How did you put the party in the party?
12:51I'll listen to him soon.
12:53Yes, they were coming, but they were very arrogant.
12:56They were both sitting.
12:57They didn't talk to me, they didn't eat food, they didn't drink tea.
13:00It was like Mrs. Bajwa had to take their asses.
13:04Please, don't send me any samples like this.
13:07I'll never find anyone in the future.
13:15I'll never find anyone in the future.
13:17I'll never find anyone in the future.
13:18Well, I'll never find anyone in the future.
13:23I'll never find anyone in the future.
13:24Well, I'll run away.
13:24If you tell me, how are you, Nana?
13:26How do you say anything?
13:27I see you, man.
13:30Don't get frustrated.
13:32It'll be fine soon.
13:41Hello?
13:43Hello, Mala?
13:45Hello, Mala?
13:46Mala, if you will die with courage, then what will you do?
13:51He's my father.
13:55It's the same thing.
13:57It's the same thing too.
14:00I'll be able to reach 50 minutes.
14:04Yes.
14:05I'll be able to reach you.
14:08I'll be able to reach you.
14:13Allah.
14:35Oh no, look.
14:50I'll be able to reach you.
14:51Oh, I really can.
15:00It's all like,
15:21Oh, you?
15:24I again.
15:29Do you think it's been a work?
15:32Yes, yes, now the work is done.
15:34And my name?
15:36What kind of happiness?
15:38The happiness of the happiness of these cupcakes.
15:41So this is your name?
15:44I will not leave it so easily.
15:47Okay, bye.
15:51Bye.
16:16What if you've ever taken care of?
16:19Hey!
16:20Variesha Bhadi, Samit is running a scene from Hero Heroine!
16:24That's what the problem is to move on from this side?
16:26Tadi, you have to do a job, keep my name Sushila and keep your marriage together.
16:32What's the matter?
16:33No, you love much. You have to do the work from me.
16:37Marisha Bhaji, don't be jealous.
16:39Stop it.
16:40You have to take this Islamabad. You have to go there.
16:43So, you didn't give this Islamabad?
16:45You didn't give it to me.
16:45You have to treat a emotional speech like a child.
16:47You have to treat a member like a mother.
16:50You don't have to do a job like a mother.
16:53You don't have to go anywhere.
16:53I go there. I always say this.
16:55My mother told me that my mother was first,
16:57but my father wrote a book.
17:00You don't have to do it.
17:02You don't have to do it.
17:03You don't have to do it.
17:03You don't have to do it.
17:04You don't have to do it.
17:05You don't have to do it.
17:08Why did you study it?
17:10Just go and check it out.
17:12Let's go to Hyderabad.
17:13So, you don't have to do it.
17:15You don't have to tell a person.
17:17How are you going to do it?
17:19Why are you going to do it?
17:20Why are you going to do it?
17:21And you also stopped the drama.
17:23It was good.
17:23I'm not watching.
17:24Let's go.
17:24Why are you going to do it?
17:53This was a very sad scene.
17:54I don't know what to do, but I don't know what to do, but I don't know what to do.
18:24Call Mr. Zranadhawa.
18:26I'm going to take my driver to Hyderabad.
18:29Do you want to go?
18:30Yes, I will too. I don't want to go.
18:33I'll leave my clothes too.
18:35I'll leave my clothes.
18:37Oh my God.
18:40Oh my God.
18:42How much trouble you are in Rome.
19:10Sir!
19:12What's your story?
19:15Sir.
19:16What's your story?
19:16What's your story?
19:18What's the story of your house going home?
19:18Yes, it's a mystery of Rumi Pajay.
19:21We are gone there.
19:23Do you want something?
19:26Yes.
19:27He doesn't have water.
19:29Motor on.
19:30Yes.
19:49Will you eat something?
19:50Do you want to go to your house?
19:54No.
19:56Do you want to go to your house?
20:14Your house is over?
20:14Where are you?
20:16Where are you?
20:17menitin kisiy lardki ki ki hodhi nah
20:19shayad wuh bhi man jat thi
20:20to phir aap aisa kerein
20:21kisiy lardki ki menitin
20:23kereke usse shadhi ke liye manalene
20:25bade saap
20:27khud ba khud maan jayenge
20:28go kishe
20:34yehi to on ki
20:35zindegi ka sabse bada
20:37dhukh hai
20:39to khatm greti tae hain kui dhukh
20:42koi mil gai hai
20:43kya
20:47tu bas semjh 50% kama ho gaya
20:49tu bas pir thik hai
20:51jaysse hi
20:52aapka kama 100%
20:54mukمل ho jay
20:55to aap mujhe bata dhe na
20:57mein khud bade saap ko bata dunga
21:03philal
21:04tu meisat kal kiraachi chelne ki tiyari ker
21:06ji thik hai
21:14kashan bhai
21:15dobarah is party ka kama
21:16amat paka dna
21:17shoo'te sabaas merah sara teel nikhal diya
21:20yaar
21:20yaar shoo'te ko chhoď
21:23tujhye pata laga hai
21:25kya
21:27yaar rumi ke gran'tfader ki death ho gia
21:33tujhye kisne bata ya
21:34yaar hunka watchman bata raha tha
21:36kya raha tha saree hyderabad chali gaya
21:42yaar
21:42yaar
21:43yaar
21:43yaar
21:44tuh phone bender ker
21:44میں se call kertin'o rumi ko
21:46yaar
21:47yaar
21:47meri kyaal mein abhi munaasib nih hoga
21:49saba kar lena honne kawan
21:53yaar
21:54yaar
21:54yaar
21:56tuhi
21:57oui
21:57woe deshka dar tha
21:58bata nhi kaise wadhtashit kare liuge vachari
22:14Rumi?
22:40Rumi, what was it?
22:43No, Dad.
22:46He was sleeping for 18 hours.
22:52The doctor gave him a tranquility.
22:55I had to give it to him.
22:57He had to give it to him.
23:00Before the funeral,
23:01his face was good.
23:05He was very worried.
23:07No father had to give it to him,
23:09but...
23:11he had to give it to him.
23:15We are so high.
23:20He was very attached to him.
23:21Please, don't worry.
23:25His wife was so high.
23:33My father's life had to give it to him.
23:37First of all,
23:38I had to give it to him.
23:41I was a slave.
23:43I was a slave.
23:48He was a slave.
23:52He was a slave.
23:54He was a slave.
23:55He was a slave.
23:56He was a slave.
23:57You just think that God had to give it to him?
24:02Do you know that God is in the future of them?
24:06Yes.
24:07Yes.
24:11Look at the face of the face of the face.
24:13Look at the face of the face of the face.
24:15How do I relax?
24:24The phone is off from yesterday.
24:25I don't have to sleep all night.
24:27So do you work with Varisha's house?
24:29I'll go to your house for a while.
24:31Why?
24:33I'm so sorry, I can't give you an address.
24:34You'll find me a little bit.
24:37Okay, you'll call me.
24:39I'll talk about Varisha.
24:41Okay.
24:45I'm so sorry, I can't give you an address.
24:48You'll understand.
24:48It'll be a little bit different for us.
24:51So do you work with Rumi Karachi?
24:53Then you'll do it there, okay?
24:56Okay.
24:59Yeah.
25:01I'm so sorry.
25:02I'm so sorry.
25:03I'm so sorry.
25:05I'm so sorry.
25:05I'm so sorry.
25:06Bro, you're going to take me back.
25:08There are two days of Varuqi's events.
25:10I can't handle it for me.
25:11But nothing.
25:13But nothing.
25:13There are two or four days.
25:16I'll do it again.
25:16I'll do it again.
25:17I'll do it again.
25:18Bye.
25:18Bye.
25:19Bye.
25:29Bye.
25:32Bye.
25:35Bye bye.
25:37Bye bye.
25:39Bye bye.
25:40Bye bye bye.
25:41Bye bye bye.
25:44Bye bye bye.
25:46Bye bye bye bye bye bye.
26:48It's not a shopper, it's Sushila's name.
26:50It's the same.
26:50Come back.
26:52Look mister, Panga is not Changa with Sushila.
27:01Panga is not a shopper, Panga is not a shopper, Panga is not a shopper.
27:27Panga is not a shopper, Panga is not a shopper.
28:00Panga is not a shopper.
28:00Panga is not a shopper, Panga is not a shopper.
28:36Panga is not a shopper.
29:13Panga is not a shopper.
29:25Panga is not a shopper, Panga is not a shopper.
30:14Panga is not a shopper, Panga is not a shopper.
30:26Yes, Madam, how are you?
30:29I want to meet you with Ackmal Daoud.
30:31Are you not here?
30:36When will you come?
30:37Madam, you are in Canada in the past two months.
30:40How are you?
30:42Yes, how are you?
30:46And how can you help him with Ali?
30:52They are sometimes in Karachi, sometimes in Islamabad.
30:55Do you have any help of her?
30:58I can get her number of contact.
31:04I am sorry, Madam.
31:06I don't have to pay for you.
31:08I am not.
31:10I am family friends.
31:14I will also come from Canada.
31:16If they get a number of contact, it will be easy for me.
31:19Can you write?
31:20One minute.
31:23Yes, tell me.
31:240321
31:260321
31:2749
31:2749
31:2849
31:2849
31:2949
31:3056
31:3059
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